Going For Gold – SPANKAHOLICS

1 May

M/f;  year: 2005;  time: 43 minutes

Here is a film very much in the style of CalStar, Paradox, or SfP in the late 1990’s, and as such falls right into our sweet spot. ‘Spankaholics’ is affiliated with ‘OohTeeKay” and does better with acting, cinematography, plot, and poignant discipline. Screen graphics relate the story–that a documentary is being made, but that the ‘film’ was shelved in 1996 when bare -bottom CP  suddenly occurred as the film was made. How offensive! If you like nude PT, stay on this one.

Brunette, pigtailed, blue-eyed wispy actress by the screen name of Chantelle Morgan, in training at the St. Judas Sports College, has finished poorly in a race and faces the wrath of hr coach, Mr. Mkills, himself a familiar and unforgiving disciplinariarn in CP filmography. He takes her to the gymnasium for a personal session, the documentary crew tagging along. Chantelle wears a simple T-shirt, blue school skirt, and red knee socks. This actress is so attractivew and innocent that the camera will insert full facials throughout the film.

There are several exmaples we have seen of coaches working over their younger athletes in gymnasium settings–‘Olympic Correction Unit,’ and several of the ‘College Classics.’ The combination of sweet young students, echoing gym walls, exercise equipment, and stern athletic instructors makes for red bottoms and tears.

Mills puts Chantelle through some drills–touch toes, hands-to-toes, etc. When she lies on a mat to do the bicycle, she is embarrassed and he immediately discovers she is not wearing regulation knickers. Cute stuff. She is sent off to get proper pants. While we wait, the film maker asks Mills about the cane at his side. He explains he uses corporal punishment as a motivator despite its illegality. It gets results, improves times.

Chantelle returns, is taken OTK. Her excuses fail. “‘Sorry’ doesn’t cut it.” A solid handspanking. She stands and pulls down her own knickers and the spanking continues. The film makers are seen circling the action.

Chantelle does not seem too disturbed about being here in front of Mills or the crew. When she is left kneeling with red cheeks to think, she admits to the inquiring photographer that this happens “once or twice a week” and it makes her practice harder.

She is allowed to rise and hikes her up her knickers . Mills puts her through bending and stretching exercises by forcing his body aganst hers, virtually humping her. “Feel the tension there?” “Yes, sir,” she says, surely feeling a lot more than that. Back on the floor mat, on her back, legs thrown over her head, Stretch! Lunge position, bottom arched high, a hard ping-pong paddling. Mills announces 100 strokes, 2o for each day she didn’t exercise. Sharp, entertaining smacks. After 40, they change positions, because this lunge posture is difficult to hold during a fierce paddling.

Chantelle kneels in the mat, reclining over one knee of Mills, so he can pin her to finish the final 60-strokes on the bare, alternating cheeks.

They move to the vaulting horse. Chantelle gets her panties back up again. After more guided stretching, almost intercourse with clothes on, Chantelle makes two spastic attempts to spring and vault the horse.

Top off, no bra, a brief frontal glimpse. We’ll learn that canings at St. Judas are always done in the nude. A lovely adult young body, thin, natural, and lithe. Over the horse, 20 strokes from a thin whippy cane guaranteed to leave wrap-around marks on her thighs. He fondles; she cries; tears drip.

The end script on the screen tells us Mills was arrested for unauthorized CP, exonerated when his girls would not accuse him, and is now teaching and training in “Eastern Europe.” We’re happy he found a place to practice his proclivities and we await his reapppearance.

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