Archive | July, 2012

Cautioned With The Cane – CALSTAR

31 Jul

M/f; year: 1997; time: 36 minutes

A silly plot but a fun fantasy, where the local constable takes matters into his own hands, as it were. Mrs. Jenkins is seen whirling around Southall Beach in her car,observed and recorded by a police constable, who apparently knows who she is and is soon at her doorstep.

Jenkins is a mature blonde, no bobby socks in this film. The officer, an older guy without noticeable dramatic flair, could play a role as a finance minister in another BBC film tomorrow. Jenkins denies such beach doings but caves when the officer shows her the sand on her car.

It seems Jenkins used to be married to a brother police officer who liked to entertain the boys with descriptions of their spanking games. The officer suggests that, in lieu of a summons, hearing, and a fine, they play some of those games. She is quick to agree.

To begin, he takes her OTK in what looks like the hallway of her house. We wondered why the scene was so confined; part of the erotic backdrop here is that Jenkins let this strange authority figure into her house and is going to take her pants off for him.

“Stand up. Take down those jeans.” He handspanks her standing, just a little white thong, mostly bare bottom. Bend-over at a chair. “You’re almost ready for the strap.”

He suggests they go upstairs, where he knows she kept spanking implements and all sorts of naughty things. He follows her mostly bare bottom up the stairs, having a better perspective than we get. “I must say, Mrs. Jenkins, that was a very nice view.” we have pointed out these stairway episodes where we find them,  our current favorite being in CalStar’s ‘Fair Measures.’

From an armoire, she selects red panties and a little satin waitress’ outfit, meant for nothing but naughty-time. Another nude dressing scene, typical of the film era. She gathers a supply of spanking implements.

The officer is very pleased with her choice of costume. Over a stool, spanking with a paddle on the tight red panties. “It’s time these came down.” Pubic thatch. “Perhaps move your feet apart a little bit.” She lies face down on her bed for another strap. He pulls the red knicks down, “right off this time.” Pillows under her bottom, still the position is not productive. She kneels up on her elbows, bottom high. Now it’s perfect! More with a wooden paddle.

“Lie down again….turn over.” He helps her into the diaper position. She has begun to whine, but he reminds her of the alternative—heavy fine and no car.

“Get up and bend over the stool.” She spreads her legs without being prompted. 10 strokes from the cane, the officer is hitting harder. While he selects another cane from the collection, “Let’s have this dress off.”  Jenkins faces us, fully naked, hands on head. Back over the stool, legs splayed, 8 more with a stiffer cane. A closeup confirms Ms. Jenkins is quite excited by all this. He’ll be watching for her car and would love to come back here again. “Stick your bottom out.”


Beating at the Bell – CALSTAR

31 Jul


Feels like an early CalStar and uses the 1950’s-decor pub for its set we’ve seen before, except that the Lesbian sex play is unusually explicit for an early film. We’re at ‘The Bell,’ a roadhouse. Three slightly sleazy-acting waitresses loll and skylark instead of working. ‘Katcha,’ a striking brunette; ‘Tammi Lee,’ another brunette, runway-body, and ‘Michelle,’ a reddish-brunette.

The girls wrestle Tammi onto her back on a table top, unbutton her clothes, dispose of purple panties, and give her a jolly rogering, almost a fisting, some hard jamming, maybe some anal penetration. Aggressive stuff for CP.

Club owner Harry bursts in on this lesbian melee and is suitably upset. In lieu of firing them, “I’m going to deal with it my own way.” Tammi, being the naughtiest, will have the roughest time, but that’s what we came for. Harry is one of the grizzled ageplay guys from central casting who might be working for nothing to get access to these girls.

The nightclub-spanking theme crops up frequently, probably because the sets are available daytime and the models are plausible employees.

Tammi, “Tammi Fucking Lee,” Harry calls her, goes OTK, little red skirt up. They suddenly shift position of the chair–someone couldn’t achieve the proper camera angles. Harry pulls her purple lace knickers down. [sirens on the soundtrack]  The low-end girls taunt the spanking and cuss. Michelle is next OTK. Her white panties, decorated with red accents, fit delightfully tightly. Perfect tush. Harry separates her thighs and brings the knickers down ever so slowly.

Katcha retrieves a soft paddle. Michelle must lean over a cocktail table. Paddling hard and loud; she stretches those knicks tight across her ankles. Katcha over the table, then over Tammi’s lap. Black knickers. Harry wants her to hit harder, then takes over.

We move to another room,  a gaudily memorable place. Katcha is spanked. Tammi makes sure we see her charms as she holds Katcha still. A low shot of Katcha catches the flash of a pussy ring.

Since Katcha acts as “manager,” she gets the cane. “Oh no,  Harry, not the cane. That really hurts.” The room goes quiet; almost 30 strokes shown–repeats, various angles, but the hardest spanking yet.

Spectator Michelle bitches just a little too much. Bend-over, pants down, six strokes.

At the conclusion, the voice of Michael Dawes booms on the set, shouting at the girls. Has he been the director?


Miss Bondwell’s Reformatory – LONDON ENTERPRISES

31 Jul

F/3f; year: 1993; time: 57 minutes

A clunky American production; silly Victorian costumes and terrible acting; the lead actress saves the day as her clothes come off. Confusing story (we made the mistake of seeking a plot), but four naked and unusually beautiful ladies.

Pretty auburn-haired Prudence, doe-eyed, pale and freckled, is delivered by her Uncle Cyrus Fenwick to the Madame at Miss Bondwell’s Reformatory. Private arrangements are made at this place to straighten out young ladies. It seems they are also given some brothel training, which should make them very entertaining when they return home.

“Let’s have a look at you.” “I beg your pardon?” Prudence stammers. “Your clothes, get them off….I  want to see your bottom.” Madame (she is played by B&D actress Sharon Kane) rings and sexy maid Felicia appears. Prudence soon strips to just a bustier. Madame is surprised (and so are we) to see she is not wearing a bra or panties. She is handcuffed and led off.

In a dormitory setting, now in their nighties, Prudence meets Alicia, who tells her this place is just a cover for a bordello. She will be delivered to customers soon. The girls are chained to their bunks for the night–hope everyone used the John!

Next day, it’s time for a session for Prudence. A maid pulls her corset stays as tight as possible; b&d collar and cuffs attached, her arms fastened overhead to a spreader bar. Very sweet, pae freckled skin, boobs above the corset, bare bottom and tawny pubis below. After a little teasing, she is released to practice posture walk with a book balanced on her head. An entertaining drill when the young lady is also naked. She gets 10 strokes of a riding crop for each book drop–twice. Great closeups of an absolutely perfect bottom.

The film is divided into scenes. Madame is in bed, mostly naked. Prudence is strung up, made to watch a nude lesbian scene between Madame and a naked maid, Alicia.  Mild faux stuff but sweet bodies. Silly Gothic music soundtrack. Alicia  kneels on the bed, thighs wide, totally exposed, her buttocks and thighs all muscle, for a spanking. Madame is aroused. “It’s so red,” she declares. NOT! Nobody is spanking hard enough here. And, in a turn of events definitely not found in CP, Alicia lies on her back and the Madame sits on her face for some oral attention.

Newbie Prudence is chained up again for the night and told “You will be sent to the other house tomorrow night.”

More scenes: The Madame keeps tormenting her girls. She straps naked Felicia to a St. Andrew’s cross, “your favorite thing,” full frontal, and is flogged on her nipples and thighs, while an anxious Emily watches.

Scene: Emily is fastened on her back on a rack, her legs elevated and spread,  her ankles fastened to a spreader bar, loosely enough so she can wriggle maddeningly, camera shots between her legs. Naked Prudence must witness.

It was cheaper on the budget not to see Prudence’s brothel debut. Madame was pleased. “You could hear him screaming,” she says of Prudence’s client.

The film concludes with several scenes of Prudence in the madame’s chamber; she is pretty enough to arouse us just standing there. She is strung up naked to a pole, nuzzling it between her legs for a mild, sexy spanking and cropping, her round perfect buttocks featured in a closeup.

“I think it is time we go to the rack.” Fastened face up for the flogger, fuzzy frontal closeups, nipples erect. Uncle Cyrus is ushered in by Emily and feigns shock.

In the final scene, Prudence is now the attending shackled maid, ready to receive female trainees.

Caning After Hours – CALSTAR

30 Jul

M/f; year: 1997; time: 15 minutes

An older guy, ‘Andy,’ seems to have care of a young lady, played by our cherished actress Alison Payne, who we have praised so much, to the point of obsession. She is as naughty and deserving here as in any film of hers you will see, all communicated in a brief 15 minutes. Long chestnut hair, charming face, and a wriggling body no spanking could ever subdue.

Alison begs to go out for the evening, wiggling and tempting with her body, wrapped in a short striped jersey dress. A 12:30 AM curfew is established, as he playfully slaps her bottom. “Be careful.” Andy knows she will be late and will have had a few drinks, setting up a stupendous opportunity for him, so he waits up, paddle/strap kept warm in his hand, as she gambols in at 1:10 AM.

“What’s that in your hand….why do I have to take a dose of that?” says Alison, when she sees the strap. He has filmed her ditching her last drink in the bushes as she arrives. There is the normal CP repartee Ms. Payne does so well, surely without rehearsal, as Andy gets her OTK. Skirt up, white panties, he smacks her glorious bottom, one of the treasures of the industry. She will be content with these attentions so long as Andy doesn’t tell her mother. Andy calls her a “temptress,” rightly so.

Andy bunches her panties then pulls them down. The camera zooms to hold her bottom full-screen. She struggles, but not too much. Andy is having a high old time with her, and she is not unaware. “Stand up…take your knickers down…off.” In one of our favorite moments in the film, Alison hands him her panties with saucy defiance; he refuses them and she tosses them aside.

“Pull your dress up.” She presents a completely unshaven thatch with the same casual insouciance and downright pride, as if to say ‘Like it?’  He sends her upstairs to get her nightie on while he gets his cane.

She returns in a slinky white satin affair and is surprised. “I thought I was getting the strap, not the cane!” She bends over a chair. He asks her to pull her nightie tight over her bottom. She takes 6 crackers on the satin–nobody whines and begs quite like Alison.

“Pull your skirt up.” Bare bottom, with some lines already drawn. She wasn’t wearing knickers. She takes 12 more, harder, and cannot keep count. Legs shake and quiver, bottom writhes. Gasps. Nightie back down, she is sent to bed with a few zingers ro spur her along.

Total Embarrassment – MOOD PICTURES

26 Jul

2F/4f;  time: 1 hr, 25 minutes

The theme here reminds us of Raven Hill’s ‘Beach Girl Spankings,’ where the enterprising producers comb the beaches of Tampa and induce girls to be spanked on film for money. Mood takes the concept to another level, as you would expect, applying their distinct European intensity.

Mood’s ‘Kyra’ cruises the streets, looking for attractive, approachable single girls. In preparation for “Game One,” she convinces a tall blonde behind a retail counter, and two brunettes window-shopping, to return to the studio for a “party.”  The premise is–the girls will be guaranteed $2000 to play a quiz game, removing one article of clothing for each wrong answer. The first girl naked will be the loser and accept 50 strokes of the cane.

We have enjoyed various forms of the bottom-gamble: strip poker, shoots-and-ladders parlor games, straight poker, dice, where the loser, always an embarrassed, hesitant young lady, must concede and pay up the hard way. At Mood, rhis conclusion is downright terrifying. We have frequently turned away from Mood’s harshness, but here the girls’ reluctant compliance with the rules of the game and their desire to make money makes it more palatable for us.

The girls chat with Krya in an informal sitting room set, sweetly nervous,with self-conscious glances at the camera. The rules are repeated, including the caning penalty. The quiz on geography produces wrong answers. The girls must stand to undress. When bras come off and we’re down to panties and thongs, Kyra has to encourage the girls not to cover their nudity. On the last round, the big blonde wins by saving her white thong, her last garment, while the two brunettes become naked, both losing their panties on the last round. So both will  be caned.

The naked girls kneel on a low table with an inverted-U shaped frame in the middle, designed to keep their backs arched. Wrists are manacled; knees spread. The caning, on the buttocks and with access to the complete expanse of the thighs, is ferocious, done  by two women, alternate strokes, much wailing and gasping. “Dish your back. Stick it out.”

Game Two: Kyra back in the car for a windshield prowling search for sexy material. Brunette Suzy and frosted blond Daphne are persuaded, and after a quiz on countries and capital cities, the blonde is handing over her panties and headed for the table. “Get ready for the cane.”

Game Three: the screen prompt reads” “4 girls, two losers.” 2 brunettes and 2 blondes. Same studio quiz, foreign currencies. A blonde and a brunette get the right to scream through 50 toe-curling strokes, naked side-by-side on two tables.

Caned and Shamed – SPANKINGONLINE (SOL)

26 Jul

M/f; time: 33 minutes

We have spent some money with this Internet-related company, which has collected a few pearls from various vaults and issued medium-length no-nonsense spanking films, with plausible storylines, some CP stars, and effective action.

In this film, a diminuative schoolgirl stands in a corner of an office, apparently awaiting the arrival of a disciplinarian. She pulls her pants down, fondles her bottom, and plays with herself; the nervous anticipation of getting a spanking is not all bad.

A male teacher enters, scolds her (we couldn’t hear her offenses). She is quickly and willingly OTK, skirt up, white panties. He raises an even red glow on both cheeks below the knickers on her bare thighs.

Panties down, not a sound, she remains steady and tranquil. She stands for more lecturing, unconcerned by the fuzzy frontal display she presents, panties puddled on her shoes. Sexy. She is cornered and allowed to rub.

The male returns after this break and takes a cane off a hook where it has been looming under her gaze.  The young lady assumes the position, hands on ankles, and takes 17 strokes before she jumps up out of position, fighting hysteria. Back in position–15 more zingers.

FADE to a bedroom scene; she must be in boarding school; she masturbates in bed and there are flashbacks of her spankings, caning, and humiliation. She has a huge battery-operated dildo with the little attachment to get at her clitoris. She knows just what to do and jerks to orgasm.

She dresses slowly into schoolgirl kit and reports to the same office, for more punishment. She must bend over, the teacher lowers her pants–there are the results of the previous caning. He lays on 10 more cane strokes, and then with a touch of insidious meanness, he lays on 10 more on her buttocks crease and upper thighs. She is in tears, hands over her panties, and willingly spreads her legs.

She positions a small chest and climbs on, into the diaper position, for another round of caning, all much more than punishment by now.

Before she returns to the corner, she must completely undress–blazer, blouse, skirt. Nervous shivers–very good. But even more, a naked bend-over for six more with the cane, before she collapses naked on the floor into the fetal position, looking very small.

Back in the corner, closeups on her bottom show the canings were indeed low on her buttocks, the upper portions are mostly clear, not laddered as we are used to.

The Body Shop – OOHTEEKAY/

26 Jul

2M/f; time: 55 minutes

Cecil B.  and Christina Carter in another long film, mostly an homage to Ms. Carter’s naked body.

Christina argues with the service attendant (Cecil B.) at the counter of an automobile  body shop. Haven’t we all been there? However, not too many of us have lost our pants in the process. Cecil bends her over the counter, has her skirt up; soon she takes her blouse off, she goes OTK, her black panties come down, she kneels on the floor, he pulls her bra down, a hairbrush materializes from somewhere in the shop, she kneels on a chair displaying full charms, this session ends, she dresses.

This improbable string of events would not be notable except for the Reubenesque body of Ms. Carter, for which the whole sequence was devised. Cecil never spanks hard.

Another guy enters the office. What the hell, they will spank Christina all over again, together. After some more over-the-counter the three go out onto the shop floor for some diverting games which suggest no customers will be walking in.

Christina is made to strip naked. She embodies all the latest craze in TV-reality girls in one package. The boys tie her up, actually hogtie her, slowly, and gag her. She is partially released, then strung up, struggling professionally, with a ball gag muffling her gasps. Next she is tied spreadeagle over the hood of a car and given a thorough frigging, including a finger in her anus.

Released, hands tied behind her back, gagged again, she is locked into the trunk of a car, gangster-hit style. These elements of standard B&D are not fully consummated somehow, maybe the bonds are a bit too loose or Christina is  too compliant, but we’ve had almost an hour of her body, enough for both guys.

Ace of Spades – LUPUS/RIGID EAST

26 Jul

2M/3f; year: 2007; time: 25 minutes

A simple two-scene story, set in Prague, in the 1930’s, where a pimp of prostitutes, played by notorious spanker Jan Zlotousty, gambles in the back room of a bar with other sleazy low-life, street-living friends.

The men drink, gamble, and smoke at a little table–a realistic, if a bit theatrical, scene. A shabby brunette ‘Dara’ creeps in with some money she has earned for Jan. It is an insufficient amount and she has held back some, so he puts her over the card table in front of the other men, skirt up, satin shorts down,and gives her a hard whipping with his belt. The girl screams and twists; it is typical Lupus-harsh and severe, instant marks.

After another FADE, actress Alexandra Wolf, acting as procurer for the pimp, brings two more girls in to see Jan and his gambler-friends. After another FADE, Jan meets a ‘john’ customer, dressed in a black suit and bowler to suggest some sophistication. He seems to want a girl he can whip.

Jan introduces the two girls Wolf has in tow, blond Nikol and buxom frosted blond Petra. After some interplay, he gets the girls to strip naked. Both are shaved clean. He requires them to do simple PT exercises nude. He is going to spank Nikol first; Petra ties her to the frame of a brass single bed. Petra is delightfully nervous, and both girls present plenty of high-style Lupus bare-bottom in the process of securing her to the bed.

The john begins a harsh flogging with a leather strap. Nikol breaks free from the poorly tied rope bonds and struggles to overcome her instincts to escape the strap. The john wrestles to hold her over the bedstead and gags her with a simple cloth, maybe her panties. Because she evades so much, the strap marks show all over her buttocks and thighs as the john slashes.

Jan enters this melee and is clearly angry that his girls are putting up such a fuss with the lucrative john. Petra unties what bonds remain on the surging Nikol and herself kneels on the floor, lies over the bed, and presents her bottom for her turn. She is a more traditionally buxom Victorian figure than Nikol, who herself is an eyeful, being all-bottom.

The john whips Petra and she too breaks free of the weak ties Nikol did to hold her. She squawks–turned down our volume.

FADE, still in the shabby bedroom. Ms. Wolf and another gambler, ‘Lucas,’ inspect the girls’ bottoms. Wolf pursues Lucas around the room for some infraction. The film ends back at the gambling table……


Final Warning – CONNOISSEUR CP

26 Jul

F/2f; year: 2004; time: 1 hr 6 minutes

Actress ‘Monica’ plays the cousin of two girls staying with her, who have been suspended from school for smoking and drinking. Naughty girls headed for slaughter. This is part 1 of a harmless group-spank, performed by seasoned actors. Probably part 2 was made at the same time, necessitating a clear bottom to reflect the passage of time.

Monica’s mother, the girls’ aunt, reminds them they can be sent to ‘Mr. Bottomley’s Reform School’ for a five-day session, a visit which worked wonders for Monica. In fact, we will see this operation in the sequel, ‘Five Days In Reform School,’ because the girls do end up getting a weekend there. The girls are left in Monica’s care, who leaves them alone. They quickly get into smoking, drinking wine they found, and taking and posting obscene photos of each other onto the Internet, with a large digital camera and a laptop. Actresses ‘Kara-Jane’ and ‘Morgan Taylor’ play the parts, two experienced CP actors.

Monica returns, stops the skylarking. She’s going to give them “a spanking, a strapping,” right now. She smacks both bottoms, skirts up, as they kneel on the couch. “Wait till you get to that reform school.”

Morgan, a solid frizzy-haired blonde, will be spanked first. On the chair, handspanks, a large floppy red paddle used very hard, and a thin strap. Lots of pauses for rubbing. Panties survive. Kara peeks from the couch.

Blond pageboy Kara, more diminuitive, is next for the paddle. She bends rather than kneels and Monica takes a few shots at her thighs, which elicits yelps. Kara gets a bit of the strap, then Monica lines up the two bare bottoms for comparison, then sends the girls to put on pajamas while she gets the cane.

The girls return in pj’s and see the cane. “Unhfortunately, there has to be a grand finale….if you go to that school you will have this every day.” Morgan bends over a chair and gets a dozen cane strokes on her pj pants.

A word here about pajamas. It is difficult to look on a pretty girl in two-piece pajamas without conjuring a little nighty-night session. Drawstrings are our preference. On another occasion we’ll list some of our favorite pajama scenes. “Morgan, take down your pajama bottoms.” 12 more on the bare, counted out.

Kara wears pink pajamas. Over a chiar, 12 on pants, then 12 on the bare. In all cases, the girls carefully guard against any frontal glimpses. “How does your bottom feel, Kara?” “Sore.” The girls are sent off.

FADE to a new day, the mother has returned. She discovers the salacious photos on the laptop.

The girls will be going “to the reform school tomorrow morning.” We guess you just call the place, make reservations, and send along the fee later. Must be exciting when the phone rings in that place.

But first, the mother will spank everybody, including Monica, who failed to supervise. She sees the cane marks on Kara, unauthorized, in fact earning Monica a seat in the car to the reform school tomorrow. She spanks and paddles all three girls in the conventional fashion.

To Taste The Strap – B&D PLEASURES

25 Jul

M/3f; year: 1991; time: 54 minutes

Three M/f spanking scenarios with actor Sonny Daze, each with an adult film star whose charms without pants especially please and qualify her for CP filming. The spankings are mild and on the playful side. The attractions for us here are the glorious actresses, who are performing in various states of undress (and duress).

I-Sonny and actress Kym Wilde play on a couch. She wants a spanking and puts a video in a VCR to entice Sonny. Sounds of a squealing spanking are heard from the tape as Kym seduces Sonny. “I’ve been naughty,”  she coos, flashing her bottom. Kym looks 6 inches taller than Sonny and seems mostly legs, with a hard dancer’s bottom.

He plays with her OTK, gets her stripper’s latex skirt off, her thong down, for playful spanking and strapping. She wants to get in bed. “Now?’ she begs. “Not now….but this is a heck of a way to warm up.” Kym’s big powerful bottom is totally red before he carries her off-set.

II-Sonny w/curly haired British actress Tina. “Well, well, Tina. You finally made it to the punishment room.” He gets tiny Tina OTK, is amazed at her skimpy thong, and spanks her suntanned bottom. After some strapping, hands-on-chair, Tina lies lengthwise over a vaulting horse for 24 strokes of the cane, which are counted aloud. The strokes, as with all the spanking in this film, are not mean enough to raise welts, but she dances to the sting, her toes just touch the floor. At the conclusion, cornered, bottom on display, to the camera: “Maybe I should do this again.”

III-The estimable Tanya Fox appears with Sonny, as a frisky schoolgirl, dressed in black-and-white shoes, knee socks, plaid skirt, sweater-vest, blouse, and necktie. According to Ms. Fox’s filmography, she made a series of CP videos in the early 1o990’s, winding away from hardcore films.

“Wow…Sonny Daze…I’ve always wanted to be spanked.” Sonny: “Let’s get started, then,” as he rubs his hands together. “Are you warming up your hands for me?”

Tanya is invited to select a spanking implement from Sonny’s collection hanging on the wall. She picks a strap. “Ooh, thick!” Lots of playful erotic CP chatter throughout. Ms. Fox excels in naughty ad lib spanking talk. Sonny straps her down to the bench. Tanya coos in mock submission. Skirt up, loose white panties, a mild strapping. “Oh, it stings, sir.”

Sonny pulls down her panties to get at her “perfectly bare bottom,” and Tanya lifts her hips to assist in the frolic. The camera shoots up her legs from below. As he spanks, she kicks her legs wildly, encumbered by her panties at her ankles. “Are you having fun with your panties, fulfillinng your dreams?” “Yes, air.” After more strapping, Sonny strokes her bottom with his fingernails then releases her. Scrumptious Tanya gets up, favoring her sore bottom. “Oh, I’m dizzy.”

If you look at her films credited in 1991, you can understand she could not afford to take a severe spanking and keep up her appointments.