Severity School – CAVERN

10 Sep

5M/3f; time: 41 minutes

This film, although distributed by CAVERN, feels like a MOONGLOW product from the late 1980’s or early 1990’s. The actors come from that era. The film itself is almost a continuous string of out-takes. It contains flubbed dialogue, misplaced laughter, noises on the set, errant camera angles, simplistic and ineffective blocking, out-of-character ad libs, and more. Yet, we highly recommend this cheerful farce; it feeds our vintage tastes, and we will illustrate why.

The film features spanking impresario Ivor Gold and three of the sweetest bottoms in the industry at the time, that of Alison Payne and two other models seen in the genre. The girls are being punished in the presence of 5 men–Ivor, a younger man, and three others whose faces are never shown. All will participate in a rousing spanking, strapping, paddling, and caning of the three girls. A circus. The mystery men are given chances to fondle, feel, and explore the girls. We have suggested elsewhere that this may have been an off-the-record form of school fund-raising.

The girls wear spiffy white blouses, pristine red pleated skirts, white knee socks, and in this school, white knickers. The film celebrates bare bottoms–there is no frontal nudity but for an accidental flash, no boobs, and these ‘dirty old men/perverts’  do not undress the girls, much as we were hoping they would try.

The film opens with the girls lined up in front of the unseen men. Ivor pulls up their skirts to expose the white knickers, and in Alison Payne’s case, fishes out Ford car keys front the front of her panties. Her mock surprise at the invasion of his hand matches many moments of entertaining acting from her. Everyone fights mirthful laughter, at the ad lib lines, the story, the circumstance.

The three girls will be spanked in turn, for various infractions irrelevant to our review. ‘Gillian,’ a dramatic starlet-like brunette, posed for nude photos, which Ivor passes around to the very interested men. The men take turns spanking Gillian OTK; her pants come down to stay in the process. Some spank harder than others, and some spankers get in some fondling. One aggressive spanker elicits an obscenity from her, which generates hoots and guffaws from all. Breathtaking closeups of her reddening bottom.

The men move Gillian over a school desk for a sampling of paddles, straps, and tawses, including a little “guessing game” of which is which. A stroke occasionally nicks a thigh and she reminds the spanker to be careful. At the conclusion of her session, Gillian must parade her bottom off-screen to each man for a careful exmamination. Ivor takes her over the desk again to top her off with three concluding tawse strokes. The men applaud Gillian. She announces she must leave, a taxi awaits her to take her to a “modeling job.” Such extraneous ad libbing makes this film a curious oddity.

Alison’s turn (she ‘borrowed’ that Ford from someone at school) comes next, and in a rough cut which misses what we enjoy very mch about Ms. Payne, her knickers are already at her knees and she is bent over the spanking trestle. She counts out four sets of 12 strokes from the men; some she takes in stride, others bring gasps and she needs a moment to recover. Some welts and bruises on this bottom, a National Treasure. The third girl, blond ‘Amanda,’ seeing this toe-curling caning, elicits hoots of horsy male laughter from the men when she announces a taxi is waiting for HER.

Alison is cornered, where her buttocks will remain in the shot for most of the rest of the film. Blond Amanda goes next, over a school desk, “head and shoulders right down, please”  for a succession of handspanking and the implement collection we have seen. She too protests when a thigh gets winged. Alison waddles on and off-set a few times, panties at her knees. Has to get where, to the bathroom? More unscripted informality to add to the free-form performance.

When Alison turns into an oblique profile in the background, you will see the reason for the length  of the  film credits after her name on the ‘Watch the Moonglow Girls’ site. Her plucky adventurousness helps.

Amanda’s turn for the cane. “Gentlemen, avoid the legs.” She takes 12 from each man. The cane is left in her buttocks crack at one point. A loud boom-box bass thump invades the sound track to laughter. Ivor acknowledges the caning cannot keep pace with its rhythms. He gives Amanda a respite, a “RE-SPITE” he calls it, twice. Amanda stomps and jiggles her cheeks maddeningly. A floor mirror picks up a few facials, an angle mostly omitted in this film.

Since Gillian caught her taxi and is probably standing naked at her next job by now, only Alison and Amanda are available for a final memorable bare-bottom lineup. The men gather for a final feel.

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