Archive | December, 2012

Annika’s Demerits – RAVENHILL

22 Dec

2M/3f; time: 63 minutes

A comical RavenHill  storyline–schoolgirls vs. uniforms; we have said we prefer producers Richard Lewis and Tierre Aniese when they play more ‘documentary’ parts, as in the ‘Beach Girl’  and ‘Resolved by Corporal Punishment’ series. Somehow, the spankings in those films seem more crisp also.

Pigtailed brunette ‘Annika’ is scolded by ‘Frau Schmidt,’  a corny female-guard type reminiscent of a Grade D girls-in-prison flick . The good news here is that we know the spankings will be real and not Hollywoof-faux. Annika is falling behind her her academic work.

In her room we see her studying in undershirt and panties. Some classmates wish her harm and distract her with beer, Heineken by name, easily accomplished.

She bags her test, the Frau confronts her, and assigns her 38 demerits, which qualifies her for corporal punishment. Richard Lewis, as ‘Marshal Schobel,’ appears in a uniform which would have worked in a 1930’s Cagney gangster film, to deliver the mandated dose. Annika’s girlfriends have crept onto the roof and watch Annika’s demise through a screen. She is taken OTK for a silly handspanking. “Let’s get those panties right down,” Lewis likes to say. She kicks nicely, though.

While Schobel does his work, Frau Schmidt has heard squirrel-scurrying on the roof and catches the two peeping toms. Annika is bent over a cheap metal school desk, not one of the antique relics a British producer would have used, but we are not here to admire the furniture.

Frau takes the two girls to the ‘commander,’ played by Tierre, also wearing a community playhouse unfiorm, but his has epaulettes. He, like Lewis, playfully uses a Germanic accent from ‘Hogan’s Heroes.’ Both girls will be spanked in his office, and we know he is a connoisseur of the finer points of the process. He handspanks both girls OTK. “How would YOU  feel if someone was up there watching?”

He sets two benches in his office. “Strip naked. Everything off. I  want you on those benches….face down. Hold on tightly.” Silly paddling, before the girls are sent off.

Now that Schobel has warmed up Annika, she is sent to the commander. After a cartoon lecture: “We’re going to begin with the trusty paddle….(OTK)…I  see the results of the effects of the Marshal’s work.” Tierre always likes spanking talk while he runs a hand over a bare bottom on his lap. After an ineffectual paddling where she isn’t positioned properly for good swats: “Step up for your caning…we always cane with the girl naked, nude, not any clothes at all.” She slowly strips and he is so eager he helps her with the buttons. “Oh, how I enjoy unbuttoning.”

She lies naked on the bench; “Up on your knees.” Chin on the bench, bottom arched, a bizarre posture, but fun. He uses a thin, whippy cane, very rapid strokes. 30 more slowly, then a flurry of 15 or so, sexy, the hardest punishment of the film. Annika’s squeals turn to screams. Of course the posture fails because she can’t keept balance. She ends up flat on the bench, Russian style.

“The markings are a must,” crows Tierre. Annika kicks her bare feet. These sequences will completely fund your purchase. She will actually get more to conclude. “Ten, you will count them!” With such a flat bottom, the thighs become part of the target.


Red Rolls Royce 2 – REDSTRIPE

21 Dec

MF/2f; year: 2001; time: 50 minutes

From the Red Stripe Ivor Gold era, about the spanking of upper-crust bottoms. Actress ‘Stacey Rowe’ has a list of credits on Moonglow  for this ‘Tara’  character. The spankings will not rattle your teeth, but the portrayal of the British landed class and their obsession with the English Vice of CP  will entertain.

The video is shot entirely exterior. Richard and Tara Wentworth pull onto the gravel of their country estate in their red Rolls Royce convertible. they quickly argue about Tara’s (Stacey Rowe) behavior at a business lunch. She is a tease and a flirt, as one can see by the way she hangs out of the blue gown she wears. Richard: “If you’re gong to act like a child, I’m going to treat you like a child.”

He bends her over the ‘bonnet’ of the car and begins spanking her in the bright sunlight on the entrance drive to the mansion. Ms. Rowe is a buxom blond actress no longer suitable for schoolgirl assigments, but engenders high praise as her bottom shines in the sun, just a little white thong showing after her blue gown is rucked up.Richard spanks ineffectually, pushing rather than smacking.  He likes to spread the legs of his spankees.

A maid, Prudence, watches from the doorway, more than amused by her ladyship’s predicament. She comes out onto the gravel and hands richard a mobile phone. He pauses belaboring his wife’s bsre bottom in front of the maid to speak to and apologize to the luncheon guests for his wife’s behavior. “At the moment, she is having a damn good spanking.” He sends Prudence for the “trungeon strap” (we thought we heard). Prudence, dressed in a naughty short-skirted maid’s unform with crinolines underneath, stocking tops and garters showing, returns with the implement on a silver platter. Female bottoms are difinitely  in play at this mansion.

Rickard spanks Tara OTK, sitting on the rear bumper with the trunk open. With the strap, he whips her as she leans on the bumper, head into the open trunk. Once again, he pulls his punches a bit. But in fairness, Tara is going to have a long afternoon. She is told she is going to spend the rest of the weekend working with the maid.

In the next scene, we see Tara fully outfitted as a maid. Richard clearly gets to play out the classic fetish fantasies in this man’s world. Must be a closet in this house containing naughty fetish costumes. Tara jumps maid Prudence at a poolside table. No way she is going to have the pleasure of watching her mistress’s bottom being whupped. [huge outcry from domestic geese on the soundtrack]

Tara gets the strap from the house and spanks harder than Richard did. Prudence cusses and squawks, maKing her bottoms-up predicament all the worse. “This wasn’t in the job description, you bitch!” Tara gleefully forces Prudence’s legs as wide as they can go.

Tara has a cane. Prudence fetches a high stool. Still on the sunlit patio, rolling lawns, pool house, and wandering geese caught in various shots, Prudence splays her legs, bottom high on the stool, and takes three strokes before Tara tugs her thong down and tosses it.

Then 20 more strokes; Tara checks between her legs with the cane tip. “I think you quite like this.” Cheeky Prudence keeps sassing and so earns the cane to the palms–the assumption being this hurts more than the bare bottom.

Richard interrupts these colorful festivities on the terrace. Prudence is sent into the house again for the “thick cane,” Tara goes over the stool. Richard canes hard, 15 strokes, taking Tara’s thong off at 5. British rain clouds keep changing the light during the scene. Two white thongs are now ceremoniously discarded in the shot on the patio surface.

Prudence has been allowed to stand by, just watching. Tara gets her caning. Prudence and Richard help her off with her maid’s uniform, so Tara stands in the sun (it came out again) in just bra, garter belt, stockings, and of course, heels. Another round of caning for Tara, 15 more on the stool then 10 touching toes.

Richard makes the girls apologize and hug. Richard directs Prudence over the stool. He is having a banner day with these two girls at his mercy. After six strokes, Prudence slides up on the stool as a fulcrum, splays her legs again for a full display of her jewels for a dozen more. She is left in the sun while Richard and Tara go inside, we hope for the workout we’d like to give her.

Comrade Balcar-The Informer – LUPUS/RIGIDEAST

20 Dec

MF/3f; time: 39 minutes

It appears actor ‘Vaclav,’ as Comrade Balcar, has the task of beating the bottoms of girls under his control until he finds an informer they have detected. He does paperwork in an old-fashioned office–rotary phone, stylus phonograph, etc. Three diminuitive girls await interview outside his office.

Balcar’s office has a traditional vaulitng horse in the background, a device which, in these films, is rarely used for vaulting. After Balcar consults with a female associate, two girls are called in, brunette ‘Veronika’  and redhead ‘Ester.’ As the third girl, a little blonde, listens outside, the girls are scolded for doing something disrepectful with a propaganda poster.

As the girls hang their heads in shame, the camera catches at their feet a wood square with a T-bar grip-no doubt the purpose of this fixutre. Balcar will begin his whippings. The little redhead Ester is first to drop her skirt and blue panties, to show us she is shaved bald. All the clothes must come off-she has trouble with the blouse buttons, as so many actresses in these films do; no bra, shoes,socks, scarf gone. Naked–she tries to cover up.

Balcar grabs Veronika and pulls down her pants to examine her bottom; she gets a long scolding. Ester is sent to get the cane, the brunette steps onto the platform, takes off her skirt and panties, opens her blouse so her breasts hang as she bends to grasp the T-bar. As Balcar begins to cane her ripe and prominent bottom, he can’t help squeezing her breasts. Almost 40 strokes, the brunette jumps in pain after almost every one. This posture blends the buttock and the thigh, so many of the strokes are low. A fast and wild conclusion leaves the brunette almost unable to walk away.

Ester goes next to the T-bar. She’s got the biggest bottom, and the caning is significantly worse. Almost 25 strokes, then 12 more rapid-fire. She screams from the start. At this point blond Renata enters and speaks to Balcar. The two caned girls console each other, the older woman enters to check their bottoms.

In a new scene, Ester and Veronika grab Renata and drag her into Balcar’s office. Renata has informed on them. In a sexy little tussle they get her clothes off and force her over the vaulting horse, spreading her legs, displaying her puss. the girls alternate caning and holding her still, much kicking and fussing. She is held high enough over the horse that the inexperienced caners work her thighs almost down to her knees. The girls leave her naked in the office, absconding with her clothes.

Reform School #1 – LUPUS/RIGIDEAST

19 Dec

MF/2f;  time:  58 minutes

This title carries the catalogue number #002, and it certainly communicates the portent for where Rigid East would go in the future. A tall, thin, young blond girl, carrying a cardboard suitcase and wearing a simple peasant rural dress, walks slowly and hopelessly with a sense of doom to an isolated house in a gorgeous countryside setting Rigid East took some trouble to film.

An older man,actor Jan Z., admits her to the house and takes her upstairs to be turned  over to another older woman–the processof being checked into this ‘reform school,’  really like a halfway house for rehabilitation, except we expect there will be little compassion expressed at this house. While the blonde is being interviewed, a short cute brunette enters the room and unhesitatingly pulls up her skirt to have her bottom inspected–it is blotched and bruised. The blonde sees what goes on at this place.

For starters, the woman bends the blonde over, throws up the skirt of her cotton dress, bunches her loose white panties and begins smacking the girl’s twitching buttocks. The girl must contemplate the crucifix on the wall, hold up her skirt, and allow the woman to pull down her knickers. The camera does invasive closeups of this shaved girl. She is taken OTK, for a moderate but humiliating handspanking, treatment she does a nice job of being shocked by.

Jan checks in to see how her ‘welcoming’  is progressing, then takes her away with him. The woman calls in the pigtailed brunette, who has been left  kneeling in the corridor, nose to the wall. More action coming for her.

The second scene shifts to a basement-like examining room; just the fixturing and lighting suggest that very unpleasant things happen here. With a cane, Jan keeps poking the blonde and directs her to take her clothes off. This happens slowly; he pinches her small breasts when they become exposed;  it takes her a while to muster the courage to drop her panties. She doesn’t know where to cover her nakedness with her hands. Jan pinches, fondles, and explores, certainly not the behavior of a doctor or school official, but in keeping with basement rooms and the tone RGE will establish.

Her checks her hair for lice and her ears and teeth, like this is a horse auction. She shies away as she is urged toward an old-fashioned gynocology chair, whose purpose she instantly recognizes. She climbs up, slides forward and puts her feet in the sitrrups. Jan investigates between her legs and takes some pleasure in showing her an enema clyster and nozzle. She shrinks in fear; the scene fades before fruition. It will be some years before RGE shows us a complete enema, but when they do, they move the bar for CP films.

Back upstairs, the woman has turned her full attentions to the scrumptious little brunette who is back OTK getting a very hard handspanking, RGE setting its early standard for realistic severity. Jan brings the blonde upstairs but the woman is not ready for her;  the brunette has to strip nude–she has a hot and compact little body, good boobs, powerful thighs, a round bottom. She gets a brief caning, wild short strokes, before she is sent running off naked.

In another room, Jan has stretched the blonde out on a daybed. He is playing with her in a semi-seduction, what is happening not lost on her, handspanking, strap, OTK, pants-down, fondling, palm slaps, humiliation on her knees, her panties pulled tight across her thighs.

We next see the two girls in their dorm room, comparing the respective conditions of their spanked bottoms. Jan enters with a cane; the girls strip to just panties and bed down for the night.

There follow several confusing scenes in this room, because we don’t have subtitles. Jan wakes the girls, has them remove panties and return to bed nude; he then returns and slaps and canes both girls.

He takes the naked curvaceous brunette wuth him to the daybed set, where he begins a full-scale seduction, encouraging her to open his fly. She struggles, he advances,  he spanks and slaps, and pries her thighs apart. She seems to be finally working the zipper on his pants when the scene fades. These scenes will be brought to fruition in the ‘Lupus Dreams’ episodes and some full-length films dozens of productions into the catalogue future.

Friday the 13th – LUPUS/RIGIDEAST

19 Dec

M/2f; year: 2008; time: 45 minutes

Another film difficult for us to follow without subtitles. Lupus actor ‘Vaclav,’ playing a huntsman widower in Edwardian leisure dress, examines a ledger (a punishment book or ‘sin book,’ which is kept in his family), while two schoolgirls, his daughters, undress to total nakedness in another room; it looks like they have a session with him, another one of those Friday-night-tradition films. He has a collection of canes on a table.

But first,the girls,  blonde Janicka as ‘Renata’ and brunette Hanicka as ‘Vera,’ must perform some ritual hygiene and give themselves enemas, their personal glass clysters are kept on a shelf with their names on them–this is the household routine. We see them make the insertion and some simple squirming, but no more; the girls then bathe their private parts, in closeup. They dress slowly, providing a nice show, putting on little sailor-suit uniforms. The Lupus website says they are ‘Pioneers,’ and we know there will be tears soon.

Vaclav enters–the girls beg and plead. They have been caught smoking. In a series of fadeouts, where we lost the plot, Vaclv observes the girls through a keyhole, watching them play with each other naked.

After a fade, Vaclav confronts the girls and will spank them both. First round, hard handspankings OTK. No nonsense at Lupus. Faces to the wall, their noses must trap papers to the surface.

The action continues in a new scene. The girls are down to gymslips and knickers at this Friday ritual. Renata must soak her knickers and gets full swings from a belt over a chair. The same for Vera. Both girls stuggle to hold position.

The evening continues. Both girls must hold heavy books at arms-length; then a ruler on their palms. (Lupus getting very English!) Escalating–all clothes off! Each girl is then spanked in the diaper position on the desk with the ruler; the legs are spread ‘V’ wide in a totally explicit display.

In preparation for the cane, each girl must squeeze a cane between her buttocks at the wall.

In a new scene, after each girl urinates in a chamber pot, the canings begin. Naked Renata bends over, Vera holds her still, and she take 25 strokes. She twists and dodges; Vaclav fakes strokes and varies the pace to increase the surprise. He does not neglect her thighs. Tears.

The much taller Vera takes her turn, the same 25 strokes, faster, quivering. Vera gets an extra surprise–a bar of soap in her mouth and a ginger root in her anus.

In a final scene, the girls seem to be exacting some revenge as they watch Vaclav  vistiing a doctor for some hemorroid trouble.

Rosaleen Young – Collected Shorts 2

15 Dec

This charming actress, who will twitch her bottom and drive you mad, made a series of shorts, and some longer films, which we will review as a group and update this blog as we find  more. She made just a few films in a short career and should be added to your list of actresses who advanced the art of CP.

‘Caned at a couch‘ (F/f; time: 6 minutes) An internet capture of something else. We normally don’t review such shorts without the full film. However, Ms. Young is so cunning here we need to communicate it.

She is bending over a couch being caned by a woman whose face we won’t see. Instead of melodramatic  cries, Rosaleen grunts in a way which seems authentic. The caning stops, she strips naked, giving us intentional delicious frontal flashes.

She has to put on a pink peasant dress, and without panties, the handspanking, strapping and caning continue. Somewhat out of prototype, her dress is allowed to fall and cover part or all of her bottom during this phase.

Spanking in the Garden‘ (F/f; time: 5 minutes) Exterior shots on a patio. A woman is tormenting Rosaleen with a cane. Ros wears a white bra and panties. She removes the bra and lowers the panties to the modesty level at the upper thighs.

Ros does a handstand against a wall and is mildly caned. Such physical exploits are found throughout her work. Next, frisk position against a low wall for more cane taps. Modesty

No Smoking‘ (F/f; 7 minutes):Another brief film; Rosaleen lights up a cigarette, coughs, and cannot hide it fast enough when a teacher enters. “Smoking?”  “No.” Automatic punishment.

The teacher gets a strap. “You’re joking,”  exclaims Ms. Young. First, some palm slapping, then Rosaleen must take her panties off while she stands there. Nice. Bend over, hands on couch, school skirt flipped up, her bottom is already faintly red. Brief strapping, then more on the palms, then another bend-over, lovely views of one of the great bottoms in the trade. Some flashbacks and slow-motion.


Spanking, Spanking, and More Spanking – B&D PLEASURES

13 Dec

M 3F/3f; year: 1990; time: 55 minutes

Largely a trifle but for the appearance of 4 CP/B&D regulars, and our fascination with the unwrapped Tanya Fox.

Actor Jay Dee and blond actress Kiri Kelly (who also directed this film, which we’d guess was not screened in Cannes) sit on a couch discussing CP. Jay has given her a copy of Anne Rice’s ‘Beauty’s Punishment,’ an erotic exploration into spanking and discipline. The set is the same as used in a number of Jay Dee/Tanya/Kiri films.

In another scene, Kiri has become aroused by the book, bares her bottom, and plays with herself on her bed. Her roommate Tanya Fox enters. “What are you dong?” Tanya assuages her embarrassment and suggests she spank her. A cute OTK scene follows, giggling and fun making, mostly a tribute to Kiri’s photogenic hindquarters.

Tanya and Kiri switch places. Tanya quickly takes her own panties off and cocks her estimable bottom up in Kiri’s lap. We pause to recall our favorite spanking on this breathtaking target. Maybe any one of her Nu West appearances, where the acting is subordinated to the action. Pretty facials, closeups, fondling, fingernails. The girls switch off a few times before this segment concludes.

The third roommate, brunette ‘Sloane Winters,’ overhears this salacious scene and joins. Kiri shows her the book and Sloane volunteers her bottom. She kneels on the bed; both spank her–all bottoms bare.

In the next scene–the film really is a sequence of short spanking segments, Kiri returns the book to Jay and describes the three-way with her roommates. He suggests she and Tanya set up some scenarios for Sloane (makes for more scenes). The girls plant some jewelry and accuse Sloane of theft. They are wearing silly B&D costumes of bustier, bra, stockings,heels. They grab hapless Sloane, Tanya sits on her, skirt up, white thong.

Somehow the girls turn on Kiri, the plotter, they get her blue panties down, for a kicking, fun-spanking.

“A Few Days Later”: It seems to be Tanya’s birthday, with the guaranteed implications. The girls gift her with a paddle. Enjoy that melodramatic look on her face when she recognizes the item. She is bent over a chair, pink panties down for the world-class view she can provide, but the paddling is a silly pulling-of-punches.

Jay and Kiri discuss how the games went. Almost at the end of the film, Jay will get at that bottom of hers. He drops her jodphurs and panties and gazes at length at her pussy. A long handspanking, riding crop, fondle, grope. Full-frontal flash at the conclusion. No shaving in this era.

Birchington Manor 1 – STRICTLY ENGLISH

13 Dec

2M2F/3f; year: 2001; time: 60 minutes

Horses, barns, leather riding equipment, tight pants, all good for a spanking story.

An authentic estate–stables, farmyards, panting dog, open blue sky. Pretty working cowgirls get spanked, birched, and caned for various infractions. Mr. Edwards manages the Manor, and in the absence of Lord Birchington, seizes the opportunity to discipline the girls for whatever reason he can conjure. The Strictly English website lists 17 segments in this film.

Handyman Arthur tips him off–Edwards catches the blonde Sophie coppng a smoke in the barn. “It’s time to put my foot down. You know what that means.” She knows. “Oh, no, Mr. Edwards.” She is dragged into the sunlight and knows to climb a gate and lean over, bottom high, in position. Edwards spanks, then pulls her jeans and white panties down. A lovely glowing bottom radiates in the sun. Closeups and distance shots. Voyeurisitc Arthur bides his time, watching from the shadows. Edwards leaves Sophie to remain in position, half naked,  in public for “10 minutes to think about it.” Arthur pounces and takes her into what clearly is his woodshed, puts cream on her bare bottom–long. erotic, and elegantly filmed, and gives her a “little bit more spanking,” suggesting to her he might tell Edwards more of what he has seen her doing around the barns. He is higher on the farm pecking order than Sophie, who seems sanguine and hasn’t much choice about exposing herself to him, front and back, and allowing his hands to reconnoiter. She resumes her bare bottom fence position. Edwards returns and releases her.

Arthur next rats on a maid, Kate, who likes to make calls overseas on the Manor phone, so Edwards drags her out of the house for her spanking. OTK on a shady bench for her, maid’s-skirt up, panties down. Firm handspanking. She must stand alone under a tree, bare bottom, public again, hands on head. Arthur poaches–she too goes to the woodshed, gets the cream, and a touch-up job on the spanking she just received; very sweet, Kate is a little less willing to allow Arthur his lascivious privileges.

Edwards asks Arthur if the Manor secretary Lisa is “doing anything wrong.” He seeks to spank any female bottom he can capture. Arthur displays a box of liquor Sophie and Kate have filtched from the house supply. Willowy blonde Lisa joins the conversation and goes off searching for the two miscreants. She likes to spank too. Lisa frolics in the empty Manor during her search. A lovely closeup of her bottom in the tight riding britches sliding on the Manor banister. Shapely bottoms on mansion bannisters have made some entertaining views over the years.

Lisa finds and confronts the girls about nipping at the Manor wine supply. “Please don’t tell Mr. Edwards.” That’s easy. Lisa gets a stash of birches and riding crop and Sophie is first to bend over a sawhorse in the barn and is cropped on white panties. Then, “Oh, no, not on the bare bottom.” Kate must watch. It seems everyone on the estate has access to these girls’ bottoms, without dispute. Lisa uses birches–just two strokes, and there is a decided hushed wince.

It is Kate’s turn for the crop. “Knickers down. You know the rules..” Sophie looks on half-nude, in the frame. Lisa has a cane. The girls lean on alternate sides of the sawhorse, glorious bare bottoms, for sets of strokes, totaling about 10 each, counted aloud British style. Moderate, but impressive; some tears are furtively wiped away.

Edwards strikes again. “What the hell is going on here?” The three girls blame each other. “I’m going to deal with all three of you.” Seems fair to us. Edwards first spanks then canes Sophie, and next Kate. Secretary Lisa gets a tongue lashing, before “Get those knickers down. You’re going to get double what they got.” Edwards concludes with Lisa, on her small, tight bottom, with a bundle of birches soaked in brine, which seems to have hurt more than anyone intended.

Three bare bottoms lined up in the sunlight for 10 minutes of contemplation. Tease for ‘Birchington 2’: a very nubile and insouciant new employee Billy Jo  reports late, sees the bare bottoms on parade, and is marched to the fence rail in the first minutes of her employ.

We’ve written too long here. Every detail admired, lots of references to the CalStar library and the British corporal punishment genre, we thought, with enhanced first-class production; closeups; multiple bottoms on-camera; count-em out strokes; bare bottoms in bright farm sunlight; take-a-spanking-or-I-report-you; oh-no-not-on-the-bare; bend-overs; liniment; inquiring fingers; frontal nudity; males in conrol, females without pants. We will review ‘Birchington 2.’

American Girl-English Cane – STRICTLY ENGLISH

12 Dec

M/f; year: 2002; time: 59 minutes

A  variation on the schoolgirl theme, erotic and entertaining. We’re grateful for variation and so dwelled on this one at length. Actress called ‘Gail’ plays a mature, plausible late twenty-something American post grad student/instructor in a British school. Gail has jet black hair and burning blue eyes; her hypnotizing face is used on the cover art, taken from the scene where her antagonist explains he is about to try out the “American paddle” on her.

Gail is called to meet with a male professor–graying hair, beard and wire-rim glasses, a middle-aged gentleman with academic trappings. Gail wears a conventional silk dress, strapped high heels, and, well, we’ll have a chance to comment on her undergarments in due course. Her conventional working-day attire elevates the erotic suspense, making it appear she has been called out of class for her spanking.

Gail has fouled up somehow and earns a spanking in the British tradition, something she seems familiar with. The professor positions her OTK in one of the guest chairs in his office. Gail straightens her legs and poses her bottom high–quite aware of the need for such posture for an efficient spanking.

The professor spanks slowly and hard. He pulls her dress up to meek protests to uncover black semi-transparent flower-embroidered lace panties,not a variety you’d find at 3 for $4.99. The professor, the camera, and we ourselves are fascinated.

Excellent closeups, sharp audio, real, sensible acting from a professor who has more than a casual interest in female anatomy and from a student who knows just how much to resist his intentions. He shows her his hairbrush, long-handled with a small round head. “Please, not that, it hurts.”

He teases ands fondles, explaining she is going to be spanked for the next six hours. Twelve more solid hand smacks on the decorous knickers. She is allowed to stand for a moment and rub. “If you think that is sore bottom, you have a lot to learn about British discipline.”

OTK again, “legs apart,” 24 zingers with the hairbrush, fast. Gail has no easy time staying still, because it stings. She is left to face the wall, dress up, panties still intact, to think awhile. When the professor returns, Gail has relaxed in the long interval. “If you can’t keep that dress where you’re supposed to have it, you better take it off.” After just a second of hesitance, she pulls the dress over her head to expose a black bra, and a black garter belt holding net stockings, framing the aforementioned knickers.

Back OTK, more handspanking, at the 19 minute mark the professor tenderly eases her knickers down, an act not apparently unfamiliar to either of them. Sharp hairbrush shots–she squirms her soaring, hard buttocks. The actress’s labia are puffing up as she becomes increasingly aroused during the film. More long handspanking.

At the conclusion of this segment, she stands and faces the professor. She is shaved bald-naked and is quite un-selfconscious, confirming this little escapade with the professor is not infrequent. He has seen it and she has flashed it.

Over the back of a chair, a few shots with the brush bristles. More handspanks, her ladyhood even more inflamed. Corner time again, the camera pans her nudity front and back. The professor returns with a collection of paddles and canes. A delicious “ooh” when she sees them.

“Hold out your hand.”  “…what?…” He picks up a narrow fraternity-length paddle for one smack. “You know I hate that.” She removes her lovely panties from her thigh-tops. Over the chair, legs open, vagina totally exposed, for a large leather strap. He notes: “It’s not having any effect, just like the last time,” and makes her step away to get the lochgelly tawse. She returns to the right pose. “Good, you’re in position.” Gail acknowledges: “I’ve been here enough times..”

Six hard cracks with his tawse. Gail jumps up after each; and on one, “you’ve got my pussy, my cunt….,” Yes, because it was so easy to do. Bend-over for a closeup exam for the “American paddle.”

She begs when she sees it. “Remove the bra.” Very sweet package, this graduate student. Paddled over the chair, in fast sets, about 25 times, they sting, but “there are no stripes on your bottom.” Naked, she “fetches” the cane and must kiss it. The camera caresses her nudity as we prepare. The professor teases her with the wooshes. Touch-toes, palms on the floor actually, she counts out 12 cane strokes, then back over the chair for more, very sexy, this is more than punishment. Gail earns about 12 more, having gotten “distracted” under the pressure in her count. The cute banter mixed among the strokes.

His last examination of her bottom–he’s definitely one of those British gents needing to be watched. She will have to remain naked in the corner. she rubs and pulls her cheeks apart.

One of the most sensual films from Stictly English we can recall. A keeper for the next rainy day.

The House – Victoria’s Room – STRICTLY ENGLISH

7 Dec

M/f; year: 2003; time: 29 minutes

Actress Victoria Gaynor, who offered her glamorous tush just a few times on film, plays a roommate in what happens to be a group apartment. She has a messy room, does not attend house meetings, is late with her rent share, and is remiss in her part of household duties. A spanking has often been used to settle such matters, and it will be here.

Ms. Gaynor is an attractive, long-haired brunette. Her flatmates discuss the procedure. “Everyone is going to spank her.” Annabelle will take the first turn. Victoria: “I don’t mind being spanked, but not in public.” She goes to an attic room (which we presume is her room and their punishment room), checks her bare bottom in a floor mirror with some self-satisfaction, pulls on tight white panties, and settles down to await her first visitor.

We thought Annabelle was first, but Denny is the first caller-a familiar Strictly English spanker, either a major stockholder or he knows somebody in the front office. She pulls down her pants, presents herself on the bed, spreads her legs. The entire film is an homage to her body. Denny is understandably delighted. “You’re in very good shape. You have a nice bottom…I’ve got to say, I’m enjoying this.” She is liking it too–they have conventional chit-chat and snickers as he spanks. Obliques, frontal flashes, nudie stuff.

Denny helps her off with her dress–she is totally naked now, here in the privacy of her room. They spread a beach towel on her bed, for slow oil massage and more fondling.

Victoria wants Annabelle to be spanked because she is always blaming others. Annabelle is listening at the door and they know she is out there. She turns onto her back–full nudity. Denny starts with the seduction; Victoria cocks her hips. Guess Annabelle gets an earful, and maybe more in a sequel. Part 2 is called “The Bathroom.”