Archive | March, 2013

Diva Bodyguard -Amelia Jane Rutherford–FIRMHAND

25 Mar

FirmHand; 2008-9; 10 segments; 5-10 minutes each

‘A’ Another short series of brief films on a theme; here we have a depiction of what actor Kevin Costner should have done to Whitney Houston in the 1979 film ‘Bodyguard.’ Amelia, as ‘Mimi Golden,’ has hired ‘Anderson’ as her bodyguard. The first segment involves the interview, his contract, and her instructions to him–let her blend in, let her be the celebrity she is.

Anderson sees his responsibilities differently and risks showing how he would enforce obedience. Amelia, wearing a sweet little black-and-white dress, is dragged OTK, her little dress flies up to expose white panties, garter belt, and stockings. “Stop it, not your job!” The camera circles to film that world-class bottom.  A crisp handspanking, modesty mostly retained.

Ms. Rutherford teases us with a not so convincing objection to such treatment, as she checks her bottom in the mirror.

‘B’ Bodyguard Anderson has let Mimi escape his control. She returns in her silver Range Rover. Ms. Rutherford stands a half-foot taller than the actor. She is stylishly dressed and cute as usual–white blouse, skirt, blond hair braided. She was speeding–Anderson reminds her what the tabloids would do with that.

They argue. She is deliciously belligerent, asking for it. “This is not the Army!” Anderson pushes her over the back of a couch, skirt up, black panties on display, then down for the first time. “How dare you!” After a shoe sole on her bare bottom, she apologizes. Great facials, bottom full-screen. When he threatens to report her behavior to her manager, we see he has full control of her.

‘C’ This episode begins with a bang. Anderson has Mimi trained now. She wears a slinky black dress and is leaning on the mantel, her beautiful face filling a mirror, very much into all this. She pulls up the dress; the white thong she wears is more of a g-string. Her buttocks are completely bare.

Anderson will spank her in this very sexy British posture, mantelpieced. Naughty dialogue snippets tell it all. “This is quite relaxing, like a massage’; “If you’re that angry you shouldn’t spank me”; “Poor chap, you must be exhausted…is that all you’ve got?” “Got anything else up your sleeve?”

Part of the spanking is filmed from below; a visual journey up those legs to a bottom which cannot be adequately described.

‘D’ Anderson wakes a sleepy Mimi, who is late for a meeting. As usual, Ms. Rutherford is fetchingly attired, in a red satin nightie. Anderson will wake her up with his leather belt. “What are you doing?’ she cries out. When he gets her on her stomach on the bed, we discover she is not wearing panties. After a short belting, “Five minutes to get dressed, including pants!” She sasses and earns more leather.

‘E’ ‘Mimi’ arrives at a hotel room, breathlessly nervous. A  nice scene in the hotel corridor, where she screws up her courage to knock on a door, knowing what is going to happen to her.

Bodyguard Anderson greets her. She sees his lochgelly tawse. “What’s…that?” she stutters. “It’s the consequences,” says Anderson. She had wanted to shop in freedom, but he is her bodyguard.

Ms. Rutherford  wears tight  green short shorts and a T-shirt top. She is not going to argue. “Let’s have them down, right down.” The shorts need  to be almost rolled off that famous bottom. Her cheeks are already a bit red, a byproduct of making these shorr films in a confined time frame.

“How many are there going to be?” “Twenty-five.” An entertaining strapping, hard enough to be convincing, full facials, shots from below up her long legs to swelling cheeks, and angle very flattering to her. She kicks up her heels. “Damn it, ooh.”

At the conclusion she pulls up her panties in closeup, and stands in just those knickers, impishly showing Anderson the pruchases she made, now that she has paid for them twice.

‘F’ Ms. Rutherford, totally naked and glorious, climbing into a bubble bath, a rare flash of her wispy mohawk. She settles into the suds and begins to dream of spankings.

In a dream, she reports to a male in her school uniform, having cheated on a math exam. “You’re well aware of the practice here…pass me the paddle.” She wears long blond pigtails. She must toe a line on the floor, bend forward and grasp the edges of a mantel. He flicks up her short skirt with the long wood fraternity paddle. She will count six strokes, and errors will cause do-overs. “Lower your panties, please, bend forward.” These poses suit the 6’1″ Ms. Rutherford quite well.

She loses count at four sonorous cracks and gets six more. She breaks position, so the paddling will start over as the scene fades.

‘G’ Mimi cavorts on a bed in a minimal kimono, on the phone. Bodyguard Anderson enters and is furious that she has lost her address/phone book, breeching her own security like that. At this point in the series he has her completely in his spell. “Take that (kimono) off. I’ll be back in a minute.”

Our little minx of a diva is of course naked under the robe. She sits on her haunches on the bed to await him, one of our favorite nude poses. Anderson takes her OTK on the bed for a strap. In another position, she must kneel on all fours on the bed and collapses in tears at the conclusion.

(H)(M/f; time: 6 minutes) Amelia runs to Anderson in tears, offended by someone. But he is not buying and points out she is breaking rules. That will be another spanking.

“Take them down.” Jeans and panties. Standard OTK for a paddle. Amelia doesn’t mind flashing for Anderson by this time.

‘I’ Mimi appears before bodyguard Anderson in a full length white evening gown, quite proud of her stunning appearance and thrilled by his gasp of admiration. At this point she is quite addicted to the spanking narcotic and teases that she needs reminding to be good tonight. “You want a reminder?”  “Maybe,” she goads.

She bends over thw couch, rucks up the long silk skirt folds, to expose marvelous little white lace-and-gold trimmed panty-shorts. Once again, we salute the panty custodian for this series. He teases the skimpy little things down and begins spanking with a big paddle.

“It hurts more than in the dream when I was cheating at math,” referring to an earlier bathtub catnap. Anderson is going to enjoy imagining her discomfort when she sits down at dinner.

‘J’ The ‘Bodyguard’ series concludes; ‘Mimi’ and ‘Richard Anderson’ are intimate now. She recalls their first meeting, and her “I don’t need a bodyguard.” She entices Anderson to take her down “memory lane” over his knee.

He begins smacking her jeans. “Surely you didn’t do it over my clothes.”  She stands and drops her jeans to display yet another set of notable panties–leopard print, bikini-cut and filled out to a fare-thee-well by Ms. Rutherford’s national treasure. She squirms under a handspanking, and he has to pin her wrists as part of the recreation.

“My, we’ve come a long way,” they both concur, kiss, and head for the bedroom hand-in-hand.

Ingrid’s Caning – NUWEST NWV-258

20 Mar

F/f; time:  26 minutes

NuWest’s Debra and her fascination with bare bottoms; statuesque blonde ‘Ingrid’ returns to meet the Domina. The film opens with her already kneeling on a leather bench, wearing a red dress and heels. Someone has arranged for her to be punished for poor performance at work.

Debra circles and scolds in her Lee-trained way, explaining that conventional handpanking and paddling no longer seem to work for Ingrid. She straps Ingrid’s back and ankles to the structure of the backwards-Z padded frame, throws up her skirt to expose black pantyhose.

Debra wears her action-figure outfit–boots, short black skirt, blouse, and black pantyhose. We’re in the pale blue barren studio with the faux walls and open ceiling. Debra slowly rolls down Ingrid’s pantyhose to bare her bottom. Excellent shots of Ingrid’s apprehensive face.

A slow caning begins, at least 25 strokes, moderate, and delivered in irregular groups while Debra circles,paces, and scolds. Tram lines develop at 6; Debra fingers and fondles, between her buttocks and thighs. Overhead shots from the bar joists. “This is the ultimate humiliation, is it not?”  She is left whimpering at the conclusion of this phase.

“One week later”: Ingrid stops by the studio to see Ed Lee, who at this point was in his shaggy gray ponytail phase. She looks for all the world like she is coming home from a day of classes at junior college. All she needed was a backpack.

This is a bottom-check. She kneels up on the bench again. Lee bares her bottom, and he asks the camera to move closer. We see bruises and lines. “Closer, focus, OK, out now,” he directs. He explains there were 36 strokes–we didn’t see them all, but we had a very good time.

Detention Room 1 – BLUSHES

17 Mar

2M/2f; year: 1986; time: 1 hr 20 minutes

An amended review. Historic ageplay, very young bottoms and older schoolteachers, lovely naughty stuff from the early BLUSHES genre; two beautiful schoolgirls snared by older men, with the focus always on the “bottom.” Here two misses are held in detention and are to be punished for their poor academic performance. Actors Alan Bell and John Hotten play ‘Mr. Fordyce’ and ‘Mr. Elliott’ and will torment and spank the girls in a classroom setting and in a manner best not discussed with the school board. And you would need to be sure of no interruptions during this hour. Is the door locked?

Jane, a blonde, and Penny, an unusually striking brunette, retrieve safety pins from their desks and are shown how they will pin up their short uniform skirts, part of the long foreplay to the main event. Each girl stands, fails on a quiz question, then pins up a corner of her skirt, until both skirts are fully pinned up and the girls’ well filled-out regulation knickers are completely on display. Jane, and especially Penny, show delightful distain at having to be so humiliated. But we are just getting started.

Matters escalate. When the girls miss their next questions, they must remove their panties and pin them to the blackboard. We’re watching closely. Both girls remain bare from the waist down, but wear blouses, sweaters, knee socks, and heels from here on. Very sexy. Jane gets the first spanking, over a stool, after 18 minutes of anticipation and safety pinning. Penny is then spanked a little bit harder and is the first to start with the sniffles.

A  camera angle from the rear of the classroom presents a view of two bare-bottomed girls seated at their desks between torments. The girls are made to kneel on their desk seats and lean forward onto the desktop, presenting the obvious visage. Various spankings at their desks and over the stool accrue from failed questions. The two men keep working on these bottoms until detention is over. Sweet stuff. Occasional frontals, no shaving.

Of course the cane has been lurking. Jane is first and must kneel precariously on the stool, her pretty bottom high and bright, for about 10 moderate strokes. Pretty Penny is much less fortunate and we are the beneficiary–she takes about 40 increasingly hard strokes. She teeters delightfully, hands-on-head, to keep her balance, kneeling erect on the hard stool, as Fordyce laces her bottom, kept front and center in the camera. Ouch.

This film always suffered from a lighting error. This copy is longer, and possibly a little brighter. In this copy, at the very end, Penny is seen naked in bed, waiting fearfully. Bell has collected his post-spanking rewards in other BLUSHES films.

The School Lesson – KANE

16 Mar

M/2f; late 1970’s; 6  minutes

Naughty schoolgirls, one of the earliest CP films we have found, one of George Harrison Marks’ ‘Lesson’ films, when he was still a ‘glamour’  photographer, doing series for JANUS and beginning his own magazine and when a naughty bare (schoolgirl) bottom on film had salacious attraction. Despite the cinematographic facilities in the bigger movie industry, these early ‘smoker’ films looked like Thomas Edison stuff.

Two randy schoolgirls deliver papers to a headmaster and wait outside his office. In no time (because there isn’t any time in this film), they are masturbating to photos of naked men, and have each others’ clothes coming off for some  aggressive lesbian play. Of course the Head catches them. They will be caned.

The girls, both with the round spankable bottoms which mut have been part of their audition for GHM, are taken over the HM’s desk in turn. Knickers down immediately, he whales them with a long, thin, whippy cane, which leaves many marks in just a few seconds, mostly on wrap-around areas. The headmaster is grinning and salivating like a crazed man.

Katie and Sandra Home Alone – NUWEST NWV-352

16 Mar

time: 30 minutes; 2F;  year: 2001

For NuWest Katie fans; she is buck naked for 28 minutes here; this would be the film if you are working on her freckle count. The film  is more of a girlie porn smoker than anything else.

NW uses its studio for a plain bedroom, a double bed, a divan, and simple tables. Katie walks on-set wearing nothing but white heels, and strolling just as casually as if getting another cup of coffee from the kitchen. No sashay, no wiggle, no flaunting. The cameo voyeuristic filming technique at NW has always been a favorite of ours.

Katie climbs onto the bed; she will offer and the camera will find her buttocks often in the next 28 minutes. She smacks her cheeks –clear, white, and unmarked, despite all the work she does for NW. She lies on the bed and writhes gently into very sexual postures, although this is not at all  bump-and-grind burlesque, but very much what a horny girl would do alone on a dull Saturday afternoon. We are glad to be invited.

She has shaved her pubic hair but for a puffy tuft-cloud at the top. Katie actually glances at the director here, a slip we don’t see often from her. At the conclusion of this nude squirm, she starts to masturbate with a huge dildo, but doesn’t finish.

A two minute segment follows featuring ‘Sandra,’ also naked and entertaining herself, spanking herself with a strap and operating a battery-powered dildo 15″ long!

The Guy Who Couldn’t – NUWEST SPV-156

16 Mar

Year: 2008; 4F/m, time: 17 minutes

A young male on the receiving end, and the NuWest girls love it! The NW text explains that a correspondent contacted NW and claimed he would accept spankings if he could not masturbate in front of the NW girls in two minutes. Another completely unexpected flight of fancy from the House of Ed Lee.

The film may have been in the archives and then released in 2008. What jewels, do you suppose, are still in Nu West storage?

A faux story unfolds to act out this challenge:  ‘Julia’ has caught the ‘boy’ wanking with spanking magazines in the studio bathroom. He will be presented to actresses ‘Jacque,’ ‘Katie.’  and ‘Rachael’ in the blue studio;  the girls sit in conventional street clothes on a couch.

Julia drags him in  and makes him strip naked in front of the girls, to their delight. They giggle like schoolgirls. He is a bit shy; if you had to drop your pants and  stand completely naked of front of this crew, would you know what to do with your hands? First, each girl will take the naked boy OTK for a short but rousing spanking, Jacque, Katie, Rachael, and domina Julie last. Not hard, but fun for everyone. That should have gotten him started, but apparently not. Worked for us.

The boy now stands in front of the girls, wanking furiously, much to their amusement, and they admit they are not seeing anything they are not intimately familiar with. They are doing a nice job of not seeming to be the traveled adult actresses they are. Ed Lee steps in off the wings to motivate the boy and tells him to “relax,” and the cameraman offers him a soft drink, all while he pumps away. He admits the difficulty with the lights, camera, and spectators. “This is definitely a weird feeling.”

Jacque and Julia decide to help him along, and  about time, we thought. Jacque drops the top of her dress, needing some help to unzip, and Julia rases her top. Four melons. “Does this interest you?” Julia inquires.

They rub and touch him, although a handjob at this point is avoided, being possibly illegal when this film was made. It would have completed the mission. Julia flashes a completely unshaven crotch as the film comes to an unedited conclusion.

More silly superfluity maybe, but we loved it. especially the unchartable imaginings of  Ed Lee.


Apron Stings – MOONGLOW

16 Mar

F/2f; time: 32 minutes

A familiar theme—maid servants punished by their masters and mistresses, the landed gentry of England. A  white Range Rover rolls onto the gravel entry of a country estate. Actress Mel Penny, playing the manor Mistress, has brought her niece home form St. Theresa’s Finishing School for a summer holiday, with this warning: “I’m a maid down, so I don’t want you idling about.” The niece, in school uniform and boater, drags her trunk into the house.

Mel receives a school report and screams in horror, causing Niece to  drop a tray of dishes on the veranda, where she is serving like a maid. The expansive terrace and rolling grounds make a backdrop we’ve seen in a few films, We’ve always assumed the property owner is nearby, enjoying the filming. Niece has earned her first spanking and is taken OTK in the sunlight, panties down very quickly.

Female bosses usually spank hard. “A little less whimpering, girl.” Mel yells for maid ‘Chloe,’ who heard the clatter and comes scurrying, suitably nervous, because such a mishap usually means panties-down for someone. It is none other than actress Catherine Corbett, in full detailed maid’s attire. Chloe sweeps up the rubble and is sent to get the punishment strap. Niece is made to bend over a picnic table, bottom-high. Picnic tables are wonderful for this. Chloe is directed to do the strapping. “Chloe….make it count.  She needs a hard strapping.” Of course Chloe does not spank hard enough. Mel takes over and doubles the ferocity. Full-screen closeups and yelps.

Chloe and Niece are sent into the house (where the filming can be better lit and miked). In a very comfortably furnished library/sitting room, an antique bench is positioned. Chloe is ordered to lay on 18 cane strokes; the first six moderate strokes are real, but sympathetic Chloe and Niece fake the remaining 12. Of course Mel has crept to the door to watch this charade and is suitably furious. We have reached the point where both girls can be spanked. “Go and fetch the senior cane…and quickly…let’s do it for real, shall we?”

Mel will cane Niece, onto the bench again. The cane is twice the thickness of the whippy swooshng tool usually seen and a fearsome-looking stick. Seven hard strokes here, then about 5 more, hands-on-ankles. This bend-over position is emphasized in this film. It is always revealing, has a strong implication of submission, and produces taut buttocks.

“Chloe, come in…..How dare you?” Over the bench now for Ms. Corbett; Mel rucks up her skirt and crinoline and pulls down frilly white knickers. There’s that tanned practiced bottom, framed in garter belt and stockings. After a brief smacking, Mel wants more clothes off, telling her to remove her dress, crinoline, and apron. She reflexively starts to remove her bra, compliant actress that she is, but that wasn’t part of the script and she catches herself. In just undies, OTK, we get the typically erotic Corbett gasps and cries.

She goes out of the room, panties at her thighs, to get the punishment strap again. Frontal looks intended. When she returns: “Take those knickers off.” Over the stool again, a hard strapping. Chloe counts out 24, whimpering and crying realistically, as Ms. Corbett does so well. The senior cane awaits on the sofa.

“Chloe, you know what comes next, don’t you?” “Oh, no, Miss, not the big cane!” Over the bench again, Chloe counts 12 moderate but stinging strokes. She is directed to stand. “Step forward and grab your ankles.” Mel measures her backswing, and Ms. Corbett opens her legs without direction, both because it will improve her balance when the cane strikes and because she wants to show us what she’s got. A dozen more hard strokes.  her bottom does not mark as much as you expect from such a caning. Because Chloe rubs without permission, she gets 6 more.

Chloe is sent to the kitchen in her mostly naked condition, carrying her clothes in a clump. Niece has been watching this and is dragged onto the bench for just 3 cane strokes. obviously Ms. Corbett got the biggest payday for this performance.

The film concludes with a brief domestic scene we always enjoy for its humiliating subjugation. Both girls are set to work bare-bottom at the sink. It should be for the rest of the day.

Mrs. Moore – Girls’ Counselor – NUWEST NWV-460

14 Mar

F/f; time: 15 minutes

NU-WEST’s model actress meets the fraternity paddle. ‘Katie,’ the pet blonde, very early in her career, and possibly tied for the cutest model we have ever seen in CP, gets paddled in an Arkansas school. Actress Katie will be playing every fetish game producer Ed Lee can imagine over the course of her film career.


Katie narrates the film in a full headshot which could grace the cover on any magazine. She is a girl from New Jersey but must now face the paddle in a backyard Arkansas school. We see her fidgeting outside the principal’s office, in yet another portrayal of this essential anticipatory schoolgirl hallway scene. Long blond hair,bangs, big eyes, she paces in a sleeveless T-shirt, jeans, and boots. The camera focusses on her trim little denim bottom.


A female principal, a mature brunette using a comical Southern accent, calls her into the office set NW has used in many films. Not much discussion, she will be paddled,and she quickly bends over the desk. She takes 12 very hard swats on her jeans from a full-size American fraternity paddle. She goes silent–if there were repeats, we didn’t care. Katie got rocked. Great facials of this sweetest of spankable actresses.


You know it had to happen and usually does at NW–she must drop her jeans to show the principal the results. Typical round red paddle bruises. Katie is warned the next visit will be worse. And we are only halfway through the film!

Sure enough, back in the blue studio/office. “Twenty-four this time, Missy, counted aloud.” Over the desk again, in spandex jams, T-shirt, and work shoes. They change locations and she assumes the frisk position, hands on the wall, and takes 24 resounding smacks, counted out. Another bare bottom check–this time there is no thong and this time she is cornered, pants down, for a long pose. Freeze that frame.


Julia Spanks Jennifer; Jennifer Spanks Marianna – NUWEST NWV-214

14 Mar

2F/2f; year: 1993; time: 28 minutes

Nu West founder Ed Lee loved American classic spanking scenarios, and made many films of straightforward, unadorned, over-the-knee bare-bottom whalings. No silly caterwauling, no pulling of punches, no fakery, no amateur dialogue. Vigorous, hard,memorable spankings, where the actresses start off stoic and calm, and begin to fidget later.

This film was made 20 years ago. In the first section, NW staff-Domina Julia spanks a young, tall, and sexy Jennifer Brooks, herself a budding CP actress and producer. Jennifer is taken OTK on an empty carpeted set, spanked for about 3 minutes, first on her blue dress; then she stands to expose white girdle-panties for another 3-minute spanking; and last she stands again, drops the pants and is spanked on the bare. The session concluded with her cornered, red bottom on display. This session is repeated four times–first full frontal, then focussed on her face, then directly on her bottom, and finally an oblique on her rear.

Julia conveys stern power and control; Jennifer is a breezy, feminine, curly-haired blonde. Twelve minutes of hard spanking theater works any time.

The second part follows the same format. Jennifer does the spanking in a summer dress, and a little curly-haired brunette Marianna wears white shorts, and a top tied off to display a bare midriff. She’ll get the “spanking of her life.” She is short enough that her suspended legs kick freely as the disitress develops. Panties are important at Nu West, and in these films, the models wear conventional clothing, not tarty strippers’ gear. Marianna’s undies are semi-transparent, form-fitting, figure-control.

No frontal nudity, just glimpses of luxuriant hair.

College Classics #4 – CALSTAR

14 Mar

M/f; M/f; Time: 59 minutes

Two memorable edgy episodes; schoolgirls and bare bottoms. Both stories are excellent portrayals of widely attempted fantasies with schoolgirl or employee submissives, where the bare bottom is the only solution to the predicament.

In part 1, actor Martin Sykes, that marvelous, smarmy, and horny ageplay spanker, plays a headmaster who must discipline his school nurse/matron ‘Miss Courtney.’ He confronts her in his fully furnished parlor, seated magisterially in a wing chair. No  cinder block-walled workroom or motel room set here. “Where’s your hat?….you look scruffy.” He has a list of complaints–messed up laundry, worng medicines issued, but worst of all, she’s been spanking the male students. She admits she makes a regular practice of “spanking bare bottoms”; it is clear she covets pulling boys’ pants down.

This crusty HM  admits corporal punishment is “most effective,” but she is not authorized to spank the boys. When the HM shows Courtney the  sleek black vibrator he found in her quarters, you might say ‘the die is cast.’

Of course “there could be an alternative” to dismissal. Courtney agrees to accept a spanking–the camera holds her face in closeup as she consents, “if that is the only alternative.” The spanking starts immediately. She is OTK on the piano bench. This actress has a smoky, exotic peasant-Mediterranean face, curly black hair, huge brown eyes, with a lot going on under her smock.

Skirt up,a full round bottom with only a thong strand between her cheeks. For the next sequence, she bends over the back of a Queen Anne chair for the strap. Sykes takes her thong and her stockings to her ankles. The high chair locks her legs straight and highlights her bottom. She begins to struggle and blotches develop.

“Strip, I  said strip,” Sykes bellows, a specialty in his verbal repertoire. Courtney is naked. Her boobs are large handfuls, and she sports the most luxuriant bush we have seen since blue films. Her body is an even light brown all over, no variations. No wonder she doesn’t shave–she doesn’t even bother with bathing costumes. Naked, she leans over the piano for the cane–on tip-toes for about a dozen very entertaining cane strokes to complete her admonishment.

Part 2 contains 30 minutes of some of the most entertaining CP for our taste we can recall. Minnie Champ, a stunning actress who made a half-dozen CP films and then had a short adult film career before somebody probably took her home to stay, plays an insouciant schoolgirl dismissed from a tony school. The episode to dominated by cunning facials.

Minnie receives a middle-aged guy, a talented spanking actor (and probably a stockholder if he got this assignment with Minnie) from this early ’90’s era at CALSTAR/TALLION/SfP who has been retained by Minnie’s parents in South Africa to “dish out some old-fashioned English discipline.” In addition to being a lights-out sensation with no clothes on, Minnie can actually act. She murmurs many cunning lines during this performance, even as her spankings escalate. She pretends she doesn’t know about English tradition. The guy shows her his cane, which she noticed when he brought it in. “You can’t hit me with that, sir.”

So they phone South Africa. Settled. Minnie is taken OTK on a wrought-iron lounger in a classy floral solarium setting. As in the first segment of this film, CALSTAR took care  with the set. Schoolgirl pleated skirt flipped up, white panties down. “Down?” Minnie whispers. A glorious sight, little winks between her thighs, and the camera cannot resist her stunning face.

The guy puts a cushion on his lap under her hips to raise her bottom (or was there another reason?). “That’s better. That raises it.” As he spanks, Minnie reaches back to clutch her cheeks–long sexy fingers and carefully tended nails. The last two smacks are “two very hard ones.”

“Face out there [the window], lift your skirt.” Neither we nor the camera can take our gaze off her tush. “Phase 2, the strap…3 nice tails to grace a lady’s tail…and a schoolgirl’s tail.”  This is the tawse. Minnie’s bottom high and hard over the back of the couch. She giggles a bit, at both all the CP chatter and that her pain threshold is not being challenged.

Now starts one of the most erotic canings we have ever seen. She touches toes in front of the prototypical English fireplace. At least 15 strokes on the bare, amid a lot of banter between the players. “Taae your skirt off…the jumper too.” She leans on the mantel, bends forward over the mantel hearth, knees locked, bottom thrust out. We thank the director for this elegant positioning. Four more strokes. “Tie off” for 5 more strokes.

At last, the blouse and bra are handed over, she gives us a glimpse of a tawny pubic thatch, beautiful breasts, she melts us with a direct glance (her adult film career is still new enough that she looks into the camera). Six more zingers and “one for luck…always the hardest.” “Stay there [naked] for 10 minutes.” Long camera hold.

Dressed again, long holds on her face as she is lectured. We are reminded of Minnie’s performance in ‘Mutual Agreement,’ where the acotr ‘Reggie’ reminds her he’d be glad to return next month to spank her again for late rent.