Archive | March, 2013

Apron Stings – MOONGLOW

16 Mar

F/2f; time: 32 minutes

A familiar theme—maid servants punished by their masters and mistresses, the landed gentry of England. A  white Range Rover rolls onto the gravel entry of a country estate. Actress Mel Penny, playing the manor Mistress, has brought her niece home form St. Theresa’s Finishing School for a summer holiday, with this warning: “I’m a maid down, so I don’t want you idling about.” The niece, in school uniform and boater, drags her trunk into the house.

Mel receives a school report and screams in horror, causing Niece to  drop a tray of dishes on the veranda, where she is serving like a maid. The expansive terrace and rolling grounds make a backdrop we’ve seen in a few films, We’ve always assumed the property owner is nearby, enjoying the filming. Niece has earned her first spanking and is taken OTK in the sunlight, panties down very quickly.

Female bosses usually spank hard. “A little less whimpering, girl.” Mel yells for maid ‘Chloe,’ who heard the clatter and comes scurrying, suitably nervous, because such a mishap usually means panties-down for someone. It is none other than actress Catherine Corbett, in full detailed maid’s attire. Chloe sweeps up the rubble and is sent to get the punishment strap. Niece is made to bend over a picnic table, bottom-high. Picnic tables are wonderful for this. Chloe is directed to do the strapping. “Chloe….make it count.  She needs a hard strapping.” Of course Chloe does not spank hard enough. Mel takes over and doubles the ferocity. Full-screen closeups and yelps.

Chloe and Niece are sent into the house (where the filming can be better lit and miked). In a very comfortably furnished library/sitting room, an antique bench is positioned. Chloe is ordered to lay on 18 cane strokes; the first six moderate strokes are real, but sympathetic Chloe and Niece fake the remaining 12. Of course Mel has crept to the door to watch this charade and is suitably furious. We have reached the point where both girls can be spanked. “Go and fetch the senior cane…and quickly…let’s do it for real, shall we?”

Mel will cane Niece, onto the bench again. The cane is twice the thickness of the whippy swooshng tool usually seen and a fearsome-looking stick. Seven hard strokes here, then about 5 more, hands-on-ankles. This bend-over position is emphasized in this film. It is always revealing, has a strong implication of submission, and produces taut buttocks.

“Chloe, come in…..How dare you?” Over the bench now for Ms. Corbett; Mel rucks up her skirt and crinoline and pulls down frilly white knickers. There’s that tanned practiced bottom, framed in garter belt and stockings. After a brief smacking, Mel wants more clothes off, telling her to remove her dress, crinoline, and apron. She reflexively starts to remove her bra, compliant actress that she is, but that wasn’t part of the script and she catches herself. In just undies, OTK, we get the typically erotic Corbett gasps and cries.

She goes out of the room, panties at her thighs, to get the punishment strap again. Frontal looks intended. When she returns: “Take those knickers off.” Over the stool again, a hard strapping. Chloe counts out 24, whimpering and crying realistically, as Ms. Corbett does so well. The senior cane awaits on the sofa.

“Chloe, you know what comes next, don’t you?” “Oh, no, Miss, not the big cane!” Over the bench again, Chloe counts 12 moderate but stinging strokes. She is directed to stand. “Step forward and grab your ankles.” Mel measures her backswing, and Ms. Corbett opens her legs without direction, both because it will improve her balance when the cane strikes and because she wants to show us what she’s got. A dozen more hard strokes.  her bottom does not mark as much as you expect from such a caning. Because Chloe rubs without permission, she gets 6 more.

Chloe is sent to the kitchen in her mostly naked condition, carrying her clothes in a clump. Niece has been watching this and is dragged onto the bench for just 3 cane strokes. obviously Ms. Corbett got the biggest payday for this performance.

The film concludes with a brief domestic scene we always enjoy for its humiliating subjugation. Both girls are set to work bare-bottom at the sink. It should be for the rest of the day.

Mrs. Moore – Girls’ Counselor – NUWEST NWV-460

14 Mar

F/f; time: 15 minutes

Nu West’s ingenue model actress meets the fraternity paddle. ‘Katie,’ NuWest’s pet blonde actress, very early in her career, and possibly the cutest model we have ever seen in CP, gets paddled in an Arkansas school. Actress Katie will be playing every game producer Ed Lee could imagine over the course of her film career.

Katie narrates the film in a full headshot which could grace the cover on any magazine. She is a girl from New Jersey but must now face the paddle in a backyard Arkansas school. We see her fidgeting outside the principal’s office, in yet another portrayal of this essential anticipatory schoolgirl hallway scene. Long blond hair,bangs, big eyes, she paces in a sleeveless T-shirt, jeans, and boots. The camera focusses on her trim little denim bottom.

A female principal, a mature brunette using a comical Southern accent, calls her into the office set NW has used in many films. Not much discussion, she will be paddled,and she quickly bends over the desk. She takes 12 very hard swats on her jeans from a full-size American fraternity paddle. She goes silent–if there were repeats, we didn’t care. Katie got rocked. Great facials of this sweetest of spankable actresses.

You know it had to happen and usually does at NW–she must drop her jeans to show the principal the results. Typical round red paddle bruises. Katie is warned the next visit will be worse. And we are only halfway through the film!

Sure enough, back in the blue studio/office. “Twenty-four this time, Missy, counted aloud.” Over the desk again, in spandex jams, T-shirt, and work shoes. They change locations and she assumes the frisk position, hands on the wall, and takes 24 resounding smacks, counted out. Another bare bottom check–this time there is no thong and this time she is cornered, pants down, for a long pose. Freeze that frame.

Julia Spanks Jennifer; Jennifer Spanks Marianna – NUWEST NWV-214

14 Mar

2F/2f; year: 1993; time: 28 minutes

Nu West founder Ed Lee loved American classic spanking scenarios, and made many films of straightforward, unadorned, over-the-knee bare-bottom whalings. No silly caterwauling, no pulling of punches, no fakery, no amateur dialogue. Vigorous, hard,memorable spankings, where the actresses start off stoic and calm, and begin to fidget later.

This film was made 20 years ago. In the first section, NW staff-Domina Julia spanks a young, tall, and sexy Jennifer Brooks, herself a budding CP actress and producer. Jennifer is taken OTK on an empty carpeted set, spanked for about 3 minutes, first on her blue dress; then she stands to expose white girdle-panties for another 3-minute spanking; and last she stands again, drops the pants and is spanked on the bare. The session concluded with her cornered, red bottom on display. This session is repeated four times–first full frontal, then focussed on her face, then directly on her bottom, and finally an oblique on her rear.

Julia conveys stern power and control; Jennifer is a breezy, feminine, curly-haired blonde. Twelve minutes of hard spanking theater works any time.

The second part follows the same format. Jennifer does the spanking in a summer dress, and a little curly-haired brunette Marianna wears white shorts, and a top tied off to display a bare midriff. She’ll get the “spanking of her life.” She is short enough that her suspended legs kick freely as the disitress develops. Panties are important at Nu West, and in these films, the models wear conventional clothing, not tarty strippers’ gear. Marianna’s undies are semi-transparent, form-fitting, figure-control.

No frontal nudity, just glimpses of luxuriant hair.

College Classics #4 – CALSTAR

14 Mar

M/f; M/f; Time: 59 minutes

Two episodes; schoolgirls and bare bottoms. Both stories are excellent portrayals of widely attempted fantasies with schoolgirl or employee submissives, where the bare bottom is the only solution to the predicament.

In part 1, actor Martin Sykes, that marvelous, smarmy, and horny ageplay spanker, plays a headmaster who must discipline his school nurse/matron ‘Miss Courtney.’ He confronts her in his fully furnished parlor, seated magisterially in a wing chair. No  cinder block-walled workroom or motel room set here. “Where’s your hat?….you look scruffy.” He has a list of complaints–messed up laundry, worng medicines issued, but worst of all, she’s been spanking the male students. She admits she makes a regular practice of “spanking bare bottoms”; it is clear she covets pulling boys’ pants down.

This crusty HM  admits corporal punishment is “most effective,” but she is not authorized to spank the boys. When the HM shows Courtney the  sleek black vibrator he found in her quarters, you might say ‘the die is cast.’

Of course “there could be an alternative” to dismissal. Courtney agrees to accept a spanking–the camera holds her face in closeup as she consents, “if that is the only alternative.” The spanking starts immediately. She is OTK on the piano bench. This actress has a smoky, exotic peasant-Mediterranean face, curly black hair, huge brown eyes, with a lot going on under her smock.

Skirt up,a full round bottom with only a thong strand between her cheeks. For the next sequence, she bends over the back of a Queen Anne chair for the strap. Sykes takes her thong and her stockings to her ankles. The high chair locks her legs straight and highlights her bottom. She begins to struggle and blotches develop.

“Strip, I  said strip,” Sykes bellows, a specialty in his verbal repertoire. Courtney is naked. Her boobs are large handfuls, and she sports the most luxuriant bush we have seen since blue films. Her body is an even light brown all over, no variations. No wonder she doesn’t shave–she doesn’t even bother with bathing costumes. Naked, she leans over the piano for the cane–on tip-toes for about a dozen very entertaining cane strokes to complete her admonishment.

Part 2 contains 30 minutes of some of the most entertaining CP for our taste we can recall. Minnie Champ, a stunning actress who made a half-dozen CP films and then had a short adult film career before somebody probably took her home to stay, plays an insouciant schoolgirl dismissed from a tony school.

Minnie receives a middle-aged guy, a talented spanking actor (and probably a stockholder if he got this assignment with Minnie) from this early ’90’s era at CalStar/Tallion/SfP, who has been retained by Minnie’s parents in South Africa to “dish out some old-fashioned English discipline.” In addition to being a lights-out sensation with no clothes on, Minnie can actually act. She murmurs many cunning lines during this performance, even as her spankings escalate. She pretends she doesn’t know about English tradition. The guy shows her his cane, which she noticed when he brought it in. “You can’t hit me with that, sir.”

So they phone South Africa. Settled. Minnie is taken OTK on a wrought-iron lounger in a classy floral solarium setting. As in the first segment of this film, CalStar took care  with the set. Schoolgirl pleated skirt flipped up, white panties down. “Down?” Minnie whispers. A glorious sight, little winks between her thighs, and the camera cannot resist her stunning face.

The guy puts a cushion on his lap under her hips to raise her bottom (or was there another reason?). “That’s better. That raises it.” As he spanks, Minnie reaches back to clutch her cheeks–long sexy fingers and carefully tended nails. The last two smacks are “two very hard ones.”

“Face out there [the window], lift your skirt.” Neither we nor the camera can take our gaze off her tush. “Phase 2, the strap…3 nice tails to grace a lady’s tail…and a schoolgirl’s tail.”  This is the tawse. Minnie’s bottom high and hard over the back of the couch. She giggles a bit, at both all the CP chatter and that her pain threshold is not being challenged.

Now starts one of the most er0tic canings we have ever seen. She touches toes in front of the prototypical English fireplace. At least 15 strokes on the bare, amid a lot of banter between the players. “Taae your skirt off…the jumper too.” She leans on the mantel, bends forward over the mantel hearth, knees locked, bottom thrust out. We thank the director for this elegant positioning. Four more strokes. “Tie off” for 5 more strokes.

At last, the blouse and bra are handed over, she gives us a glimpse of a tawny pubic thatch, beautiful breasts, she melts us with a direct glance (her adult film career is still new enough that she looks into the camera). Six more zingers and “one for luck…always the hardest.” “Stay there [naked] for 10 minutes.” Long camera hold.

Dressed again, long holds on her face as she is lectured. We are reminded of Minnie’s performance in ‘Mutual Agreement,’ where the acotr ‘Reggie’ reminds her he’d be glad to return next month to spank her again for late rent.

Chelsea Pfeiffer Spanks Tanya Fox – NUWEST NWV-218

11 Mar

Two CP queens in a playful bare bottom romp. Although the spankings are conventional over-the-knee pants-down affairs, the participants are both already in anyone’s Hall of Fame. We continue of our reivew of Ms. Fox’s work.

The scene is NuWest’s empty studio. Tanya to Chelsea: “Well, young lady, are you ready for your spanking?” Chelsea is taken OTK first; long black dress, her long legs and fingertips easily touch the floor and her shoulder-length brunette hair flies. After a little spanking, Chelsea stands. “Pull up your dress.”

OTK again, Tanya spanks aggressively on pantyhose. “Don’t kick so much.” After a bit more, “Pull your pantyhose down. I’d like to spank your bare bottom.” Chelsea stands, bares her buttocks and flashes pubic fuzz. More spanking, fondling, kneading. “You’re very warm.”

As Nu West did in this era, this spanking is repeated from different camera angles, the rear and oblique rear.

The roles now reverse. Tanya will now be taken OTK. She tries to exhibit some innocent hesitance. “I’m not real sure about this.”  The procedure is the same–she is spanked on her skirt, then stands to raise her red dress, then stands again to bare that bottom which has launched a thousand ships. Tanya wears reddish pageboy hair. This spanking is also repeated from the rear.

The film concludes with Tanya cornered, nose to the wall, red bottom on display, a view every director should include for Tanya.

Julia’s Girls-Katie – NUWEST NWV-282

9 Mar

F/f; time:  30 minutes

Dominatrix Julia whips her way through a series of bare bottoms in quite a collection of ‘Julia’s Girls’ videos from NUWEST.  None better than this one with ‘Katie.’ Little Katie walks into the scene, nothing more than a hotel room. There are the checkout instructions framed on the door.

Powerful, buxom, intimidating brunette Julia: “I’ve wanted your ass for a long time and tonight I’m going to get it….take off all your clothes and lie face down on the bed.” All this in 2 minutes. Katie matter-of-factly removes her blouse, skirt, bra, and panties, facing us, climbs onto the hotel bed, and lies face down, legs spread.

Julia steps into the passage to the bathroom in this small room and strips down to Domme-like bra, panties, garter belt, stockings, and heels. As Katie watches, Julia steps into her dildo harness, adjusts it menacingly, rolls a condom onto the 8″ monster, and begins flexing her tongued whip.

“You take this whipping good and I’ll go easy on your pussy when I fuck you.”  Now we won’t be recommending this speech to the Oscar Academy, but Julia surely sets our personal table. The whipping is moderate, and if you look at the extent of her work in the NW catalogue,  there was value in keeping Katie’s charming compact bottom from getting too banged up. Great facials of the ever-ingenue blonde, despite harsh lighting in this confined space, but all eyes are on that great little body splayed on the bed.

After the whipping Katie sits up and gives the dildo a good sucking. “Lie on the bed and get ready to get fucked.” Katie slides to the foot of the bed, pulls her knees up, and spreads her legs. Julia holds her legs open and slowly penetrates Katie–the action, filmed from above, allows us to watch the dong pushed in inch by inch. Julia gives her a rousing fucking, standing at the foot of the bed. Rhythmic bed springs squeaking during the rocking.

They change postions. Katie assumes the doggy posture, and this penetration is filmed from the floor through Julia’s legs, spread for leverage. Nothing much simulated here, but we don’t hang around for an orgasm.

Penelope Is Whipped – NU WEST

7 Mar

M/f; year: 1993; time: 24 minutes

Exquisite bare fanny whipping, simple theme, perfect attention to detail. Penny is one of Ed Lee’s regular models and is to be whipped for her own pleasure (and surely ours). She stands on an Oriental rug, skirt up, panties on display, waiting. Lee starts right in and warms her bottom with a series of whip strokes. She jumps and cries out. She must place her hands on her head, sweet and submissive. A pretty smiling face eagerly awaits the next step.

She places her skirt and shoes on a chair, and who is not watching that pantied bottom as she walks? Back on the Oriental, she is asked to strip completely–off with a top, then the panties, then a black bra. Very nice. Lee circles with a whip and his cocktail, as he often does. In this video, he must play an annoying radio in the background, which detracts from Penny’s little moans and gasps to come.

She stands naked but for black stockings, while Lee fastens her wrists to an oversized contraption he has lowered. Some of his videos omit this binding process because of the time it takes, but  we happen to love those processes. It certainly builds the pressure. He keeps circling. She is marvelous, top and bottom, with a lovely thick bush.

Lee lay on 20 strokes, which Penny must count. Fast, slow, high, low–sexy.

A  scene change: Penelope is now strung up by her heels, supporting her naked self with her arms folded behind her. We always admire Lee’s wicked imagination. He then rapidly whips her bottom and thighs with the camera focussed on the subject. She seems to beg him to stop, but adds: “Oh yes, that was great.” Ed retorts: “You’re a weird girl.” It is over. We watch her sit naked and untie herself, Nu West always the voyeur.