Archive | April, 2013

Leia Ann Woods – Military Dsicipline – FIRMHAND

30 Apr

Veteran CP actress Leia Ann Woods, tall, brunette, here is a series of episodes for FirmHand made in 2008. Her own production company, ‘Bars and Stripes,’ involve similar institutional punishment and confrontation between subordinate females and authority. Ms. Woods here is dressed conservatively in military unforms.

‘D’ (M/f; 4 minutes). Ms. Woods is caught by the General on a cell phone; we’ve said before that this old gent shouldn’t concern himself with these junior people, except of course, he has these privileges of rank and, what the hell, he can stop by the barracks, and pick off a bottom or two to spank on his way home. Here, Leia’s uniform is dark green with a white blouse and tie.

The General spanks her standing, skirt up, on blue knickers, in front of the traditional British mantel and hearth. He turns her thighs red but her pants don’t come down in this brief segment.

‘E’ (M/f; 7 minutes) The General is about to spank recruit Leia again, with a carpet beater. “Remove your skirt and your blouse…hands on your head…remove your knickers.” Leia’s bottom is already pink. Carpet beaters look impressive, but we have found them to be too big, soft, and not stiff enough to provide the proper thwack. But this one is smaller, with a shorter handle, and with what looks to be a hard and compact target area.

The General wants her shoes off and lastly her bra. She is naked this time. She must lean forward and grasp the traditional mantel. The General lays on 50 strokes and counts them himself. Leia sings out in marvelous discomfort. Her thighs get as much attention as her buttocks.

‘G’ (M/f; 6 minutes) Back in the entryway, in front of the grand staircase. Woods in full uniform again, being scolded by the General. This time it will be “strap on the hand,” which he says is “one of my favorite things.” We would wonder why, when you can have this little recruite pile her clothes on the floor at your command.

About 15 strap strokes on her palms, Ms. Woods has seen worse.

‘H’ (M/f; 7 minutes) Ms. Woods and the General in the entryway, in front of the padded table. The Man has the lochgelly tawse, a fearsome instrument for some. She must remove her jacket and skirt. White knickers this time, which she takes down without hesitation, resigned to the General.

She is directed to bend forward over the table, reach to the far edge, so that she is on tiptoe, which does marvelous things for her athletic legs. About 12 with the tawse. Lovely low angles.

Some of the tawsing is repeated with a “reaction cam,” facials.

‘I’ (M/f; 6 minutes) The General is spanking Leia again. she is naked below the waist, trying to remain on barefoot tiptoe on the cold tile floor. We’ve seen the General likes his Birds naked, so soon Leia hands over her blouse, tie, and bra.

There is a padded bench on the set, which purpose can’t be for much else than spanking. Leia bends over it, compliantly spreads her legs just-so, raises on tiptoe, to present a nice, hard, round bottom.

This is a caning and quite hard, just like the carpet beater in a previous episode. 20 strokes, gasps, and a nice pose to conclude.

‘J’  (M/f; 5 minutes) The General tells Leia this will be the “last encounter.” She is totally naked, in the tiled foyer in front of the black padded table. The actress is her usual thin lovely self, and when she puts her hands on her head, this thin body is accentuated, her belly flat, her breasts perk out, and there is that round and perfect bottom.

Up onto the table, legs off the ground, hands over the far edge. The General proudly announces he will use a Bull’s Pizzle today; she counts out 13 strokes and seems to be wiping tears. The General is actually moderate with this potentially fearsome instrument.

FirmHand knows the fetish fascination with staircases. The camera follows Leia’s bare bottom as she ascends the antique grand central staircase, presumably returning naked to her quarters.

A few segments with the same characters on the same theme:

‘Bare Bottom Strapping’ (M/f; 9  minutes) Same ‘General’  character with his spell over Ms. Woods, who this time looks like she is in the Royal Air Force. Jacker off, “Pull up your skirt…bend over…grab your ankles.”

The blue piped panties are back from the laundry. The General uses a heavy short strap, about 20 strokes, after some preliminary slaps, ALL on her thighs. Panties remain.

Out-takes of collapses into laughter.

Our Sorority Part 1 – SHADOWLANE

29 Apr

2F/2f; year: 1993; time: 51 minutes

Four CP  and adult actresses bare their bottoms in a playful romp, set in a lesbian-tinged sorority, where pants-down hazinng is the norm. Actresses Stephanie Locke and Alexis Payne, as ‘Catherine’  and ‘Rebecca,’ respectively, eagerly anticipate hazing two new sisters who await their attentions.

In a sorority bedroom, the pledges, Tanya Fox and Kiri Kelly, as ‘Lisa’ and “Nikki,’ unpack and discuss the spanking proclivities of the sorority. They begin to experiment. Both Tanya and Kiri have nice resumes at Nu west and CalStar, as well as here at ShadowLane. This scene, harmless enough, is meant to feature the bottoms on these two CP  celebrities. Tanya, as always, startles us with her equipment. There is a nice added nude scene where she changes into pj’s, reminding us that pubic shaving was not yet in vogue.

Big sister Catherine joins to check the girls and smacks some bottom.

The film concludes with a harmless hazing scene, with Lisa and Nikki being spanked in various positions. The details are not important but the scenery is first-class. Here there is a reference to Part II.

Caned for Benefits – CALSTAR

29 Apr

M/2f; time:  52 minutes

Spanking in the workplace. Two very attractive girls, ‘Joanne’  and ‘Amanda,’ serve as person assistants to the landed lord Ms. Watson. Tihe girls omitted to notice the “punishment regime” CP option in their employment contracts .They have gotten in trouble on the estate, and this is, after all, England.

Watson will hand out spankings right now, in the brick-walled, arched wooden-door room CalStar has used often, providing an institutional, ecclesiastical feel and magnfied accoustics when flesh meets flesh. Watson takes brunette Joanne OTK first, on a couch. She is slightly too eager, pullng up her skirt without prompting, to expose a tiny thong. Good over-the-shoulder views. Same treatment for blond Amanda.

Watson wants more and uses a doubled belt on them, each in turn, kneeling on the couch. The girls are sent back to work, but for some reason go to a bedroom, put on white satin nighties, and carefully examine each other’s red bottoms.

The girls might not mind this CP stuff too much. Joanne tries spanking Amanda on the bed. “Oh, you have a wonderful bottom…are you enjoying it?” The answer must be ‘yes,’  because Joanne gets “tough” in order that “we are going to get used to this…take your panties down…right down.” The girls switch–Amanda spanks Joanne. Watson, not so dumb, walks in. Why aren’t they working? He has brought a paddle, the large and long kidney-shaped leather item which can cover both cheeks.

Watson positions Joanne on the bed, pillows under her bottom. He spanks in moderation, she doth protest too much, she starts counting strokes without command. The acting and editing are awkward. Amanda climbs into position for her paddling. Joanne sneaks her pants back up. The best disciplinarians we’ve seen usually spot this and take punitive action.

Amanda kneels on the bed, holds the headboard and cocks her bottom like a goose at mating time. Watson to Joanne: “Pull up her nightdress and her knickers down.” After some spanking and paddling, he rubs her, flicking between her legs.

Both glamorous tushes are compared. “I  will see the pair of you in my study in 10 minutes, dressed as you are, without panties.”  Right on, Mr. Watson!

This film is not strong on theatrical continuity. We see the girls, Amanda completely naked, in the bright sunlight on the lawn, a nudie show. Back in the brick room, Watson waits with the cane. Amanda kneels on the couch naked, a topless Joanne holds her–about 20 strokes. She’s got dirty feet. Watson breaks the cane on the fifth stroke. She surges and wiggles seductively.

It is a long session, about 10 minutes. Amanda stands, hands-on-couch, for a whole new brace, almost 50 more strokes shown, the last two laser-like. Some blood flecks. Don’t fuss about repeats (probably three times)–a nice bottom getting a thorough caning.

Joanne’s turn–just a half-dozen on the couch, then at least 40 with repeats, standing. She had to be told to drop her panties, having missed the instruction to leave them behind for the evening. (We suggest the continuity girl herself be spanked at the studio before she goes home.) More dirty feet from the studio floor and a full thatch of fur. And just for good measure–[a dog barks].

The girls rub and say “Good night.” Watson checks his magnificent handiwork, and what-the hell, let’s have a few more, four or five strokes on each bare bottom, Amanda being the most delightful, just by a hair.

Bench – NUWEST NWV-381

28 Apr

M/3f; year: 2005; time: 24 minutes

Ed Lee in the blue studio with the Oriental rug rolled out. He has created another piece of furniture; the’bench’ here, not as imaginative as some of his museum-bound contraptions, is simply a body-length table with a pillow in the center. The pillow looks exactly like a cloth covered mailbox, its rounded top makes it comfortable for the occupant.

A buxom reddish/brunette is Lee’s first assignee for the bench. “Climb onto the bench, your hips over the pad, your chin over the edge…you’re going to have your ass whipped,” spoken only like he can. He ties her wrists and ankles to the table legs and pulls down her pantyhose. Her bottom is humped invitingly like a department store display.

He whips her with a short flogger, she shouts from the onset;  someone has arranged her hair for us. He does one of his forehand-backhand Erroll Flynn swashbuckling finishes. She is gasping for breath and Ed is winded himself.

The second whipping involves a blonde. Blondes are always in the cast dressing room at Nu West. She struggles a bit more. Lee whips her from both sides and vertically.

The third scene puts a heavier brunette, “another ample bottom,” to quote Lee, over the padded pillow. Watching the girls climb and wiggle into position is nearly as erotic as the whippings.

Thief – LUPUS/RIGIDEAST

28 Apr

2M/2f;  year: 2011; time: 35 minutes

‘Rebeca,’  a boarding school student has been caught stealing in this short Lupus film, with combines CP  and conventional sex. A matronly governess brings her to the headmaster, who will do the disciplining and get his own reward.

After showing her an awesome Spencer paddle,he takes her OTK  for a hard, slow handspanking. White panties down. Because she grabs and struggles, he pins her flailing legs between his.

Over the desk, he paddles her with the holed Spencer monster. The governess brings in the school cashbox, and the headmaster puts some papers inside as he continues whaling, maybe some evidence of her crimes. The governess is quite oblivious to the bare bottom under attack. We had a difficult time with the details of this plot.

In a new scene, Rebeca is with another male student, her confederate boyfriend. They enter the room where she was spanked. He removes money from the cashbox, and we guess for the fun of it, he puts her across the desk again, panties down, for a vigorous frigging, reflecting the naughty thrill of having sex in the boss’  office.

Another scene:  the headmaster and governess are in a punishment room Lupus has used from time to time, containing the table with the built-up pillory for neck and wrists. They discuss something we couldn’t fathom, and he is pleading with her.

In the 0ther room, Rebeca is naked with her young friend, who is getting his rocks off by pretending to be the headmaster, and they are in the midst of a vigorous blowjob, which is mostly a handjob, because the guy is so big. And a lusty fuck on the desk.

Another scene–‘Lorentynka,’  a blond student, is seen with the governess. She is sent to the headmaster with her spanking note, but she is waylaid there by the boyfriend. The guy has enough in him  because  this blonde  gives a very experienced blowjob, and then is fucked doggy-style over the desk. She turns to sit on the desk for more screwing, not very comfortable for her but very good for the camera crew.

Yet another scene–Lorentynka enters the room where Rebeca has just finished with the young guy; he reads something he has about her–he found some evidence of her too,  and helps her to undress. Rebeca is quite pleased with Lorentynka’s misery. After she is quite naked, she gives the guy head, then sits on his lap for a good poke, while Rebeca watches. He runs off with Rebeca.

The headmaster enters the room to greet the naked Lorentynka with the papers he has. He spanks her OTK then puts her over the desk for the Spencer paddle.

At the conclusion, the headmaster calls the governess in to show her the empty box.

Suffering Sisters – MOONGLOW

24 Apr

M/2f; year: 1995; time: 51 minutes

Early MOONGLOW, fresh, young bottoms, naughty fun. This film, subtitled ‘A Salutary Tale For Aspiring Actresses,” features the late John Kirwood, and actresses ‘Lisa Paine,’ (its current spelling) and ‘Angie Wood.’

Kirwood spoofs a sleazy B movie producer ‘Clint Westwood,’  wears a bad Amish beard, and fends off creditors in his shabby office. But he will manufacture some fun today. Two girls arrive at his “Golden Lion” studio for interview. In these CP films, the camera pans the girl’s face as well as the package in her pants. Westwood describes his film–the actresses try to restrain their laughter.

Can they sing? They try BAA BAA BLACK SHEEP, no they can’t. When the girls recite their “vital statistics,” anyone can detect there is suddenly promise here. And when Westwood learns they don’t have “Equity” cards, the die is cast for them, as we have said before.

The last part of the film Westwood intends to make has a caning scene. There will be an audition. ‘Mary Smith,’ played by Lisa Paine, goes first. OTK, handspanking on her slacks, really tights, as the magnificently  endowed Ms. Paine is wont to wear. Westwood helps Mary to work the slacks down, the minx is not wearing any knickers. Westwood continues to spank Mary. Six “Hail, Mary’s”  from Mary. “You passed part one.” Mary flashes her totally natural, untouched pubic thicket.

Angie Wood as ‘Joan Smith,’ for her part one. Same spanking, her blouse turns out to be a leotard when her slacks come down. Six Hail Mary’s also.

Westwood continues with his part two in the studio. The girls have changed clothes. Joan kneels on a bed and gets the tawse while Mary waits. Mary takes her turn.

“We will proceed to part 3,” he says, but then calls it “part 4.” Joan lies full-length on a table, tawse on her panties. “Not on my legs,” she whispers at one point. Mary climbs onto the table for the tawse, climbs down to remove her slacks, then back up, she raises her hips helpfully when Westwood addresses her knickers. Where did they come from? We’ve praised many views of Ms. Paine. This table setting goes into the scrapbook.

Westwood announces another ‘part 4’ of his spanking regimen. MOONGLOW didn’t sweat the details in the early ’90’s. The girls are back in their original outfits too! The continuity girl must have been on lunch hour. The girls are caned this time, and in the process must strip naked, making sure to show everything they’ve got. You can almost hear the director telling them to turn this way or that. Never tire of Ms. Paine.

Discipline Academy/My Fantasies Nina Birch Pt 1 – MISSMARCHMONT

24 Apr

F/f; time: 1 hr, 20 minutes

The actress, director, producer Nina Birch released three films of spanking fantasies–about school and office scenarios, some involving men in surprising situations. Here Ms. Birch acts out six spanking fantasies with another actress, named either ‘Miss Marcmont’ or ‘Miss Harper’; the video is subtitled ‘Discipline Academy, Strict Headmistress.’ The segments catalogue ritualized schoolgirl punishment behavior, positions, panty placement, language. 

I-Smoking Hot Bottom (8 minutes): Nina has been caught smoking at school. Miss Marchmont threatens her with a cane, but she first gets a hard handspanking, bent over a school desk in a barren classroom. Nina is a strong-looking, short-haired blonde in school blouse and plaid skirt. Her bottom is wide, soft, and firmly feminine, which is why she does this work. Marchmont bunches her pants and the reddening process begins. She gets more tonight at Detention.

II-Wandering Hands Are Sore Hands (14 minutes): Nina sits at detention, writing repetitive lines and playing with herself. Miss Marchmont catches her, smacks her palms with a ruler (“These hands don’t go down panties.”), then spanks her OTK, pants rolled to the top of her thighs. “I’ve caught you with your hand in your panties….you’re lucky I don’t have a cane with me.”  Reddening increases.

III- Testing Times (11 minutes): Nina sits at a simple classroom desk.  Miss Marchmont checks her poor work and uses a cane to point to the blackboard. “What you need is hard punishment.”  Nina bends over a desk and takes full-stroke  shots from a large monogramed fraternity paddle, large resoundng cracks which set her howling and produce circle bruises and a further rouging of her bare bottom.

IV-Vanity Unfair (15 minutes):  Nina must report to Miss Marchment; she’s been caught putting her hands in a boy’s pants; Miss Marchmont is going to put her hands in HER pants and ratchet the spankings up a few notches. Her lesbian-tinged supervision deosn’t take kindly to boys. Ruler on palms; very hard fast paddling bare bottom OTK with a hairbrush-sized very hard paddle–ouch. Panties all the way off, ruler and handsmacks on her thighs. “Just remember, there’s a cane in a minute….I’m going to giveyou 12 hard strokes.” Ritual posture over the back of a straight chair–12 strokes. Marchmont is very enamoured of Nina’s chiseled bottom.

V- Advantage Miss Harper (11 minutes): This is a lesbian encounter; the actress identified as Miss Marchmont above calls Nina in,decides to strip her in search of unauthorized jewelry. The search for “jewelry in strange parts of their bodies” leads to some spirited nipple tweaking and such a lusty frigging grope between Nina’s legs that you feel it yourself. “Nothing down there.” A few cracks with that inpressive small wood paddle; Nina keeps losing her clothes and is finally naked for the first time in the video. Harper: “Touch me very slowly.” Harper slowly undresses her, Nina fondles. They rub nipples.

VI- P.A. Punished (18 minutes): The last fantasy is unrelated to the school setting above and is set in an office. All of us in this spanking fetish have imagined this one., with some help from Hollywood.  A charming, sophisticated, elegantly dressed Nina sits in a baronial office setting. She has made some crucial errors. The solicitor she works for is furious (and clever!) and offers her the big choice–he throws paddles on her desk–quit or take a spanking.

Nina stares at the wood paddles and equivocates. The solicitor grabs her and pulls her OTK and begins a vigorous handspanking on the skirt of her blue suit. “Is this really necessary, sir?” Skirt up, panties bunched. “Does it sting?”  “Yes, sir.”

She squeals as the attorney hauls her panties down. “You feel embarrassed, your bare bottom on display?” Like he felt in court, unprepared because of her negligence. She stands, takes off her jacket and tries to cover her front before she must put her hands on her head. Very sexy, and the full fantasy of an office secretary spanking. She is perfectly dressed in suit, blouse, stockings, black garter belt, and matching underwear.

Up on a chair, kneeling for the hard little wood paddle with a coaster-sized hitting area, a real detailed stinger. And some strapping over his knee with his foot up on a chair, so that her legs kick free. The lawyer is surely having a fine morning.

A long private bottom rub closeup at the end. Ms. Birch goes on our list. And the attorney, when he goes home that night, imagine his wife asking: “How was your day, dear?”

Amelia Jane Rutherford – What the Dickens? FIRMHAND

23 Apr

20 episodes; years 2009, 2016, and 2017 shown for copyrights; looks like FIRMHAND made the story and then released some extra stuff.

‘A’  (M/2f) Three CP  stars were convened to develop this episodic series. Amelia Jane Rutherford, a likeness of whose bottom will go on our Mount Rushmore as soon as we secure the development rights; American Niki Flynn, brave and creative; and male actor “Reggie,” with a long career in the finest British CP  films, whose identity we still seek.

Reggie is an inventive spanker, a fancier of the female bottom, and a CP raconteur of the first order. We found him in some vintage CalStar/Playback/Tallion/SfP work of 25 years ago and have reviewed some of the those films. Some of the out-takes included in this series confirm an observaion we have made–it must be a challenge to stay  in character and keep a straight face as a CP  actress when Reggie prattles, tugs at your shorts, explores with his fingers, and spanks.

Amelia sits with “Uncle Matthew” sipping tea. the clothing is Dickensian/Edwardian, as are the furnishings. Matthew unwraps a package which turns out to contain “instruments of punishment.” Amelia must sense what is coming and tries to suggest the canes and straps are for “the boys in the prison.” but no, they are for naughty girls.

“Stand up and get into position.” She bends over a table and raises her voluminous skirts. Her bloomers have already fallen open to expose her bare buttocks. He begins with the tawse, moderate but colorful. “Be quiet, girl,  you’ll wake the staff.” Closeups of her grabbing and rubbing as this episode concludes.

‘B’ (M/2f) We are still at tea with Matthew and Amelia. She reads a letter. A Mrs Barbarinski, (Niki Flynn), has been approved to come and stay with them. Apparently she is described as a “lunatic” and the authorizing agency recommends “appropriate punishment should be applied” to control her.

Amelia becomes very protective of Niki and suggests she might be wrongly accused for her misdemeanors. This infuriates Matthew and earns her another trip over the table. This time Matthew has to open her bloomers to get to bare skin. Much more fun for us.

More hilarity in out-takes.

‘C’ (M/2f) Actress Niki Flynn arrives at the Dickensian house, as “Mrs. Barbsrinski,” sent by an American institution to serve as housekeeper. Stern discipline is recommended, so we presume she has some real penal violations. Uncle Matthew greets her gruffly and grabs at her, “Have you got lice?” He knows here is another bottom for him to spank.

“Americans!…we should never have given you independence…discipline is the thing…a short sharp lesson!” Another example of our theory that this actor ‘Reggie’ does his own dialogue.

Right there in the front room, he takes Niki OTK, rucks up her voluminous skirts and petticoats and opens her bloomers. Niki’s bottom is to the camera, she puts out her delightful squeal.

More Reggie improv–to quiet her down, he threatens to “take you upstairs, tie you to a table, and thrash the skin off your backside with a cane!”  Good Uncle, slow down.

Amelia and Niki commiserate about life here in the parlor. Niki allows as how “he is worse than the doctor,” at her former institution.

Some amusing out-takes show Reggie fumbling through his complicated verbal creations and Niki bursting into laughter all the while being spanked.

‘D’  (M/2f) A longer episode, 11 minutes. The girls have created a large floral display. Matthew overhears their prattle and intrudes. “What the Dickens is this monstrosity?” Since he is always looking for any excuse, he finds the flower arrangement obscene—“…ungodly urges…sexual practices…disgusting…lunging phalluses….whorish red bulging…”

“Both of you, bend over that chair, the strap for the both of you.” The girls lean on a creaky chair we will see more of. Niki–skirts up, bloomers open, she gets the tawse. Closeups from a low angle of that famous musclar bottom.

Matthew turns to tend to Amelia as the scene ends.

More out-takes: Matthew tripping over his convoluted elocution, and a moment when the phone rings on-set. We are reminded of other films where Reggie ad libbed through such moments.

Uncle Matthew, Amelia Rutherford, and Niki Flynn in the Dickensian setting. Both girls muyst lift their skirts. Amelia must remove her bloomers and they adjust positions on the set so Uncle can get a few backswngs with this tawse. Low angles of her bare bottom up those long legs. She jumps delightfully on each stroke. “Tears, Amelia?…you soon will have.”

Each girl leans on an arm of a Victorian chair, which literally groans under their weight. Uncle cracks at both bottoms. To Niki: “I can see your chest heaving.” This actor has always sought reaction from his girls.

‘F’ (M/2f) Niki Flynn in her Victorian finery, has purloined Uncle Matthew’s copy of ‘History of the Rod.’ He must be a regular wanker and finds the girls not enough for him, because he misses the book immediately. The girls try to hide the leather-bound gilt volume, but he finds its quickly.

Niki, in her nightdress and molly cap, is going to get a “live demonstration” of the book’s contents. She must lie face down on the bed. Matthew pulls up her nightdress and separates her bloomers to access bare cheeks. He whacks with the tawse, nothing fierce, but wonderfully staged. These films were not made to satisfy the prurient fetish for severity.

Amelia looks on and he promises to take her “to a special room, strip you naked, and burn every once of flesh off your backside with a branding iron.” Would that we could see some of this. And we would guess ‘Reggie’ improvised this line.

This segment concludes with 3 minutes of out-takes—Matthew tripping on a rug, and flubbing some of his longer lines.

‘G’ (M/2f) This brief final segment, still shot in the bedroom, has the girls goofing around, the director of the film steps on-set to give them spankings for himself. They must lie, head-to-foot, on the bed, bottoms bared.

“You can’t! We’ll be marked. Are we being paid extra?” Both bottoms wriggle on the bed, having lives of their own. Hilarity on the set as the director spanks, the girls laugh, and Uncle Matthew chortles in the background.

‘H’ (M/f; year: 2016; time:6 minutes) FIRMHAND seems to have continued this series, holding these next segments for a few years and replacing ‘Reggie’ with ‘Christian Fennington,’ who in fact had made some films with Amelia Jane at FH about the earlier time. If we learn more about what transpired here, we will annotate. You’ve got to admire that Amelia could just go to the phone and engage the iconic Fennington.

The story seems to continue in the girls’ bedroom (Amelia Jane Rutherford and Niki Flynn). The girls are frolicking about, trying on bustier/bloomer combinations. Amelia is all in a twitter about Victorian spanking photos she has seen. The girls check each other’s bottoms.

Matthew (Fennington) bursts in and feigns being appalled at the girls’ being half-naked. Victorian opportunist that he is, he will spank them both right now and sends Amelia to fetch his birch bundle. She drops her bloomers and flashes a full-frontal–certainly that is not a Victorian pubic trim. Matthew begins birching, 10 strokes, she howls.

Amelia kneels on the bed, a posture, with two cameras, allows for wonderful facials under duress and a second, full-bottom view. She rolls on the bed in pain.

To the corner, bottom full-screen. Niki is beckoned. Matthew has a tawse. It is her turn.

‘J’ (M/f; time: 7 minutes) Niki will in fact receive the same birch bundle, not the strap. Like Amelia, her bloomers are open and her bottom is ready. She stands, hands on head, as Matthew begins birching. Seems harder, we thought. Niki struggles. “I didn’t ask you to perform the jig.”

Like Amelia, Niki kneels on the bed for the second set of strokes. She is popping out of her bustier. Both girls to the wall, bottom rubs full screen. Two CP Titans. Long slow-motion replay and some silly out-takes.

‘K’ (M/f; time: 10 minutes) The girls have dressed and gone downstairs into the heavily decorated Victorian sitting room. They seem to have visited a prison, and Matthew wants to ensure they noted the miserable conditions and the spanking equipment on hand. They should not let prison happen to them.

Matthew overhears the girls; apparently Niki has fallen in love with a prisoner. Matthew wants to know, is she a lunatic or what? A harsh punishment can sort this out. “You’re going to be caned.” The shocked girls beg.

Niki takes off her jacket. Ms. Flynn makes the mistake of starting to remove her skirt before she is told to. Skirt off, bloomers dropped, she displays that athletic bottom and thighs which, combined with acting, got her this work. A dozen cane strokes, some shot from low angles. Amelia watches and cringes, and at the conclusion, begs Matthew to stop.

After Matthew leaves, Niki tells Amelia she must escape from this place

‘L’ (M/f; time: 8 minutes) The actors construct a complete episode out of contrived ‘out-takes,’ where we watch the last two strokes of Niki’s caning above and Amelia’s attempted intervention.

Amelia plays at messing up this scene six times, so that Niki must take 12 extra cane strokes to get it right. In effect, two caning episodes for Ms. Flynn, ‘K’ and ‘L.’ Is this proof she is the tougher lady?

‘M’ (MF/f; time:8 minutes) Continuing the post-story playtime, Fennington, the director, and the cameraman decide that since Amelia messed up the closing scene six times, SHE should get 12 strokes of the cane. Everyone loves the idea except Amelia.

She bends over the mantel and opens her skirt and bloomers. Her spectacular bare bottom seems to throb on its own and is beautifully framed by the voluminous folds. Niki is loving it and will be given a chance to join in the caning. “Ow, Fuck.” on the first stroke. Niki: “Did you rip those bloomers? They’re authentic . I got them on EBay.” After an entertaining caning, they all hug and leave. Would this be the concluding episode?

(N) ( M/f;  7 minutes) We continue in the Victorian character. Niki has run away and left a note, apologizing for cleaning out the money from the house’s ‘charity box.’ Christian accuses Amelia of aiding in the escape and offering the money. She immediately confesses.

“Stand up!” screams Fennington, in the frightening tone he specialized in in earlier films during the Sophie Fennington era. “What did I say would happen,,I said I would cane you and strip you naked.” Amelia slowly removes her layers of Victorian garments until she is nude, an erotic acting skill found in many of her films. The camera cuts to a female nude painting on the wall.

Hands on couch, naked. Fennington lays on 18 strokes, filmed at various angles, including some low shots. We’ve read in blog threads that some thought Ms. Rutherford could not take a hard caning. These strokes are good enough for us, and they seem to take her breath away on occasion. If there were repeats, we were charmed into belief.

She collapses on the floor, angry. “I’ve finished learning lessons from you. You can beat me all you like. I won’t learn anything,”  Fighting words for Fennington. “Let’s see how many strokes it takes.” The caning begins again in slow motion as the film concludes.

‘O’ (M/2f; time: 7 minutes) A film identified as ‘prequel 1’ and out of the character of the story. In the present,  Niki and Amelia have overslept for another spanking shoot in this series. They scramble to dress and get to the studio. Some playful dispute as to who is hogging the POV camera as they dress.

They are more than an hour late for a rented studio. Waiting for them is the angry director–we think it is ‘Hywell Phillips,’ whose face won’t be seen. After a mild argument and some faux reluctance, the director will spank both girls to send a message.

Amelia is taken OTK first, slacks down, usual cute panties. She doth protest a bit–“I won’t be able to do my job.” Niki is watching, amused and innocent so far,  and comments on her dirty bare feet, the porn studio problem. “I washed them this morning.”

‘P’ (M/f; time: 7 minutes) ‘Prequel 2’ It is Niki’s turn to be spanked for being late. The director is willing to waste even more studio time to send a disciplinary message to his models, and he will use this filming.

Niki goes OTK, jeans down, red bikini panties with the peace symbol emblazoned, surely a clever pornographic metaphor in addition to a peace and feminine symbol. Amelia watches amused. Just who was it who kept resetting the alarm?

The director takes her panties down. Ms. Flynn is still in marvelous shape. Christian Fennington arrives and the director explains he is teaching these two tardy models  a lesson. It is pointed out that Fennington is late also. As Niki is spanked, we again notice that deep bruise high on her left buttock.

‘Q’ (M/2f; time: 7 minutes) There is a pre-filming conference. The director lectures Amelia, Niki, and Christian that the acting has not been crisp, that many of the takes are marginal or useless. (He doesn’t say that do-overs with a red bottom damage authenticity.)

So the director is going to spank some commitment and dynamic into both girls, and he will use a big clothes brush, an implement they deemed too severe for any film segment. The girls are partially  dressed in their Victorian undies.

The director takes Niki over an easy chair air. Her bloomers open down the back. She doesn’t like the brush and overacts a bit here. Amelia sits at her face, filming this spanking with a hand-held camera. She is just wearing a shorty blouse and black panties.

The second half repeats this spanking from Amelia’s camera.

‘R’ (M/2f; time:9 minutes) A good example of how well Ms. Rutherford can ad lib, and if fact how she can carry on normal conversation while her spanking is underway. It is her turn to be spanked by the director, apparently for disparaging the productions on a ‘forum.’

Niki holds a second camera. Amelia is steered over the arm of a chair. “This is gratuitous!” she protests, more arcane dialogue you won’t find elsewhere. The director reaches to pull down her black lace panties. “No! I don’t want them taken down.” It seems her ‘limits’ vary. Panties-down for filming is one thing, but this must seem personal to her.

The director gets the knickers off and begins with the clothes brush. She is shocked. “Oh, fuck, fuck!” Usual sexy struggle.

Again, these spanking sequences are repeated in somewhat edited form from Niki’s hand-CAM.

‘S’ (2M/2f; time: 12 minutes) The girls are giggling and jiving with each other in the same hotel room which has been used for all these extra sessions. They are partially dressed for the Victorian drama. They roll around and spank each other, mocking  Christian Fennington with a false mustache. Of course it was ‘Reggie’ who had the mustache. And no panties today.

Fennington interrupts. “Are you mocking my performance?” He begins a spanking scene which is perhaps the best of the series. Both girls are bent side by side over the back of the each chair, two all-star bottoms. The background is the Thames and London skyline through a glass door.

The director has arrived, and the two men will flog the bottoms together, and switch places. Wonderful facials, kicking, wriggling. Once or twice the girls completely depart from character and laugh at the corny dialogue. They all debate if this sort of aside behavior is appropriate for a spanking film. Amelia insists you’ve got to have fun and cites Hollywood.

Interesting to note, and the men do–Niki’s bottom has turned into a dark storm cloud, while Amelia is still pale white with some pink. Same floggings. We’ve noted before Vive La Difference.

‘T’ (M/2f; time: 9 minutes) Niki and Amelia complete and jostle with each other to film a narrative introduction to this series.

They introduce Christian Fennington, who has laid out the spanking implements which will be used. Since the girls continue to be annoying, he decides to illustrate now how the implements will be used. He grabs Amelia first, bends her over, and gives her a taste with each tool. Niki keeps helping pull her crinolines up and takes her panties down when Christian asks. Amelia is disheveled and sexy.

Niki gets her share in the next segment.

 

Punishment Profiles – REALSPANKING

23 Apr

year: 2002; time: 1:14, 12 segments

This American producer occasionally makes faux-documentaries, for the purpose of parading pretty bottoms, where spankings are meted out at the ‘Real Spanking Institute’  for various reasons–punishment, therapy, blackmail. The company consistently offers pretty girls, young, and very strong in the bottom department. the spankings are always vigorous, full-power, colorful, no excuses. In the American style, the strap and paddle are the most common. And frequently, much to our delight, the punishment is awarded in the nude, and the girl must strip down on camera, often surrendering each item of clothing.

These 12 segments are each 7 0r 8 minutes long and follow the same format, which we will describe in detail for ‘Haley’ below. The girls have each come to the Institute voluntarily to receive a spanking–to atone for some failure, or to acquire the taste for discipline to please a boyfriend.

‘Haley’: A tall thin brunette,  sits in a Queen Anne side chair, acknowledges she knows what goes on at RSI, and has come here for “a spanking.” The scene is the brick-walled sitting toom used in many RSI films. Lauren, the ubiquitous RSI disciplinarian: “OK. Let;s get started. Take off all your clothes.” Haley strips totally naked, full screen, without fanfare or melodrama.

Haley is fully shaved, with long legs, powerful thighs, and the plump bottom which comes with such a figure. Lauren spanks her OTK  with high, sharp smacks, a warming-up, and then at an increasingly severe pace, no sympathy. As with some other producers, the masonry walls reflect excellent spanking acoustics.

The second part of the punishment involves a bend-over, hands-on-chair, boobs hanging. More handspanking. The session concludes with Haley sitting naked, on the chair, legs crossed strategically, discussing what the experience was like.

‘Ginger’: a  big brunette, she needs ‘real punishment’ because her boyfriend doesn’t spank hard enough. When she sits naked for her exit interview, she winces.

”Bobbi’: A redhead; She has been “a bad girl and needs discipline.” “Get naked.” Her undressing may be the best in the film. Nipple jewelry; shaved; praise-be to  the pale skin of a colleen for spanking; Bobbi’s hips produce one of those spankable feminine bottoms.

‘April’: a tall, giggling brunette, she likes being spanked by her boyfriend but wants more. Lauren: “This is more like a real spanking; it’s supposed to hurt.” When she strips and flashes her mohawk, Lauren is so impressed with her body she pauses, fondles April, and has her twirl slowly for us.

‘Tyler’: A tall black girl, maybe a little embarrassed when she is naked, enjoyed the whole thing. “It felt good.”

‘Paige’: Lauren asks of this pageboy blonde what immediately comes to mind: “How old are you?” “Nineteen years old.” When her clothes come off, we didn’t see any underwear. The spankings bruise her more than most; she wipes tears as she sits naked for her interview.

‘Caroline’: Dark blonde, a lot of perfect buttocks to work on here. This spanking occurs on a different set, one of those cleared-out office situations.

‘Donna’: A tall brunette; she undresses with a spirited and innocent flair;  she explains as she sits naked–she is 19, still in school, and that the RSI model ‘Brandi’ has suggested she try a spanking. She only gets the OTK version here, just another wonderful bottom to look at.

‘Katie and Jessica’: This is a return visit for tall brunette Katie, which Lauren reminds her means the spanking must be harder, and Lauren is displeased she didn’t dress better for this session. Katie goes OTK still dressed, Lauren helps her down with her jeans and thong.

RSI model ‘Jessica’  enters the set and helps hold Katie still. Then Jessica takes her OTK for more with a paddle, and for some reason pulls her own shirt up to expose her boobs as she spanks,lest we forget we’re here for s thrill.

‘Tiffany and Melanie’: Two girls are interviewed here, and when they stand and strip together, there is almost too much to watch. The camera pans both naked bodies with a practiced leisure. Both girls are spanked OTK, then bend over their pedastal chairs, but facing us, so tha their estimable boobs and loong hair hang for us to contemplate. We will watch this segment a few times.

The Kane Assignment – KANE

19 Apr

MF/2f; year: 1991; time: 54 minutes

An early CP classic, featuring Paula Meadows in the altogether and a naughty lesbian romp. A/k/a ‘Lynn Paula Russell,’ this lady made adult films and a few CP films and then became a widely published sketch artist for the CP magazine trade, illustrating many of our most memorable fantasies. She also edited and published CP magazines in their pre-web hayday. All this, and she has a very frisky bottom to boot.

The film is about doing a photo shoot for George Harrison Marks’ ‘Kane Magazine.’ Many of the Kane films were about the CP industry itself. Actor ‘Harry Bayman’ awakes in the morning in bed with actress ‘Ann Proto,’ both quite naked. Ann climbs out of bed, displaying wonderful boobs, a full thatch of pubic hair, and naturally, a great bottom. She starts coffee and comes back to bed for some nude play with Harry.

Paula arrives at the door for the day’s photo shoot, and Ann is delighted to see her. They will be able to rekindle some lesbian interest. Paula wears short cropped brunette hair which we always associate with ingenue actressses. Then comes one of those little surprises which were found in the earlier CP films, when girlie-film nudity was still novel. Ann squeals when Paula pulls off her red dress and is naked underneath–no bra, no panties, just a naughty garter belt and stockings.

Both girls naked, they look through spanking implements Paula has brought with her and begin some lesbian play, a long nudie scene, comic spanking.

Paula puts on a leather B&D body harness, a little feature found in her art. She bends over the “altar,” a studio prop, for the photo shoot. Various postures and implements–both the girls naked and Harry with the camera. When he can’t stand it any more, Harry takes over the spanking.

Harry is called away for a photo lab crisis, so the girls renew their lesbian games. The screen is filled with pink bodies, CP of secondary interest. When Harry returns he jumps in the naked pile and is soon playfully spanked himself.