23 Jul

year: 2005; time: 40 minutes; MF/5f

Tintype film, Edwardian spankings; a mansion in a rural setting–St. Katherine’s School, gothic soundtrack. Good start for a CP film–its usually means maids, or house-servants, or students in trouble, or at least in situations where their destiny is not their own. A mustached young man is delivered to the mansion by carriage–the school inspector, and received by an older woman, who soon strips and bathes in his presence, quite unembarrassed. The film is in a foreign language and will present the usual challenge for us. It has the feel of a LUPUS/RIGIDEAST costume drama. We’re guessing this gentleman is a government inspector with unfettered access, paying a visit to a rural insititution.

This fellow and the now-clean woman receive a local Yiddish merchant, who apparently sells spanking testles.  Now there is a  showroom we would like to visit. The woman climbs onto a model he shows and is fastened down, a test ride? For  the institution?

Cut to a scene in a dormitory-like setting. In the night, four girls jump a fifth girl, getting some revenge, stripping off her nightgown, and make her dance and crawl naked while they spank her, make her urinate in front fo them. They torment her on her bed, give her oral sex, make her do the same, use a dildo, whip her with a cane at length while she is held down.

We return to the trestle room, where the headmistress is just climbing off the device and covering her bottom as the inspector watches, when the girl who was beaten in the dormitory staggers in, naked. They put her on the gyno table, a Mengele-like doctor materializes, out come the rubber gloves, and we get some closup examination time of her bottom and the dildo results. The girl must tell them what happened to her.

The inspector and headmistress enter the dormitory, turn on the harsh lights, roust four girls out of bed, and soon they are bent over their beds, nightgowns up, four bare bottoms. They move like they have done this before, the scene is reminiscent of and nearly equal to several ‘Detention House’ productions at Lupus, and to a number of corny B-movie reformatory attempts, but here we will get our money’s worth.

The inspector brought a strap;  the headmistress moves from girl to girl, laying on 15 hard strokes each. She’s is going to whip until the leader is found. The girls leap and gasp under the attack and soon turn on each other and implicate a tall long-haired brunette, which earns her a special hearing.

The pretty brunette arrives at the examining room; the inspector, headmistress, and doctor await her. The camera pans the collection of punishment instruments and the trestle, whose use is nigh. The doctor approaches with his clyster enema bucket. She is going to take an enema, right here, in front of everyone. She bends over and raises her nightgown, once again seeming accustomed. She scurries off doubled over after brief filling and is soon marched back to face the trestle.

Nightgown off, naked, she is fastened into one of the most naughty punishment positions you will see,  befitting the name fo the production company, and even surpassing some of the devlish  ideas at LUPUS and NU-WEST.  She climps onto the trestle, lies on her back. She is belted tight at the stomach, her legs and dirty feet elevated in the air in the diaper position. A yoke is placed behind her knees and then pulled tight with rope behind her head, so that her legs are held vertically and pulled apart, leaving nothing to the imagination.

The inpsector gags her with a lace napkin, and then after tormenting her with swooshes, lays on, we counted 50,  cane strokes. She struggles mightily after each one, rocking the trestle, quite trapped by this bondage, the skin of her bottom and thighs pulled taut by the extreme position. The first marks concentrate on her lower buttocks and thighs.

She is released from this awful circumstance and is refastened to the trestle in the more traditional bent-over posture. The inspector now concentrates on her  upper buttocks, which had not been exposed—we counted almost 60 more strokes. Despite the gag, she puts up a fearsome crying and gasping,  a steady moaning. These canings are as seductive as anything we have seen, and the strokes are just skillfully moderate enough that the girl can take this quantity and not be turned to mush.

The inspector has done his job, departs on the horsedrawn carriage, and finds himself imagining a girl he sees walking by in the fields naked.

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