spankingfilmreview

MF/f; year: 1986; time: 20 minutes

‘Carol,’ an American teeny-bopper type, chatters on the phone, legs spread with panties on display. Her British stepmother takes the phone away and criticizes her for smoking, drinking, and goofing off. The stepmother will call ‘Thomas,’ the girl’s father. Stage set.

Thomas arrives, a familiar American CalStar operative. They discuss the need for caning. “I don’t want to mark her right away. I’ll give her a good spanking first.” She goes OTK, panties pulled down. Stepmom takes over, harder and louder. Thomas assists and takes her panties “right off,” as he says in all his films. She is sent to the bathroom and made to pee and bring back the cane.

Kneeling on the couch, the first two strokes leave clear marks; then more over a barstool–a lot of colorful squawking and positioning. Lovely closeups of a bottom which really shows marks quickly. On the floor, up again, all clothes off, then into the bathroom nude, where an enema has been prepared. A rough session for poor Carol today.

We don’t see the enema procedure (it is 1986); Carol is back in the sitting room, calmed down, still nude but for knee socks. Back OTK for more spanking from both parents. Squirming continues, but we guess a trip back to the bathroom is always available if needed.

F/f; year: 2008; time: 16 minutes

A brief CalStar filler; two girls on the white CalStar sectional couch. A voluptuous blonde, ‘J.D.,’ is enamoured of a guy, but her girlfriend admonishes: “He’s a nice guy but he canes really hard.” Her brunette friend wonders if J.D. could take it. We know we must resolve this question.

The brunette will spank and cane J.D. and if she passes, she’ll call the guy and recommend J.D. to him. Full-length OTK on the couch, skimpy panties down, for a long handspanking, and J.D. is really squirming, already.

On her feet, into the bend-over, hands-on-couch, locked-knee, high bottom posture, for the cane. Over 30 strokes are shown. The girls exchange sexy conversation during the strokes, which may have been prevented using repeated strokes. She passes the test. The brunette gets the guy on the phone to tell him, “what bad friends I’ve got.” There might be a sequel around of this story–we’d like to see their first ‘date.’ Or at least, every time a willing girl is hanging around the studio, throw together one of these episodes.

M/2f; year: 2006; time: 55 minutes
British adult actor ‘Jack Uppitt’ kept it going into social security eligibility and then some. He made many demonic and nasty little CP films with girls one-third his age. This film may be one ofhis most wicked in his CP work; it least, it is a favorite of ours.

‘Mr. Johnson,’ a resident girls school official, will deal with the ‘Novac’ sisters. The two blondes wait outside his office, looking none too happy, because they know his evil ways. He arrives and leaves them fidgeting. His office is nothing more than a sitting room somewhere with the furniture pushed aside and bedsheets over the floor to ceiling windows to reduce the glare.

He calls the girls in; they are “foreign students” and have messed up their passports; for some reason they are going to be punished for it, probably because Johnson can get away with it. After a long scolding and some backtalk from the girls, Johnson will begin the spanking.

‘Angela’ Novac goes OTK first; Johnson goes right for the black panties. ‘Jessica’ Novac is OTK next, she wears white panties. “There are 200 girls here…those who disobey me get punished…open your legs…you’re staying in here the rest of the afternoon.” Johnson takes her panties down. She begs. “What? Don’t you dare!”

“Angela Novac, come here.” He literally yanks her knickers down. OTK again. “You’re crying already?” “Get your legs open, get ’em open.” He must say that 25 times in this film, and in all his films. Some male CP disciplinarians fancy the bottom; we’d say Uppitt likes pussy.
He gets angry when the girls speak. The girls’ clothing is gradually disappearing.

Jessica next, knickers off and skirt off. No bra. OTK again, almost naked, Johnson works a knee between her legs. Full puss. “You’re going to please me, aren’t you, any way I want you to please me.” “Yes, sir.”

Angela is spanked again. Johnson spreads her buttocks just for fun. “Take your shirts and ties off.” “Why? one sister asks, infuriating Johnson. Both girls are naked and shaved down to a pencil thin Mohawk. Plenty of frontals for Johnson. He smacks both vaginas with vertical slaps, to the squeals of the girls, who certainly know where this ends up.

Johnson is moving the naked girls to caning. Jessica bends over the couch. Johnson puts a cane between her cheeks. “Clench it.” He begins with the black paddle, legs open (always). Excellent facials, her large boobs hang delightfully. CalStar keeps the screen filled with pink flesh, one blonde or the other or both. Jessica back talks, so Johnson takes off his belt and makes her count out 10 strokes. When he is finished her grabs handfuls of breast. “You’re going to please me,” and smacks more pussy.

Angela is paddled next, same fondle. Johnson actually bends to suck her nipples. She gets 10 of the belt.

Now the cane, “10 strokes each.” Jessica first, but some nipple first. She leans over the arm of the couch. Jessica counts out her 10, there are clear marks and wheals. “Come back later to please me.” “Yes, sir.”

Angela over for the cane next, Johnson positioning her bottom carefully for the camera. 10-count. Strokes ripen as we watch. Johnson’s aim is wild here-a few low on the thighs and one high, off the buttocks. “You’re going to please me in bed tonight, yes?” “Yes, sir.” He is going to be busy.

The girls must face him, “legs apart” of course. He takes each girl in turn and urges her lengthwise on the top of the couch for a frig, and it looks like the actresses didn’t want this final indignity.

F/f; year: 1986; time: 24 minutes

Brief ‘Imprint’ production. A theme which has amused us before–a temporary employment agency maid gets jumped by her lesbian employer.

‘Nicole,’ a striking pale-skinned brunette, with an undiscernable accent (foreign girls seem to resist less when their pants are pulled down), reports for housework. The madam, a tall frizzy no-nonsense dark blonde we have seen in other films, doesn’t hesitate and explains she gives spankings on the spot if the work isn’t proper and shows Nicole her cane. Nicole takes this in stride but doesn’t care to look at the rattan instrument.

Nichole is sent to change for work; we have the voyeur crack-of-the-door view of her naked as she puts on rather dramatic clothing for housework. The madam decides she needs to give Nichole a taste of the cane NOW lest there be any misunderstanding. Nichole is puzzled.

A brief illustration of how the kitchen works, then Nichole is encouraged to bend over a counter, her dress pulled up, for two sample licks from a cane on her mostly bare bottom, in that the scanty panties she just put on don’t cover much. Back to work.

In a nonce, Nichole loses a spoon down the garbage disposal, madam is attracted by the commotion, and Nichole finds herself OTK, for the real thing this time. Her pants are pulled off in a cute struggle; after some spanking, she is sent into the next room to retrieve the cane–a nice submissive touch. Her long dress falls back to cover her bottom.

Madam has Nichole kneel on the floor, bottom up and head down, while she canes the elevated buttocks from a sitting position. Short swift snaps, about 20, and they must have stung, because Nichole has a very difficult time keeping her bottom centered and holding this pose. The lines and wheals form a hectic pattern, because the surging target is never still. Sexy, erotic, and different. Some OTK spanking again and then back on the floor for the cane. Madam is simply tormenting Nichole for the sheer joy of it, and because she has the power.

A final touch, part of the mad fantasy–back to work in the kitchen, but bottom bared for the rest of the assignment.