Archive | September, 2014

Kelli-Raye Takes A Seat – NUWEST

30 Sep

F/m; year: 1997; time: 29 minutes

One of NuWest’s simplistic and predictable storylines, but somehow the actress ‘Kelli-Raye’ took us to another level. A guy is strapped down on a low bench on his back, a wedge cocks his hips, his ankles cuffed and strung up to a ceiling chain. He wears shorts only, more than some men we’ve seen in this posture.

Kelli-Raye prances on the set showgirl-like, in a white gauze body suit and white heels. Kelli bunches his shorts and begins slashing his butt and thighs with a martinet. After whipping, pacing, and scolding, Kelli straddles him and sits on his face. He looks docile. We are just beginning.

Thirteen minutes in, Kelli sits on a bench against the wall, as if she were in a locker room, and removes the body suit. She is down to just white satin panties and heels. She continues whipping. Her erect boobs are like headlights.

Kelli sits on the guy’s face again, in just panties. At 21 minutes, she walks and works her panties down like a stripper. After another session with the martinet–she is something to watch, totally naked, whipping up a storm.

Kelli sits on his face again, now naked, wiggling and adjusting, moving about. She is muttering some sexy talk we can’t decipher. Sexy closeups. She demands ‘Yes, ma’am” and “No ma’am” from him. It is difficult to tell if he is talking advantage of this–can’t see his face and his shorts never came off.

Three Caned Schoolgirls – XEROTICS

30 Sep

M/3f; time:31 minutes

This film is nothing more than the exploitation of three pretty girls and is entertaining in that aspect. It does not contain much serious CP. The girls are getting some end-of-term punishment to hold them over until next year.

The set seems to be an empty dance studio, with a frosted glass enclosure in the background, through which you can see the girls moving, and the pink of their flesh.

The scene opens with ponytailed blond ‘Asra’ standing before us, in just little white bikini panties, her melon boobs on full display. She is being scolded by the voice of the regular XEROTICS male disciplinarian. He has her do some touches and reaches, full screen, turning around for some of them for the bend-over view. “Pull the knickers down, right down.”

Asra is sent into the glass enclosure to get two other girls. They must come out “without tops.” “No tops?” The girls, now another tall blond and a brunette with Asra, stand in front of the teacher in the briefest bikini panties and white knee socks. Very cute stuff, each girl.

They will begin the “end of term” workout. Facing us, then with backs to us, they do the bend and reach drill. “Faster.” Jog in place. Three jiggles, Asra especially. Panties down, hands on head, the girls are not completely happy with this. All three shaved.

The disciplinarian comes on-screen, smacking bottoms among them. Bend-overs for his belt, and bigger belt, and some mild caning. They hand him their panties and leave.

Jennifer Whips Ass – NUWEST

30 Sep

F/m; time: 31 minutes

It is the Domme Jennifer Brooks, and the ass belongs to Ed Lee, we think. When the film opens, a girl in maid’s costume is fastening a man over a spanking trestle. Outside, Jennifer Brooks arrives on a horse and walks it in. She is tall and glamorous in riding habit and looks comfortable with the horse.

On the sound stage: “Well, well, if it isn’t my annoying groom?” The household maid has prepared him for his mistress. She circles and scolds, then begins a very hard cropping on his breeches.

At the 8 minute mark, the maid releases him, pulls down his breeches and shorts and refastens him. Jennifer continues the whipping on bare skin, very hard, eliciting some grunts.

Jennifer decides to take a break and steps over to the corner of the stage to change clothes. When she removes her blouse, she displays some magnificent breasts, which we don’t recall having the pleasure of seeing before. This moment can be the only purpose of the interlude. She puts on panties (the blouse is too long to see much), garter belt, and stockings, skirt. heels, and returns to Lee, dressed for the outside world.

“Have you ever felt the cane? You will.” She gives him a nearly vicious caning, eliciting blood from his far buttock, where he always breaks down.

Discipline in Russia #8-Nakazanie – NETTLES

30 Sep

M/2f; time: 43 minutes

Typical improbable product from early NETTLES, at least by the number. Two pretty peasant-dressed girls sneak outside, strip off their clothes, and begin full lesbian activities on the lawn of the house. Broad daylight–the film is completely exterior.

The girls are caught buck naked on the lawn and marched inside. [a cat walks unconcerned through the shot, in front of the crew]. With the mother, father, and sister attending, the girls will be brought outside and whipped. ‘Fedor,’ the actor ‘Gerry Geroshvili,’ walks into the shot with three or four switches.

Brunette ‘Manka,’ a solid peasant-looking girl, is selected first and she lies lengthwise on a handy low bench, the usual posture for a NETTLES punishment. As the group stands in a semi-circle watching, Fedor lays on 46 strokes (his lottery number, we assume). Manka gets up halfway through, but musters the courage to lie down again. They torment her as she is whipped, and she develops the classic Russian stripes. She is allowed to run into the house.

The little blonde is next, her bottom rising invitingly in the center of the bench. She gets a full 64 strokes, why more strokes we don’t know, except that maybe she is so photogenic. She has to be held in place. She develops a full flush on her face and certainly seems to cry her way through the punishment.

Jodie’s House of Whipping-Katerina – NUWEST

30 Sep

F/f; 25 minutes

Actress ‘Jodie Cline’ meets ‘Katerina,’ an exotic brunette pageboy. “I’m going to take you out to the garage and give you the whipping you want. “You’re volunteering, right?” “Yes.”

They walk to the familiar workroom NuWest used. “Take all your clothes off and put them on the table. Leave your panties and shoes on.” Stunning Katerina is soon down to a tiny white thong and flats.

Jodie cuffs her wrists and fastens them to a chain from the ceiling. As Katerina watches, Jodie selects a whip from the wall, circles the girl, pinches her nipples, and admires what she sees. “My, you are a cute one.” She begins whipping Katerina’s upper back, who remains quiet.

Most of the film is taken up with Jodie whipping, circling, and checking the developing stripes. Near the end of the film, Jodie lays a dozen or so strokes on Katerina’s buttocks. She is let down and they leave the garage together, Katerina naked, and Jodie patting her bottom, as if they are headed somewhere else.

Obedience Training – STRICTLYENGLISH

30 Sep

M/f; year: 2010;time: 90 minutes

This film is found in segments on STRICTLYENGLISH’S website, the ‘Spanking Channel’ series, 2,3,and 4. We have had fun piecing the film together for purposes of review, but you will have the support the cause and go to the site yourself if you want to watch it.

A familiar Irish actor, ‘Angus,’ or ‘James Cameron,’ plays ‘Uncle James.’ The scene opens with actress ‘Amelia Jane Rutherford’ bent over, being lightly caned, obedience training for having allowed friends into her uncle’s house, who trashed the place. Bottom closeups of this glorious lady; 12 light strokes. She wears a white two piece outfit. Amelia is grounded for a week, and she claims “post traumatic stress,” a line only Ms. Rutherford can utter.

She goes upstairs and we have a long scene of her examining her bottom in a mirror. The film dissolves to a different angle on the same caning. Amelia asks him, “Is this a hobby for you?”

Amelia changes into a blue summer frock and calls her friend ‘Laura,’ the culprit who got drunk and messed up the house, and describes her little caning.

James hears Amelia on the phone, so he will take the correction in a different direction. He calls ‘Sir Richard,’ with whom he has a meeting scheduled. He will bring Amelia along with him. We will see that Richard has some special interests that James will exploit.

At Richard’s house, Amelia is put to doing some housework–an opportunity for upskirt shots and her to do some of her ‘attitude.’ James spanks her in front of Richard. “It hurts, and don’t say ‘it was meant to hurt.'” Bare bottom, hands on head, to the wall, her sullen face reflected in a mirror. Floor and wall mirrors appear throughout the film to enhance the views. Amelia sits on the floor, on her haunches, long-legged minx at rest, bare bottom always towards us, a provocative posture she inserts in many films. She is about 30 years old here, and still able to appear seventeen.

James has to leave for work, and Amelia is not keen about being left alone with Richard, having his hands on her. Having her pants off for an uncle is one thing, but… “This is white slavery,” she protests. Richard makes her go to work dusting on her knees, “bottom well out.” When he touches bare skin, she jumps. She towers a good 6″ above this little actor, making her bottom disproportionately enormous, and greatly enhancing the eroticism.

Richard continues to torment her while he is in charge. She has to stand against the wall and trap a coin with her nose, bottom out. He spanks her with a kitchen spoon. She drops the coin. “Ow, fuck.” “I beg your pardon.”

Richard continues to torment Amelia. She must take off her dress and is wearing only cute white lace bikini panties, direct, we presume, from her panty warehouse. She kneels on her haunches again–everything she does is meant to accent her lithe body.

Now we see Richard is our kind of pervert. He puts currant berries in a bowl on the floor and Amelia must bend forward from a kneeling position, knees spread for balance, to move them one by one to another bowl from the stool, creating the anticipated scenic views. He pulls her panties to her thighs. We doubt there has been a finer view of this actress. Amelia stands for some more spanking, flashing an infrequent frontal.

This test completed, she objects to being taken OTK again. “I don’t want spanking all day.” But that is the point. Panties down again. “No!” “Yes, not ‘no.'”

Amelia calls Richard “Uncle Freak,” and laughs, her knickers down yet again. She says she is now ready to move to the next obedience test.

Richard continues with Amelia. She is naked on the floor, on all fours, and made to crawl, urged on by a riding crop. He has rolled marbles around for her to fetch. Richard doesn’t like her attitude. She sits on a transparent plastic chair, a captivating and erotic touch we haven’t see before. Next, hands-on-head, crop in her mouth, doggy obedience. She will select an obedience act to show James when he returns. She selects the chair, but “Let’s make sure your bottom’s nice and red so he can see it.” More riding crop over a stool.

A fast spanking OTK, “a nice red bottom for Uncle James.” Richard wants the bottom even redder, more spanking. We leave her sitting in the clear plastic chair waiting for James.

The Finale appears on ‘Spanking Channel 4.’ FADE back to Amelia with Richard still on her case. Richard speaks to James on the phone, who requests she given “a thorough bedtime spanking.” Amelia is appalled that she must spend the night here. Things can happen. She is walking around the room, knickers rolled at her upper thighs, fuzz peeking out. In some films, a girl would offer a blowjob right here to get off the hook, but we don’t do that in British CP.

FADE back to Amelia, coming out of the shower in just a towel, another girly scene, of which we can never get enough. Richard will send her to bed early “after your spanking.” She squeals through an OTK spanking, the sexy towel being pulled back. He peeks underneath as if surprised by the magnificence.

“The Next Day” James has returned and is caning Amelia, back in her working housedress, a mirror enhancing the facials. A dozen on the bare, Richard witnessing. “Exemplary, James.” Both men fondle and share Amelia’s bottom, laughing lasciviously, as the film ends. Their little bauble.

A trailer is added, when Amelia sits, getting mostly naked as she chats, with the ‘Chsrlie’ character behind the camera, about the eroticism of spanking films and some future plot ideas. Look at her oeuvre, there are many to expand on. Is there a PO box where we can send our suggestions?

Hard Lines – OOHTEEKAY/REDSTRIPE

29 Sep

F/2f; year: 1998; time: 39 minutes

We keep finding these films where there is an affiliation between REDSTRIPE and OHHTEEKAY better than straight REDSTRIPE films. The reason here might be the presence of a young and svelte ‘Miss Brown.’

Miss Brown has two schoolgirls ready to be dealt with, redhead ‘Chanelle,’ and a boyish ingĂ©nue ‘Sarah.’ The girls have been caught in an advanced Lesbian embrace, and it appears Miss Brown will beat it out of them, while indulging in her own predilections. Camera angles in this film will occasionally be from below–upskirt for all three women.

Miss Brown bends the girls over their desks, in opposite directions. Skirts up, Chanelle wears white knickers and Sarah dark blue. Brown pulls both pair down and begins handspanking. On the wall in the background is a large collection of video tapes, a treasure trove of CP shoots, we’d guess.

Sarah seems to suffer most. The girls object, then take off their skirts on order. Both girls get a leather paddle, while they beg. Brown runs her hands slowly over the girls’ bottoms, almost letting her fingers into the gaps. Chanelle breaks down a little. “I hate this school!” She is made to sit half-naked on the floor.

Sarah is sent outside. Chanelle is first for the cane. Panties down again. 15 strokes of the cane; Sarah is called in to see the work-in-progress at 6 strokes. Very distressing for her. She cringes as she watches. Brown gets in a fondle at 12.

Sarah’s turn over a desk. 12 strokes, and it would seem a bit harder. Sarah marks up more aggressively than Chanelle. When the girls bend over the desks for a bottom comparison, the difference is stark. Chanelle gets two more strokes for some cheeky remarks; another fondle from Brown. The girls dress and leave.