Amelia Jane Rutherford – BARSANDSTRIPES

13 May

Leia Ann Woods’ website/CP production company, with Michael Stamp later, featured a parade of well known CP actresses over the years. Each made a series of short films passing through the women-in-prison theme.

Here is a large selection for the well-known actress Amelia Jane Rutherford, made in 2007 through 2009, when she was in her late twenties and still looking 18. Ms. Rutherford is tall–6’1″, and thin (elusive about her weight), blond with a clothes model figure (32A bust and 27 inch waist), except for one of the most memorable bottoms you will find in the genre–38″ hips. Ms. Rutherford made films, at least for CHELSEAPFIEFFERENTERTAINMENT, FIRMHAND, GIRLSBOARDINGSCHOOL, DALLASSPANKSHARD, Pandora Blake’s DREAMSOFSPANKING, ENGLISHSPANKERS, Clare Fonda’s GIRLSPANKSGIRL,  HIDEFSPANKING, NORTHERNSPANKING, PAIN4FEM, REALSPANKINGSINSTITUTE, REDSTRIPE, her own RESTRAINEDELEGANCE, SARAHGREGORORYSPANKING, SOUNDPUNISHMENT, SPANKEDCHEEKS, SPOILEDBRATS, SPANKED-IN-UNIFORM, STRICTYLENGLISH, and SHADOWLANE, in addition to this large oeuvre for BARSANDSTRIPES, and then moved to operate her own business and blog. Dates are elusive for actresses. She looks very young here. We are still finding her films.

‘Intake Day’ (M/f; 2007; 22 minutes): All the arriving convicted prisoners go through this process, as is common in the WIP genre, and these initial humiliating will=breaking appearances are often for us the most appealing. Amelia stands handcuffed in fron of a seated guard (actor ‘Stephen Lewis’). Amelia is dressed demurely in a two-piece suit, white blouse, eyeglasses, heels, hair up. She flirts with Lewis, sits on his desk, and won’t toe the demarcation line.

He tries to be furious, and releases her handcuffs. “I am judge, jury, and executioner in this office!” He forces her to bend over his desk. We hear the usual squawking Ms. Rutherford features. He begins spanking on her skirt. She feigns the traditional protest and shock.

Skirt up, “You can’t do that. I want to see a female on the staff!” She wears lace-trimmed pale pink panties, always the fashionable undies from Ms. Rutherford in all her films. There must be some interesting bureau drawers somewhere. Lewis pulls them down.

After more spanking, he gets his strap. “No way you’re going to use that!” After some strapping, he shows her the orange prison tunic/smock, which she naturally detests. After some equivocation, she capitulates and begins undressing. Jacket, white blouse,skirt, and pink bra go in a pile until she is nude. This humiliation occurs in each prisoner ‘Intake’ segment.

Amelia pulls on the black full-cut regulation knickers and zips up the tunic, so short that panties peek out. She pulls on short stockings, a leg show you’ll find in many of her films. When Amelia laughingly mocks this degrading uniform and her circumstances, she earns more spanks before she is sent to her cell.

‘Wakey Wakey’ (M/f; 2007, time: 21 minutes) Guard Stephen Lewis rousts Amelia out of the bottom bunk in her cell. She is sleeping in a naughty little turquoise satin nightie.

Lewis takes her OTK–Heavens to Betsy, no panties! He begins her wake-up spanking, the usual squawk. Great closeups of a lapful of bottom. Hands on her bunk, bend-over for a leather sole. Amelia objects. “I want to see another officer.”

Nightie off, she is naked–very nice trimmed Mohawk. After Lewis leaves, she pulls on her prison tunic and smiles to herself as if she (her bottom), is enjoying the attention. Ms. Rutherford looks very young here, the makeup scaled back for the prison setting.

‘A Cell Too Many’ (M/f; 2007; 13 minutes): Amelia is caught on an unauthorized cell phone by the prison governor (actor and B&S producer ‘Michael Stamp’); another opportunity for a spanking on the spot, a privilege he will exercise for himself from time to time.

He takes her OTK and pulls down her black knickers; he seems to fondle a bit more than he should, but who can blame him, and he IS the governor. Guard Stephen Lewis joins to observe; Stamp explains, a bit self-consciously, “I’m just giving her a lesson in humiliation.”

‘Painful Steps’ (M/f; 2007; time: 16 minutes) Guard Lewis rousts Amelia out of her bunk again; she objects to the prison conditions and her treatment, not recommended when your bottom peeks out from under your tunic. Her insouciant mocking demeanor heightens the erotic tension.

She kneels up on the bunk ladder for a spanking and a paddling, panties down.

‘Solitary Day One’ (M/f; 2007; time: 6 minutes) All the girls seem to earn a tour in Solitary at B&S, a cinder block room with a mattress on the floor; apparently the guards stop in for daily punishments, and if this were a MISSMARCHMONT or LUPUS film, maybe a bit more if the coast is clear.

Amelia sleeps in her tunic and panties. Guard Lewis puts her into the ‘frisk’ position against the wall for handspanking on her panties and then on the bare. She protests.

Afterward, she sulks on her mattress, showing plenty of tush.

‘Solitary Day Two’ (M/f; 207; time: 7 minutes) Lewis carries in a strap this time; same posture; moderate strapping; we presume these sessions were filmed in succession, so a rosy bottom would challenge the time line.

‘Solitary Day Three’ (M/f; 2007; time: 6 minutes) On this date, governor ‘Michael Stamp’ shows up with the cane. He gets to do the good stuff. Amelia sees the cane and seems resigned to the fate Solitary brings.

Frisk position again, panties down first thing. Stamp lays on 12 moderate strokes; Amelia falls to the floor after seven strokes, but manages to regain composure to complete the dozen.

‘A Lawyer’s Flogging’ (M/f; 2007; time: 16 minutes) Presumably the storyline here is that a flogging can be arranged at the prison by either Amelia’s solicitor or the government solicitor, in case the prisoner has been detected in some flagrant legal irregularities.

The stage-lit scene opens on a horizontal X-frame rack, padding in place, straps waiting. The structure is a more modest, plausible and sturdy model of the huge frame RAVENHILL used in some of their ‘blistering’ films.

Dissolve. A completely naked Amelia Jane Rutherford is strapped down on the frame, her estimable buttocks elevated by a centerpiece and padded by a blanket. She tosses and wiggles under the chains and straps, loose enough to allow the alluring freedom of movement.

Guard Stephen Lewis enters the concrete block room with a martinet and strap. Amelia thrashes in despair. With no dialogue, he proceeds to flog her moderately hard for about 8 minutes. She squeals and struggles.

BARSANDSTRIPES has worked out the lighting, closeups, sound, and angles which NUWEST struggled with its entire existence in these flogging scenes. Excellent work, especially between the thighs.

After 10 minutes, Lewis shifts to a short tawse and elicits different sharp little cries from the very entertaining Ms. Rutherford. She watches in (mock) terror as he switches implements.

One of our favorite performances from the Grand Dame, down to the dirty soles of her bare feet from the studio floor.

‘Judicial Punishment’ (2M/f; 2009; time: 23 minutes) Ms. Rutherford returns to the BARSANDSTRIPES studios two years later for another series, ‘Rutherford 2,’ on the women-in-prison theme.

Actors ‘Paul Kennedy,’ ‘Stephen Lewis,’ and ‘Michael Stamp’ confer about the difficult prisoner Rutherford, which will allow us a series of punishment flashbacks. We fade to the darkened dungeon-like room. Amelia is marched in, handcuffed, her ankles already cuffed. A blanket rests on a horizontal X-bar, which has a slightly raised platform exactly where the hips will go.

The guards read a charge against Amelia–she has violated prison rules. She will get 25 strokes of the strap. “Rutherford…strip!” She gasps, cuffs rattle, her undressing is always notable, and she is fastened on the ‘X.’ Her 37″ hips soar on the centerpiece, another memorable and savable view of this actress. After 7 minutes of strapping, she is released, put against the wall, left to think, while they “rearrange” things.

Fade back to the conference of the three men. Another punishment is recalled. Back to the dungeon, the naked Amelia is fastened over a trestle. “25 strokes of the flogger.” The guards count them out.

More conference. The men agree Amelia should be caned next week. Back to the dungeon, the governor, who always reserves this task for himself, lays on 12 strokes of the cane. Amelia’s twitching at stroke feints is the best part.

‘Dream or Nightmare’ (2M/f; 2009; time: 17 minutes) A segment which permits the long-tall naked Ms. Rutherford to perform a sophisticated stripper’s routine. The scene opens with a naked Amelia curled in the fetal position in a dog’s cage.

In a dream-like gauzy segue, we move to a chair on a set, where Amelia strips naked in the undulating runway style. Mostly bottom of course, some Mohawk, and we notice her shaving tastes change from year to year. Guard ‘Paul Kennedy’ comes onto the set and spanks her as she moves around the stage-prop chair.

Segue back to the change, and then another spanking dream sequence, this time with ‘Stephen Lewis’ as guard.

‘Polished Cheeks’ (M/f; 2009; time:17 minutes) It appears Ms. Rutherford returned to BARSANDSTRIPES in 2009 for a “Rutherford 2” series, or some of her performances were held until then.

Guards ‘Stephen Lewis’ and ‘Paul Kennedy’ chat with Governor ‘Michael Stamp.’ The governor recalls with them how he caught prisoner ‘Rutherford’ asleep at his desk, some private files of his open. She had fallen asleep while cleaning, wearing her shorty orange ‘tunic,’ with black panties peeking.

In a flashback, the governor will exercise his prerogative and take her OTK in his office. “Lift your tunic.” It is a straightforward spanking, colorful, playful, and moderate, and most noteworthy for the extraordinary sight of Amelia Jane Rutherford’s bottom soaring on his lap. She squeals when he rolls her “pants” down; she denies reading the file and suggests she might report this spanking.

After a very entertaining smacking, the governor lets her up. When she pulls her panties up without permission, she has to hand them over and take more spanking over the desk, muttering “sexual harassment” to him.

She is set back to cleaning, uttering a “Fuck!” when she is alone. To complete the fun, she puts her panties in his desk drawer.

‘The Adjudication’ (M/f; 2009; time:16 minutes) The three men conference again. Prisoner Rutherford’s ‘attitude’ is the question. They decide she needs an adjudication, a procedure they have at this prison for yet another spanking ceremony.

Fade to the office; guard Kennedy has the task of spanking Amelia this time. A long scolding–she is defiant. He reminds her she has been convicted, as a practicing solicitor, of bribery and corruption. He pushes her over the desk, she wants to the see the paperwork which permits this punishment.

Pants down for a spanking–a steady squawk from her. He shifts to the strap. She grabs the phone and wants to call the governor. Kennedy permits her to dial through and the line remains open as she screams under the strap.

‘Target Practice’ (2F/f; 2009; time: 26 minutes) The three men conference again about the incorrigible prisoner Amelia Rutherford. This permits yet another fade to a scene in the faux vaudevillian-like dungeon room, made of gray stone walls which look made for a high school musical, down to arch window. The centerpiece is a hospital gurney. In attendance are matron ‘Lucy McLean’ and newbie female guard ‘Jessica Ward,’ and guard ‘Paul Kennedy.’

Prisoner Rutherford is called in–she doesn’t like the look of the poised guards and the gurney. Matron explains to Wood that she will demonstrate “disciplinary procedures” called “target practice.” Amelia questions why she must be the “subject” of such an instruction. Who better for it?

But first, onto the gurney for a “search.” Matron threatens another visit from the ‘violet wand,’ a little electro-experience we saw actress Niki Flynn endure. Tunic unzipped, Amelia is fondled on the gurney. This prisoner is a plaything for everyone on staff. Tunic off, panties down, long tall Amelia kneels on all fours. The matron and Wood share spanking.

She lies flat for the tawse, her bottom soaring in this posture. They fasten her wrists and ankles to the gurney and use her panties for a gag. More groping and strapping.

Amelia is released them bends over the end of the gurney for more spanking. When she stands this time, she pauses to allow us a leisurely frontal. She is marched back to her cell in just her bra.

‘Matron’s Turn’ (2F/f; 2009; time:14 minutes) Another turn with the ladies for Amelia in the dungeon room. Guard Wood brings her in. Matron McLean orders: “Strip! Everything…it’s medical!” Actress Lucy McLean combines a dour demeanor with a touch of humor. Amelia objects–she has already had her physical exam. But we know any chance to get Rutherford naked in this prison will be exploited.

Amelia gets naked, glorious as always. This posing is usually the highlight of each film, a stark naked fashion model. “On your back, please.” Snap with the rubber gloves. When the matron fondles with the gloves, “Cold?” “Yes.” Between the legs with the gloves, then Amelia rolls over. Ms. McLean has a decided skill in handling naked girls.

Cold stethoscope; on hands-and-knees, probe between the buttocks. the purpose of all this torment–there is a journalist secreted in the prison, and matron thinks Amelia knows who it is.

Spanking next, then the tawse. She is quickly marched out naked, being taken, she knows where. “No!”

‘Solitary’ (M/f; time: 25 minutes) In the prisoner file review conference, guard ‘Stephen Lewis’ explains to his associates that Ms. Rutherford is about “the least to learn a lesson.” The governor and guard Paul Kennedy agree Lewis should take whatever steps he needs.

Lewis visits the solitary cell. Amelia is hunched in a dog cage, in her orange tunic. Lewis pulls her out, bends her over the cage and straps her on her institutional black knickers, which is easy to do because the hem of the tunic covers nothing. Despite her steady protesting, “I want to lodge a complaint!” Lewis keeps it up, as it were. Panties down, Amelia’s resolve has melted. Not much dispute when she is ordered to take off the rest of her clothes. She manages to pose in all the right positions.

The scene ends with Amelia back in the cage, now naked. “You remind me of a wild boar, Lewis!”

‘At the Halfway House’ (M/2f; year: 2015; time: 14 minutes) A few years later, at least by date of release of the film, Ms. Rutherford has returned to BARSANDSTRIPES for stories which succeed her time in the women’s prison described above.

After an opening screen shot of a well-kempt prison cellblock, we begin in a sitting room, at a halfway house, where ‘Michael Stamp’ is spanking Amelia OTK bare bottom. Her white panties are where they should be, at her thighs. Apparently girls get spanked here as part of their adjustment.

Amelia complains–this spanking stuff is “boring and doesn’t have any effect.” She wants something else, like more community service. She should be careful what she wishes for. As the spanking continues, Stamp points out what many observers of this majestic bottom have said, that Amelia can keep up a steady prattle which the blows fall. A young matron, ‘Miss Page,’ is in the room and Stamp tells her to prepare for the next girl.

Page brings in ‘Aleesha Fox,’ who gets a look at Amelia’s bare bottom as she is released. It is now Aleesha’s turn. “Your first day here,  yes?” Stamp pushes her over the desk and begins smacking her black panties. Aleesha tries to be indignant. Panties down, this spanking is longer, more detailed. Stamp: “Now that’s an induction.”

‘Spanking New House’ (F/f; time: 27 minutes) Amelia arrives in the office of the halfway house, still wearing her prison smock, which has now become so small her panties peak out. She’s glad to be out and wants to put on her civilian clothes.

She is shocked to discover that the lesbian matron ‘Lucy McLean’ puts in some hours here also. Ms. McLean is heavier here and has not been hitting the gym like Amelia has. Lucy is going to hassle and intimidate her. Some smacks over the desk, and a threat to cut her blond curls.

Bend-over spanking, dark blue prison panties down, lefty McLean begins to have her fun with another naked girl. Fingernails rake Amelia’s buttocks. Amelia has to strip, McLean oogles. Long frontals. Rubber gloves for cavity search. Amelia objects–when did she have time on the prison bus? Fondling, probing, Lucy uses a magnifying glass. Some nude PT. Strapping, a lot of talk.

Lucy searches Amelia’s civvies before she can dress. Associate ‘Stephen Lewis’  arrives to take Amelia to her quarters and get his own share. Lucy puts Amelia’s panties in her desk drawer.

‘Room Service’ (M/f; year: 2013; time: 16 minutes)  Continuing from ‘Spanking New House.’ ‘Stephen Lewis’ takes Amelia from her meeting with Lucy McLean and more or less marches her into a nice bedroom, where she will reside for the moment. She is to settle in, he’ll be back. Amelia is not eager for that.

Amelia proceeds to take her clothes off–blouse, skirt, bra, and panties. She gets under the duvet naked;  she is restless because her bottom is sore from the  spanking McLean gave her in the office.

Lewis returns, Amelia doesn’t want him around. He eventually pulls  off the covers. Amelia is not all that disturbed at being naked in front of him. He is part of the staff. She is gloriously perfect as usual. “You are threatening my space with your proximity.” Typical Rutherford.

Lewis arranges her over some pillows. “You’re not going to do more spanking?” Lewis begins handspanking. When he grabs a paddle, “You’re a horrible man.” She accuses him of just having fun, that this is not punishment. After a not too severe spanking, Amelia promises not to be naughty any more. The film concludes with one of her nudie shows, where she rubs and examines her bottom.

‘Pillow Fight’ (F/2f; year: 2015; time:  10 minutes) A trifle, shot later in time from the institutional series above. Amelia with her friend ‘Aleesha Fox.’ The production values are a bit better here, suggesting time has passed.

Amelia and Aleesha have a silly pillow fight over a missing hairbrush. ‘Zoe Page’  breaks up the fight and will spank them both with a paddle. When the two girls bend over the foot of their bed for spanking, the comparison  of Amelia’s long legs and sensational bottom has never been more measurable. Mostly silly spanking. “Can we get to bed like good girls now?”

‘The Hearing part 1’ (M/f; year: 2013; time: 17 minutes) Another film made later, and all the models seem to be aging except for Amelia. She sits in a lawyer’s disciplinary hearing facing ‘Michael Stamp’ and ‘Lucy McLean.’ She has been doing some extracurricular lawyering at a prison. Is she an inmate herself?

Stamp has witnesses and sworn statements. He and Lucy recess for a decision, right there. Amelia actually bumps into the door as she goes to wait outside. The decision: she either goes back to prison or accepts corporal punishment. She accepts. “I’ll do that other thing.”

Amelia is asked to remove a strap from the desk drawer. She raises her skirt and bends over the desk, black panties and garter belt. Stamp does the strapping, Lucy holds her wrists. Amelia pulls her own panties down, several angles on the strapping.

Lucy is delighted to lead Amelia into another room for a cavity search, which we will not see.

‘The Hearing part 2-the Double Paddling’ (M/f; year: 2015; time: 11 minutes) ‘Stephen Lewis’ brings Amelia into a room where ‘Lucy McLean’ awaits. The table holds a collection of spanking implements. They are going to continue Amelia’s punishment on their own, and they assure her “the Governor would agree with this.”

Amelia is encouraged to bend over a table. She is wearing black tights. Her blond hair is in ringlets here. Lewis and McLean will paddle her together, one on each cheek. They pull down her tights and comment that she is not wearing panties. Sort of silly paddling, could have been more crisp.

‘The Hearing part 3 the Cane’ (M/f; time: 8 minutes) The conclusion of this creative oeuvre. Amelia returns to the hearing room to complete her sentence and is a little surprised to see Michael Stamp greet her, holding a cane. “Surprised to see me?” “Not really.” Amelia would have known Stamp would take this final opportunity for his shot at her bottom.

Amelia wears a semi-formal black dress and heels, ready to return to her law firm. Her hair is pinned back. He will give her 24 strokes of the cane, she will count, and if she misses, he will keep caning and the uncounted strokes are extras. Amelia doesn’t need convincing. She bends over the desk, pulls up her dress, and displays perfect pale pink panties. We don’t think there is another actress who can do this as consistently well.

Stamp warms her bottom with a handspanking first, which seems to surprise her. The first six cane strokes are on the panties, then she is allowed to rub, and pull them down. Then 18 more, her bottom full-screen for much of the way, a nice tight group of little white lines. She is allowed to rub and leave.

‘Bedroom Games at Halfway House’ (1) (F/f; year: 2015; time: 10 minutes) Amelia only has a moment on-screen here and is not spanked. ‘Zoe Page’ seems to be the matron here, and she greets new arrival ‘Aleesha Fox,’ gets her out of her BARSANDSTRIPES prison smock into rather tarty civvies, and gives her a good spanking to get things started for her stay at the halfway house.

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