spankingfilmreview

M/2f; time: 52 minutes

A series begins using what reminds us of an empty hotel ballroom–wood floors, decorative white walls with wainscoting and dentil molding, high ceilings, and producing the anticipated reverberating acoustics.

In one of the silliest NETTLES films so far, and there are some to choose from at NETTLES, actress Nadezda Dozorova plays an intentionally floozy wife ‘Masha,’ her wealthy husband ‘Nikita.’ This cavernous room serves as their house here. Masha has had an overly-flattering bust made of herself, emphasizing her boobs, which Nikita knows only too well the cost to produce (both the bust and the bust).

She knows he sees prostitutes regularly and she has hired a private detective ‘Artur’ to get the facts. When Artur shows up for the briefing, Masha seduces him. NETTLES doesn’t show these things. She wants the girlfriends captured and beaten. Now this is what NETTLES DOES show.

Dissolve to Nikita at play in the same room with two girls, ‘Lada’ and ‘Iren.’ (We go with the subtitle spelling.) The girls do their naked lesbian stuff while he masturbates. Artur bursts in with a video camera.

Dissolve. Mash tells Nikita the evidence she has.

Another dissolve. The two girls are brought to Masha, tied together with rope. “I found them on the street.” They are taken to the cellar. “Punishment begins tomorrow.”

The girls are brought back and made to strip. It should be noted none of the actors changed outfits from scene to scene. The first whipping begins, 43 minutes into the film, with a big razor strop. The girls are left kneeling erect, and Masha and Artur go off to bed again. Nothing like whipping a few girls to get the blood going.

M/f; time: 25 minutes

We’ve learned to be suspicious of the syntax of both the film titles and subtitles. Are films #64 and #65 about persecution “of” or “by” the church? We think the fun here is ‘government’ attacking the church.

Sister ‘Alina’ is marched in to face the KGB ‘Colonel’ (actor Gerry Geroshvili). She is ordered to strip naked, which she does in a hurry, to expose a voluptuous body and long flowing red hair, all completely disguised by the severe nun’s habit. “10 strokes if you confess,’ the Colonel says. He suspects her of being a member of the “English Secret Service.” Improbable, but it should be fun to try to beat it out of this wholesome peasant body.

Alina kneels quite naked up on a chair. The ‘strokes’ are intended for the soles of her feet–bastinado. She wiggles sufficiently to prevent forceful direct hits.

The Colonel announces: “We switch to phase 2,” which is the cane, this time on the bottom of course. Hands behind her neck. Alina is caned standing–the marks develop too quickly. One thing about the pose, though, it thrusts out her boobs, already quite a sight to see. The Colonel can’t resist helping himself to handfuls of these melons–we were waiting.

The Colonel keeps caning and demanding a confession; he steps away on occasion to annotate a report on his desk, while naked Alina writhes. More nipple tweaking.

The Colonel calls the KGB lieutenant, the ubiquitous ‘Nadezda Dozorova,’ for her to see what a job he has done on Alina’s bottom.

Then he returns to his desk and sentences her to be shot. Please don’t do that, Colonel. There are so many ways she could be put to use.

F/2f; time: 41 minutes

A surprisingly well-made film for this series, featuring a new male actor for us, the ever-present Nadezda Dozorova, and two young bottoms from the NETTLES cast. Lighting, blocking, facials, rear shots, obliques, all done well, nothing impedes the view.

‘Ivan,’ the boss, discovers that someone has accessed pornography on his office computer. He calls in an associate, ‘Galina’ (Nadezda), who is equally appalled. She remembers two girls near his computer. They call in ‘Natasha’ from personnel administration. They’re all sure the culprits are ‘Nina’ and ‘Lena.’ Things are moving quickly.

The girls are summoned, two typically cut little packages, rounded in the appropriate places, you see in these films. They are questioned, Natasha slaps them around a bit (she knows she could get entangled here), and they are threatened with dismissal or “rigid punishment.” Natasha is designated the disciplinarian and she recommends “40 strokes.” Galina fetches a load of spanking implements; the girls fall on their knees pleading.

Later, it is time. Natasha is quite excited as she practices swooshes with a cane. She calls in Lena first, a tall, pretty, innocent-looking brunette. Natasha teases her with a cane tip and then orders her to strip–skirt, top, bra, boy-shorts off. Natasha is delighted with her little trim naked body, as are we. Except for the tramp stamp.

Lena lies over the arm of a couch in the boss’s office and takes 40 strokes of the cane; marks ripen immediately, we thought. She has a small and tight bottom which provides a full view of her pussy between her thighs. Full-screen bottom. The stripes and welts are convincing. At the conclusion she stands at the wall, bottom out, arms high.

Nina is called in next, a familiar honey-blonde from other films. As she strips naked, she seems to giggle, probably at the dialogue. We just see the condensed subtitle. Natasha doesn’t like her pussy rings. She gets a fast caning, marks ripen immediately. She kicks her bare feet up. Tears. From one shot to the next, someone pins back her hair. Natasha lays one stroke on her lower back just above her buttocks, which also ripens immediately. Nina must have cried out, because Natasha strokes the spot.

Both girls stand naked at the wall. Galina and Ivan return for Natasha to show them her handiwork. the girls are told to turn and face the couple, to show their guilty faces and for Ivan, and to show other things. Natasha just beams with pride over their whipped bottoms.

F/f; time: 31 minutes

Part of a short NETTLES sequence about a character called ‘Mr. Beria,’ who in the 1930’s was a corrupt KGB official who liked to have attractive prostitutes picked up off the streets so he could abuse them for his own pleasure and provide them to high-ranking governmental officials. Only in Russia can such official misconduct form the basis for pornographic entertainment. And only the Russian filmmakers misspell the name Beria from film to film.

Nadezda Dozorova plays a KGB Major; she has netted two girls she knows from experience will fill the bill. Little brunette ‘Alena’ is brought in first to the ‘General’ (Beria). When she is ordered to undress, she has to be roughed up to get the message. Black top off, black shorts, little white panties off. Very nice, the General likes what he sees. His Major has a good eye.

Beria wants her for himself. “Take her to my bedroom.” She refuses and resists, so female KGB captain ‘Zvereva’ is summoned. “Give her forty strokes.”

Dissolve to a sitting room, where the naked Alena waits, her hair pinned back for the whipping. “Comrade, we are ready,” says Zvereva. The girl is splayed over the huge arm of a soft easy chair and the caning begins. Immediate marks. Zvereva scolds: “You have to devote your life to the Party.” She wants an apology and a confession. “Something wrong with your puss?” she asks, as to why Alena would not have sex with the General. The young female captain canes with obvious gusto.

The Major joins to keep up the verbal torment and partake in the enjoyment of the punishment from close range, 2 feet away at Alena’s face. Alena is reduced to pleading and begging, at 30 strokes or so (subtitle counts don’t compute). “Will you fuck a general?” “yes…yes.”

Beria joins. Alena is subdued, sobbing, and quivering, and ready. He goes for the cognac.