Amelia Rutherford Collection Haughty Ballerina – FIRMHAND

17 Nov

A series in 2006 or 2008 where Amelia plays an arrogant prima donna ballerina in a dance company. Some of these segments are available as ‘Amelia Jane Rutherford Collection.’ Amelia discussed the making of this series and her career to date in a FIRMHAND interview, which we have reviewed elsewhere.

Two different actors play her director. In this dance company, the men will regularly spank her for any number of transgressions.

(A)(M/f; 12 minutes) Amelia is called to see the director of her dance company. He is very upset with her; she has been acting like an prima donna and disturbing everyone in the operation. Despite her protestations that she is in fact the best dancer and star, the director is going to take some action.

The set is a two level modern room, with a spiral staircase ideal for long-legged models. We see this set in a number of series.

“I am going to spank you.” Despite her attempt to appear pompous, she doesn’t protest much. She lets herself be taken OTK on a large sectional couch. He pulls her black sweat pants down, and there seem to be no panties in this instance, unusual for Ms. Rutherford, who acts much like a knickers model in most of her films.

A playful spanking, which becomes harder. Noisy shouting echoing in this high ceiling’d room.
A facial ‘reaction CAM’ repeats much of the action, and we pick up some dialogue that was muffled. “It hurts. I won’t be able to dance….I can’t hear you, the spanking is too loud.”

When the director is finished–after all, this bottom is expensive property, Ameliua bounds off, teen-age style, “Can I go now? Didn’t hurt anyway!”

(B) (M/f; 10 minutes) Amelia is summoned by the director again, and she shows up in a do-rag, two piece bare midriff warmup suit, and backpack. Zoom-cute facials. The director is unhappy with her dress, not up the standard of the prestigious dance company.

Again, her protestations that her star power entitles her notwithstanding, “I’m going to deal with you the same way I did last time.” She kneels up on the couch, and he pulls down her sweats. Again, no panties. Could it be she knows what is going to happen when she is summoned?
Closeup of the handspanking. Shouting. Some bruising down her right flank–we’ve seen too many CP films of Amelia, this bruise will be aggravated and hang around a while.

REACTION CAM repeats. “Stop hitting in the same fucking place.” Pants up, she stomps away, always fun.

(C)(M/f; time: 8 minutes) Amelia is perched on a small stool. “Hello, Mr. Wellington.” The aptly named dance company director. She wears a tiny skirt and T-shirt top. She has been having an affair with a company choreographer, which she calls “dating.”

This is upsetting the company again. “We’ll deal with you in another way.” Hands-on-table; “Does it always have to be spanking?” White panties down–the bruise is still there, otherwise a clear bottom.

Wellington uses a strap, low angle closeups, facials, her usual entertaining squawks. Panties up, promises made, off she goes, up the spiral staircase, the camera scrambling to follow upskirt.

(D)(M/f; time: 5 minutes) Dance director Mr. Wellington catches Amelia stuffing her face at the kitchen counter, binge eating. Spanking is the norm now (will Wellington be rewarded by the finale?).

She is easily urged over the kitchen island counter; Wellington tosses up her skirt and pulls her panties down. He starts in very hard with a large tawse. She screams. “It hurts like a knife!”

Wellington steps back so that he can take full swings. The tawse is big enough to hurt like hell. Amelia surges and struggles to hold her position. Begging, apologizing. “Please don’t. Please don’t.” She storms off again, teeny.

(E)(M/f; time:9 minutes) Amelia blows into a photo studio late, having completely missed a shoot for the dance company. She wears a flashy turquoise dress. Because she is the principal dancer, they should have held the shoot for her.

Hands-on-stool, dress thrown up, pink thong, bottom fully bare. Wellington begins spanking with a yardstick. Snaps. “I don’t like it. I want the strap again. That’s better.” Low shots up-leg.

An oblique face-CAM repeats, using the left side, to avoid that bruise? A closeup rub–we can surmise now that these spanking filmings are not that far apart.

(F)(M/f; time: 6 minutes) Amelia is upset with Director Wellington, who has assigned her a dance with a black costume. “I want to be Odette.” (Swan Lake) She wears little denim cutoff shorts and a bare midriff sweatshirt. “It’s not fair. I am the principal.”

Wellington has a look he gets on his face which she can now recognize. “Can we not discuss this verbally like adults? Don’t tell me you have found something else to hit me with.”

In fact he has. “What is that?” “This, Amelia, is a board.” A good British description for what is called a fraternity paddle in the genre. Amelia bends over the railing on the walkway which looks down on the first floor of this set, a pose we’re familiar with from its many uses at GIRLSBOARDINGSCHOOL.

He paddles her on the shorts; doesn’t have to hit hard. Momentum does the work. She collapses on the floor after 10. Reaction CAM from below, nice.

“All right. All right! I just wanted a nice tu-tu.”

(G)(M/f; time: 7 minutes) Amelia is practicing at the mirror in the studio, wearing a tu-tu! Wellington enters, that look on his face. “Oh, no, now what?”

She does some toe positions for him–she can actually do it–and is quick to remind him HE can’t do it. Well, he’s going to spank her again, for something. He wants her to lean against the mirror, in what we call the ‘frisk’ position. “Bend. Spread your legs.”

He raises her tu-tu, bunches her panties, and begins spanking with a heavy long-handled bath brush. “A bath brush? That’s humiliating!” The crinkly stiff tu-tu is a problem and won’t stay up. As he cracks her bottom, loud and hard, he has to hold her skirt up with his other hand. The bath brush is a nasty thing.

(H)(M/f; time: 6 minutes) Amelia is stretching in her ballet gear in front of a mirror. “I’m warming up,” she tells Wellington. He is not satisfied with her exercises or preparation and wants to see some moves.

Amelia lifts her tu-tu to display form-fitting white satin panties. Wellington teases her with a cane. He wants her up on toe, “en pointe,” and he is going to cane her, 13 snaps, some land on her panties and some put stripes on her upper thighs. She seems to loom in the room–we wonder how tall she is en pointe. Maybe 6’6″?

(I) (M/f; time: 6 minutes) Another confrontation in the main room, on the couch. Amelia appears in gray sweat pants and an athletic halter. She is in trouble again. This time, she has not tolerance to argue with Wellington, she just plops down and presents her bottom to him. “This OK?”

“This time, Amelia, take your pants down.” She doesn’t hesitate. He begins with a heavy tawse. “Hitch up your panties.” “You love this, it has nothing to do with my behavior.” Amelia bunches her white lace panties to present much more buttock.

She rolls over onto her back and seems quite willing to pull herself into the diaper position, plenty of thigh available for the tawse, and lots of red bottom and accrued bruises. She doesn’t like to see the tawse coming. “I don’t want to watch it happening.”

(J)(M/f; time:4 minutes) Wellington leads Amelia back into the living room again, by hand. He is carrying a paddle. Amelia has had an argument with a male cast member and disrupted the company. Wellington doesn’t care what happened, he is going right for her bottom.

Amelia wears black hot pants, knee boots, a white blouse, and rally cap. She is directed to grab her ankles. After a few rousing cracks from the paddle, “Take your shorts down…drop your panties.” She grabs her ankles again and he completes the spanking. He is good at doing it and Amelia has become quite erotic about taking it. She is allowed to put up her shorts and leave. She wants Wellington to paddle the guy she fought with.

(K)(M/f; year:2007; time: 8 minutes) Amelia sashays down the spiral steps, in a pink slip, pink heels, and pink rally cap. “Did you want to see me Mr. Wellington…about the new production?” A paddle lies on the couch in the foreground.

It transpires Amelia has been having new problems in the dance company, and she knows by now that Wellington is into spanking. She bends over, blue knickers, and he goes to work with a huge wood paddle. She almost doubles over from the shock and is soon blubbering. “I didn’t mean to scare them.”

“Amelia, I want you to take your panties down.” The paddle causes her to collapse on the floor. Afterward, she must stand at the wall, skirt up.

(L)(M/f; time: 9 minutes) This time Amelia goes UP the spiral staircase, wearing a nifty cheerleader’s outfit, the camera trailing behind where it should be. In her quarters, she strips naked, checks the condition of her bottom, and takes a shower.

The shower scene is truncated; as she is toweling off, Wellington barges in, eliciting a scream from her. He accuses her of moonlighting, and now that he sees it, he is also appalled by the condition of her quarters.

“Let go of that towel.” “But I’m not wearing any clothes…please, not the cane.” She touches toes, a full nudity scene coming in this series. He canes quite hard. “At last, I am getting through to you.” She collapses naked on the floor, then proceeds to tidy, which should only be done naked.

(M)(M/f; time: 8 minutes) Despite the title, this seems to be a continuation of the ‘Diva Discipline’ series, with actor ‘Sandy Cameron.’ Plot confusion is irrelevant, we are here for Ms. Rutherford. We might guess that the plot ideas for ‘Diva Discipline’ were so abundant FIRMHAND tacked them on here.

Amelia does her usual grand entrance down the spiral steps, bringing a large martinet given to her by the film company Prop Manager. “I don’t know why.” She has objected to a nude scene written into the film, exploiting her. No way Cameron will change the plan, but he will close the set for her.

But since he can’t be there: “You will be naked. Take your clothes off.” Amelia pops off her flashy yellow dress, and as typical, is only wearing a little thong. “I’m not taking off my G-string.” “Take it off!” Bend over the couch, she flashes her Mohawk.

He flogs her with the large martinet, not a “fake whip” from the prop room, he assures her, which she quickly confirms. the Prop Manager has sent it along to be used to encourage some attitude adjustment from her.

Back up the stairs she goes, naked. “Take it back to the Prop Manager.”

(N)(M/f; time: 6 minutes) Film producer ‘Cameron’ again, Amelia is working out in a gym. Consistent with her ‘diva’ mentality, she has pissed off her personal trainer.

Cameron is going to spank her with a plastic ruler. “You are impossible to deal with, come here, girl.” She is made to bend over the upstairs railing we have seen for the ruler on her sweat pants and then on the bare.

(O)(M/f; time: 10 minutes) In a mirrored studio, Amelia is posing in sexy underwear, taking illicit photos for her “fans,” with a martinet for a prop. These must be ‘selfie’s’ before the term existed.

Cameron interrupts. What is she doing in his studio? This stuff she is doing demeans the Company. Since she was using the big martinet as a prop, why not? he’ll use it. She’ll take a whipping from him or be fired. “Please, can I take a whipping?”

She kneels on a soft hasso0ck and bends forward. “How many?” A girl has a right to know. “Fifty.” “I’ll die!” The flogger/martinet does nice things. Its huge lashes cover her whole bottom, producing a complete, rosy glow.

(P)(M/f’; time: 8 minutes) Cameron catches Amelia sleeping on the couch. “I can’t lie on my back because my bottom hurts.” She isn’t permitted to be here. Cameron is going to paddle her. Amelia is wearing  jeans and a white halter top with a bare midriff.

Cameron gets a huge paddle, what FIRMHAND calls a ‘board.’ “What is that?It looks like a cricket bat.” She has to touch toes, and they know enough about this paddle that she widens her stance for balance. Cameron lays 10 strokes on her jeans, and Amelia jumps and hollers appropriately. At the conclusion she pulls down her jeans and white panties for a view of the damage–not much but red, but we thank her for the look.

(Q)(M/f; time: 7 minutes) Amelia has gotten into an argument with another actress and disrupted the dance company once again. Director Cameron has learned can Amelia be instructed quickly with spanking, not to mention she might actually be enjoying it.

Amelia is bouncing about in an army cap, blouse, and skirt. Zooms on lovely, exuberant facials. Cameron handles his cane. To reinforce our suggestion that Amelia might now be addicted to the spankings, “After the paddle, do you think I am scared of that?”

She kneels on the open end of the sectional couch, leans over and puts her palms on the floor, elevating the Rutherford bottom. Cameron disposes of her white panties in one whisk. She gets 12 hard strokes, and fights through the first six trying not to show any emotion, but gives in. OK, she’ll apologize to the actress.

(R)(M/f; time:7 minutes) Amelia, in a dashing white flared dress, and her curly blond hair in this series, appears before Cameron at his computer desk in the balcony space. He is aware that Amelia has been having sex with one of the cast members with the usual disruptions.

He shows her his paddle. Not that. White dress thrown up, nifty blue striped panties down, he gives her a very thorough paddling bent over–it is a big fraternity paddle. She collapses after many of the strokes, and the low angle of the camera produces some rare pussy shots in this series.

(S)(M/f; time:9 minutes) The finale of the series. Amelia parades in a glamorous off the shoulder black evening gown, ready to go out for her movie Premier.

Her face falls when Cameron tells her he’d like to take this one last chance to give her caning. “I won’t be able to walk, please, Mr. Cameron.” “Well then, one more time,” says Cameron, almost rubbing his hands together.

Amelia wiggles into the diaper position on the couch for about a dozen from the cane. Her legs,straight up in the air, look 4 feet long. “If we ever meet again you will know how to behave.”

A tearful facial closeup apology. Cameron says he will work with her again. He’d be crazy not to. Closeup bottom rub as she walks off-set.

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