Archive | December, 2015

Rosaleen Young Collection – FIRMHAND

11 Dec

A series of early spanking segments made at FIRMHAND with a very young ‘Earl Grey,’ who is still on the scene 13 years later, with quite a collection of bottoms in his files. And a correspondingly  young Rosaleen Young. Grey has vestiges of a Beatles haircut.

(A)(year: 2003; time: 4 minutes) Neighbor ‘Earl Grey’ catches Rosaleen Young trespassing on his property, peering into his well. The guy just wants a shot at her pants. He has brought his paddle with him.

After threatening to tell her father, he gets Rosaleen to bend over. “You sadistic bastard.” The anticipated great bottom. “This is sexual harassment…looks like you have been practicing with that…you like spanking young girls’ bottoms.” Rosaleen retains her jeans so far.

(B)(time: 5 minutes) This time Grey comes from his house next door to interrupt Rosaleen practicing a dance routine, her music blaring through the neighborhood. Grounds for another spanking.

Rosaleen wears her usual two ponytails and here a pink top and short shorts. Grey has her bend over. Above  the classic British hearth is her father’s fraternity paddle. She gets the usual loud paddling. Shorts down, an almost invisible thong, the great bottom. “Pervert!”

(C)(time: 4 minutes) Rosaleen narrates for us: “Welcome to the Rosaleen Young Collection, where you can see the world’s most spankable bottom get what it truly deserves.”

In this segment, Earl Grey plays a headmaster, in the same hearth room. “I’ve been sent to be caned, sir.” She bends over in from of the hearth, spreads her legs wide, displaying full green panties. “We’ll have those knickers down now…and off.” “Please, sir.”

“Support yourself,” Grey directs, having Rosaleen grasp the hearth. Moderate caning, but fun.

(D) (year:2004; time:4 minutes) Here Grey plays Rosaleen’s father, an intimate relationship infrequent and marginally questionable in CP films. It’s usually the distant uncle, guardian, or occasionally a frustrated stepfather.

Grey has caught Rosaleen rifling his wallet in his bedroom, grounds for a spanking on the spot. OTK quickly, kilt up, white panties. Normal spanking.

“You are forbidden to enter my room…and I might ground you.” “I’m sorry, Daddy.”

(E) (year: 2004; M/f; time: 4 minutes) Little Rosaleen is doing exercises in a sky blue and white leotard, when she is interrupted by her male coach, Earl Grey. It seems that she is a world-class athlete, they have come all the way to Italy, and she has failed to do her best. She has been nipping at the bottle, he can smell it, and she doesn’t deny. She has let her team down.

He has brought his paddle; she must bend at the mantel for a spanking, then stretch on the floor. Into the athletic diaper position, legs straight up, hands support hips, plenty of thigh and bottom available to the paddle.

Hands on brass bed, leotard bunched, for more paddle, a rather mild little exercise from early in the actress’s career we think.

(F)(M/f; time: 4 minutes) Rosaleen narrates an opening; she hands a very large fraternity paddle to off-screen hands. “How would you like to give me 10 swats with this?”

The storyline: an older guy wakes Rosaleen up–she is wearing peasant clothing, of the CP fetish variety. She should be working, but she is exhausted. “Please, papa, don’t beat me again.” Her father is always tired himself, but the work must be done.

He handspanks her as she rolls around on the bed. If she is wearing panties, we didn’t see them. Loud squawks. “I can’t stand these constant beatings.” She squirms; he holds her down.

This short film contains out-takes, where the actors dissolve into laughter over mistakes.

(G)(year:2005; time: 3 minutes) Brief; Rosaleen lounges in silk pajamas. Pigtails. Grey plays her father here, takes her cell phone out of her hand and tells the caller, “She is going to have to hang up now. She is getting a spanking.”

Grey begins with the hairbrush. “I can’t believe you are still doing this. I am 18 years old.” Sharp smacks, pajama bottoms down. Grey fetches the big leather embossed paddle off the top of the armoire. He will cancel her cell phone.

Rosaleen wets her bottom at the sink to cool it off.

(H)(year: 2005; time:4 minutes) Rosaleen is taking piano lessons. She wears a blue checked gingham dress and pigtails with ribbons. Earl Grey is the teacher, and as it must be in CP films, Rosaleen is terrible at the keyboard.

Grey bends her over the piano for a spanking, skirt up, white panties, the strap.

There have been some entertaining piano lessons in CP films, starting for us with an early ROUE, ‘The Piano Lesson.’ We prefer bad students to have to practice in the nude, which is often the case. Rosaleen does return to scales, bent over the piano, while Grey continues spanking, but the camera didn’t get around in back.

(J)(year: 2005;time:6 minutes) Is FIRMHAND pulling these films out of the archives? More headmaster-play from Earl Grey. Rosaleen gets the strap from him bent over a table in the redecorated very British hearth room.

Skirt up, invisible thong. Wonderful facials. Rosaleen is almost leaning into it. “I want you to count every one.” “Yes, Mr. Grey.” When he finishes, she is breathless. “Please, don’t stop.”

(K)(time: 5 minutes) Rosaleen returns home at 2:30 AM; her ‘father’ demands she take off her trench coat. She is wearing a silly little stripper’s costume. No locker rooms at the club, apparently. She shows off some of her stripper moves, silly but cute. “I need the money, Daddy.”

Bend-over, handspanking. She doth protest. “I’m not a little girl any more.” After a brief spanking, she is sent to bed.

More Company Discipline – NUWEST NWV-268

11 Dec

F/2f; time:29 minutes

The scene is the barren blue sound stage, set up for what appears to be “company punishment” of two girls. The film resolution is poor enough that we are not sure of the identity of the models we mention here.

Two girls sit on a bench at the wall, ‘Katie’ and ‘Celia,’ we guess. ‘Vanna,’ dressed conservatively in business clothes, holds a martinet, and the tilted padded box has been placed center-stage. After a lecture and scolding, Katie will be whipped first. Celia fastens her over the box, at the waist, knees, and hands. She then flips up Katie’s skirt and pulls her panties down before returning to the bench.

Vanna whips with a martinet and tawse. The sound is poor, the camera angles are not close enough, and facials are brief and not satisfying. Katie hardly makes a sound.

Celia releases Katie and then is fastened down herself for the same whipping. Here, Vanna shifts to a riding crop to conclude, which clearly hurts more.

Born With It -Abi Whittaker – FIRMHAND

11 Dec

(A)(M/f; year: 2008;time: 8 minutes) Abi is sitting with a laptop, watching a spanking film. She is caught by “Uncle Sandy” (actor Sandy Cameron). She claims she found the free film and is curious.

No fool, Sandy will exploit the opportunity. He is going to show her what that spanking on the film can be really like. The scene is the main sitting room and couch with the spiral staircase in the background.

He takes her OTK and begins spanking on her tidy little jeans. Ms. Whittaker is not one of those wide-hipped, round bottomed actresses so frequently seen, but more waif-like, with just enough insouciant attitude to suggest a sharp little spanking now and then might be salutary. Even though she doesn’t seem to mind the spanking very much, she claims the film doesn’t interest her.

His criticisms of her don’t compute for her. “If it’s porn, look at what you are doing to me!” She is allowed up and hurries away, drops her pants, to see what the damage is.

(B)(M/f; time:8 minutes) Abi has been sent to Scotland to stay with her ‘Uncle Sandy’ (Sandy Cameron). She is proud to say she is 21 years old and her own girl. Sandy has found a credit card bill where she has subscribed to a spanking website. Sandy thinks she has an “unhealthy interest in this sort of thing.” Abi protests. “I don’t want to get spanked for it.”

“Take you pants down.” Little pink bikini panties. She is always wearing the tiniest undies on her narrow hips. OTK spanking, Sandy bunches her panties. Wonderful rear and overhead views. Abi thinks the kicks from the website are better than this real spanking.

(C) (M/f; time: 10 minutes) Uncle Sandy Cameron summons Abi again. She is still looking at spanking websites, so he figures he can keep exercising her little bottom all he wants. She thought she had successfully erased her search history, but not completely. Here she wears a spaghetti strap top and brown skirt.

Sandy will convince her, persuade her in his way, not to look at the website. She gets a kitchen stool and bends over it. He has an implement. “What’s that?” “A brush.” Panties bunched, a hard spanking, developing the typical bulls-eye bruises. “All right. All right. I get the point!”

But does she? Closeups. Rub, panties up, walk off.

(D)(M/f; time:9 minutes) The housekeepers has found spanking implements under Abi’s bed. Uncle Sandy questions her. “Yes, I have more than a usual interest.” She is not happy about her personal space being invaded.

Sandy will take action–Abi just keeps giving him chances. “All those spankings and paddlings didn’t work.” This time he will use some of these same implements. Bend over (the kitchen stool again), jeans down–those are very suitable panties for this.” (Just a blue thong). “You are too adept at this,” says Ms. Whittaker.

Two straps, a paddle, overheads. “I can already tell I don’t like these,” she says of the implements she bought. That is not something you should say while you are being spanked. Cute rubbing, closeups.

(E) (M/f; time:7 minutes) Abi has been at Sandy’s computer work station on the walkway above the main room of the spiral stair set. She left her paddle there while looking at websites–the spanking version of a death wish.

He wants to know what she is doing with the paddle. Somewhat incredulous, to use her word–“It’s a paddle, for spanking.” She wears tight white slacks, not a sign of panties, and a red spaghetti top.

Sandy will use the paddle; she bends over the railing.10 solid crack are shown, including some facial Reaction CAM shots from below.

(F)(M/f; time: 6 minutes) Abi bounces into the sitting room set. She is wearing just a black bra, black panties (not covering much), and leather cowboy chaps. Uncle Sandy is appalled by her appearance. She thinks she is going to a western-theme spanking party. If she appears like that, she won’t be sitting down any time at the party. Naughty.

He will use the paddle she was taking with her, a paddle ball paddle, plenty of surface. At this point in this series, Abi is quite willing to take any kind of spanking with only a superficial objection.

She kneels quickly on the couch and Sandy rapidly turns her small cheeks red. 10 with the paddle. She is allowed to go upstairs and change.

(G)(time:8 minutes) Scottish uncle Sandy Cameron sits at his computer and intercepts Abi as she is preparing to leave with a traveling bag to meet ‘friends.’ He has seen her car at a “car park” and wants to know where she has been going.

Abi admits she has been going to a hotel to meet a man, actually “men.” She has been making dates from Internet chat rooms and is quite certain of herself. Despite the fact Uncle Sandy now realizes his corporal punishment sessions with her haven’t been working, he will spank her again.

OTK, skirt up, black tights underneath. Tights down, red print bikini panties, which he bunches. There are faint pink patches from these repeated segments. As the routine spanking proceeds, Abi carefully ensures her chestnut hair is off her face, and she is one of those models who can keep up a steady stream of dialogue while being spanked.

(H)(time:5 minutes) Abi had a male visitor at the house, something arranged on the Internet. In this large room, the set used by FIRMHAND for many series, Abi looks very small and compact.

Uncle Sandy feels compelled to spank Abi again, and this time he will use a yardstick. She bends and puts her palms on a low table. He begins on her slacks, loud cracks. “Take your pants down…and your panties.” “Why does it have to be on the bare?” Slow-motion repeats.

(I)(time:5 minutes) Abi keeps advancing her spanking fetish. This time she has been caught going to a spanking party. Sandy drags her to task. “GET your pants down.” “I’ve been spanked, all night, I don’t need any more.”

The OTK spanking is viewed from overhead, always flattering for Ms. Whittaker. A longer and crisp spanking. He notices her red bottom, and she reminds him she has been at the spanking party. “I don’t know what there is to learn. I’m never going to lose my interest in this.” Sweet spanking on her tight little bottom. She carefully keeps her front covered as she gets up and leaves, up the spiral stairs, the route of the stars.

(J)(time: 8 minutes) Abi narrates for us–she is making spanking films while staying with her uncle in Scotland. Sandy discovers the video–what is he doing searching for such things, and how many place did he go before he found Abi’s performance?

Abi discusses the safe environments of working at FIRMHAND and going to SHADOWLANE parties. “Nothing else seems to work with you. I’m going to the ultimate deterrent.”

Bend-over, hands on table, of course the cane, and he starts on her tight little jeans. 12 strokes, little yelps, but Abi seems to be almost enjoying this. “Take your jeans down.” Polka dot bikini pants down, 6 more on the bare.

Abi suggests he come to a filming with her, because she is not going to stop doing it. They make a deal–she can keep doing what she was born with if she keeps him informed as to her whereabouts.

Restrained Elegance -Amelia Jane Rutherford

10 Dec


The spanking actress’ own website, featuring bondage and spanking, produced with her husband Hywel; she uses the stage name ‘Ariel Anderssen’ here. We would add films as we purchase them. Some are separately reviewed, in most cases the longer ones. Turns out a lot has been produced under this banner.

‘Ariel in a collar’ (time: 6 minutes) Hywel leads a naked Ariel around on a collar and chain. Bend over a table for a perfect, simple spanking. Ariel looks very young here, lots of bare feet shots. Ms. Rutherford is utimately sexy even at this.

’Ariel-carpetbeater’ (M/f; time: 5 minutes) Ariel and Hywel In a New Year’s film. She narrates for a fixed camera. She pulls down her panties and gets into position. Hywel will use a carpetbeater and Amelia laughs through it. We have never bought into this implement. It seems too soft and generalized over the whole bottom. We don’t recall a single effective spanking. Happy New Year from them, pants down. 

’Ariel- chess with Pandora Blake’ (2F; time: 33 minutes) A long film from Ms. Andersen’s operation. Pandora Blake stops by. The girls narrate for the camera. Ariel wears bra and panties and Pandora a sort of BDSM negligee. The girls are going to play chess and be punished for the loss of each piece. Pandora reads the rules.

And so it goes. Ariel must take off her garter belt and nylons; Pandora bends for a cropping; Ariel gets hot wax on her thighs; mild cane for Pandora; Pandora gets naked for a strap.

And more, mostly silly, no bite. At one point both girls have inserted gags. We’ve said before, although a gag on Ms. Rutherford is cute, it eliminates her bantering. Ariel gets the electric wand. 

’Ariel self-spanking’ (F; time: 14 minutes) Chimerabondage; Ms. Rutherford looks very young here, which suggests she was making these bdsm films regularly while she worked for other producers. She wears a blue satin outfit. She will fasten herself to a metal bondage cage , drop her black lace panties, and allow a caning machine to do its thing.

In another scene, she fastens her wrists to handcuffs at the ceiling for more of the machine.

’Four Poster’ (M/f; to work: 10 minutes) Black and white. A faceless male caresses and whips Ariel in shifting light. Bare bottom. 

‘#Game Of Slaves‘ (M/f; time: 8 minutes) Ariel Anderssen in the cave/dungeon set we have seen before. She is strung up, her wrists fastened to a ring which is roped to the roof. She kneels erect on a chair, ankles fastened together. And she wears a long slinky red dress.

Her male tormentor begins a bastinado on her bare feet with a rod bundle. The usual squawk from Ariel, maybe a bit too much too early here. The disciplinarian rucks up her dress. There are no panties. He continues with the bundle on her bare bottom and particularly her buttocks crease. 

After a FADE, Ariel has been repositioned. She sits facing us, her legs spread at 90 degree angles. Here, she is blindfolded and gagged. Maybe someone agreed she protesteth too much. The guy canes her inner thighs and gets the dress out of the way, exposing as much of Ariel as it is possible to do. And this may be the most exposed Ms. Phillips has allowed herself to  be.

’#Game of Slaves’  (F/f; time: 11 minutes) Ariel Anderssen is tied down naked on her stomach on a bench. Her legs are bent up at the knees so that the soles  of her feet are as available as her bottom.  Her long blond hair is curled here, unusual but not unheard of for her. Her bottom is elevated. Very nice. A female Top we don’t recognize will use a soft flogger and tickle her feet. Mild but glamorous.

‘Game of Slaves-Ariel Flogged’  (2F/f; time: 11 minutes) Ariel tied down naked to a bench and gagged. Curly blond hair. She is so eager to make noise she slobbers through the ball gag. Two women flog her, softly, with a cloth flogger.Loud but harmless. Nice view of her dimples

‘# Game of Slaves-rules infringement’. (time: 8 minutes) Hywel will give Ariel a workout in the ‘cave’ set we have seen. She sits kneeling on a metal chair. Her wrists are fastened to a ring at the ceiling. Hywel will whip her with a bundle of sticks, not very hard. She must be making dinner this night at their home. He starts on the soles of her bare feet as she kneels. Dress up, no panties, the bundle on her bottom.

SEGUE. Ariel is turned around on the chair. We see now she is blindfolded and gagged. Her legs are spread at 180 degrees. Dress pushed aside, this is the most pornographic pose we have seen for Ms. Anderssen. Hywel birches her thighs. Different angles of this action show free-standing camera apparatus.

’# Game of Slaves -nude’ (F; time: 10 minutes) A nude POV performance for Ariel. She narrates to us about her BDSM acting. She says her body “stands me in quite good stead.” More unusual dialogue for a porn film, and so true

‘# Game of Slaves- won in a card game’ (F/f; time: 13 minutes) Little ‘Chloe’ seems to have won Amelia in a card game. Amelia sits nude on her haunches on a bed, surely her most favored pose. She is handcuffed and gagged and keeps mumbling through the red ball. 

Chloe enters with a riding crop and begins snapping at her. She takes the gag out so we can hear the Rutherford ramble. Zoom on bare feet, for that customer. Gag back in. There will be no spanking here, just a celebration of Amelia’s rolling body. 

She talks and strips, puts on metal cuffs on her wrists and ankles,  metal collar.All talk. We were hoping a visitor would arrive and work her over.

’# Game of Slaves- nude on trestle’ (F/f; time: 11 minutes) A stark naked curly haired Ariel is tied down lengthwise, riding a trestle. She is gagged. A female flogs her, rather mildly Celebration of a naked Ariel. 

Hairbrush spanking for Ariel’ (F/f; time: 6  minutes);  A nice parlor setting, such attention always appreciated in CP films. Amelia/Ariel makes an entrance  down a staircase and is greeted by a housemistress. Ariel has been flirting with her husband.

She is taken OTK immediately. Black dress, red panties come down for a paddle. The mistress keeps glancing at the director. We hope he is signaling “harder!” A graphic at the conclusion reports this was a ‘Naughty Office Productiuon.’

’Happy Holiday Spanking’ (M/f;time: 9 minutes) Hywel Phillips and Amelia seem to be on vacation. From the look of Hywel, he is not going to the same gym as his wife. When he catches her working on her laptop, he announces he is going to spank her, one stroke for every minute she works.

Amelia is amazed he was able to get a paddle through in his luggage. “50 strokes” are announced. Hywel keeps looking in the direction of the camera, in amusement. Amelia gets into position. She is not wearing panties; after all, she is on vacation. Hywel examines her bottom like the piece of fine art that it is. 

For this spanking, they perform for a fixed camera, which Hywel gets up to adjust on occasion. This short film concludes with Amelia teasing a red bikini bottom over her sore cheeks. She she stay on their deck. 

‘Metal Mean Girls’ (3F; time: 11 minutes) Really just a nudie show. Hywel Phillips is probably behind the camera. Three nude Slaves are in ‘Master William’s’ house. The opening shot is  of an English mansion. Ariel narrates. Dark doings go down in this bucolic setting.

Ariel stands naked in the kitchen, arms cuffed loosely behind her back. Full frontal. She narrates. She is  Master William’s slave. And a vision. She thinks she is his fsvorite. Another  naked blonde appears for the camera. She has been here two years. She is cleaning some sex toys and shows us a gag. Ariel joins  her—we always like to watch naked girls doing chores.

We cut to a bedroom,  where a buxom brunette is nude and handcuffed. Apparently she is William’s bedroom slave. Arlel and the blonde don’t like the attention she gets and jump her, lots of naked bodies. They gag and spank her “Just when you thought we can’t get any more

Nights- Bastinado and Spanking’ (MF/f; time: 24 minutes) Ariel Anderssen/Amelia Jane Rutherford, with husband Hywel Phillips, and another woman/domme. Ariel is naked, strapped down in a kneeling position, by the ankles and wrists, to a spanking trestle, in their film ‘dungeon,’ “hellhole” Ariel calls it. Her blond hair is shorter here. The pretext here is that Ariel is late for this shoot, so Hywel will add some fun, the bastinado, over Ariel’s weak erotic protests.

Hywel and the domme tease her with a riding crop, snapped at her bare soles. They insert a ball gag. “I don’t want to be gagged.” Ariel keeps talking through the gag. What would a film of hers be without the stream of adlib? Hywel: “You will note her soles are exquisitely available.” “And her ass,” points out the domme.

The trestle pulls Ariel’s thighs wide, as revealing as you will see of her in her films. Careful  with that crop. With no strap to restrain her lower back, that world class bottom will buck and surge. And since bastinado is on the agenda, they made sure her feet were clean. When the woman smacks her soles, Hywel holds her feet still.

When the domme  asks Ariel which of the spanking implements hanging on a well-stocked wall rack she prefers, “None of them.” Gag out, blindfold on. Ms. Anderssen is a joy to watch. Straps and crop to conclude.

Nights-chine’ (M/f; time: 5 minutes) The simplest of exercises. Hywel leads a naked Ariel around in a dog collar and chain in an exterior shoot. Nothing much happens as she crawls about and poses. We were struck by how thin she is, and that no camera angle seems to fail for her. Hywel nips at her with a crop and makes her carry the leach handle in her mouth. She has weights hanging from her nipples. At least she crawls on the grass.

100 Strokes of the Cane’ (M/f; time: 55 minutes) Although this film is not a ‘Tina’s Ton Up’ or ‘Molly’s One Hundred,’ two MOONGlOW classics where one hundred strokes really resonated, it is the usual celebration of the acting and the glorious bottom of Ms. Rutherford.

A wall clock reads 11:30 AM; Ms. Rutherford is going to be given 100 strokes of the cane, in sections of 10, with six-minute intervals. “Your training is going to continue this morning.” She wears a tight tannish dress, which naturally shows off all her curves. First, Hywel fastens on a stylish metal mesh collar, which only accentuates Ms. Rutherford’s dramatic 6′ height.

Amelia pulls her dress up–she is not wearing knickers here. She wants to get on with the caning– no warmups, but Hywel smacks her anyway. Who could resist? She takes her first 10 with the cane on the bare, snappy zingers, maybe not startling, but there will be one hundred in the next hour.

During the six minute rest period, Hywel ties her hands and arms behind her back, complicated experienced B&D knots, and almost in real-time. Amelia practices the diaper position on a leather couch, without use of her arms, just another manifestation of what great physical shape she maintains.

10 more of the cane, squeals, and the first glimpse of her Mohawk.

The remainder of this long film follows the same format. In some of the 10-stroke packages, Hywel bastinados the soles of her feet. In one scene, he actually cleans the soles of her feet–we’ll speculate they ad libbed this addition. They addressed the studio problem we often see.

A long celebration of one of the most talented bottoms in the trade.

‘Roleplay 3’ (M/2f; time: 10 minutes) Hywel fastens cuffs on the wrists and ankles of two naked girls, Ariel and a friend. He spanks both with a hairbrush. Amelia’s height is often humorously compared with another small model in the same shot.

‘Roughie ‘ (M/2f;  time: 10 minutes) We know by now that RESTRAINEDELEGANCE will most likely not push the envelope. Amelia Jane Rutherford/Ariel Anderssen–the film in black and white, dresses slowly in old-style undies and a kimono. A man breaks into her remote cottage, a simple theme often used in BDSM films. He bangs her around a bit, harmlessly, and after a fade,  we find her tied to her bed.

He fondles her, gets her stockings off, then her panties, and rotates her, having tied

her in preparation for this, to have access to her bottom. He uses a flogger–he must have brought it with him. Ariel is left hogtied, struggling as they do in BDSM.

‘Spanked College Student’ (M/f; time:  13 minutes) ‘Ariel Anderssen’ and husband ‘Hywel Phillips.’ Another story of a randy college girl (Ms. Rutherford can still pull it off, although we are moving into to the post-graduate era.) Student Ariel pulls up to the house of a professor. She has to tell him she has lost her copy of the midterm exam to be used–she must be a graduate assistant. Ms. Rutherford wears silk print blouse and a short brown skirt.

Hywel  is disappointed (or maybe not so much) with another event from her and he will have to spank her. OTK she goes  on a leather couch. Skirt up, there are no panties. “I notice you are a bit underdressed today.”  She has come prepared, so to speak. He uses rulers and handspanking. They kiss when it ends. She smiles as she leaves. She has left her satchel behind, where the professor will find the exam, and he willl be able to call her back to again spank that most amazing bottom.

‘Spreading the Love’ (time: 15 minutes) Ariel Anderssen slowly strips naked in a bedroom to a soundtrack. Hywel enters with a little case of metal bondage devices. Ariel is craving metal. He cuffs her wrists and ankles. He steps off-screen and returns with a canister, which is surely not fishing equipment. He gets put an assortment of spreader bars and spreads her ankles and wrists. Ariel is thrilled with this as she undulates naked on the bed, the principal message in this film.

Hywel slaps, fondles, and spanks. Ariel’s dimples of Venus are prominent. This posture on the bed is one of her best choices of presentation.

Video Diary of Ariel Anderssen‘ (M/f; time: 19 minutes) Amelia/Ariel sits, jaybird naked, sipping tea between takes of filming, with some crew, where she plays some sort of senior slavegirl. Hywel enters the room and is angry with her about her acting and the way she is playing out the fantasy. He pursues her with a paddle in front of the crew on break. As she moves around naked, we play back to see if we missed anything.”Go upstairs!” “No!” But she does.

FADE to the bedroom. She waits. He arrives with his paddle and continues scolding. She is not going to be the important ‘slavegirl’ and is demoted to ‘pet.’ They will practice the fantasy of that particular behavior here and now in the Restrained Elegance studios.

She sits, legs up, as she does. We try to see between them but it’s too shadowy. We know what’s there but we want assurance. OTK for some spanking, the costume cuffs on her wrists and ankles rattle. Bottom soars. Hywel gets to take this home at night.

He is going to train her to take spankings. She will get a set of ten, not a sound to be made. But she squeals and he starts over three times before she can hold on. There is a gag around, but not for this. She kneels on the floor and rests on a chair for 10 silent with the paddle.

Now Hywel teaches her doggy postures she must assume on the floor in the presence of others. He attaches clamps with bells to her nipples, a dog collar, and a leash. During this action she makes some noise, which costs her 10 smacks.

She crawls around the house on the leash, to the amusement of some crew. We get looks at that petulant face she can do.

‘Lady in red’ (M/f; time: 7 minutes) Amelia in front of a photo backdrop by herself, wearing only a G-string, knee stockings, elbow gloves, and a gag, everything in matching red. She crawls around the set, her ankles manacled and one wrist fastened behind her back to a waistband.

A male character, presumably Hywell, slashes at her with a crop and small flogger. Mild stuff, and a bit silly.

’lashed in stocks’(M/f; time: 13 minutes) Ariel in the cave setting, in chains, in peasant dress. We watch her struggles through cell bars. Silly. Zoom on her bare feet. She is so clean and well kempt. Not your typical dungeon dweller.

Hywel Phillips plays the jailer and moves her to a seated position, with her hands and feet through holes in a pillory. He opens her dress to bare her back. The pillory is sort of a wall in front of her. All in all, the staging does not do her justice. And of course she is seated on her charms. Hywel whips her bare back, and this too we can’t see too well.  Mild red stripes, worried face, lots of shots of her wriggling bare feet.

sanitarium’ (2F/f; time: 9 minutes) From a second story window we see Ariel gsmbollimg about in a large lawn/garden. She is barefoot and wears a similar house dress. Two female matrons capture her, cuff her, and March her inside. Is this a prison, a sanitarium? We certainly hope a good spanking has been earned. 

Ariel is marched into a well appointed sitting room, where large windows and sunlight challenge the camera. She is tied down to a couch. It takes a long time. She looks very young here. Don’t know how they did it.

Ariel gets a bastinado in this position. The matrons insert a horse bit gsg. The dress is flicked up with a crop. Absolutely georgeoid lace panties. No spanking. We are gasping. 

Spanking machine’ (f; time: 17 Minutes) A playful exercise for Ms. Amelia Jane Rutherford, harmless enough; she will be fully naked on the screen for the whole seventeen minutes and not too shy about it. She knows the moves of figure modeling. She narrates the action. She is examining a spanking machine set up in a nicely decorated room. This complicated device is anchored to the wall in two places, because it is going to vibrate. It is very noisy, easily adjustable for stroke height, and mild in ferocity. We haven’t seen the perfect machine yet.

Amelia fingers the riding crop fitting, and holds a remote control. First she will try the crop on her boobs. About 40 strokes, in sets of 10, some of the sets repeated from different cameras. Someone else, probably Hywell Phillips, must be operating the remote. She seems to like the snappy little stings.

She will try the crop on her bare back; she undulates to get the crop strokes in just the right place.  More on her boobs, and she lowers the device to take some on her stomach. She likes it all. The crop makes faint red lines, quite tolerable.

We have been waiting. Now it is time for her bottom. “I KNOW my bottom can take it.” After a long and wonderful series, “I am so kinky.” She does some bend-overs; the machine clanks away. She checks her various marks in the target places. The bruises are “coming up.” Very sexy stuff for her.

More on her boobs. She narrates: “It’s nice on the nipples,” and she figures their swelling and a “daily dosage” of this might make her breasts more interesting.

She adjusts the machine for her thighs, which she is quick to see is more about “my crotch.” Here is a closeup hold of her pussy, adventurous for Ms. Rutherford. “This is worse than ‘bottom.'”

She checks out all her mild marks—boobs, back, stomach, thighs, puss. This is the maximum Rutherford. She is turned on and muses “What else can I try before  Sally comes home?” A reference to other films?


Boarding School Discipline 2 – CONNOISSEUR

10 Dec

2MF/3f; time: 58 minutes

This multi-film series continues. Two students who were caught bribing the school nurse to get sick permission slips were already spanked. Now the men have the distinct pleasure of turning to the matter of the school nurse herself.

She is called in-it is the actress ‘Dublin O’Brien,’ a/k/a ‘Natasha’ in some films, one of those models who can simply not be spanked enough. She is wearing a rather naughty uniform, a short skirt with stockings showing at the thighs. When she sees the two spanked students standing to the side, she puts on one of her patented smirky looks, the kind which should be followed by fingers in the waistband of her panties. She sees what is coming.

She laughs when see hears that she is going to punished like the girls were. She is taken OTK, skirt up-not hard to do, pink panties. Panties down–we notice tattoos on her back, new to us. Both men spank her. Dublin is always argumentative or naughtily angry.

As she is spanked bent over a chair, one of the men reads the label on her panties–from an expensive line. That is what she does with the student bribes. As the men spank and strap, those panties puddle at her shoes. They shift to a leather sole and open a bottle of wine, enjoying her bottom as a plaything. And why not, it is Dublin!

When they show her the cane, she insists she has already had enough. Such a silly girl. For the first guy she bends over a tall stool and takes about 25 moderate snaps. The two students are listening outside the door, giggling. Various angles, she is counting. We did not detect repeats. This caner understands that whippy canes play havoc with the flanks, so he moves from side to side.

The second caner, ‘Klaus,’ takes over. 12 fast strokes, then a rub, then seven more. Touch-toes, 6 more.

She kneels over two chairs in the Winchester position for the birch from both men. When the men hand her knickers back to her to put on, she turns her back to do it, preserving her modesty and presenting her bottom like the professional she is.

The two students are called back. While her own bottom is still burning, she is allowed to spank and cane both girls, playing with them at the same time.


10 Dec

F/f; year: 2006; time: 39 minutes

In the courtyard of the prison camp, 12 naked girls are lined up for a brief medical checkup. This we believe is our personal record for naked girls on-screen at the same time in a CP film. There are European soft-core fantasy films of nude dancers and such, but these girls are standing in the weeds in the cold light of dawn without a stitch. This Nazi camp is looking for Communist sympathizers.

Each girl steps forward to be examined by a female doctor–pinched, stroked, bend-over, etc. Each girl then puts on the striped concentration camp pajamas and falls in ranks. When one girl speaks up out of turn, she is pulled out, stripped naked, strung up between two poles, then hosed down with a high-pressure stream.

The girls are marched into their barracks area, a set of bleak wooden bunks very much reminiscent of actual concentration camp photographs. A cut in the film baffles us–it is possible some of the girls have been caught escaping. A very tall blonde is being whipped bare back at a frame, while the other girls stand in formation, made to watch.

FADE. In an office, two women are discussing their interrogation methods. One woman has been brought in, we saw in the first section of this film, with her electric box. The ladies seem very pleased and smugly excited by the fact that tomorrow they will begin on some of the girls.

Reveille. A redhead strips naked and is bent over a platform, made to kneel, and is caned. 70 strokes she must count; very brutal, and surely a lot of help from the cosmetics department. A bit much for us. After a FADE, the girl is being tended to on a gurney.

More canings; girls are tied down in various postures, kneeling, diaper, etc and caned simultaneously. 50 strokes. Nobody will confess.


10 Dec

3F/5f; time: 58 minutes

Certainly a bizarre premise for a CP film; female disciplinarians will work their way through female prisoners in interrogations after an assassination attempt on Hitler. An we know, interrogations at MOOD can leave marks.

Five girls, in striped concentration camp uniforms, and tied to the bars of a large cell. A female guard walks the line, opens a blouse here and there, and pinches nipples. As is usually the case with MOOD, the prisoners and the guards look about the same, tall, thin, showgirl types, with heavy eyeliner and theatrical makeup. It is just a question of which actress is on which side of the bars.

A female inquisitor visits the prison and she will use her special techniques on the girls. In the cells, they select one girl, blindfold and handcuff her and take her to the office. The girl is seated to a chair, her legs spread, and electrodes attached to her labia. The punishment is not too convincing, but it is different.

Back in the cells, another girl is stripped to the waist, spread-eagled on cell bars, and whipped.

The remaining four girls are taken to the punishment room. “We are in charge of breaking you. We need confessions. See these canes? You will each get 50 strokes.” The first girl strips naked and kneels on an odd wood platform and grasps posts for support. Her hair has been pinned up, not common in prisons you’d think, so we can see facials. The caning proceeds, the other girls, made to watch, flinch. The girl struggles through her 50, counted in subtitles.

The remaining three girls are caned in the same way. Each girl must kneel on the floor, hands-on-head, and the canings proceed.

Boarding School Discipline 1 – CONNOISSEUR

10 Dec

2M/2f; year: 2004; time: 1 hr, 12 minutes.

Two men discuss matters in a gaudily decorated room we have seen in a number of CP films. This film is probably a redistribution from STRICTLYENGLISH or REDFSTRIPE. Trouble with some students at this school. One or more of the girls has been paying off the school nurse to get sick slips. Any geezer could spot this opportunity–spank all the girls AND the nurse. Get to the bottom of it of course.

The first student is summoned, ‘Isabella,’ in the person of actress ‘Gina Moon.’ She of course denies any such relationship with the nurse and cannot prevent a little grin on her face,surely at the acting. “We’re going to take that smile off your face…you’re going to be spanked.” “I don’t think that’s legal.”

Nothing will stop these ageplay guys. Isabella is soon OTK and bare, and will be spanked by both men. She is moved to bend over a chair, panties still down, but she prevents any frontal peeks. Both men strap her. Then some palm slaps, and as usual, it seems the most painful of all, maybe because of the concomitant full facials.

Bend-over again, the slipper from both men. Tie off, blouse off, no bra, now naked, hands-on-knees for the slipper. She kneels on the couch for the cane, then bends over the back of the couch for more.

The actress ‘Monica’ enters; she is a class prefect, and she too has been bribing the school nurse. She gets the same spankings from the two men, as Isabella watches and dresses. For some reason, the men want Isabella to strip to the waist again.

Both girls are birched over chairs, two men, two bottoms. And after the men leave, Monica exercises her rank and authority and canes Isabella a few times herself.

Gentlemen Prefer Brats – SHADOWLANE

10 Dec

M/f; year: 1998; time: 1 hr 20 minutes

A long and uneventful product of SHADOWLANE; an actress credited as ‘Artemis Antone,’ with a showgirl body which suggests she does spanking videos on the side, plays ‘Lilith,’ who wants to be dominated by her man but can’t entice him.

‘Victor’ (‘Arthur Meeks’) arrives with a briefcase, always a fun signal in a CP film. After some simple foreplay, he begins a playful OTK spanking, then a hairbrush. She teases him into taking her panties down. This girl needs a workout out from a group, if you ask us.

Lilith wants some champagne but Victor keeps spanking and frigging. She kneels up, Victor opens the champagne, and he wants to watch Lilith spanks herself, which she isn’t very good at.

In his briefcase he has brought a small martinet and an artificial birch bundle. Mild spanking with these, some birching on her calves and thighs is a little different.

Onto the bed on pillows for a riding crop, legs spread. Soft martinet, she takes off her bra, the last item. Wrist cuffs, he locks her wrists together.

With a huge battery-operated double dildo, lube, and rubber gloves, he gives her a good fucking, and sets her to squirming the body she was hired to present.

Fugitive Patrol – PAIN4FEM

10 Dec

MF/3f; year: 2006;time: 56 minutes

Typically clever work from producer Peter Schober, exhibiting his skills at complete domination of females in storylines, here in their long format.

Three pretty blondes sit in an apartment drinking wine. One, ‘Katherine Horvath,” has escaped from prison and is hiding out with her friends. The escaped prisoner describes how nasty it was there; flashback to her tied to a vertical rack, being whipped by a matron, our friend ‘Helen’ from many P4F films.

FADE to policeman Peter Schober in his office. He receives a call–they have a tip on the location of the escaped girl. A female brunette officer joins him, they suit up and proceed to the house.

When the police knock (There is at least some law here), the girlfriends hide the fugitive in a coffin-sized credenza. The police notice three wine glasses and search. Turns out the two ‘friends’ are ‘foreigners,’ and although their papers will check out, the police need some sensitivity training on how to treat them. And for Peter, these may be a tree-bottom catch.

They find Katherine holed up; she will be taken away, back to prison. The two conspirators are offered our favorite choice, a booking downtown, or a ‘blistering ass whipping,’ in Schober’s indelicate words. at least according to the subtitles. Horvath is taken to a van, the female officer returns with spanking equipment. The girls seem to know that they are in for a bad time–their cowering facials are excellent. On tries to seduce Peter. We know he likes spanking more.

The girls are separated, which gives Peter a lot more leeway on what he can try to get away with. The short blonde is marched to the bedroom, handcuffed, and left helpless face down on the bed. Back to the living room, the tall blonde will be taken first.

OTK for a handspanking, red thong. Peter orders her to strip, more spanking, he uses a rope loop beater, which leaves wild vertical marks. He pinches her inner thighs to keep her legs spread. Handcuffed, she is marched naked back to the bedroom. She has gotten some clothes back on. “Get undressed.” He fondles her superb naked body. While he is playing with her, we flash back to the whipping he imagines the escaped prisoner is getting about now at the prison (by Helen). In fact, the girl is naked on the frame, then Peter is seen whipping her, with a triple-cane.

Back to the bedroom, Peter addresses the second ‘foreigner,’ waiting her turn on the bed. A handspanking, the slicing stroke style. A cute wiggler. He canes her kneeling erect. He handcuffs her again. She is caned on the bed, leaning forward, weight on her head.

The blonde is one of the prettiest and best actresses we have seen at P4F, which is quite a description, given the site’s parade of glamour. More caning, in untraditional poses. Peter is surprised and maybe a bit frustrated at how well she takes her punishment.

Back to the living room, two bare whipped bottoms displayed. The two police officers dress and leave. In other films on the same theme, the officers make arrangements to return.