Restrained Elegance -Amelia Jane Rutherford

10 Dec

The spanking actress’ own website, featuring bondage and spanking, produced with her husband Hywel; she uses the stage name ‘Ariel Anderssen’ here. We would add films as we purchase them. Some are separately reviewed.

‘#Game of Slaves’ (M/f; time: 8 minutes) Ariel Anderssen in the cave/dungeon set we have seen before. She is strung up, her wrists fastened to a ring which is roped to the roof. She kneels erect on a chair, ankles fastened together. And she wears a long slinky red dress.

Her male tormentor begins a bastinado on her bare feet with a rod bundle. The usual squawk from Ariel, maybe a bit too much too early here. The disciplinarian rucks up her dress. There are no panties. He continues with the bundle on her bare bottom and particularly her buttocks crease. .

After a FADE, Ariel has been repositioned. She sits facing us, her legs spread at 90 degree angles. Here, she is blindfolded and gagged. Maybe someone agreed she protesteth too much. The guy canes her inner thighs and gets the dress out of the way, exposing as much of Ariel as it is possible to do.

‘Nights-Bastinado and Spanking’ (MF/f; time: 24 minutes) Ariel Anderssen/Amelia Jane Rutherford, with husband Hywel Phillips, and another woman/domme. Ariel is naked, strapped down in a kneeling position, by the ankles and wrists, to a spanking trestle, in their film ‘dungeon,’ “hellhole” Ariel calls it. Her blond hair is shorter here. The pretext here is that Ariel is late for this shoot, so Hywel will add some fun, the bastinado, over Ariel’s weak erotic protests.

Hywel and the domme tease her with a riding crop, snapped at her bare soles. They insert a ball gag. “I don’t want to be gagged.” Ariel keeps talking through the gag. What would a film of hers be without the stream of adlib? Hywel: “You will note her soles are exquisitely available.” “And her ass,” points out the domme.

The trestle pulls Ariel’s thighs wide, as revealing as you will see of her in her films. Careful  with that crop. With no strap to restrain her lower back, that world class bottom will buck and surge. And since bastinado is on the agenda, they made sure her feet were clean. When the woman smacks her soles, Hywel holds her feet still.

When the domme  asks Ariel which of the spanking implements hanging on a well-stocked wall rack she prefers, “None of them.” Gag out, blindfold on. Ms. Anderssen is a joy to watch. Straps and crop to conclude.

Nights – chien’ (M/f; time: 5 minutes) The simplest of exercises. Hywel leads a naked Ariel around in a dog collar and chain in an exterior shoot. Nothing much happens as she crawls about and poses. We were struck by how thin she is, and that no camera angle seems to fail for her. Hywel nips at her with a crop and makes her carry the leach handle in her mouth. She has weights hanging from her nipples. At least she crawls on the grass.

‘100 Strokes of the Cane’ (M/f; time: 55 minutes) Although this film is not a ‘Tina’s Ton Up’ or ‘Molly’s One Hundred,’ two MOONGlOW classics where one hundred strokes really resonated, it is the usual celebration of the acting and the glorious bottom of Ms. Rutherford.

A wall clock reads 11:30 AM; Ms. Rutherford is going to be given 100 strokes of the cane, in sections of 10, with six-minute intervals. “Your training is going to continue this morning.” She wears a tight tannish dress, which naturally shows off all her curves. First, Hywel fastens on a stylish metal mesh collar, which only accentuates Ms. Rutherford’s dramatic 6′ height.

Amelia pulls her dress up–she is not wearing knickers here. She wants to get on with the caning– no warmups, but Hywel smacks her anyway. Who could resist? She takes her first 10 with the cane on the bare, snappy zingers, maybe not startling, but there will be one hundred in the next hour.

During the six minute rest period, Hywel ties her hands and arms behind her back, complicated experienced B&D knots, and almost in real-time. Amelia practices the diaper position on a leather couch, without use of her arms, just another manifestation of what great physical shape she maintains.

10 more of the cane, squeals, and the first glimpse of her Mohawk.

The remainder of this long film follows the same format. In some of the 10-stroke packages, Hywel bastinados the soles of her feet. In one scene, he actually cleans the soles of her feet–we’ll speculate they ad libbed this addition. They addressed the studio problem we often see.

A long celebration of one of the most talented bottoms in the trade.

‘Video Diary of Ariel Anderssen’ (M/f; time: 19 minutes) Amelia/Ariel sits, jaybird naked, sipping tea between takes of filming, with some crew, where she plays some sort of senior slavegirl. Hywel enters the room and is angry with her about her acting and the way she is playing out the fantasy. He pursues her with a paddle in front of the crew on break. As she moves around naked, we play back to see if we missed anything.”Go upstairs!” “No!” But she does.

FADE to the bedroom. She waits. He arrives with his paddle and continues scolding. She is not going to be the important ‘slavegirl’ and is demoted to ‘pet.’ They will practice the fantasy of that particular behavior here and now in the Restrained Elegance studios.

She sits, legs up, as she does. We try to see between them but it’s too shadowy. We know what’s there but we want assurance. OTK for some spanking, the costume cuffs on her wrists and ankles rattle. Bottom soars. Hywel gets to take this home at night.

He is going to train her to take spankings. She will get a set of ten, not a sound to be made. But she squeals and he starts over three times before she can hold on. There is a gag around, but not for this. She kneels on the floor and rests on a chair for 10 silent with the paddle.

Now Hywel teaches her doggy postures she must assume on the floor in the presence of others. He attaches clamps with bells to her nipples, a dog collar, and a leash. During this action she makes some noise, which costs her 10 smacks.

She crawls around the house on the leash, to the amusement of some crew. We get looks at that petulant face she can do.

‘lady in red’ (M/f; time: 7 minutes) Amelia in front of a photo backdrop by herself, wearing only a G-string, knee stockings, elbow gloves, and a gag, everything in matching red. She crawls around the set, her ankles manacled and one wrist fastened behind her back to a waistband.

A male character, presumably Hywell, slashes at her with a crop and small flogger. Mild stuff, and a bit silly.

‘spanking machine’ (f; time: 17 Minutes) A playful exercise for Ms. Amelia Jane Rutherford, harmless enough; she will be fully naked on the screen for the whole seventeen minutes and not too shy about it. She knows the moves of figure modeling. She narrates the action. She is examining a spanking machine set up in a nicely decorated room. This complicated device is anchored to the wall in two places, because it is going to vibrate. It is very noisy, easily adjustable for stroke height, and mild in ferocity. We haven’t seen the perfect machine yet.

Amelia fingers the riding crop fitting, and holds a remote control. First she will try the crop on her boobs. About 40 strokes, in sets of 10, some of the sets repeated from different cameras. Someone else, probably Hywell Phillips, must be operating the remote. She seems to like the snappy little stings.

She will try the crop on her bare back; she undulates to get the crop strokes in just the right place.  More on her boobs, and she lowers the device to take some on her stomach. She likes it all. The crop makes faint red lines, quite tolerable.

We have been waiting. Now it is time for her bottom. “I KNOW my bottom can take it.” After a long and wonderful series, “I am so kinky.” She does some bend-overs; the machine clanks away. She checks her various marks in the target places. The bruises are “coming up.” Very sexy stuff for her.

More on her boobs. She narrates: “It’s nice on the nipples,” and she figures their swelling and a “daily dosage” of this might make her breasts more interesting.

She adjusts the machine for her thighs, which she is quick to see is more about “my crotch.” Here is a closeup hold of her pussy, adventurous for Ms. Rutherford. “This is worse than ‘bottom.'”

She checks out all her mild marks—boobs, back, stomach, thighs, puss. This is the maximum Rutherford. She is turned on and muses “What else can I try before  Sally comes home?” A reference to other films?

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