Archive | January, 2016

Santiago Prison – MOOD

21 Jan

F/5f; year: 2006; time: 43 minutes

Girls are passing through Customs and flirting with the inspectors; an observing supervisor receives a call–the girls are suspected of something and will be searched more carefully. That is always good news in a CP film. Quickly enough, cocaine is found in a teddy bear.

The first girl gets a strip search, including the rubber glove treatment.

The girls are move to prison; we open on a cell scene, where actress ‘Jessica Lee’ is also incarcerated, but she is the domina in this space. The new girls are brought in; everyone wears heavy denim outfits. Jessica begins to tussle with the new girls immediately.

Female guards enter the cell, break up the cat fight, take one prisoner away to solitary, and string her up naked. Lee seems to have access, because she sneaks into the solitary cell and puts a small snake around the naked strung-up girl’s neck.

FADE. Another prisoner is describing to the new girls a whipping he received last week. Flashback. Te prisoner is strung between two bunks and given fifty cane strokes.

FADE. Te girl in Solitary is let down. She is dead, either by the snake or from fright.

FADE. Lee rats on the other prisoners–they were planning an escape. They will be caned until someone tells the details of the escape and who was the leader. Four naked girls get 50 strokes each, kneeling on the platform with the raised center bar. When the guards start the second round of caning with the first girl, she confesses.

We are going to clear up a small backlog of MOOD films and move on. The plots are repetitive and the discipline, however staged, too violent to be erotic for us.

The Devil’s in Sarah – STONEFOX

19 Jan

M/f; year: 2000; time: 20 minutes

A bit disappointing from STONEFOX, who has made some nice spanking/enema films, featuring sweetly reluctant girls who will do what the doctor orders.

This film features ‘Sarah’ in full nun’s habit, being disciplined by a priest, in full monk’s hooded robe. Sarah is praying on her knees in front of a rugged cross in a room which is nothing more than a set with sheets pinned up on the walls. Getting spanked in the workroom is probably appropriate.

The monk enters and demands confession from Sarah. She claims to have seen the Mother Superior and another nun having sex. The Father isn’t having any of this and will whip these thoughts out of her head. “How long has it been since you’ve had the strap?”

Sarah pulls up her habit and is not wearing any panties, must be too hot there. Fuzzy puss. The monk has a big strap but the spanking is mild and disappointing. This is just a costume drama.

Amelia Jane Rutherford at AAA SPANKING

19 Jan

Another of the famous British CP stars this producer ‘ John Osborne’ managed to book for his studio  We have found 11 of her films here. There are more. Historically, these AAA films occur at two intervals after her introduction at GIRLSBOARDINGSCHOOL. Ms. Rutherford continues to pull off the schoolgirl thing into her thirties (and forties). The era here is about coincident with the first work at FIRMHAND, and then later, we guess. We’ll amend as we learn.

Amelia Naked’ OTK'(M/f; time: 12 minutes) Blond pigtailed Amelia sits on a single brass bed, in a simple little housedress. She is as deadly here as you will ever see her. One of our very favorite films from her huge oeuvre. The housedress should be in the British Museum. Actor ‘John Osborne,'(Triple A identifies all the actors in its films) wakes her up. She was flirting at a party and will be spanked for that. 

OTK first, dress up, conventional white panties, appropriate for this domestic scene and not the diva knickers she wore so frequently later. Osborne takes what looks like an IPhone out of his pocket, which may date the film. Panties down, she resists, but not too much. When the knickers reach her ankles, he wants them off.

“Remove the dress…let’s see how clever you are now.” She stands naked, a fuzzy pubic front, not carefully trimmed in this film. She gets spanked naked, routine but deadly gorgeous. And she concludes with one of her signature poses, sitting on her haunches, naked. This film presents Ms. Rutherford in nearly the most sexy postures we have seen, and there is quite a lot to choose from.

Amelia and Sarah’ (MF/2f; time: 18 minutes) Our copy of this film opens with a jolt. Amelia is spanking Sarah Gregory. Both are starkers.  The girls are laughing. There are only two three instances of AJR as a Top.

John Osborne enters. “What the hell are you doing in here?” He is carrying a strap. The girls sit naked on the couch. He announces he is going to “play with straps,” and proceeds to spank and strap both girls. Lots of pink flesh to fill the screen. A simple but entertaining film.

Bad Volleyball‘ (M/2f; time: 21 minutes) Amelia and Molly Malone stretch in their volleyball outfits–tight little red shorts and gymslips. This would certainly fill the bleachers. This is the earlier Amelia at Triple A. Coach John Osborne enters and his first concern is the girls’ shorts, rolled up to make them even more provocative. He’s had complaints.

Through carelessness, they have lost a match. “There is only one thing to do with stupid girls like you.” Osborne has a ‘slipper’ at hand, which just evokes laughter. The girls assume the frisk position at the wall, and he pulls down their shorts, to squeals. Gorgeous sight.

Some slippering and bend-overs, some frontal glimpses as the girls move around, although Amelia covers up. She rubs full-screen.

“I’ve got something special for you.” “What can he do that would be worse than that?” the girls wonder. But we know. The Cane. Each girl touches toes, first for three strokes on the shorts then 6 on the bare. “Legs apart.”

Amelia is distressed. “You’ve made lines!” That will keep the shorts in place.

Bath Time Bullies‘ (3F; time: 30 minutes) The longest film we have found at Triple A so far; it is set in a bathtub, perched in front of picture windows looking out on a resort and the sea, maybe the Caribbean or Hawaiian Islands. The three actresses are experienced CP practicioners at this point.

Amelia is alone in the bubble bath, but is soon joined and disturbed by a naked ‘Joelle Barros.’ Joelle gets in the tub, much to the displeasure of Amelia, who wants her regal privacy. Joelle expresses a playful lesbian interest.

‘Sarah Gregory’ arrives, also naked, and quite buxom at this point in her career. She climbs into the tub, teasing Amelia with her estimable boobs. Amelia’s assets are sufficient so that she should not be jealous. The girls tease each other and flaunt their sexuality.

Amelia is distressed by all this company. Sarah encourages Joelle to lie over the edge of the tub for a playful spanking. One advantage, of course, to three girls in a tub. All bottoms will be wet. Joelle and Sarah become impatient with Amelia’s fussy selfish mood. She needs an attitude adjustment, haughty girl. Now she will get a spanking.

The girls play lesbian games with each other and threaten to involve Amelia. “It’s either your vagina or your bottom.” Amelia feigns disgust of all this–not her image, etc. They finally maneuver her into a spanking position on the tub edge, a posture in which she can pose her magnificent hips. The girls rub their target. A large fading bruise is seen on Amelia’s right buttock, a vestige of previous films, which we believe we have noted. And she has her latter-day beaver shaving style.

A lot of spanking and splashing goes on. Amelia remarks that this action “is not a shoot.” Why there is a reference to a camera at the tub we didn’t get. The three girls play with the hand sprayer.

Sarah and Joelle want to flick Amelia’s nipples, and make reference to her bondage film-making life. Amelia keeps calling for “John…John,” a reference we assume to John Osborne, the Triple A webmaster, and probably off-screen here.

Christmas 2012‘ (M/2f; 22 minutes) Another long film for Triple A, with Amelia, Molly Malone, and ‘Dodgy Dave.’ The three sit around a Christmas tree setting. Dave is going to give the girls a “Christmas spanking,” which doesn’t seem to bother them very much.

Dodgy Dave is a little guy, marginally an ageplay guy. Amelia looms over him on the couch, looking a foot taller. Webmaster Osborne will be careful not to depict this height difference.

Amelia will be spanked first, willingly OTK, pajama pants down, no panties. A silly handspanking, long and chatty, but colorful as always. Molly checks the heat developing on her bottom.

Molly is spanked next; she hasn’t worn panties either. Dave uses a heavy paddle and strap n addition to the handspankng. Amelia is quite amused.

Amelia is spanked again, paddle and strap.

The trio exchanges gifts. The girls are given school kilts, way too short for anything but the bedroom. They try them on, including white regulation panties. More spanking on the couch, bare bottom. Dave’s gift is to be permitted to play with these two bottoms.

Not Safe For Work‘ (F/f; time: 11 minutes) Amelia is caught watching porn spanking films, on her office computer, by her boss ‘Molly Malone.” “I’m not sure I am paying you for this.”

This is Malone’s chance, though. She takes Amelia OTK right there at her work station. “We’ll see how sexy you think spanking is.” Skirt up, black panbties trimmed in white, Malone pulls the panties down ever so slowly. “Your bottom is getting as pink as the yound ladies on the screen over there.”

“Stand up. Remove your underwear.” “What?” Hands-on-chair, Malone happens to have a tawse handy in the office. Mild but colorful spanking. Amelia will be made to remain bent-over bare bottom for 30 minutes, with the suggestion that employees might pass by.

A Requested Spanking‘ (F/f; time:9 minutes) With ‘Joelle Barros.’ A ‘member’ has requested Amelia be spanked in the ‘wheelbarrow’ position, which she is not too keen on, knowing how vulnerable and provocatively exposing the posture is. We have found the wheelbarrow stance used mostly in erotic depiction, certainly not traditional discipline. “Whatever member wanted this must be depraved.”

Most of the camera angles are over Joelle’s shoulder into Amelia’s crotch, where the gusset of her leotard will preserve her modesty, surely not whatever ‘member’ wanted. Joelle spanks and teases, toying with the crotch leotard cloth. Amelia wails in her melodramatic style. “This is too stupid. I never want to see this video.”

Silly banter. Amelia is ticklish, sort of odd for a model who has had her bottom whipped in many settings. She doesn’t like Joelle “squeezing.” We’ve puzzled–Amelia is older here, making films for AAA over a period of time.

Secretive Spankers‘ (M/2f; time: 12 minutes) An exterior frolic. Amelia and Molly Malone walk through the Fall woods, not too far from civilization, because at the end of the video we are treated to traffic noises and sirens.

The girls stop at a tree and Molly leans Amelia against it and begins spanking her on flowered panties. Amelia is a vision of clashing color–striped jersey, different striped skirt, the floral knickers, and knee socks. Amelia is amused. “I love it.” Malone takes her panties down.

A man comes along, actor ‘John Osborne.’ This is good, the girls are trespassing, and after some discussion and debate, the girls agree to continue the spanking from him rather than the police. Amelia has yanked her knickers back up. He will spank Malone first, who herself wears colorful floral knickers.

Amelia argues with John. “We’re kinky. But you have no excuse.” When he pulls Malone’s panties down, both girls gasp. Amelia: “Molly’s the domme. You can’t just to that,” explaining why they were in the woods.

Osborne spanks both bottoms side by side as they lean against trees. You can’t help but think how charmingly innocent this is compared to what happens to peasant girls in the woods in Russian CP films.

Showered and Spanked‘ (M/f; time:11 minutes) ‘John Osborne’ rouses a sleeping ‘Amelia Jane’ from sleep. He wants to know if she has showered. She has been up, gone to the gym, and is back in bed. She wears colorful checked two-piece pajamas, an intentionally cunning choice for a CP film.

Despite her protests, he drags her out of bed and begins spanking. “You must be suppressing some homo-erotic something…I’m clean. I’m clean.” Osborne uses a small sole paddle he has brought with him, thick enough to sting all the more. Amelia yells that he is only satisfying his own fixations. OK with us.

Pajama bottoms down, no panties. Amelia is all bottom, and again spectacular. Closeups of the spanking.

Osborne drags her to the shower. She has pulled her bottoms back up. He soaks her with a hand sprayer in the tub, an erotic scene, because you know the pj’s will have to come off. “You’ve gone mental,” she shouts.

Pajamas come off, a lot of dialogue, sexy frontals as she poses in the tub.

Spanked for Sunbathing‘ (M/f; time: 11 minutes) Amelia splits from tennis practice and sunbathes in the nude on the lawn of a country estate. She is naked most of the film, which is mostly a showcase of her body, making it one of our favorites.

John Osborne catches her–she is embarrassed, but not too much so. TRIPLE A does a nice job of handling the exterior shots–the glamour of a screen filled with pink skin in the bright sunlight. There are distant traffic noises, but no low-flying planes, like we have been amused by in a few CALSTAR exteriors. The spanking is conventional, Amelia whines a bit much, but there is enough here that the audio is even necessary.

Spanking Therapy‘ (M/2f; time: 13 minutes) Amelia and Molly Malone loll on a bed, watching spanking films on a laptop, and wearing naughty lingerie underwear. The actor John Osborne enters, and he is upset by having a bad day. The  girls decide to present him with two beautiful bottoms to play with, to cheer him up.

Osborne climbs on the bed and joins in. Molly is spanked first, on net panties. Amelia is the next to lie over his lap. It may be the lighting or the postures, but she looks bigger and older here. She wears a simple little bra and a G-string, with garter belt.

A small bath brush materializes and it zings Amelia. “God,” she cries, “why does anyone like this?” Molly to get the brush next. He spanks both girls and is surely feeling better by now.

Sweary Owl‘ (M/f; time: 10 minutes) Amelia wears a complicated and expensive cheerleader’s uniform, not your garden variety fetish store item. Again she looks older here; she has been caught with a little owl doll which issues profanity when it is squeezed. Amelia finds it all quite amusing, but actor John Osborne is going to disabuse her of that.

OTK she goes, conventional and appropriate white knickers underneath. He begins spanking. Amelia declares, “Everyone know you spank…like you are obsessed with it.” Down with the panties. “You’re going to be treated like a little girl.” Hair brush materializes. A lot of squawking from Amelia here. Some frontal glimpses and revealing shots when she kneels up on the bench. Hold on that bottom to conclude.

Unwanted Friend‘ (F/f; time: 17 minutes) Amelia and Molly Malone, in schoolgirl kit, including backpacks this time, gambol home from school on foot, in a tony neighborhood, as opposed to those rural settings in Russian CP where the schoolgirls are going to end up with nettles in their panties. The girls tussle a little; they’re friends but now go to different schools.

Into Amelia’s house, the camera follows their white panties upskirt upstairs. Into Amelia’s room, the single brass bed we have seen before, and rather sparse furnishings for an adventurous schoolgirl.

Father John Osborne breaks up a fight between the two girls and will spank them both. Both girls bend over the brass bedstead. We should have noted before, Ms. Malone is actually a little taller than Amelia, the only actress we’ve seen who could compare. Height and bottom relate.

Skirts up, Osborne delivers standard spankings on their white panties and then on the bare with his hand, a strap, and a hairbrush. He leaves them on display at the conclusion of the film.

Upskirt Aunt Meets Her Match‘ (F/f; time:  7 minutes) Amelia (curly blond and glasses here) is being spanked bare bottom and yelling up a storm. She has been flirting with her sister-in-law Elizabeth’s son. Elizabeth does not like her developingfetish tendencies in her son. Amelia hands over a hairbrush–more loud squawks. Yellow skirt, flower top.

Wheelbarrow‘ (F/f; time: 5 minutes) Amelia and Molly again, both in white blouses, plaid kilts, and knee socks. They have done everything else for spanking positions, now they will try the ‘wheelbarrow.’ Descriptions of AAASPANKING suggest webmaster Osborne was enamored of this position.

We have always thought this an American phenomenon, more erotic than disciplinary, and definitely embarrassing for a reluctant girl. The spankee lies at right angles over the lap of the spanker, straddling her adversary’s body with her legs, and supporting herself with hands on the floor. This spreads her legs, so that a camera shot over the spanker’s shoulder is totally revealing when panties are absent.

Amelia crawls into position with Molly. She is very aware of how exposed she is. “I feel really trapped.” Her white panties will remain in place–she has never taken to extreme exposure in any of her films. Molly does press a little during the spanking. “I’ll give you a little wedgy.” Nervous laughter. Fingernails gently on bare skin. Some hairbrush.

S is for Spank

16 Jan

M/f; time: 25 minutes

A German film we have yet to identify, featuring an actress who might be named ‘Julia Reaves.’

A male teacher or tutor is on the phone, while Julia works at her studies in the next room. The tutor comes in to see her, hiding a cane behind his back. Blond Julia fidgets in front of him; she is suspicious and probably knows how the rest of her visit might play out.

Wherever she is doing or has done, it has not been good enough. Julia is made to stand, raise her skirt, and lower her panties. Snap-snap with the cane. Hands-on-couch, more harmless caning.

Julia falls on her knees in front of him, not a good place to be. She pulls up her top to display her breasts. The tutor helps himself. She stands again and the camera zooms on her fuzzy front. More bend-over for the cane. He fondles Julia, she is helpless.

We don’t understand German, but she is being encouraged–she reaches to check his cock through his trousers. A bit more caning is applied to keep her interested in the task at hand. He drops his trousers; Julia finds something going on in his shorts, he pulls them down so she can get started.

She does a good job of being hesitant and maybe not so familiar with how to do a blowjob. She is able to bring him to orgasm, and finds herself a little distressed at the mess of the money shot.

Who’s Afraid of the Spanking Neighbors? – SHADOWLANE

15 Jan

M/f; year: 2003; time: 1 hr 8 minutes

Standard cast stuff from SHADOWLANE, some of the acting regulars are credited as crew, rebuilding their sperm counts. ‘Butch Simms’ will produce here.

‘Ralph Marvell’ confronts his drunken wife ‘Rita,’ (‘Ruby Tuesday’). When she accuses him of making eyes with a female visitor, he decides to spank her. “Don’t tell me what to do, you control freak.”

After a silly tussle, Rita is OTK, a place she is familiar with. Various spanking positions and implements, and plenty of pussy shots, like SHADOWLANE does, but otherwise nothing of note here.

‘Earlier the Same Evening’: Next door, actor Butch Simms is maneuvering his female guest, ‘Katrina Rosebud.’ into a point of no return. She wants to see the “sex bench” he has. When he gets it, she hears through the thin walls the spanking going on next door and is intrigued.

Butch tells her that couple is into everything and tells Rita, “I can give it if you can take it.” They begin spanking over the padded spanking bench. Rita is soon naked and so is Butch; he has his guaranteed massive erection. Spanking, frigging, doggy style fucking, a good time for all, concluded by a slow handjob and money shot for Butch. taking a deliciously long time.

Humiliated Bitches – MOOD

15 Jan

M2F/4f; time: 49 minutes

Mother and daughter ‘Gaby’ argue over money; they are desperate, the father has died. Gaby apples for a job, and the woman at the agency, off the record, suggests she try exotic dancing.

She shows up for that interview, and of course the smarmy guy who is running the club wants to see her with her clothes off. He is quick to tell her, “shave your cunt.” She is turned over to other working girls at the place and there is a long shaving scene in the shower.

FADE to the girls talking and squabbling and a scene at the club. MOOD’s ‘Maximilian Lomp’ is prominently seen as a customer. The very Eastern Russian boss fondles his girls. When Gaby refuses an offer to perform privately for a customer, she is chloroformed.

FADE. Gaby is naked, fastened kneeling over the MOOD platform with the raised center bar. She will be whipped. “Feel free to shout.” The club staff is going to change her mind about refusing customers. Two other dancers cane her, the actress ‘Jessica Lee’ is always the hardest. One of the male owners is sufficiently aroused he drops his pants for a blowjob, all the way to a money shot. The girl doesn’t enjoy the mess but the other spectators are quite amused.

More action in the club and another girl provides some sex in the back room.

FADE. The girls are taken into a punishment room. Another girl, a blonde who has refused services also, lies over a tilted X-frame, a sexy alternative to the vertical or horizontal varieties we have seen. She is caned by several people, wild and nasty. 50 strokes counted.

Two more dancers are whipped on the frame. This club must have a lot of girls, or the customers like striped bottoms.

Mother and Daughter – OOHTEEKAY

15 Jan

F/2f; time: 20 minutes

Another story where a mother, ‘Mrs. Jones,’ is called to school for a naughty daughter and gets spanked herself.

The headmistress scolds a brunette and her mother, the girl struggles to keep a straight face. The girl has been truant, writing false notes, etc. James will give them a “good spanking” because, we would suggest, no one is taking this very seriously.

The Jones’ are marched into a mostly empty office. Mother and daughter are spanked OTK in turn. Panties and thong down. Mom is a naughty dresser.

The headmistress positions two chairs Winchester-style. Both get the strap. Then both bend over a chair for a bigger paddle.

This would be one of the weakest versions of this plot line and not recommended.


14 Jan

M/f; time:12 minutes
Blond ‘Stevie Rose,’ who has found her way around the CP industry, is the center of attention here. She strips and climbs into a bubble bath. ‘Kyle Johnson’ enters the bathroom, talking to her webcam-style from behind the camera.

Stevie has lost her temper and Kyle will take this opportunity to spank her. He wants the tub drained. She turns bottoms-up in the residual suds, braces herself, and takes a hard handspanking,and Kyler breaks a cheap plastic bath brush over her wet bottom. We await our first interesting film from this producer.

Rival Girls – MOOD

14 Jan

time: 34 minutes

Three competitive and dishy girls debate boyfriends won, lost, scuttled, stolen. Blond ‘Christina’ and brunette ‘Esther’ decide to hide cigarettes in ‘Monica’s’ belongings. Headmaster ‘Maximilian Lomp’ enters and finds the pack. No debate. Monica is ordered to “prepare for punishment.”

The girls know what to do. A box is put on the bed, covered with a pillow. Monica strips below the waist and is tied down over the box by her two roommates. Christina pulls down her thong and rucks up her skirt to her shoulders to expose her back. Now she is ready, Lomp arrives. “Fifty strokes” of the cane, he announces. And Monica takes it in–she doesn’t even smoke.

Christine must keep count; Lomp’s aim is wild, as it often is, and her position on the high box on the bed is a bit too high for him to get at the upper portions of her buttocks. The girls help her dress, which is painful for her, a depiction we often wonder why we don’t see more of, pulling those jeans up or tight panties back on.

Lomp probably expected a conspiracy, or at least to spank three bottoms this day, so he inspects the other girls’ belongings and finds the opened cigarette carton. Christina will “strip to the skin.” Monica is allowed to do the caning, 50 strokes, and not hard, despite Lomp’s urging.

We noticed both girls’ bottoms were salved during their canings, between takes.

Getting Her Car Back – SPANKEDCHEEKS

14 Jan

F/f; time: 24 minutes

A fun theme found occasionally in the corporal punishment genre; law enforcement takes the opportunity to spank lawbreakers. We know by now that most girls will take a spanking rather than have their fathers or husbands become involved.

Amelia escorts a female meter maid, Sarah Stern, into her home. She has been caught parking on yellow lines. Amelia is bouncy in a tennis dress with a striped top and flared white skirt. The female officer, in a convincing uniform, opens her briefcase and fills out the violation papers . The fine is 100 pds, which surprises both Amelia and us. But there’s more, there always is–the find print in a new parking law requires the officer to administer corporal punishment before the boot can be removed from Amelia’s car.

Amelia does her indignant look; the officer has the documentation on the language of the law. She needs her car. “OK, do the ‘corporal’ thing.” “You will go over my knee until your bottom is nice and red and then two dozen with each of these implements”–she has pulled out a tawse and two paddles from her briefcase, which Amelia has noticed with some alarm.

Another aspect of the law–Amelia’s clothes must come off. After another pause, she pulls her one-piece tennis dress over her head, and as usual wears no bra, just little white bikini panties. “And the knickers too.” “That’s what the government says?” She stands naked, full frontal, hold that pose. We guess the meter maid has seen her share of beaver.

Amelia goes OTK and as usual her bottom soars. There is a long warm up handspanking. Amelia then kneels on a chair and is prodded to thrust her bottom out for 24 from the tawse, with the requirement to count and thank the officer.

Then 24 from a round embossed leather paddle and yet 24 more from a larger paddle. Bottom full screen. We were amused to see the elapsed time on a wall clock was about the same as the length of the film.