Archive | March, 2016

Ancient Regime 1 – MOOD

23 Mar

M/f; time: 28 minutes
A black-and-white sepia narration by former interrogators for an ‘ancient regime’ recalling the days when they questioned girls for participation in political conspiracies.

FADE to one of these scenes. A mulatto girl is brought by a man and a woman to an interrogator, the actor/webmaster ‘Maximilian Lomp.’ The scene is a barren storeroom or dilapidated structure, where, presumably, a girl could scream her head off and no one would hear.

The girl is angry about being confronted an denies any charges. But this is what interrogation solves. She is ordered to strip in front of the three people and stops when she is down to just a thong. She is tied over a table, and now the woman of the group removes the thong.

Lomp announces he will cane her 50 times. She will count the strokes, and they will start over if she makes a mistake. “Sing to me, little bird. What are you up to?” Slow MOOD-style caning; the girl squirms through it.

The film ends with interviews taped with the girl before and after the whipping.

Victimized – MOOD

23 Mar

2F/4f; time: 56 minutes

A somewhat jumbled storyline, designed to fit in as many MOOD-like whippings as time will permit. For the pleasure of a Fetish club, a film producer hires people and creates scenarios to be seen by the fetishists. And at MOOD, things can get weird.

‘Jessica,’ AKA ‘Kyra,’ interviews a striking blonde, 22-year old ‘Rita Werner.’ She operates a video camera beside her on a tripod. She asks Rita to strip naked, in the style of the interview/audition series MOOD does. Down to pink bra and thong, then bra off, the slightly shy Rita is magnificent. She is hired and asked to put on one of the costume prison smocks on a rack. Kyra next interviews a couple, ‘Dorothy’ and ‘David.’ They are separated and interviewed individually, naked, the guy’s jewels on display, and catching more than a glimpse from Kyra. Dorothy’s nude scene keeps up the MOOD standard.

In her brown smock, Dorothy joins four other girls in a ward setting, girls who have also been hired. Soon it is 8 girls. In their boredom, waiting for whatever is coming, they horse around. Female ‘guards,’ part of the fetish-film theater here, come in and take away two of the girls for punishment, corporal punishments. There is some dispute that such punishment was not in the agreement, but fantasy becomes reality here. The girls are realizing that this job is not what they thought it was.

Cut to a punishment scene; one of the girls, a small, thin brunette with a boy’s haircut, is naked, stretched over a whipping frame. In the gloom, there are spectators. Jessica will strap her, ‘David’ plays the prison doctor, despite his comment that he knows no medicine. After the perfunctory stethoscope, Jessica lays on 25 strap strokes, another female guard 25 more.

The second girl caught on camera is stripped, fastened to the frame, and strapped in the same fashion. She is a more fleshy brunette, and the whipping is more colorful. Someone asks the guard to slow the whipping down, so the girl’s pain can be savored more.

Cut to an infirmary setup, where the girls’ marked bottoms are salved.

“A Few Days Later”: The girls still loll on their beds, Blond Dorothy and another girl are selected, who were seen fighting on the surveillance camera. The brunette, the instigator,is fastened on the frame naked and Dorothy is tied to the opposite side, so she must view the punishment. The brunette takes 50 impressive cane strokes, which Dorothy must count.

The Fetish film horror/comedy continues. Doctor ‘David’ is called from the shadows and told to fuck the whippy girl doggy-style while his girlfriend watches in shock. After just a minor objection, he doesn’t have much trouble getting it up and gives the girl an effective and wet ramming, rocking the whole frame and convincing us.

But we are not finished. Jessica informs glamorous Dorothy that she has experienced the first two parts of the fantasy, and it is now time for the third. “Guess what’s next?” She argues and resists as she is dragged around and put in position for whipping. The staffers take off her smock, bra, and thong, and she gets her 50 strokes of the cane.

In part 2, from the Fetish club, the members will ask for live punishment on clear bottoms.

Professional Student – GIRLSPANKSGIRL

23 Mar

F/f; year: GirlSpanksGirl; time: 76 minutes. Clare Fonda’s website.

‘Amelia Jane Rutherford’ made a film for Clare Fonda’s GirlspanksGirl.com site; it is a long collection of individual spanking scenes, with Amelia, female disciplinarian ‘Lana,’ and occasionally Ms. Fonda herself. They managed to get what they could out of Ms. Rutherford’s bottom during her visit. This is the only film made by AJR for Ms. Fonda that we have found.

Ms. Fonda plays Amelia’s aunt or guardian; she has hired Lana as a disciplinarian and tutor. Amelia is in her “mid-twenties,” still a student, not all that motivated. Lana offers a service guaranteed to create some focus. Amelia will be “in good hands.”

Amelia greets Lana in one of her trim little outfits, here a short, red-trimmed, flared skirt suggestive of a cheerleader. Lana explains quickly. She has been hired to deliver “a bare bottom spanking.” “What?” exclaims Amelia, expressing the cliché incredulity as well as any actress in the CP world.

Lana rolls Amelia’s skirt up, ever so slowly, then rolls her skimpy bikini panties down again with delicate delay. Amelia is facing us and provides an unsually lengthy frontal before she turns to display the bottom that has launched a thousand ships. “This program is not cheap. Your aunt has paid good money for this.”

A long OTK spanking on the soaring target; the usual squeals. Camera angles and closeups reflect Ms. Fonda’s knowledge of the CP business.

FADE. Amelia hurries home, late. She is wearng a skimpy, short, sleeveless blue taffeta party dress, odd for daylight hours. Lana greets her, brushes aside her breathless excuses, and begins the punishment.

First, a ruler on her palms. Then Lana takes off Amelia’s dress. She doesn’t just take it off but rolls it slowly, peels it, until Amelia stands in just skimpy transparent white flower trimmed bikini panties. We’ve said before–we wonder how big Ms. Rutherford’s panty storage is. Lana rolls these panties to the knees and proceeds with a slow and crisp OTK handspanking.

FADE. Amelia lies bare-bottom across a hassock, the official position of instruction by ‘tutor’ Lana’ for a girl with an attitude like Amelia has.

Lana will read out five rules of the tutoring process; Amelia will write them down and read them back. Her bottom is available should she falter. Be on time; it will be ‘Miss Lana’; no phone or texts; no profanity; and any ‘deviance’ means a bare-bottom spanking.

As Amelia comments and reads back the rules, she gets smacked a few times for salty tq. one and attitude, and she loves the word ‘deviance’ for what it implies.

Her clear white bottom is full-screen off and on the entire segment, a fashion show.

FADE. Amelia is fidgeting around in a bathroom, stark naked, eying some clothing hanging on the shower curtain bar. It is a fetish school uniform, which she is not keen about and in no hurry to put on.

Tutor Lana enters, with a bar of soap. Amelia sees it and knows exactly what it is for. Lana wets the bar, has Amelia open her mouth, then scrubs her tongue with the bar. Amelia coughs and chikes, “I don’t like it!” Not the best soaping we have seen, but Ms. Rutherford’s anger and discomfort make up for it.

Lana orders Amelia to put on the school uniform and come out when she is ready. “I’ll be waiting for you.” We know what will happen.

In a voice-over, Amelia narrate that she will never forget the taste of the soap, and that she hopes no one will ever see her or hear she was made to wear this school uniform.

As she dresses, bruises are evident on her bottom. We have come to respect the fact that busy CP actresses are going to carry marks from one shoot to another, especially those where cosmetic enhancement is not much of a factor. We think of vintage warriors like Niki Flynn, Emma Brown, Rosaleen Young, ‘Justine’ from GirlsBoardingSchool and Xerotics, among others.

FADE. Another session with Lana for Amelia. Lana picks at her plaid skirt, clearly with the desire to get it off as quickly as possible. She begins smacking Amelia in a standing position, which she has begun to tolerate by now.

Lana pulls the kilt down, then assists Amelia in pulling her undershirt up, no bra, Lana works the blue knickers down slowly, Amelia positioned so that her bottom takes up most of the shot. She is almost naked now, and there are longer frontals here than normal for her.

FADE to a new scene. ‘Clare Fonda’ arrives and reminds Amelia she has been appointed guardian by her parents and has been disappointed by her lack of focus at her age, thus the spankings from the retained disciplinarian.

Now Clare will take her turn and begins unbuttoning Amelia’s blouse, very slowly, very much not like a guardian. Hands behind her back, Clare drops Amelia’s skirt, then pulls her knickers down. More frontals. Amelia is really giving it up in this film.

Clare takes her OTK, for handspanking and a small hair brush. After this spanking Amelia goes to the wall, where we hear her thoughts: “I never knew Clare had all these frustrations locked up inside her.”

Detention Room Spankings – RAVENHILL

23 Mar

Time: 38 minutes

Marginally terrible acting, but we always love RAVENHILL’s goofy ideas, and almost guaranteed unscripted surprises. School setting, schoolgirls, classrooms, lockers, etc.

A new girl ‘Heather’ arrives at the school; ‘Mrs. Jenkins,’ a buzz-cut butch actress found in other RH films plays the Principal. “Corporal punishment” is automatic for late homework.

Quickly, two smarmy blond students sabotage Heather’s work. Co-webmaster ‘Richard Lewis’ plays ‘Mr. Jenkins,’ and he is at his corniest here, a tall order indeed. Her homework disappeared, so it is paddle time. “You’ve earned 20 strokes of my paddle…get up here….stand right there…bend over, drop your panties.” She is paddled under the watchful eyes of the portrait of George Washington, the Gilbert Stuart version. If the walls could talk.

It is a large and thin Spencer paddle, and it buckles on the first stroke. He is shocked, there is some muffled laughter, but they keep going with half the striking surface. She gets 20, counting out the last 7, and is given the broken paddle as a souvenir. This is a school, and there must be a woodworking shop.

The goofy blondes, ‘Casey’ and ‘Lacey.’ who look like twins or sisters, enjoy Heather’s misery.

Back in the classroom, Jenkins is spanking the blondes, we didn’t hear why, and we’re not going back to discover the reason. He uses a ruler, quite hard, good angles, bucking bottoms OTK, plenty of puss. Jenkins has figured out the game with Heather, and a blonde is brought in, all the girls will spank her–and the woodworking class has delivered another Spencer paddle.

Stand Corrected – SHADOWLANE

23 Mar

M/f; year: 2005; time: 50 minutes
Clunky stuff again from this producer, featuring CP warrior ‘Erica Scott’ and ‘Devlin O’Neill.’ Devlin has written some sort of student handbook which is more of a manual of erotica than anything else. Erica has edited his manuscript and he doesn’t like what she has done. Plot-wise, we’re put in mind of STRICTLYENGLISH’s ‘Paperback Writer,’ where an over-zealous assistant gets her bottom whaled and used as a practice idea by an author of erotica.

Devlin is mad. “I’m going to enjoy going postal on your butt.” Ms. Scott, a mature actress by CP film standards, goes OTK. Skirt up, black panties, stockings, and garter belt. Pants down, a lot of dialogue as the spanking progresses. It is rare that anyone’s breath is taken away at SHADOWLANE. Handspanking and strapping.

FADE. Erica has been called to O’Neill’s house–she made some last minute edits before the handbook was published. She is threatened: “A sore bottom or a lawsuit.” “Taker off your dress.” “Are you happy, pervert professor?” OTK again, bra and panties only, then satin beige panties down. Handspanking and hair brush. Erica kneels on the couch for straps and a paddle.

O’Neill wants her to admit she is enjoying this. When he removes his belt, he wants her to know that “this is really discipline” now. She stands. Rather than count the strokes, she spells out R-C-A-L-C-I-T-R-A-N-T. Good thing they didn’t start over.

Hugs. “The cycle is complete…the editor now stands corrected.” Into the corner, extensive dialogue. Is she staying for dinner?

Inmates 2 – MOOD

23 Mar

Year: 2009; time: 39 minutes
The continuation of a confusing story about 5 girls being punished in a prison by female staffers. Some of the scenes are extensions of whippings found in ‘Inmates 1’ and some are fragmented punishments of different girls in this second part. And for some reason, here, as in the first film, previews of other MOOD films are interspersed. Maybe our copy was doctored by someone.

The story is not important. Female prisoners are punished for fighting, having lesbian sex, throwing urine, all sorts of ladylike things.

Some of the canings are done with the girl naked, fastened kneeling to a wicket-like frame; another pose is especially nasty–the diaper position. With ankles and wrists tied to an overhead bar, legs spread, exposing the pussy, lower buttocks, and thighs.

One girl who is very briefly caned in this diaper position is the model ‘Livia’ from SPANKINGFAMILY. We could not detect her stage name here in the MOOD credits. She gets off lightly here, but presents a dynamic package in her short scene.

Emma and Dublin – XEROTICS

21 Mar

M/2f; time: 22 minutes

We missed the name of this film and will come back and correct this. CP actresses ‘Emma Brown’ and ‘Dublin O’Brien’ fidget, waiting for the headmaster, and what they know is coming. Dublin (in her Irish temper): “He’s a fuckin’ asshole. He can’t wait to get his hands on us.”

The ‘headmaster,’ the usual Xerotics actor, overhears the girls and recognizes Dublin’s mouth.
The girls wear blue shirts and neckties with their skirts, bobby socks, and heels. “In my office, now!”

Dublin is first to be spanked. OTK, the Head pulls up her skirt to expose full white panties. Slow moderate spanking. As he spanks, the camera pans the room and table fully set for a meal. He pulls her panties down. Hands-on-head at the wall, bare bottom.

Emma next, always a pleasure. For some reason her panties are fitted loosely. He takes them down.She has what it takes to fill out the right size. After her spanking, she takes her panties off and heads for the wall.

Dublin gets palm slaps with a tawse, which she doesn’t like at all. She is very good with the angry face. Touch-toes for the cane–the Head lays on a dozen, great closeups. Emma is instructed to turn and watch. We see her peach fuzz and an offsetting tan.

Emma goes directly to the cane–just 6.

Dublin gets more cane for her smart mouth; about six, and much harder–the white lines remain. Both girls get a few more of the cane and strap before we conclude.