Archive | July, 2017

Painful Promotion – CALSTAR

27 Jul

M/3f; time: 50 minutes

Sophie Fennington’s second film, discussed and excerpted in her 1994 ‘Interview’ tape, and featuring her husband ‘Christian Fennington’ and two other girls, both of whom will appear in a few more films. The three girls are dressed in evening gowns, jewelry, and makeup. They play models who want to be considered for commercials Fennington is casting for.

This is the CP version of the casting couch. The girls have agreed to a little “kink” from the boss. Sophie explains that he is going to “spank our bare bottoms,” and shows her two nervous friends a copy of JANUS #32.

Two girls in tops with a ‘TALLION VIDEOS’ logo, panties, and garter belts will move among the spanking scenes and serve wine. Sophie said in  her Interview that one of the girls had too much to drink and had to be removed. We didn’t see it. Christian wants to begin. “Who’s first?”

A glamorous brunette goes OTK. Christian works up her evening dress to expose black panties. Moderate handspanking. Slightly excessive ‘ow’s,’ ‘ooh’s,’ and ‘ah’s.’ “Are you all right down there?” Christian wants to know. After all, this spanking is meant as recreation, not punishment. Christian takes her panties down.

“Who’s coming next?” (We are fairly sure he didn’t mean exactly that)  ‘Fiona’ wears a teal silk gown. OTK, Christian finds a pair of minimal black string bikini panties. he pulls them down, one of his career specialties.

Sophie is next. She wears a long white knit dress, which shows every curve. OTK, dress up, no panties. Our first look at Sophie’s beautiful red bottom.

The three girls kneel on the floor, elbows on the couch. Sophie pulls the other girls’  panties down. Christian is enthralled. “This is what I like, obedient women.” He manipulates the three  bare bottoms, having Sophie lie across the backs of the kneeling girls. Pile of flesh.

The girls are back on their feet, reorganized, smoking, and drinking. Cane time for the kinkster. Fiona lies on the couch. “Are you going to pull her knickers down?” Just three strokes, and Fiona looks surprised and alarmed.

Sophie herself spanks her brunette friend OTK. Christian is not impressed. “I don’t know if this girl really wants this commercial or not.”

Sophie’s turn for the cane. Over the couch, dress up, 6 strokes on the bare, as usual, not a sound from her, another testimony to the high pain threshold she is proud of. The girls move to the fireplace, gotta have a mantelpiece in these films. Facing us, Sophie pulls her knit dress over her head. Naked. One of the best moments in all her films. A few cane strokes for Sophie–she can take it harder, she says. She wants that job.

Fiona takes off her dress. “Cane or crop?” Sophie pulls down her bikini panties and Fennington  canes her.

The brunette selects the crop and takes off her dress. Sophie does the panties. Three bare bottoms into the frisk position at the fireplace. Long creaming scene and bare bottom display. We’d guess all the girls got hired.

Veronica Takes The Rap – CALSTAR

27 Jul

M/f; time:  27 minutes

We have been reviewing spanking films for 15 years, our preference for vintage, with storylines, some acting, length, and mostly British. By reading a lot of wiki-type information, we know that ‘Sophie Fennington’ was the early queen of British CP. We had reviewed most of her films, and her 1994 ‘Interview’ helps to cover her career. We have now found the first two films she made, thanks to a collector who must share our tastes.

This film, maybe titled ‘The Errant Schoolgirl’  at one time, must have been made in the early 1980’s, a TALLION release. It features Sophie as a schoolgirl/waif, the disciplinarian will be her husband ‘Christian Fennington,’ and according to various sources, the director is the inveterate spanko/pervert ‘Michael Dawes.’ Dawes made many British spanking films, probably more than anyone else, most of which were distributed by CALSTAR.  Those films document his perverse fascination with every essence of corporal punishment and the female bottom.

Sophie narrates here. ‘Mr. Whittaker’ is going to punish her for failing to exercise. A friend of hers was spanked by him. He is ‘kinky’ and likes to fondle his girls. In fact, Christian Fennington does just that in many films he made, director Dawes encourages it, and Sophie complained about husband Christian’s wandering hands with other girls in her Interview.

Veronica is deadly cute here, looking about 19. Long dark blond hair, two ponytails, white blouse, skirt, and a slightly disheveled look which maximizes her vulnerability.

Christian starts her off with some PT, always a favorite with CP fans. Star jumps and touch-toes. Christian wants Veronica to strip to just panties, which she does, displaying some of the innocently erotic acting seen in all her films. She is very much the schoolgirl, standing there in just full blue knickers, so young, and almost undernourished. More exercises.

She’s getting nervous, we like the direction this film is heading. She sucks the tip of a ponytail.

The spanking begins, for some offenses–smoking, and sneaking out to the cinema. OTK for a hairbrush, not hard, not yet. [traffic noises, always a problem for CP producers]

‘Fetch the cane,’ this for going to the cinema. First, some palm slaps, then 7 strokes on her knickers. “Stop sniveling.” More star jumps. OTK again, more exercise, and 6 more from the cane.

Hands on head at the wall, Whittaker pulls down her panties himself. Standing for the hairbrush again; frontal glimpses. No one was shaving in this era. Nude exercises. Whittaker retrieves and flourishes her panties on the tip of his cane.

And some Dawes mastery–naked Veronica does some leg lifts lying on her side on the floor. Lovely glimpses between her legs. More caning when she stands, then Whittaker spreads cold cream, slowly. Long frontal shots. Slow sexy dressing.

Ms. Fennington has touched all the classic CP ritual in this her first film.

Reform School Discipline – ROUE

27 Jul

2M/3f; time:  51 minutes

This may be the most simplistic and perfect British schoolgirl corporal discipline video we have seen. It has been difficult to find, possibly because its stark realism makes it uninteresting in comparison to high velocity CP films these days. The spanking ritual and ageplay are exquisite.

The setting is a barren classroom, institutionally painted, industrial check-pattern floor tile, a few pieces of furniture, more like the classrooms we remember than those of FIRMHAND or REDSTRIPE. We’re not in that situation where furniture was pushed aside to make a set. An average-looking brunette, ‘Susan,’ not a bubble-butt CP  model, wearing perfect school kit, reports to  a smarmy ageplay guy who should be past retirement age. She and a confederate are accused of something and will be punished for it. She is sent away, to return later.

The old man looks at the punishment book  and observes that Susan is really not a bad girl. He checks a cabinet for the spanking implements. He tries to appear weary and burdened by all this, but this must be a principal reason he waived retirement. ‘Betty,’ the confederate, knocks and enters, another perfect little schoolgirl. After a scolding, she hears “12 strokes of the strap,” and she has been here before.

She moves slowly and kneels up on a chair. She tucks her own dress up and the teacher pulls her panties down, and he doesn’t hurry. He lays on 6 strap strokes from each side. Not hard, but good ritualistic fuss. Nice facials, closeups, and surprising marks.

Susan returns for the evening session. She has been at this (reform) school for three months and knows what to do. It is made clear, it will be the cane. He makes her say the word. She objects just briefly when she is ordered to remove her jumper and knickers. To clear the table, the teacher sends her out of the room with a floral display. Surely the director noticed too late that if her blouse had been an inch of two shorter, we would have enjoyed her walk. But the diversion produces tension, because the cane awaits.

The teacher adjusts the table, a demonic device whose specifications must have  puzzled the carpenter. He drops a large center leaf, which produces a ramp for Susan to lie over, her bottom highest. She will receive 18 strokes of the cane. The strokes are harder than the cane was, and the teacher, a practiced caner, is careful to move from side to side. Desperate gripping hands, facials, tears. Noticable marks and some skin pops. Betty is brought back to witness the final few strokes. She had better not avert her eyes.

The second half of the film features ‘Alan Bell,’ with a ‘Miss Quail,’ in the same classroom. She is already over the leaf of the table, bare bottom, being caned, slowly and teasingly, her white panties perfect at her thighs. Bell was as lecherous an ageplay as ROUE had. He has her stand and raise her skirt for his frontal look and a twirl.

Betty is called back and is spanked and tormented while she positions herself in a square marked on the floor. She too must show him her jewels.

More OTK spanking. The antique chair squeaks. Bell wants her to take her clothes off, he does this often. She stops at her gymslip. He generally torments and teases her in various positions. strapping, spanking, and making her raise her slip up to expose herself. Old fashioned ageplay stuff in  the ROUE mold, delivered from a guy who can get away with it and taken by a girl with no options.

 

Soul of Honour – LUPUS/RIGIDEAST

25 Jul

M/3f; year: 2004; time: 1 hr 15 minutes

The two ‘Erhlich’ girls, ‘Paulina’ and ‘Kristina,’ crochet with their mother. The maid ‘Dora’ is informed that ‘Counsellor Erhlich’ is due home. She is dejected, because the counsellor is the terror of the house, and there are three tender bottoms here to testify.

When the counsellor arrives, he puts on his lounge jacket and checks for dust, already on the prowl for some action. Everyone shrinks from him. The girls have been failing school courses and hiding warning notices. They discuss what to do, knowing that showing fear just heightens their father’s perversion.

Erhlich calls for Dora and makes her unbutton the top of her uniform, then bend over and let him check her bottom. No bloomers? His wife enters later and objects to his treatment of the maid. Is she beyond his interest? She is, he complains about her aging, and admits he likes the young stuff.

He has caught his daughters lying about something, so he marches them to a dark, dank, cavernous, and dusty basement, makes them strip off their nightgowns, and leaves them to shiver away the night on the concrete floor. Probably better than a whipping.

Erhlich runs into his friend the headmaster (Pavel Stastny) and learns of the girls’ deceit.

While taking a bath with the assistance of Dora, Kristina tells her of the letters they have kept from their father. Dora will bring a fluid which erases words, but when they try it in the girls’ bedroom, holes are burned in the paper.

Back home, Erhlich selects his cane, displays it on the hassock, and calls Dora to bring his daughters. They confess what they have done, and unwittingly implicate Dora. A long scold, the mother is chased away, the girls must grovel. They have challenged his honour and good name.

“Go to the bathroom, take off your clothes, and prepare for punishment.” After 51 minutes of this and LUPUS’ attempt at conventional movie making, we are ready for the action advertised. The girls report to Erhlich in just their slips.

Paulina must go first. She takes a practiced household posture we haven’t seen before. Slip off, naked, she straddles the hassock and leans forward so that her head and elbows reach the floor. This places her bottom high and her thighs wide apart. Total vulnerability. Erhlich gives her a ferocious LUPUS-style caning, terrible emphasis on the far buttock, thigh and flank. This position puts so much flesh in play the stripes are far longer. He should have alternated sides. Kristina shivers in fear as a spectator, then gets the same.

Ehrlich goes to the bathroom, where Dora has been told to wait. She strips naked, he helps, and she gets her caning  leaning into the tub. Blood spatters. A bit too much for us, we have to confess.

 

No Benefit – SPANKEDCHEEKS

25 Jul

MF/f; time: 34 minutes

The films in this series with ‘Amelia Jane Rutherford’ are all in the same format. Shot in one room or another, Amelia is approached and spanked for one thing or another. Here, she has been caught working as a stripper in a nightclub while claiming unemployment benefits.

‘Sarah Stern’  and a man arrive at her apartment, where she is accused of the fraud. “What are you doing here?” she says to the man, who she recognizes from the club and must have offered some professional favor to him. He is a benefits investigator. Amelia knows this is going to be trouble.

“There will be a court date for you.” Amelia begins to look for alternatives. Sarah is quick to take paddles out of her briefcase. “What are those?” The male inspector says that since she is willing to be handled at the club, she won’t mind what is going to happen. “Naughty girls get spanked.”

Sarah pats her lap and tells Amelia to take her dress off. “I didn’t expect it to be now.” She opens her dress and shrugs it off, displaying pink undies. OTK, panties down. She doesn’t want the man to stay, but that won’t happen. “You’re not in the club now, darling.” The guy positions himself at Amelia’s feet for the best possible vantage. As Sarah spanks, they chat.
They switch places, the man will spank and Amelia is not too pleased by that. He uses a strap. Amelia must stand and face them. She tries to cover up. Both of them paddle and strap her in various positions. They taunt her as they spank, at one point gagging her with her panties. Some frontals as she moves around before they leave.

The elapsed time on the wall clock is about the same as the length of the video.

 

 

 

 

International Relations – SPANKEDCHEEKS

20 Jul

MF/f; time: 59 minutes

A long film for Ms. Rutherford, and mostly a celebration of her with little or no clothes on. Amelia’s female Swedish boss catches her gossiping on the phone in an office setting. This gives her the chance to spank Amelia, and she keeps implements right there at Amelia’s workstation.

She’ll deal with Amelia the way they do in Sweden, “unless you want to find another job.” “You’re going to take your skirt off and get across my knee.” OTK, gray panties. The boss thinks this is too much padding and takes them down. “I don’t think this is the Swedish way of doing things.”

Throughout the film, there will be long pauses for dialogue. Amelia takes a standing spanking, facing us, a long frontal. She moves around her desk, trying to keep her blouse down in front, and is spanked with different straps.

In a new scene, in her apartment, Amelia has been caught moonlighting at a strip club. Her Swedish boss and an older guy threaten her with court. The woman has brought her briefcase of implements. She’ll take the spanking, “instead of the court thing, the fine thing.”

OTK, dress off. She should be OK with that if she can dance at a strip club. The two spank her OTK, the guy pulls down her pink panties. “You’re not in the club now, darling.” The two spank, paddle and strap her in  various postures, including a long bend-over at the bookcase, a pose Amelia excels at. The guy helps her spread her legs. The couple is having fun with her. During this process they gag Amelia with her panties.

Zoe’s Birthday – SPANKEDCHEEKS

20 Jul

F/f; time: 27 minutes

Zoe and ‘Amelia Jane Rutherford’ are flatmates, and maybe a little more. Amelia has forgotten Zoe’s birthday, which seems to be a problem around here. Amelia has just returned from a long gym workout. “You care more about your body than me….I’m going to give you a different kind of workout now.” Zoe is a big-haired brunette.

In their dressing room, Zoe maneuvers Amelia into an OTK position.  Amelia seems unaware of what is happening. “What are you doing?” Amelia declares that she has heard from other girls about problems Zoe has had with her partners. Zoe gets Amelia’s gym pants and panties down. Her bare bottom will be on-screen for the rest of the film.

Frontals from Amelia as they change positions. Hands-on-head, a standing spanking. Frisk position at the closet for a ping pong bat. a Spencer strap, and another strap. They’ve got the tools in this flat. Amelia bends to touch the floor with her palms. She does go to the gym! Long, uneventful stuff here, except for Ms. Rutherford as always.