Ariel Anderssen at CHIMERABONDAGE and more

20 Sep

Ariel Anderssen in various venues, going beyond her huge spanking library and exploring BDSM, quite naughty and graphic in  some instances.

These are probably  RESTRAINEDELEGANCE performances, distributed by CHIMERABONDAGE.com and others. Certainly a departure from Ms. Phillips’ other work and a tribute to her theatrical courage.

‘Ariel in office’  (F/f: time: 21 minutes) BORNTOBEBOIND.COM.  Ariel sits at a laptop in an office when a woman bursts in, brandishing a pistol. She demands the office network codes. “Strip down, all the way. I want to get a good look at you.” Skirt, shoes, blouse, pantyhose, black bra and panties. 

The woman stuffs Amelia’s in her mouth. They are so small they disappear. On order, Amelia wraps a soft grey tape around her head and  mouth. The woman binds her wrists and ankles. Amelia struggles BDSM style. The woman watches her struggle, then applies the pass codes. Amelia lovely here, nice fuzz, long hair loose. The woman whips her mildly with her skirt and pantyhose. 

Amelia is fastened into the hogtie position. An ace bandage around her eyes so that now only her nose protrudes. 

’Ariel tied and hooded’ (F/f; time: 15 minutes) Ariel sits stark naked on a bed. She looks young here, with shorter hair,  not so blond. A stunner. Don’t know where to fit this film into her chronology. 

An off-screen male voice advises her, since she can’t come up with some money, she will be tied securely and left behind. 

Ariel is directed to place both her legs in one leg of  pantyhose set. A woman  comes on-screen and captures her arms behind her back with pantyhose also. Then she ties Ariel’s arms behind her back, upper arms and wrists, in some complicated rigging, all real time. Then her legs, ankles and thighs. Ariel keeps up the banter, entertaining, and we’re glad a gag is delayed. 

The gag does come, a ball of nylon stocking all the way into her mouth. Then a nylon stocking over her head and another cloth ball gag tied around her head, some of the hottest bondage we have seen Ms. Hamilton take.

We close with about 5 minutes of naked writhing on the bed, the classic BDSM bondage struggle. Lovely closeups of all of Ariel. 

‘babysitter in bondage’ (f; time: 15 minutes) Ariel does a POV film under the banner of ‘Restricting Ropes Productions.’ She plays a babysitter playing Gomes with the children she sits for. They will tie her up and she will writhe in various positions for most of the 15 minutes. 

We’d like to imagine that little boys are playing games with her. Her wrists are taped behind her back and her legs are taped together. After a few moments, she is gagged. Ariel wears a blouse and a very short and tight yellow skirt. Soon her bindings are turned into a hogtie. She struggles on the shag rug BDSM style for the whole film. 

‘Bondage Caning’ (f; 5 minutes)  Amelia Jane Rutherford/Ariel Anderssen is strung up by handcuffs to ceiling pipes. She is being caned on her bare bottom by a caning machine. An effective crude work-room like setting. In this short film the cane does not leave any noticeable marks.

‘bondage mat’ (f; time: 6 minutes) A nod to some traditional and early BDSM, bondage struggling on a carpet. Ariel is bound and gagged hogtied Japanese style and she will writhe for 6 minutes on a mat on the floor, no dialogue. The difference here is that she is stark naked and will show everything; in fact, she makes a bit of an effort to do so.

In earlier days of BDSM porn, a girl would struggle on a carpet in an empty room in similar fashion, but she would have panties on.

Chimera bondage‘ (f; time: 7 minutes) An odd and attractive little film, Ariel is stark naked, in a concrete block dungeon like space. She will do some self-bondage. First, she oils herself, your money back on the film right here. She fastens cuffs her  ankles then settles in place straddling a pointed wedge on a saw horse. She then attaches ropes to her cuffs, which are fastened to weights by pulleys. She frees the weights so that the ropes tighten and effectively pull her ankles off the ground, so that her weight is shifted to her crotch on the pointed wedge. The mechanics are not perfect, but we enjoyed her theatrical struggle. And some revealing shots of this sophisticated actress.

gagged with her own panties’ (M/f; time: 15 minutes) Some moderately vigorous bondage made by Ms. Anderssen with yet another stodio, HUNTERSLAIR, a large BDSM producer, about which we know nothing. 

Ariel is tightly bound and pulled up into a strappado position. The bondage riggers here know what they are doing. Ariel wears a blue blouse and a tight black latex skirt. The setting is a work room, fitted out with a chain hoist. Her male master wears a Halloween skull mask.

The master reaches under her skirt and slip, finds little panties, takes them off, and stuffs them in her mouth. Ariel is wonderful at expressing the mock horror and fear attendant with such proceedings. Next comes gauze wrapped around her head to secure the gag, and then black electrical tape over the gauze.

A long rigging of her famous legs with rope. The master occasionally tightens the hoist to increase the strappado discomfort. He opens her blouse  to expose her breasts, and then, in prototype BDSM style, he walks out and leaves her, to her horror.

‘Self Flagellation’ (F; time: 3 minutes) CHIMERABONDAGE. The film opens with Ariel standing naked facing us. Riveting start. She will spank herself and fasten clothes pins here and there. 

Various bondage shots patched together. Ariel tied down a table being flogged by someone. Scenes of Ariel positioning herself for a strap on the spanking machine, on her bottom and breasts. Fastened in the dancer’s split position,  net pantyhose, gagged arms tied behind her, nipple clamps. And finally, some bondage torment while wearing a latex body suit. 

Spanking machine‘ (f; time:21 minutes) A weird one. Again, Ms. Anderssen self-flagellates. She narrates and will demonstrate a spanking machine. She explains the controls of the typical machine we are familiar with, which has a big Spencer paddle attached this time. She wears a silly and cumbersome bdsm outfit of sorts. First,  she attaches a rattling ankle spreader-bar herself, then manages to put on wrist cuffs and get her arms behind her back, cuffs hooked to a rope to the ceiling. With a remote, she hauls the rope up, forcing herself into the strappado position. She then positions herself for the paddle and activates the machine. She must wiggle her bottom around to maximize the paddle strike. Cute, but a bit implausible if in fact the paddle is hitting hard.

We’re not critical of this brief, imaginative, and entertaining exercise, but it would have been erotic if a masked man stepped into the scene just to fasten the apparatus and position her bottom. There surely were volunteers in the wings.

spanking machine-more‘ (Chimera; f; time: 17 minutes) Ariel, stark naked and as glorious as ever. She will try various things with the aforementioned machine, this time with a riding crop affixed. She narrates. She adjusts the machine and takes sets of ten on her boobs. There are three cameras at least. We will see some of the scenes repeated from three vantage points. Very well done.

Ms. Anderseen is using a wired remote control to position the device. Next, she is whipped on her back, then her stomach, which includes long frontals, rare for her. “Now that really hurt. Who knew?”

And of course we have been waiting and hoping. “I’ll move it down. I know my bottom can take it.” Lovely snaps, vintage stuff, she positions her buttocks in various ways–kneeling on a chair, bending over. The best.

More slashes on  her boobs, and then a first for us with her–she takes the machine on her pussy and seems to like it. This has been one of those films where every freckle of her being could be charted. Again we say, how many models could market such scrutiny?

Tortured and pumped‘ (f; time: 26 minutes) “Ariel Anderssen’ made a number of BDSM films under various auspices.  This one is sufficiently graphic and pioneering for her that we do not need to investigate too many more in  this genre of her work.  ‘Ariel sits in a simple suit, narrating for the camera to an off-screen ‘master.’ At her feet is a pile of BDSM paraphernalia. She is going to self-administer some torture and torment, an odd format, but she is an eyeful. First, she strips naked, pausing at bra and panties, frequently the best part of any film she makes, going all the way back to GIRLSBOARDINGSCHOOL over 30 years ago.

Naked, Ariel stands on a board in just heels and ties her ankles to rings. Her bend-over is of ballet quality. Next, wrist cuffs. Then Ms. Anderssen moves into territory, with regard to her, we have not seen before. She attaches clamps to her labia, which are pulled taut by spring-assisted cables, for action soon to be seen. A heavy dog collar next. And breast suction cups. She fastens her cuffed wrists to hooks at the ceiling, so that she is now effectively strung up and immobile.

Someone turns on the machinery, or maybe Ariel did. The breast pumps seem to be functioning, and those labia clamp cables are attached to a little motor which tugs and relaxes them rhythmically. Who invents this stuff? Ariel seems red in the face. I guess you could sit in front of her and have quite a time watching her struggle.

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