Archive | December, 2017

Lisa – NUWEST NW-055

13 Dec

M/f; time: 31 minutes

Very early stuff, with some of the original  actors before Ed Lee got his cast assembled. Wobbly graphics, horrifying acting. And we’re on that good old plaid couch. ‘Lisa’ will be spanked by her husband ‘Don’ in four short segments, for domestic infractions. Her bottom craves the attention.

Lisa a tall, slim, big-haired brunette, with slim hips and a tight little bottom, not so much the wide feminine hips so much preferred later in this industry. The spankings all occur on the couch and were probably filmed when even this simple exercise was an illicit experience. No nudity except knickers down.

We missed the first infraction. Lisa is spanked OTK on white panties and then on the bare.

The second spanking–for wearing a  naughty little running outfit in public.

The third–spanked in a long red dress.

And fourth–caught smoking.

Spanking Secrets – Amelia Jane Rutherford

12 Dec

8 short films made in the POV style in 2017; we have seen for our first time a button to click to make a donation to the actors. We’re thinking about it. 501 (c)(3)? Tax deductible? Can we donate to Ms. Phillips’ personal trainer and nutritionist?

‘Amelia- air hostess ‘ (F/f; time: 7 minutes) Good exteriors of an operating airport and terminal. Amelia, in hostess uniform, is confronted by her female supervisor. Reports of her rudeness to passengers. Feisty Ms. Rutherford won’t tolerate any advances from passengers.

In an office, the supervisor keeps a cane. “You’re not going to use that on me?” 15 strokes, mostly facials, kind of silly. You can surmise from this website’s trumpeting of the filming of Ms. Rutherford that she might have been on hand for just one day. Panties down, Amelia rubs and looks at the results in a mirror.

‘Amelia-flatmate’ (F/f; time: 5 minutes) Amelia’s female roommate has caught her drinking and making a mess. What sort of relation is this? Amelia is viewed POV-style, posed on a couch in an orange dress.

She is agreeable to a fast and conventional OTK spanking, lacy thong down.

‘Amelia. – Lady of the manor’ (F/f; time: 9 minutes) In the first part of the film, Amelia plays the domme and spanks a female employee. There are just a few places in Ms. Rutherford’s oeuvre where she is the Top, we have reviewed them, and we have to say, with much adoration, she is not very committed to it.

In the second section, this same maid has found some leverage on Amelia and will spank HER. Blue dress up, blue panties survive.

Amelia -schoolgirl disruptive’ (F/f; time: 10 minutes) the 40 year old Ms. Rutherford stands in full schoolgirl kit, two ponytails, knee socks. A faceless female plays the headmistress POV-style and will spank her OTK. The headmistress is pleased to see the “regulation white panties.”

The second part of the film–Amelia is spanked by the head girl.

‘Amelia-Secretary’s Appraisal (F/f; time: 6 minutes) Amelia seats herself in front of her female boss for a performance review. She wears a blouse with a bare midriff and a beige skirt. Of course she is doing poor work. Despite her protestations and promises, “Either I fire you or you take corrective discipline.” “What’s that?”

Amelia steps off-screen for a moment to ask the other girls what “corrective discipline” means. She returns, noticeably resigned.  OTK quickly, she is all hips in this skirt. Skirt up, a thong which covers nothing. A standard spanking; her boss pulls down her thong, completely superfluous. There is that size label in  those new undies.

‘Amelia- the Theft’ (F/f; time: 4 minutes) A very chiche Amelia here, in a long flower print gown. Her friend or roommate has lifted some money from her purse. “I’m going to spank you,” Amelia as a Top again, and tepid but glamorous. A mild little OTK spanking.

Amelia discusses a repayment schedule– cash and spankings, or, less cash if the hair brush is used.

‘Amelia-Waitress’ (F/f; time: 10 minutes) Amelia stands in front of her female restaurant manager–POV view, wearing her waitress uniform. There are noises in the background, as there will be on several of the films listed here, for a cinematic reason we don’t know. Amelia has been rude to customers and will be fired if she doesn’t accept a “discipline session.” Ms, Rutherford displays the usual shock when she hears what that means.

OTK, skirt up, black diaphanous panties. When the woman takes down the panties, “We didn’t say anything about doing that.” Standard spanking, lots of repeats.

‘Amelia – Warehouse Thief’ (F/f; time: 6 minutes) Amelia is caught on surveillance cameras pilfering on the floor of her warehouse job. A decent scene of the workspace. A loudspeaker summons her to the office. She is wearing a blouse with bare midriff and tight jeans.

When she is confronted, “Please don’t fire me.” “I’m not going to fire you…I’ve wanted to do this for a long time…I’m going to spank your bottom…naughty girl.”

OTK, jeans and thong down, standard stuff. In a new scene, Amelia, in different clothes, is prowling the floor again. Why not, her boss likes spanking.

Discipline in Russia #13 Reform School – NETTLES

11 Dec

MF/4f; time: 54 minutes

Pretty much the whole nine yards from NETTLES, and not the only time. ‘Gerry Geroshvilli,'(as ‘Aleksandr’) in yet another spelling of his name, ‘Nadezda Dozorova’ and four girls playing students, make up the cast.

Aleksandr confronts the four girls. Frosted blonde ‘Luba’ and blonde ‘Tanya’  are first. They were caught at a disco. Even though this is supposed to be a ‘reform school,’ the girls seem to have evening privileges. Aleks is going to whip both girls, and he jams them against the wall. They are ordered to strip, which after some protest, they do.

Luba bends over a desk and is given a fierce paddling with a heavy Spencer model. The other girls have to hold her down. Thirty or so strokes, quivering, massive bruises. Aleks continues to abuse her as she is pushed back to the wall.

Tanya over the desk next–she gets the cane. She is taller. Aleks wants her to “cave in,” relax the arch in her back so that her bottom sticks out more. 30+ for her also. He rips off her blouse and unfastens her bra. She has a difficult time holding still.

Part 2 of the film starts at 34 minutes. Nadezda is on the scene here and she will take over punishing the second two girls, a blonde and brunette. The girls have been writing lines. According to the subtitles, she is going to strap their palms and legs. Aleks returns. He straps the girls’ palms. They do not like it at all.

The subtitle reads, “Now take off your panties and put them here.” But only the skirts come off. The girls lie on a table and are alternately given the bastinado on their raised heels. They get off easier–a lot of the strokes don’t fall on the arch of the foot. We assume the first two girls were paid more.

 

Lady’s Maid – SHADOWLANE

11 Dec

F/f; year: 1995; time: 50 minutes

Maid training. ‘Alexis Payne’ plays Vanessa Patrini, and she narrates for us how she trains maids, which is, of course, bottoms-up. Maid ‘Bebe’  is going to be spanked for making terrible coffee.

OTK, uniform up, black panties, a silly handspanking, then the hairbrush on the bare bottom. The model ‘Amanda Morrison’ has a right kind of bottom.

FADE, a few more unimportant scenes of Vanessa and Bebe, leather paddle, crop, strap. Enough fondling to confirm that Ms. Payne likes her girls.

Amelia Jane’s Hardest – DALLASSPANKSHARD

11 Dec

M/f; year: 2017; time: 1 hr 30 minutes

An historic document; Amelia Jane Rutherford returns to Dallas’ studios in 2017, this time in Florida, after having made a series of films with him 10 years ago, all of which we think we caught and reviewed here. More specific references to place and the passage of time are found here than usual in CP films. If the dialogue is accurate, Amelia must be 40  years old here. Dallas himself has entered a Gray Fox phase.

The film opens with Amelia completing her makeup for the shoot in what looks like a conventional hotel suite. An overdub: “Oh, God, here I am again, getting spanked by Dallas.” She wears a red sweater and a short beige skirt. They greet and chat. The scenario here is that Amelia has come here to be punished/spanked for a series of accrued personal failings.

For Amelia’s first punishable fault, she admits to not having been good at vetting her film disciplinarians, causing her some extra pain in the past. She has figured she is “too large” to attract kidnappers, too much to handle. Fetishist Dallas would like to try. How she earns a spanking for this weakness we don’t figure, but we’re good with it. For this first phase, she goes OTK. She confesses she hasn’t been spanked “for months,” because spanking film production has stopped for legal reasons in the U.K., and because her husband (Hywel Phillips) is injured. Skirt up, white lace panties down soon. Amelia does her nice little gasps. Standard spanking, perfect sound, lighting, camera angles. Dallas and Amelia will finish these sessions with a “fast and furious” flurry. She is good with the wide-eyed shock. “That’s one down–the vetting.” He demands to be called “Sir.” “I hate saying that.”

The second phase, “Trained to Strength Train” Dallas will spank her into being more willing to do her strength training. She will be taken OTK again, her panties are gone for the balance of the film. She and Dallas will alternate choosing from a selection of spanking implements. If she goes soft, Dallas will compensate by being more severe. We learn here that Amelia does not want to be spanked with a hairbrush ever again. “This is where I wish I was a switch,” which would have given her the disciplinarian’s viewpoint on these implements.

She selects a hard wood paddle. Why? Better now than later, we assume. After one smack from Dallas, “Oh, God, Fuck, ow!” Dallas’ choice is a ruler-like stick with Spencer holes.

#3, ‘No Book Blistering’ Apparently both Dallas and Amelia are working on memoirs, but not very hard. She lies bare bottom on the hotel bed, pillows elevating her bottom. He straps her with a doubled belt. Bruises have begun. Meet those deadlines!

#4, Amelia should avoid ‘Twitter wars.” Tempting and narcotic for her, but she knows she is only “feeding the trolls.” Back on the bed, for a paddle this time. She is struggling by now, and the concluding flurries might be bringing tears.

#5, ‘Bad Girl to Friends’ Amelia tends to forsake attention to her friends of work comes along. For this spanking, she is on all-fours on the bed for a tawsing, which leaves her gasping and crawling around.

There will be an unscheduled Phase 6, a “personal paddling,” a “private one for you and me.” Dallas has wanted first-refusal on her American appearances and is angry she came to Florida in 2016 without seeing him.

We see her, now stark-naked, through the bedroom door. After all these years of production, and hundreds of films. this may be our screen-saver. We remember her shivering naked at GIRLSBOARDINGSCHOOL a memorable nude spanking from John Osborne on a brass bed, from AAASPANKING, and so many more, so carefully crafted, but this may be the best. We’re happy to keep the research going.

Amelia stands, bends over the bed, legs locked, naked. Dallas enters the room and lays a paddle across the small of her back. “It’s the giant wooden paddle, isn’t it?” Yes, the Spencer model. A beautiful paddling, filmed through the doorway. Tears.

The individual spankings were not harsh, but there were six of them, with telltale bruises, and the usual far buttock problem.

 

 

Confession – SPANKINGFORPLEASURE

8 Dec

M/f; year: 2017; time: 38 minutes

We’ve found and are filing two historic documents, if you are reading our blogs as they appear. ‘Amelia Jane Rutherford,’ at the age of 40, makes a brand new film with ‘Christian Fennington’ and a character identified here as ‘Michael Harry Smith,’ the very same ‘Michael Dawes’ who made hundreds of naughty British spanking films distributed by CALSTAR over a 30 year period from the 1980’s. Hywel Phillips directs. This is the spanko Mafia.

In a typical exterior found in British CP films 30 years ago, Amelia arrives on the gravel drive of a mansion in her luxury car. It seems she has arranged an appointment with her former, now retired St. Beryl’s headmaster, to make a confession and request having her conscience cleansed. Only a few producers showed patience to develop tension and anticipation like this–ROUE, CALSTAR, REDSTRIPE, LUPUS, and a few others.

There are several films where grown-up and graduated schoolgirls return to their former headmasters for another spanking. They’ve had the addiction. Sometimes the girls bring old school uniforms to enhance the thrill.

‘George Throttle’ (Smith/Dawes), the houseman who has been with his master through his spanking years, admits ‘Amelia Partridge’ and announces her to ‘Giles DeQuincey’ (Fennington). It seems, 18 years ago, Amelia’s sister was caught, whipped, and expelled for starting a fire in a laboratory classroom, a stunt Amelia now admits instigating. Amelia wants to know, if she has been caught then, “If you hadn’t expelled me, what would you have done?” “You think you can wipe the slate clean with a caning?”

Throttle serves tea; Amelia has brought a cane in a tony cloth bag, as it were a piece of silver. She is sent out of the room while Giles and Throttle discuss what to do with her, really, how far they can take her. She is called back–she will be caned and Throttle will be permitted to observe. This caning will be different (worse), and performed on Giles’ own terms. “You think this is a game?” Throttle has attended and abetted Giles’ proclivities over the years.

The first shock for Amelia–Throttle will take her upstairs for a mandatory bath. FADE to the bathroom. “Get your clothes off.” Amelia is indignant, Throttle is going to attend, she can bathe herself. After the obligatory dispute, delay, and sigh of resignation, Amelia strips and stands in the tub, trying to cover, as Throttle hovers. After a short bath, Throttle sponges her, the focal point her bottom of course.

Amelia redresses and returns to Giles. Throttle takes up his spectator’s position, begins nipping at his flask, and the caning begins. Amelia bends over a chair and takes the first six on her skirt. She screeches from the first. Giles pulls up her skirt. “What are you doing?” Another half-dozen on her pantyhose and panties.

Amelia keeps protesting. Giles warns, “I’m sure Throttle can come up with some pretty ghastly ideas.” This is certainly a reference to Michael Dawes’ estimable film career, where he manipulated many girls into demonic spanking situations, the essence of British fetishism and perversion. His appearance on the screen was a guarantee the pretty female model’s panties would soon be at her knees, and that all the females in the cast were in jeopardy.

The caning continues. He rips away the pantyhose and canes the panties. Then the little white lace panties come down. “You fucking bastard!” Throttle is sent to the cellar to “fetch Old Trusty,” a thicker and more intimidating piece of rattan. “This one will take you straight to the fringes of hell.” Amelia will get 6 more and start over if she swears again. Which she does.

Throttle is sent to get a bar of carbolic soap. “Open your mouth, this will take you back.” Giles straps her palms with a ruler. The soap bar is not convincing here, not far enough into her mouth. When she says she is still not sorry for calling Throttle for leering at her nude in the bath, she is spanked again, bent over for the ruler. This is the loudest.

She finally apologizes, dresses, and leaves. She sits gingerly when she gets into her car.

 

Strict Accounting – CPENTERTAINMENT

4 Dec

F/2f; year: 2004; time: 39 minutes

Two of Chelsea Pfeiffer’s employees, ‘Paris’  and ‘Darling,’ have finagled the business records to the point that the IRS is involved. Chelsea is going to spank them, and she is going to use one of the company CP film cameramen to make a documentary.

While ‘Larry’ rolls the camera, “Take off your skirts and your panties.” Darling is spanked first, and we see the videotape notations on the screen. It is a long spanking. Paris is spanked next, an equally long 8 minutes.

Cut. Chelsea is going to let the girls settle the score between them. Paris actually made the errors. The next morning, Darling is permitted to spank Paris on the covered couch used in so many Pfeiffer films. A long spanking, on the panties and on the bare, a hairbrush. Chelsea joins for some spanks.

FADE. Chelsea has studied the books and Darling is not so innocent after all. She gets the same conventional spanking on the couch.

 

Denying Responsibility – SPANKEDCHEEKS

4 Dec

F/f; time: 21 minutes

Amelia Jane Rutherford and a dominant female Zoe Page. Amelia has scratched the company car and knows she is going to get a spanking for it. In her office, she is on the phone with a friend, describing the anticipated experience. Zoe took over Amelia’s father’s company, and AJ is no longer getting a free pass.

Amelia has apparently been told to prepare herself, because she takes straps and paddles out of a desk drawer, then removes her skirt and panties, and stands, bare-bottom, hands on head, at the wall. This anticipatory nudie scene is found in much of AJR’s work and is always a highlight for us.

The female boss Zoe enters and is quite pleased at Amelia’s preparations, giving her bottom more than just a little tweak. The OTK spanking begins; this actress spanks hard, leaving red handprints after each smack. Amelia stands for a strap at the wall, also harder than usual for this series. Hands-on-ankles, a Spencer strap–we thought Ms. Rutherford looked a little surprised here. After some strapping, she has to count the final 24. Sexy Domme, and an upper tier spanking.

Moment of Madness – SPANKEDCHEEKS

4 Dec

F/f; time: 25 minutes

‘Amelia Jane Rutherford’ was arrested for DUI and spent the night in jail. When she arrives home 12 hours later, with no calls or notice, ‘Sarah Stern,’ either her partner or a relative,  is angry at having to worry for 12 hours. No problem as to how to relieve this anxiety.

After a long scold, Sarah begins undressing Amelia, and apparently not for the first time. Slacks off, black lace panties down. Amelia is taken OTK, and slowly, because the positioning of her 6’1″  body is always tricky. Her soaring bottom remains a wonder to us.

Handspanking then a tawse. which Sarah teases Amelia with. Bend over a chair for a small paddle then a bigger tawse, and finally a stiffened leather paddle. Lots of scolding and conversation. Amelia is sassy and gets taken OTK again, providing us with the intended frontals and her elegant beaver trim. A clock on the wall indicates about 28 minutes elapsed for this 25 minute film.