Nights. 24 hours of slavery – RESTRAINEDELEGANCE

17 Jun

M/f; time: 40 minutes

We review this Ariel Anderssen/Hywel Phillips film outside our normal RESTRAINEDELEGANCE collection because of its length. It is mostly BDSM and a nudie celebration of Ms. Anderssen.

A taxi delivers Ariel to an industrial building. She cautiously enters a building in shadow and is greeted out of the darkness by Phillips. She tries to convince us: “I am not actually afraid.” She must kneel in the doorway. He smacks her bottom a few times with a whip.

It develops he is a professional disciplinarian. This is his place of business. Ariel’s boyfriend has sent her for a weekend of treatment. A fruitful plot line. We love films where girls have to ring or knock at houses where they know they are going to be spanked. She will be a ‘slave girl.’ She quickly stacks up demerits, for wearing wrong clothing from instructions, her attitude,etc.

It seems demerits are worked off by “torture,” not just punishment. “What exactly is ‘torture’”? She is made to crawl into the main room, past a cage, where the presence of a spanking horse and a pillory make clear what torture can be.

Phillips has her strip to just top and panties. But it’s cold. He puts on a dog collar and cuffs her wrists and ankles. “It gets worse before it gets better.” When he approaches with a ball gag, she tries to back away before he jams it in, a better part of the film. On a stepladder, he strings her wrists to the ceiling. He ties her ankles wide to anchors, spreading her legs, taking a long time to do it. We are reminded of Ed Lee at NUWEST, where he let the camera roll while he struggled with chains or ropes.

Since she is cold already, Phillips will wet her panties with a sponge. A few cane snaps on her wet knickers. Ariel struggles, showing off her toned and muscled body. Phillips pulls down her knickers. There is a huge bruise on her right buttock, one we have not noted on her topographic chart. Phillips puts clothes pins on her nipples and leaves her for a while.

He returns and cuts off her top and panties. Ariel stands spread eagle, naked, struggling, magnificent. After a while (this is supposed to be a weekend), he lets her arms loose so she can rub. “Make yourself comfortable.” She tries to sit, which is torture in itself with her ankles tied wide. The gag comes out, she unties her ankles herself. Phillips is going to take her “upstairs.” What happens there? She must crawl.

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