Undercover Spy – FUTILESTRUGGLES

2 Jul

M/f; time: 60 minutes

A longer film from Ariel Anderssen, and because it contains a lot more spanking, we review it separately. And, we believe this is our favorite of Ms. Phillips’ appearances in the FUTILESTRUGGLES series.

Ariel is outside a warehouse, reporting on a cell phone that she has made some discovery. She insists that she will be OK in this dangerous situation. A man (‘Miguel’) escorts her into a warehouse, the same set used in many of this producer’s films. She observes the BDSM equipment on prominent display and should be wondering. Miguel grabs and chloroforms her.

After a cut, she has been stripped to a white leotard, tied up, and gagged. She wakes up, manages to cut her ropes, removes the gag, and tries to escape. Miguel grabs her again and carries her off like a sack over his shoulder. More chloroform. These scenes are slow and realistic. Ariel struggles for a bit, and Miguel gets in his fondles before she loses consciousness.

‘Later’ Ariel is strung up this time, with a harness gag in place. Miguel revives her by throwing cold water on her. She screams through the gsg and slobbers. Shots of her bare feet in the puddle of water on the concrete. Miguel blindfolds her, wrapping a sort of Ace bandage around her head numerous times. To increase her discomfort, he hauls her up even tighter.

Miguel uses a piece of metal to spread her ankles, and he snips off her leotard with a knife. Ariel is down to just pantyhose. He begins flogging and caning and uses a doubled belt. He turns her body to have her bottom face the camera. Bare feet in the water, lots of spanking here. Erotic.

Miguel strings rope around her waist and through her buttocks crack and labia. Cane torment, nipple clamps with weights added. More belting. He spritzes her with something from a bottle, tightens the hoist again, and widens her ankles even more. Closeups, low shots, industrial lighting.

‘In Ariel’s Words’ : Ms. Anderssen/Rutherford does a 7 minute statement of what it was like to make this film.

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