Nightmare on Kane Street – CALSTAR

18 Nov

2M/f; time: 44 minutes

An unusual film for CALSTAR, influence from the BDSM department on the ninth floor of their headquarters. A girl, identified on the box art as ‘Wendy Keeler,’ and called Evelyn here, ambles down a country lane, and is waylaid and dragged into an empty industrial building by a hooded male. She doesn’t struggle much.

In the building, they are met by a second hooded male. They get her top off quickly, we didn’t see a bra, and string her up with handcuffs. She struggles mildly. While one guy fondles her boobs, the second guy eases down her jeans and teases down her thong. He has to remove her heels to get her jeans off, and he puts them bsck on. He respects her feet on these floors?

They gag her with a necktie, not very effective, but ritualistic. Lots of rather intimate frontals during these struggles, reflecting tonsorial styles for this year. The staging and blocking do not feel like a regular producer for CALSTAR. One of the guys whips her with his belt. Not hard, but she twists and surges.

After a fade (needed of course to transition from one BDSM scene to another), Evelyn is tied naked over a plain sawhorse, which is covered with a blanket. She gets slippered here, the guy pulls his punches.


Another fade, she is tied onto a chair for the classic BDSM squirm, legs open. A cane appears. She is forced to drink some beer. When some spills, the men lick it off her body.

Fade again, Evelyn is strung up strappado for that cane. Somehow she is wearing different heels. CALSTAR’s box art says this torture went on for several days, but there is little indication of such passage of time.

Fade to an exterior scene. Evelyn is partially dressed and strung up again spread eagle. She gets the strap here. They get her skirt out of the way. She is seen walking around naked, essentially volunteering to go OTK.

More scenes; she is tied naked to a post and gets a modest frigging from behind.

On of the guys carries her upstairs, sack-of-potatoes, always colorful when the girl is naked. (Katie at NU-WEST, Samantha Woodley at FIRMHAND) Evelyn is tied into the chair again, but this time she escapes and we see her running around buck naked in the industrial rubble, those heels coming in handy.

Of course she is snagged, taken to the horse again, and caned. The guys spread lotion on her bottom.

In the final sequence, she lays naked on a bed, masturbating. Flashbacks suggest this was all a dream. Fun film, a number of set changes, unusual.

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