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Hotel Clerk – STRAND

3 Sep

F/f; time: 31 minutes

A film with some humor in it, a refreshing occurrence we often pine for. The STRAND cast. A familiar guy, who has lost his pants in more than one episode from this producer, comes to a hotel desk to complain about his room assignment. Sarah Stern plays the clerk, and she is not much interested in his situation.

The guy demands the manager, who is Miss Lina. She is more understanding, and takes Sarah into another room for a spanking. It is noteworthy to see these two older actors in a spanking scene. After the spanking, Ms. Stern is unabashed to stand for a long frontal. The hotel guest is invited in to add a few licks, as it were.

Humiliated Neighbors – MOONGLOW

25 Sep

2M/2f; time: I hr. 5 minutes

A later film with ‘Joe Stewart’ and perhaps our own enduring favorite bottom, ‘Alison Payne.’ This film contains some explicit sex and certainly illustrates what these actors needed to do to keep coming up with ideas. It was probably made in 2001 or 2002, possibly before death of MOONGLOW director John Kirwood. Compare Ms. Payne here to her first films at KANE in ‘Blistered Young Buns’ or ‘Schoolgirl Fannies on Fire,’ or ‘Academy of Dr. Marcus Blunt,’ 10 or 15  years earlier.

Day one: Alison and Jane have moved in near Stewart and they pay him a visit. They see opportunity and so does he. He serves drinks at a familiar MOONGLOW couch. When he is out of the room, the girls lift his credit card.

Day 2: The bank contacts Joe–the girls spent 2000 pds and he has figured it out. When  Alison stops by again, Joe steps out and returns with his collection of spanking implements, “his pain canes.” “I’m going to try one of these on you.”

Alison looks a little distressed, not as much as she could do in her earlier films. She tells Joe that she’d rather have sex than a spanking. Joe begins fondling Alison, but decides the cane is much better.

Alison bends over the couch and Joe begins snapping the cane on her jeans, leaving white lines. That bottom, maybe not the  trim model we coveted in her earlier years, is still breathtaking. Joe keeps working her boobs and crotch before he helps her down with her jeans. Oops, no panties. Jeans up and down a few times for the fun of it. Handspanking. Joe slaps her thighs to spread her legs to get at her pussy for a very hard frig, which seems OK with her, Very raunchy stuff in this latter day from these two.

Day 3: Joe escorts confederate  ‘Jane’ into his house. She spent some of the money, so he will start on her. OTK, white panties down, some fondling and frigging during the spanking. Top off, panties gone, Jane kneels up on the arms of the easy chair, her thighs as wide as necessary, for the strap.

Joe calls in ‘Jim,’ another guy who must have been watching the spanking. He is not wearing pants and he strokes his erection. He steps up behind Jane and fucks her doggy-style. Some decent porno filming supports that this was surely real. We wondered where this guy came from. A horny crew member? No face.

Jim must have finished, because Joe returns to spank, strap, and frig. He moves Jane to the couch and puts her into the diaper position. Paddling, strap on her pussy, more frigging, and some attention to her anus here. Not your typical MOONGLOW!

Time for the most serious punishment for the almost naked Jane. Over a chair, Joe’s cane fractures on the first stroke. A second cane, after two more strokes that breaks. “It wasn’t me!” But it was. Eight more strokes with a third cane. Top off, more fondling, and 15 more strokes. Wild marks on her thighs and flanks, and some real welts. He gives her a jolly frigging while she holds her  hands on her head.

Day 4: Alison has been called to return. She sees the pillows he has arranged on the chair. She lies over them. Joe handspanks and straps her on her short skirt, slapping her thighs when she wants to close her legs.

Alison stands and begins removing clothes. Facing us, she removes her top and skirt, and lets Joe take down her bikini panties. She sits in the chair now, Joe flogs her pussy with a weighted strap and we can the full view of Alison.

Punishment Files – MOONGLOW

24 Mar

time: 60 minutes

15 short spanking segments; each self-contained, most have MOONGLOW-graphic titles, and most feature one of the ‘Moonglow Girls’; we do not recognize any episodes as being excerpted from the larger MOONGLOW catalogue. If you crave your CP to cut quickly to the action, these segments will please you, although MOONGLOW still pays homage to the intimate cues which create the eroticism of the spanking fetish. But if you share our predilection and enjoy a bit of plot and foreplay, you can fantasize what stories could be wrapped around these climactic scenes.

Three segments featuring the tall brunette model ‘Nicky Montford,’ reputedly one of the toughest bottoms in the business, in ‘Spanked in the Kitchen,’ ‘Cadet Robinson,’ and ‘Swimming Pool Prankster.’ In the kitchen, when Nicky loses her apron, she is naked underneath. As a cadet, she is caned over a steamer trunk. At the pool, she is caned in her red bikini.

Two brief episodes featuring our perennial favorite ‘Allison,’ or ‘Liza Payne,’ or other screen names, but just that one bottom. And she is all-bottom for two more scenes into our collection, ‘The Doctor’s Receptionist’ and ‘the Nosey Maid.’ We’d like to think that when you get Ms. Payne into the studio you don’t let her go until she has reached her limit.

Two segments with no facials, ‘Tanned Tart’ and ‘The Tawsed Waitress.’ Paddling, nudity, hanging boobs.

Several long segments using the spinning newspaper headline graphic in the ‘Extra! Extra!’ style. ‘Nurse Spanked-Prescription Muddled Up,’ MOONGLOW plays on their uniform fetish to discipline a sloppy nurse–a doctor gets her almost naked for her education. ‘A Sound Caning-Late For Hockey’ features a quaking little brunette playing the ingenue worthy of an old ROUE, having to discard parts of her school uniform and getting the cane over a trestle.

‘Pajama Caning-climbing out a dorm window,’ a strong entrant for those who like spankings in pajamas. A Head Girl scolds a student and then arranges to punish her later that evening. The girl reports in blue silk pajamas, kneels on two back-to-back chairs–the ‘Winchester position,’ handspanking, the cane on her pj’s, then bottoms down for a dozen on the bare. Kicking bare feet.

‘Refusing to Sneak-leads to a hot striped bottom’; the same Head Girl disciplines another exquisitely young-looking student over a desk; a dozen very hard with a cane.

‘Spanked-Cami Caught Drinking Beer’- an older teacher spanks little Cami on her white knickers.

‘Bad Day at the Manor’- MOONGLOW regular ‘Tom Cooper’; Cooper spanks a student in her nightgown–she’s got no panties underneath. The next day he spanks the accusing teacher, and then later a student or employee who was caught in the kitchen with her knickers down, doing what? he wants to know.

‘Shoplifter Caned’- a posture worth a moment to describe; a spreader bar rests across a girl’s shoulders like a bar bell. Her wrists are cuffed and fastened to chains which hang down, like a shoulder yoke for carrying water buckets. She bends over at the waist and takes 6 cane strokes on her jeans. Not functional restraint, but erotic and novel.

‘Pot-Smoking Waitress’ – an older actress (by schoolgirl comparison), the actress ‘Sandra,’ we think, in a satin uniform, gets the cane from Tom Cooper, and in ‘Caught in Bed,’ Cooper canes a student and a maid for being caught in bed together.

Tenant’s Ordeal – CALSTAR

21 May

M/3f; time: 55 minutes

Another landlord-tenant disciplinary session; ‘Mr.Richards’ got fleeced by two girl tenants; he will capture and cane them both, and also the female real estate agent who failed him. One of the tenants, ‘Alison Payne,’ will participate in one of the most entertaining punishments we have ever seen. The film has been reissued by some as ‘Tenant’s Extras,’ which title will become clear.

Richards, played by the late ‘Tom Cooper,’ and agent ‘Mrs. Jessup’ manage to snag ‘Gillian,’ who sold all the furnishings provided by Richards, because it was “junk.” The 900 pound deposit is not enough. Richards hints at an “alternative.” Jessup: “What she needs is a good spanking.” “What?” exclaims Gillian, credibly incredulous. They explain. “What does it mean…this…punishment?”

Jessup will do the spanking to start. Gillian, a petite blonde with a boyish figure, is taken OTK on a chair, the only furniture left  in the room. Jeans down, print panties, not much in the bottom department. Handspanking. Richards wants her panties to come down, then excuses himself to go to his car to get “something.” He returns with an armory of straps, paddles, and a cane. We have come to realize that British landlords all carry spanking implements in their Rovers.

Gillian kneels on a chair for a bigger paddle, then hands-on-chair for the cane. Her little unpadded bottom is already fully red, and this caning is going to hurt more than many. At least 20 strokes. Gillian is released, but she must order her roommate to report to the management office by the end of the week.

Richards now turns on Jessup, played by an older brunette. SHE is going to punished for “your negligence.” She doesn’t argue about it–maybe she likes it. OTK, Richards gets the skirt up, helps herself to rubs and feels which don’t seem a part of the punishment; panties down.

On the chair for the paddle and strap, then bent over the chair for the cane, the same 20 + strokes.

Fade to the management office, the oak-paneled narrow space CalStar has used for some colorful confrontations. ‘Laura’ arrives, the actress Alison Payne, older here, with frosted blond hair instead of her Irish chestnut locks. In all her films, she maintains a steady and naughty ad lib dialogue as she gets her treatment, even more so here.

Richards explains she is going to be thrashed. What does “thrash” mean, she asks. Her choices are: (1) pay back the 900 pounds (she can’t); (2) the police (please no); or the “thrashing.” You can see she is naughty enough to trade this temporary access to her bottom to dispense with this case. She is as cheeky and spankable here as we have ever seen in all her films. Richards takes her OTK–her tight red satin panties are spectacularly lit in the small space.

Richards is energized by her saucy and bold banter. “For the age of you, you’ve got some gum on you…you’re going to bend over the desk.” “Over the desk?” she parrots. “Get those knickers off.” “Right off?”

He will start with the strap. “What do you think of that?” But she taunts. Then, after another crack, “Bloody hell!” The closeups of this fantastic bottom are all you will need in this genre.

Laura won’t shut up. “I bet you want to fuck me, don’t you, Mr. Richards…you want extras, like fucking, sir?” Laura wants anything to avoid the cane, but Richards perseveres, bless him, although we’d certainly like to see her get a shagging. “I just thought it would make you happy.”

But he will proceed with the cane–tap-tap, snap, about 20 strokes, very erotic. Ms. Payne knows better than most how to roll and writhe. Richards checks between her legs. “This is exciting you, isn’t it?…why is this all wet?” “Do you want a rub…is that nice?” Breathless: “Yes.” Rubs and frigs.

Richards suggests he’ll stop by her apartment, but without his cane. “This is very wet…you are a naughty girl.” He kisses her bottom. “I’ll go and get you a lease for another apartment.”

Class of ’94 – CALSTAR

11 Mar

M/2f; time: 56 minutes

Busy, busy CP stars; actress ‘Alison Payne’ (‘Lisa,’ or one of several names, most of her work at Moonglow) and CP-producer ‘Ivor Gold’ are featured in this conventional schoolgirl romp. Prefect/Head-girl Alison brings two girls, ‘Jackson’ and ‘Parker,’ to headmaster Gold, who wears his academic robes. The girls were caught smoking.

While Alison sits a bit indecently and disrespectfully on a desk, Gold searches the girls and finds cigarettes. This film was made early enough  in her career that Alison is still checking the camera now and then. Since detention and the writing of lines haven’t worked for these girls, “we’re going to try something new.” Gold wants them to guess what he has in mind, but they’re not going there. “I’m going to spank you…your parents have signed the form.”  “It’s against the law,”  they say, but when he threatens to call their parents, the girls capitulate.

Long-haired brunette Parker will be spanked first. She removes her boater and blazer and is taken OTK by Gold. He flips her skirt up to expose white panties. “You’re fortunate I’m allowing you to retain your underwear.”

Short-haired blond Jackson prepares for her spanking. Parker at the wall, panties on display. Same handspanking.

Parker returns. Panties down this time.   “Oh, no, sir.” To the wall, bare-bottom again. Jackson again, knickers down, then the three girls are sent off.

Dissolve to an exterior scene–Alison takes Gold to view some scandalous graffiti on the school wall. “Mr. Bruiser fucks the head girl,” and what looks like a used condom hangs on a nail. Alison is ordered to scrub off the writing and find the culprits.

Fade to a third scene: Parker and Jackson are smoking in a lounge, and playing with a large phallic cucumber. Parker drops her panties, bangs on the piano, and dances with the cucumber. Head girl Alison catches them, but the two girls jump her, get her to the floor for an unconvincing spanking, and a sexual tease with the cucumber. Gold interrupts the three of them.

We thought all this was taking place in a student lounge, but in the corner, a spanking trestle is visible. It is nothing more than a carpenter’s sawhorse with a blanket tied over it. Parker is made to lie lengthwise for a handspanking, Gold pulls down her panties, silly struggling. Jackson gets the same.  The girls are cornered, but Gold is not finished.

Jackson over the trestle again. She must count 25 from a strap. Alison will get to crop Parker, 25 of those.

Gold brandishes his cane. He will let Alison cane the girls. Skirts off, Alison gives each girl six strokes to start. Jackson is unusually shocked. Panties scattered on the floor (nice!), Gold will add his six strokes to each bottom, but not as hard -we were surprised- as Alison.

The girls dress and leave. Ms. Payne wasn’t spanked formally in theis film–must have another shoot later or had one earlier in the day.




Army Hundred – MOONGLOW

10 Sep

4M/3f; year: 2005; time: 47 minutes

More bare bottoms in the British military; large cast and a good amount of action, despite Moonglow’s low budget and typical limited setting. the actors are familiar–the girls can been identified on Monnglow’s website. Young ladies attend weekend military camp. You’d think the disciplinary practices would discourage membership, but we don’t ask questions.

Actresses ‘Alison  Payne’ and ‘Jane’  as Privates Brown and Cobb, crouch in camouflage costume in undergrowth, apply camouflage face paint, playing weekend warriors. Cobb accidently discharges her rifle and explodes Brown’s beer can.

Brown and Cobb are marched in front of the Colonel, joined by a third girl, ‘Ellis,’  played by none other than Nicky Montford. The three ageplay men, one of whom is the adult actor ‘Jack Uppitt,’ who make up this vaudevillian military setting, almost literally seem recently rescued from Dunkirk. We have found that these older guys are less forgiving disciplinarians and want to get to the purpose of a spanking quicker. “You’re all going to get spanked until one of you tells what happened.” “Spanked?” questions Brown weakly. We are guessing these young females are weekend recreation for these geezers. “Remove your trousers.”

All three are taken OTK and spanked bare-bottom, white panties taken down, simultaneously. Colorful and noisy smacking sounds fill the air. Can’t hear the girls’ dialogue, their heads tucked down. Now they will be caned until there is a confession.

Brown (Alison) first. Flashback of her to another schoolgirl caning. Brown goes over a tall desk for a handspanking from a fourth male actor, just as geezer-like. Somebody has a good  contact in the Moonglow casting department. “Knickers down, girl.” Ah, that first moment when actress Ms. Payne removes her pants. 12 solid cane strokes, the male officer fondles, and the actress chatters away, as she does.

Back to the present, Brown is dismissed. It was she who was shot at. Brunette Ellis (actress Nicky Montford), the third cadet, was AWOL, with her boyfriend, when she too should have been crouched in the bush. “Have you ever been caned before?” “Yes, sir.” A similar flashback to her in a schoolgirl situation has been inserted. The same teacher handspanks her then canes her as she kneels on a chair, 4 on her blue panties, and 8 more on the bare. Very hard stuff–a blotchy bottom. Actress Ms. Montford is one of the stalwart and brave CP characters.

To the present again, punishments are announced. Fifty strokes for Ellis for AWOL, and since Cobb has now admitted firing her rifle, one hundred strokes for her.

A new scene: a waist-high trestle/sawhorse has been brought in. Ellis (Nicky) bends over first. One geezer centurion gives her 25 strokes on her blue slacks. The second guy pulls down the slacks but leaves her knickers in place and lays on the second 25, including some intentionally down on her thighs. Well-striped young lady.

Last is blond Cobb, who carelessly discharged her rifle, four or five shots we heard. She wears white shorts, green knee socks, and a green top. The three ‘soldiers’ and the Colonel are needed for this one. The first guy lays on 25 strokes on her shorts, not as hard, because this is a big allotment. The second caner: “Take your shorts down, girl.” 25 more, and he fondles her at breaks. 25 more from the third participant, Cobb is well=marked at this point, Uppitt, a very unlikely “corporal,” is last with his 25, and he fondles more than he should.

Bottom closeups of the girls for comparison. They are lectured and released. You have to wonder if these weekend encampments have a reputation.

Condomania – MOONGLOW

11 Jun

MF/2f; year: 1994; time: 42 minutes

Pants off for Lisa Payne!  Any excuse for actress ‘Alison Payne’ to have to drop her knickers is all right with us. Here, in a grand old Moonglow production, along with actress ‘Jenny Greenstreet,’ she plays ‘Fiona,’ and has been naughty in her room with a boy and carelessly left a condom behind.

Jenny will toss Fiona out of the house, unless of course, she will “accept a good spanking.” Down to the “lounge”  they go–the sets are crudely simple in this era at Moonglow. Fiona is taken OTK; Jenny unfastens her slinky black evening gown from the neck and works it down her thighs. Fiona is not wearing another stitch. And we repeat, this is one of the great bottoms in all the industry.

Jenny has a strap nearby. “What’s that?” asks Fiona, in brogue. She finds out. “That hurts.” Or, in her accent, as best we can, “That airts.”

We don’t need a lot of detail on this rudimentary but entertaining story. We commend your attention to this early film, when full nudity was still novel and offered teasingly. And surely there must have been some frivolity on the sets with the girls and the lucky male actor. Maybe there are outtakes, as there are for some other Moonglow films. Jenny gets Fiona completely naked, but shortly Fiona jumps Jenny and is soon spanking HER.

‘Mike,’ the late great actor John Kirwood at Moonglow, beloved by all the bottoms on the staff, enters the scene and is entranced  by all the spanking and nakedness. He is Jenny’s husband, so Fiona is a houseguest or relative. “What a windfall,” he mutters. “They will pay for it in the morning.”

While Mike sleeps on the couch, the girls hide his spanking tools. In the morning, he starts on Jenny, soon he finds his implements;  she gets handspanking and two tawses.

We see Fiona combing her long beautiful brown Irish hair. In a flash of history, dating the film, we see hair under her arms. Before Fiona gets her turn at the morning spanking, Mike wants to advise her she should be using “British condoms,” not what Jenny found yesterday.

Fiona wears a tight jumpsuit, a body-fitting item the actress Ms. ‘Paine’ frequently features, because she has the equipment, and this is the forum to display it. OTK. “Get this wretched little dress off.” Naked. Handspanking, 2 tawses. Mike goes for his cane, Fiona gives us an intentional full frontal, abundant untouched foliage.

Finoa kneels on a chair, leans over its back, for the cane. One of the great bottoms, the world knows, we say every time. Six-of-the-best, because she sasses, 6 more, which are repeated to show 12. Fiona tries to divert by telling him that Jenny is “two-timing” him, which earns her 12 more as a snitch.

Jenny arrives. “What have you done to Fiona? She’s running around the house naked, holding her bottom.” Jenny gets the cane of course. Clothes off, 6 strokes, then she is accused of the cheating. On the chair, 25 strokes are shown, repeats from various angles.

The girls cream their bottoms and check their condom supply. Then a little out-of-character coda: the cast of three infrom us the film is sponsered by the “British Condom Society.”

Suffering Sisters – MOONGLOW

24 Apr

M/2f; year: 1995; time: 51 minutes

Early MOONGLOW, fresh, young bottoms, naughty fun. This film, subtitled ‘A Salutary Tale For Aspiring Actresses,” features the late John Kirwood, and actresses ‘Lisa Paine,’ (its current spelling) and ‘Angie Wood.’

Kirwood spoofs a sleazy B movie producer ‘Clint Westwood,’  wears a bad Amish beard, and fends off creditors in his shabby office. But he will manufacture some fun today. Two girls arrive at his “Golden Lion” studio for interview. In these CP films, the camera pans the girl’s face as well as the package in her pants. Westwood describes his film–the actresses try to restrain their laughter.

Can they sing? They try BAA BAA BLACK SHEEP, no they can’t. When the girls recite their “vital statistics,” anyone can detect there is suddenly promise here. And when Westwood learns they don’t have “Equity” cards, the die is cast for them, as we have said before.

The last part of the film Westwood intends to make has a caning scene. There will be an audition. ‘Mary Smith,’ played by Lisa Paine, goes first. OTK, handspanking on her slacks, really tights, as the magnificently  endowed Ms. Paine is wont to wear. Westwood helps Mary to work the slacks down, the minx is not wearing any knickers. Westwood continues to spank Mary. Six “Hail, Mary’s”  from Mary. “You passed part one.” Mary flashes her totally natural, untouched pubic thicket.

Angie Wood as ‘Joan Smith,’ for her part one. Same spanking, her blouse turns out to be a leotard when her slacks come down. Six Hail Mary’s also.

Westwood continues with his part two in the studio. The girls have changed clothes. Joan kneels on a bed and gets the tawse while Mary waits. Mary takes her turn.

“We will proceed to part 3,” he says, but then calls it “part 4.” Joan lies full-length on a table, tawse on her panties. “Not on my legs,” she whispers at one point. Mary climbs onto the table for the tawse, climbs down to remove her slacks, then back up, she raises her hips helpfully when Westwood addresses her knickers. Where did they come from? We’ve praised many views of Ms. Paine. This table setting goes into the scrapbook.

Westwood announces another ‘part 4’ of his spanking regimen. MOONGLOW didn’t sweat the details in the early ’90’s. The girls are back in their original outfits too! The continuity girl must have been on lunch hour. The girls are caned this time, and in the process must strip naked, making sure to show everything they’ve got. You can almost hear the director telling them to turn this way or that. Never tire of Ms. Paine.

Severity School – CAVERN

10 Sep

5M/3f; time: 41 minutes

This film, although distributed by CAVERN, feels like a MOONGLOW product from the late 1980’s or early 1990’s. The actors come from that era. The film itself is almost a continuous string of out-takes. It contains flubbed dialogue, misplaced laughter, noises on the set, errant camera angles, simplistic and ineffective blocking, out-of-character ad libs, and more. Yet, we highly recommend this cheerful farce; it feeds our vintage tastes, and we will illustrate why.

The film features spanking impresario Ivor Gold and three of the sweetest bottoms in the industry at the time, that of Alison Payne and two other models seen in the genre. The girls are being punished in the presence of 5 men–Ivor, a younger man, and three others whose faces are never shown. All will participate in a rousing spanking, strapping, paddling, and caning of the three girls. A circus. The mystery men are given chances to fondle, feel, and explore the girls. We have suggested elsewhere that this may have been an off-the-record form of school fund-raising.

The girls wear spiffy white blouses, pristine red pleated skirts, white knee socks, and in this school, white knickers. The film celebrates bare bottoms–there is no frontal nudity but for an accidental flash, no boobs, and these ‘dirty old men/perverts’  do not undress the girls, much as we were hoping they would try.

The film opens with the girls lined up in front of the unseen men. Ivor pulls up their skirts to expose the white knickers, and in Alison Payne’s case, fishes out Ford car keys front the front of her panties. Her mock surprise at the invasion of his hand matches many moments of entertaining acting from her. Everyone fights mirthful laughter, at the ad lib lines, the story, the circumstance.

The three girls will be spanked in turn, for various infractions irrelevant to our review. ‘Gillian,’ a dramatic starlet-like brunette, posed for nude photos, which Ivor passes around to the very interested men. The men take turns spanking Gillian OTK; her pants come down to stay in the process. Some spank harder than others, and some spankers get in some fondling. One aggressive spanker elicits an obscenity from her, which generates hoots and guffaws from all. Breathtaking closeups of her reddening bottom.

The men move Gillian over a school desk for a sampling of paddles, straps, and tawses, including a little “guessing game” of which is which. A stroke occasionally nicks a thigh and she reminds the spanker to be careful. At the conclusion of her session, Gillian must parade her bottom off-screen to each man for a careful exmamination. Ivor takes her over the desk again to top her off with three concluding tawse strokes. The men applaud Gillian. She announces she must leave, a taxi awaits her to take her to a “modeling job.” Such extraneous ad libbing makes this film a curious oddity.

Alison’s turn (she ‘borrowed’ that Ford from someone at school) comes next, and in a rough cut which misses what we enjoy very mch about Ms. Payne, her knickers are already at her knees and she is bent over the spanking trestle. She counts out four sets of 12 strokes from the men; some she takes in stride, others bring gasps and she needs a moment to recover. Some welts and bruises on this bottom, a National Treasure. The third girl, blond ‘Amanda,’ seeing this toe-curling caning, elicits hoots of horsy male laughter from the men when she announces a taxi is waiting for HER.

Alison is cornered, where her buttocks will remain in the shot for most of the rest of the film. Blond Amanda goes next, over a school desk, “head and shoulders right down, please”  for a succession of handspanking and the implement collection we have seen. She too protests when a thigh gets winged. Alison waddles on and off-set a few times, panties at her knees. Has to get where, to the bathroom? More unscripted informality to add to the free-form performance.

When Alison turns into an oblique profile in the background, you will see the reason for the length  of the  film credits after her name on the ‘Watch the Moonglow Girls’ site. Her plucky adventurousness helps.

Amanda’s turn for the cane. “Gentlemen, avoid the legs.” She takes 12 from each man. The cane is left in her buttocks crack at one point. A loud boom-box bass thump invades the sound track to laughter. Ivor acknowledges the caning cannot keep pace with its rhythms. He gives Amanda a respite, a “RE-SPITE” he calls it, twice. Amanda stomps and jiggles her cheeks maddeningly. A floor mirror picks up a few facials, an angle mostly omitted in this film.

Since Gillian caught her taxi and is probably standing naked at her next job by now, only Alison and Amanda are available for a final memorable bare-bottom lineup. The men gather for a final feel.

Caning After Hours – CALSTAR

30 Jul

M/f; year: 1997; time: 15 minutes

An older guy, ‘Andy,’ seems to have care of a young lady, played by our cherished actress Alison Payne, who we have praised so much, to the point of obsession. She is as naughty and deserving here as in any film of hers you will see, all communicated in a brief 15 minutes. Long chestnut hair, charming face, and a wriggling body no spanking could ever subdue.

Alison begs to go out for the evening, wiggling and tempting with her body, wrapped in a short striped jersey dress. A 12:30 AM curfew is established, as he playfully slaps her bottom. “Be careful.” Andy knows she will be late and will have had a few drinks, setting up a stupendous opportunity for him, so he waits up, paddle/strap kept warm in his hand, as she gambols in at 1:10 AM.

“What’s that in your hand….why do I have to take a dose of that?” says Alison, when she sees the strap. He has filmed her ditching her last drink in the bushes as she arrives. There is the normal CP repartee Ms. Payne does so well, surely without rehearsal, as Andy gets her OTK. Skirt up, white panties, he smacks her glorious bottom, one of the treasures of the industry. She will be content with these attentions so long as Andy doesn’t tell her mother. Andy calls her a “temptress,” rightly so.

Andy bunches her panties then pulls them down. The camera zooms to hold her bottom full-screen. She struggles, but not too much. Andy is having a high old time with her, and she is not unaware. “Stand up…take your knickers down…off.” In one of our favorite moments in the film, Alison hands him her panties with saucy defiance; he refuses them and she tosses them aside.

“Pull your dress up.” She presents a completely unshaven thatch with the same casual insouciance and downright pride, as if to say ‘Like it?’  He sends her upstairs to get her nightie on while he gets his cane.

She returns in a slinky white satin affair and is surprised. “I thought I was getting the strap, not the cane!” She bends over a chair. He asks her to pull her nightie tight over her bottom. She takes 6 crackers on the satin–nobody whines and begs quite like Alison.

“Pull your skirt up.” Bare bottom, with some lines already drawn. She wasn’t wearing knickers. She takes 12 more, harder, and cannot keep count. Legs shake and quiver, bottom writhes. Gasps. Nightie back down, she is sent to bed with a few zingers ro spur her along.