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Bars and Stripes – Intakes

10 Jun


Leia Ann Woods’ website of institutional women-in-prison. A number of CP actresses, working the industry in Europe and the United States, stopped by to make a series of films. We have enjoyed the initial films for many of these models, “Intakes,” where the prisoner is introduced to the staff and the rules are illustrated, usually forcefully. Most WIP films contain a form of this introductory humiliation.

‘Hannah Martin’ (M/f; time: 8 minutes) A practiced ditzy blonde, Hannah is one of the more spankable models to come along. She stands before guard ‘Adam Smith’ and matron ‘Lucy McLean’ for her Intake. She must keep her feet on the white line and her eyes straight ahead, but she has “attitude,” just in her body language. She is dressed for trouble–a tight white latex dress and stockings which quit at her thighs.

Smith throws her forward over the desk, flips up her skirt, and is shocked by her tiny white thong. “God, look at that.” Lucy is amused. The handspanking begins; Lucy holds her still.
After some of the strap, it is time for her to put on the prison tunic. “Strip, except for your bra.” Lucy has to help her pull the tight dress over her head. Thong down, hands-on-head, legs apart, the way to remember this actress. After Lucy does her grope/search inside the bra cups, the tunic goes on and Hannah is marched out.

‘Honey Hardy'(F/f; time) ‘Stephen Lewis’ and ‘Dublin O’Brien’ deal with Honey, a very tall blonde in a very short skirt. After one of Dublin’s entertaining scoldings, she takes Honey OTK, sitting on the front of her desk. Skirt up, red lace panties soon down.

Bend-over the desk for a strap; then in a dissolve unusual in this series, Honey is already wearing her orange tunic, and is taken away. We presume B&S just couldn’t edit together the sequences, and/or it is possible some of these models, as brazen as they seem, might not be able to tolerate the spankings after all.

‘Prisoner Ivey’s Intake’ 2M/f; year: 2016; time: 9 minutes) A more recent film, revised and improved graphics. Michael Stamp may be running the website. The character ‘Johnson’ plays the admitting officer and has the fun of these introductory interviews.

A scruffy blond ‘Ivey’ is not quite ready to accept her fate. She got six months for assaulting a police officer. Johnson explains the practice of corporal punishment, then: “Strip!” Ivey strips naked in front of him, back to us. She puts on her orange prison smock.

But she remains salty, so he will spank her. “You’re kidding!” She must have muttered the word ‘pervert.’ A hard OTK spanking, some bruising.

‘Jenna Jay’ (MF/f; year: 2011) This Intake occurs in a sunny room with barred windows. Jenna is a tall buxom brunette in a red knit dress and boots. The shape of her bottom is prominent in the eye of the camera, one of the advantages of knit dresses, IF you have the equipment.

Guards ‘Stephen Lewis’ and ‘Zoe Page’ will give her the what-for. After the scolding, Zoe bends her over the desk and starts a handspanking. She would appear to be smacking as hard as she can. Skirt up, pink thong, Lewis checks the heat of her buttocks. Zoe pulls the thong down, and Jenna has to hand it to them, always a naughty sign of submission.

After the spanking, Jenna is given her tunic and uniform. Even though the guards watched, they still search her. Lewis wants more strapping. Panties down again; he shows Zoe Jenna’s spanked bottom, as if she is learning this trade.

“Jentina’ (M/f); year: 2016) An updated presentation, may be part of the Spanked-in-Uniform series, and featuring the ubiquitous  ‘Warden Johnson.’ Blond Jentina wears the B&S orange tunic. She is serving a sentence for some credit card action.

Johnson forces her to say, “My bottom is yours, Warden.” She lies across his desk, straddling a chair, a posture too little used. White panties down. This is a touch of discipline before bed for her.

‘Pandora’ (F/f; year: 2006; time: 21 minutes) The well-known and adventurous CP actress ‘Pandora Blake,’ in a longer episode. Guard ‘Jean Bradley’ and ‘Lucy McLean’ will preside, with little smiles on their faces. Pandora is handcuffed as she stands before the desk for her lecture, as are most of the girls when they arrive here. She wears a fashionable striped jersey and black skirt.

Her hands are released and she is urged over the desk. Bradley lifts the skirt, spanks on black panties for a bit, then pulls them down. In addition to Ms. Blake’s management and directorial skills, she possesses a bottom which competes well with her friends who pass through the studios. Bradley and McLean share the spanking, savoring Pandora’s displeasure.

Bradley switches to a strap, the experienced Pandora knows how to react. Now it’s time for the uniform; Pandora must strip–boots, panties off from their resting place at her thighs, skirt, jersey, stockings. McLean searches inside the bra cups. Pandora puts on the orange tunic, but she keeps running her mouth, and so earns more strapping before she is handcuffed and marched off.

‘Rachel Lloyd’ (M/f; time: 14 minutes) Guard ‘Paul Kennedy’ will deal with Rachel by himself in this long Intake. She is a thin ponytailed brunette, wearing a halter and slacks, and carrying a handbag. She has been sentenced to 2-years for identity theft. She seems slightly amused by all this.

Kennedy slams the desk with his strap to ensure she understands how discipline is enforced. She nods comprehension. To begin, he forces her over his desk and begins spanking on her slacks. She pulls the pants down without dispute to display a black thong. There is more dialogue here than in the shorter films. He continues a long handspanking, shifts to the strap, and removes the thong.

Ready for her tunic; top off, a little red bra. We guess he doesn’t have the authority to grope like Ms. McLean would do. Handcuffed and marched away.

‘Saffy McKenna (M/f; time: 17 minutes) Guard ‘Stephen Lewis’ brings Saffy into the Intake office; ‘Dublin O’Brien’ sits behind the desk, guard ‘Lucy McLean’ is poised–another prisoner’s bottom coming her way.

Saffy is a tall dark-blonde, glamorous and sophisticated in appearance, wearing a two-piece dark suit and high boots. She immediately argues with the guards. Lewis rejoins, forces her over the desk, and the spanking begins immediately. Lucy holds her still. Panties down, her bottom is already blotching.

Saffy undresses–coat, white blouse, skirt. She has a few tattoos. But at bra and panties, she puts up a fight. Back over the desk, the great equalizer, for a big strap. McLean unfastens her bra from the desk and plays with her boobs. When Saffy stands, panties down, no bra, you can see why Ms. Woods hired her for the job. Tunic on, more bad-mouthing, more spanking, then she is marched off.

‘Sarah Collins’ (MF/f; time: 19 minutes) Brunette Sarah is marched in to face matron ‘Lucy McLean’ and guard ‘El Diablo.’ She is handcuffed and wears a white blouse and long dark skirt. She has been convicted of murder and of course claims innocence. “They’re all innocent,” says Diablo. They do the intimidation thing with Sarah. “I’ll show what happens to bad girls…over the desk!”

Handspanking, matron pulls down her skirt and checks the progress on her bottom through the black panties. Over the desk for the strap from the matron–Ms. McLean is always severe. Panties down, she stands to give Diablo a good look at her front. More strapping, Sarah continues to protest her innocence. Diablo takes over and doesn’t spank as hard. Matron is disapproving of a pussy ring she spies. Next come the sole and a paddle.

Matron releases the handcuffs and checks in the bra cups like she does. Panties pause at the thighs before they come off–a big part of the film. There are a few modest tattoos.

She is given the orange tunic and institutional panties. They watch her dress. They decide a little more punishment might cement things, so Sarah takes six of the cane on her knickers.

Adele Haze (M/f; time: 23 minutes) The actress Adele Haze, brave enough to have gone to work for LUPUS. Matron ‘Lucy McLean’ and guard ‘Paul Kennedy’ are amused by Adele’s party dress–how she chose this to report to prison we don’t ask. It is blue full-skirted dress with crinolines underneath; white heels, hair ribbons, white gloves. She has been convicted of murder, but she looks like (no so)Little Bo Peep.

After a scolding, the rules are explained. She is defiant. The staff is aware that the death of her former headmaster had a similar cause as the murder she was convicted for. Adele is shown the strap. She is forced over the desk, her dress is thrown up, and Kennedy handspanks her while the matron holds her still.

Matron puts on her rubber gloves. “Strip!” The matron helps Adele to remove the cumbersome clothing. Her dress is jammed in a filing cabinet, a touch of finality which adds to the tension. Adele is down to a white lace undie set. Matron searches inside her D-cups, to her displeasure. Bed-over again, this time the matron spanks. Kennedy follows with the strip, taking the panties down. Hair ribbons unravel, tears on her face. Adele removes her complicated garter belt and stockings, then puts on the orange tunic and black panties before she is taken to her cell.

‘Xela Chaste’ (MF/f; year: 2009; time: 22 minutes) Another long Intake, this one staged in the dungeon room. Guards ‘Paul Kennedy’ and ‘Jessica Wood’ will deal with Xela, a brassy blonde in a knee-length fur coat. She is defiant and argues immediately. Hasn’t she heard what happens here?

She is bent over the desk; Jessica begins the spanking. Fur coat off, Xela herself pulls off her soft leather knee boots. Jessica unsnaps her skirt; back over the desk, more spanking, panties down. This posture illustrates how tall this model is.

Undressing continues; a rare frontal in this series when Xela takes her blouse and bra off. From the looks of that body, and her stage name, this lady has a night job. More smarmy talk as she puts on her tunic, so more spanking, the strap from Kennedy.

‘Yasmin Garcia’ (F/f; time: 11 minutes) ‘Dublin O’Brien’ sits behind the desk, a bit comical in her guard’s uniform and her faux-severe tone. She has passed that point in her career when she proffered her own bottom for the camera. But you can she how she would be popular at those British spanking parties occasionally advertised.

Yasmin is a tall brunette with short gamin haircut, a green dress, and stockings which stop at the thighs below her skirt. Not for going to the supermarket. Bend-over the desk, panties down, Dublin straps her. When Yasmin strips, she puts her feet up on the desk to do it.

Scene cut, she is already in her tunic. One last bend-over for the strap before she is taken away.

Fraternity: Irelynn Logeen – Intake – BARSANDSTRIPES

7 Jun

MF/f; time: 16 minutes

In the faux stone dungeon room the stunning redhead ‘Irelynn Logeen’ is given her Intake initiation by guards ‘Stephen Lewis’ and here also ‘Miss McGhee.’ Irelynn wears just jeans and T-shirt, less formal than most of the girls who have to stand in front of this desk.

“Is this your first Intake?” Lewis explains the rules and female guard McGhee looks ready to pounce at the slightest hesitation. Irelynn is forced over the desk, McGhee holds her down. Lewis straps her on her jeans, but when he feels she isn’t getting the message, he pulls the jeans down and soon the nifty striped panties will follow. There is that pale Irish bottom, already taking on some color.

McGhee takes over the strapping, and SHE does the panties. Why do women love this so? She gets her uniform and is marched off.

Fraternity: Clover Paisley -Intake – BARSANDSTRIPES

7 Jun

M/f; year: 2011; time: 16 minutes

‘Clover’ wears the same dress as Caroline Grey did for her Intake; is this the ‘fraternity’?
Stephen Lewis is the admitting guard here again; Clover is handcuffed, and as usual, she is very disrespectful of the process. Good for us, not good for her.

She is shown the strap. “Right over!” demands Lewis. “I AM right over.” Hem up, black panties, begin the strapping, legs spread wide. He pulls her pantyhose and panties down.

Time for the prison tunic. “Now strip!” She keeps her bra and panties on, and manages to change into the prison knickers without showing us anything, yet.

Fraternity: Caroline Grey Intake – BARSANDSTRIPES

6 Jun

M/f; year: 2010 time: 16 minutes

We haven’t figured out the import of the word “fraternity” in this series from BARSANDSTRIPES yet. The girls certainly are in a sorority of sorts after their ‘Intakes’ here.

Carolina Grey is featured in a few films at BARSANDSTRIPES, and more prominently (and currently) in Pandora Blake’s DREAMSOFSPANKING.

This is the standard Intake format, here in the walled dungeon room of the prison. Guard ‘Stephen Lewis’ will do the honors. Caroline is appropriately sassy and disrespectful. She is handcuffed and wears a multi-colored mod dress and eyeglasses. After Lewis has had enough backtalk he throws her over his desk and begins strapping her on her dress.

He pulls up the skirt; she wears white panties and a string-like garter belt, a new one on us. He pulls the panties and belt down, which she cannot quite prevent with her wrists manacled. She wants to know where the women guards are.

After a spanking and manhandling, she is shown the orange tunic, panties, and socks. She strips to bra and panties, puts on the tunic, then switches out the panties under the tunic. We will see more in future episodes.


18 May

CP actress Niki Flynn, one of the bravest and most inventive, pays her call at BARSANDSTRIPES and goes through the customary series of video appearances for film producer Leia Ann Woods. Niki, with an accompanying teddy bear, will be portrayed as a slightly loopy inmate, who derives some secret pleasure from the succession of spankings which constitute the regimen at this prison.

‘Intake’ (M/f; time: 14 minutes) The conventional ‘intake’ procedure, and the first in this long series of episodes Ms. Flynn filmed with Leia Ann Woods and Michael Stamp. Guard ‘Paul Kennedy’ and the delightfully demonic matron ‘Lucy McLean’ process Niki, whose name has been written on a white board as today’s arrival. They could have set up bleachers.

Niki is hustled in–she is wearing a black top with bare midriff, short skirt, and knee socks. She hugs a teddy bear. Her hair is longer here. Niki is made to toe the tape line while McLean reads out the charges and covers some rules. “You will learn the hard way. I’m going to give you a taste.” Kennedy takes her OTK in a standing position at the desk, skirt up, he bunches her red-and-black panties. Those panties down, he continues. Lucy is stabbing the teddy bear with a pen.

“Now strip. Put these on.” He points to the orange smock and the institutional undies. Niki takes off her top and skirt and Lucy fondles her with fingernails. which Niki does not like. After the smock is on, Lucy reaches under and pulls down the panties. Niki pulls on the issued pair; we don’t see much, but there are many segments to follow.

The guards scream at Niki as she is led away.

‘Niki Flynn-Solitary Days 1-3’ (MF/f; year: 2007; time: 14 minutes) Niki is confined to the barren solitary cell with its blanket-covered mattress. On Day 1, guard ‘Stephen Lewis’ is the first visitor. Niki assumes the ‘frisk’ position for a crisp handspanking, on the institutional panties and then on the bare.

Day 2 brings female guard ‘Jean Bradley,’ a resolute spanker of many films, stopping by with the leather sole-strap. She is possibly the hardest of all the spankers at BARSANDSTRIPES.

And on Day 3, Lewis is the bearer of the cane. He takes her panties down immediately and lays on 15 moderate strokes. At the conclusion of each of these sessions, Nike collapses on the mattress, neglecting to pull up her panties, and the camera zooms.

‘Face It-Solitary’ (MF/f; 2007; time: 15 minutes) The filming of the three Solitary days is caught again by a face-CAM, an oblique view of Niki, hands-on-wall, as the spanking, paddling, and caning proceed. All of the BARSANDSTRIPES actresses are attractive enough to merit such attention, the difference for Niki being her acting.

‘Birds of a Feather’ (F/f; 2007) Niki sits on a bare mattress in a sort of medical setting. Guard/matron ‘Lucy McLean,’ a virtual devil at this prison, puts on rubber gloves and turns on some electrical equipment, which makes Niki cringe. McLean turns on a ‘violet wand’ and begins with small shocks to Niki’s legs and thighs as she lies on the bed. “Stop whinging.”

A pause in the wanding, McLean takes Niki OTK for a fast spanking. Orange tunic off, back on the mattress on her back, in just black bra and panties. More wanding. Over on her stomach, panties down, Lucy does not quite do with the wand what you are hoping she will do.

Left alone in the cell, Niki rips open a pillow and fills the scene with feathers. When Lucy returns she is furious about the mess of course. She canes Niki on her bare bottom, hard enough to show white lines.

Guard Stephen Lewis enters this scene and almost forcibly takes Niki away. She is headed for something even worse, we guess.

‘Breaking Silence’ (MF/3f; time: 16 minutes) Niki, with ‘Adele Haze’ and ‘Leia Ann Woods,’ are dressed in prisoners’ smocks, ideal for flashing plenty of panty if one bends over, as you have to do in this prison from time to time. Webmaster Leia plays a trusty here, Niki and Adele are scrubbing an office with toothbrushes as Leia scolds.

A cat fight ensues–the girls wrestle harmlessly. Staff guards ‘Lucy McLean’ and ‘Paul Kennedy’ break it up. the girls are handcuffed, then each is put over the desk, panties down, for a strapping. Niki gets the cane in addition, and matron McLean tears her teddy bear apart before her eyes.

‘Flynn’s Ordeal-The Cross’ (F/f; 2007; time: 14 minutes) The scene opens on a darkened stage, and X-cross spotlit. Niki Flynn is lead into the chamber and to the cross by two guards–Stephen Lewis and Jean Bradley. She is made to strip naked–the orange tunic and black underwear off. She stands on tiptoes on the base of the cross and her wrists are fastened high.

Bradley will flog her with a martinet. Ms. Flynn gives us her little squeals as her back and bottom take on an uneven pinking. Lewis scolds as Bradley whips. Bradley grabs her hair and pulls her head back in one final scold before this session ends.

They leave Flynn fastened and stretched in this uncomfortable position. They’ll be back.

‘Flynn’s Ordeal 2-The Trestle’ (MF/f; 2007; time: 12 minutes) Bradley and Lewis return to the fastened naked Flynn, whose pink coloring seems to have subsided a bit.

They release her and she quickly moves to and bends over a wood trestle–the sawhorse style, but with a wider base and better carpentry. The same darkened stage and spotlit subject do nice things for Flynn’s nudity.

Lewis will use the strap, quickly and hard, bringing the color back to Flynn’s buttocks. She has not been fastened. She manages to hold her pose and keep her legs straight. Bradley takes over and completes the strapping. Great facials and more plausible acting from Ms. Flynn.

‘Backfire 1-Sting’ (M/f; 2007; time: 15 minutes) Ms. Flynn, still incarcerated at the institution, knocks and enters the governor’s (actor ‘Michael Stamp’) office and complains about the “matron,” who she says likes to torture prisoners and has murderd someone. Niki wears the familiar shorty orange tunic which permits easy detection of black panties.

“How dare you!” roars the governor. Niki, quickly back-peddling and apologizing, upzips her tunic and straddles the governor on his lap in an attempt to seduce him. We know he’d like a piece of her (and may well have done so in another film). He throws her on her back on his desk, spreads herlegs, and gropes her boobs.

But he will punish instead. He gets her around the front of his antique desk, tunic up, panties down, a steady handspanking. He threatens to cut her hair with scissors. This humiliation thread is found in Niki’s appearances at LUPUS/RIGIDEAST in Europe a few years earlier. Her hair has grown back.

He has been teasing with the cane, and now is the time. On the bare, about 18 moderate strokes–a general reddening, but no stripes. Good closeups, low shots, facials–Ms. Flynn knows how to behave during a caning.

The governor lets her up, rips open what is still zipped of the tunic, gropes her breasts again and rubs her pussy. She tolerates this then runs off. This will continue.

‘Backfire 2-Playtime’ (M/f; 27; time: 22 minutes) Ms. Flynn has been summoned to the governor’s office again, this time after hours. “This evening, my dear, you are here to see how the governor deals with rehabilitation…I intend to make this enjoyable for me.”

It seems pretty clear Niki is a reluctant but willing partner in what will be “playtime” tonight. First, she bends over the governor’s desk. “Pull down your panties…did you enjoy your visit to the chamber?” He is referring to her nude whipping at the X-cross and trestle.

Panties back up, the governor proceeds with a long whipping with a soft martinet. Niki’s squeals betray her pleasure. She takes her pants down again. Next comes the crop, which leaves a few minor marks. And last, a sole-shaped leather paddle, which achieves some red glow on these famous buttocks.

When the governor is finished, Niki is sent to the corner, pants down, while he completes some work at his desk. We’ve always enjoyed what RIGIDEAST did at this moment in these scenes–a staff member knocks at the door and enters on routine business and is transfixed by the naked red bottom.

After a fade, the governor returns to his office again and finds only the head of Niki’s teddy bear, a final calling card, on his desk. She must be gone, released or escaped, and this was probably the final segment in the girl-in-prison series for Niki.

‘Basic Instincts’ (M/2f; time: 20 minutes) Two stalwarts from BARSANDSTRIPES cast share a cell, wearing the standard orange tunics and black panties. Niki Flynn awakes and climbs down from the top bunk, with her signature teddy bear, to greet her new cell mate, ‘Adele Haze,’ and soon the encounter becomes a lesbian embrace.

The girls caress, kiss, lick feet, begin undressing, and hump each other on the bottom bunk. Spanking scenes are cut into this action. During their passion, they don’t notice guard ‘Stephen Lewis,’ who has crept, paddle in hand, content to watch for a while.

When he screams at the girls, they do the expected recoil. They stand and put their hands on the bunk and Lewis begins paddling both bottoms. The remainder of the film depicts the paddling of the side by side bottoms, pants down, standard stuff. Notably, Niki is so much taller than compact little Adele her bottom soars a foot higher.

(Flynn and Haze) (MF/2f; time: 5 minutes) The two miscreant girls are taken to the office and worked over by matron Lucy McLean and guard Paul Kennedy. Niki is first to be bent over the desk, spanked and whipped. Handcuffs released. Lucy takes some pleasure in pulling her buttocks apart, to Niki’s squeals.

Adele, who has had to watch, is brought out next; Kennedy and Lucy cane her together, while she is bent over, still handcuffed. Lucy has the severed head of Niki’s teddy bear, which she brandishes in Niki’s face.

Amelia Jane Rutherford – BARSANDSTRIPES

13 May

Leia Ann Woods’ website/CP production company, with Michael Stamp later, featured a parade of well known CP actresses over the years. Each made a series of short films passing through the women-in-prison theme.

Here is a large selection for the well-known actress Amelia Jane Rutherford, made in 2007 through 2009, when she was in her late twenties and still looking 18. Ms. Rutherford is tall–6’1″, and thin (elusive about her weight), blond with a clothes model figure (32A bust and 27 inch waist), except for one of the most memorable bottoms you will find in the genre–38″ hips. Ms. Rutherford made films, at least for CHELSEAPFIEFFERENTERTAINMENT, FIRMHAND, GIRLSBOARDINGSCHOOL, DALLASSPANKSHARD, Pandora Blake’s DREAMSOFSPANKING, ENGLISHSPANKERS, Clare Fonda’s GIRLSPANKSGIRL,  HIDEFSPANKING, NORTHERNSPANKING, PAIN4FEM, REALSPANKINGSINSTITUTE, REDSTRIPE, her own RESTRAINEDELEGANCE, SARAHGREGORORYSPANKING, SOUNDPUNISHMENT, SPANKEDCHEEKS, SPOILEDBRATS, SPANKED-IN-UNIFORM, STRICTYLENGLISH, and SHADOWLANE, in addition to this large oeuvre for BARSANDSTRIPES, and then moved to operate her own business and blog. Dates are elusive for actresses. She looks very young here. We are still finding her films.

‘Intake Day’ (M/f; 2007; 22 minutes): All the arriving convicted prisoners go through this process, as is common in the WIP genre, and these initial humiliating will=breaking appearances are often for us the most appealing. Amelia stands handcuffed in fron of a seated guard (actor ‘Stephen Lewis’). Amelia is dressed demurely in a two-piece suit, white blouse, eyeglasses, heels, hair up. She flirts with Lewis, sits on his desk, and won’t toe the demarcation line.

He tries to be furious, and releases her handcuffs. “I am judge, jury, and executioner in this office!” He forces her to bend over his desk. We hear the usual squawking Ms. Rutherford features. He begins spanking on her skirt. She feigns the traditional protest and shock.

Skirt up, “You can’t do that. I want to see a female on the staff!” She wears lace-trimmed pale pink panties, always the fashionable undies from Ms. Rutherford in all her films. There must be some interesting bureau drawers somewhere. Lewis pulls them down.

After more spanking, he gets his strap. “No way you’re going to use that!” After some strapping, he shows her the orange prison tunic/smock, which she naturally detests. After some equivocation, she capitulates and begins undressing. Jacket, white blouse,skirt, and pink bra go in a pile until she is nude. This humiliation occurs in each prisoner ‘Intake’ segment.

Amelia pulls on the black full-cut regulation knickers and zips up the tunic, so short that panties peek out. She pulls on short stockings, a leg show you’ll find in many of her films. When Amelia laughingly mocks this degrading uniform and her circumstances, she earns more spanks before she is sent to her cell.

‘Wakey Wakey’ (M/f; 2007, time: 21 minutes) Guard Stephen Lewis rousts Amelia out of the bottom bunk in her cell. She is sleeping in a naughty little turquoise satin nightie.

Lewis takes her OTK–Heavens to Betsy, no panties! He begins her wake-up spanking, the usual squawk. Great closeups of a lapful of bottom. Hands on her bunk, bend-over for a leather sole. Amelia objects. “I want to see another officer.”

Nightie off, she is naked–very nice trimmed Mohawk. After Lewis leaves, she pulls on her prison tunic and smiles to herself as if she (her bottom), is enjoying the attention. Ms. Rutherford looks very young here, the makeup scaled back for the prison setting.

‘A Cell Too Many’ (M/f; 2007; 13 minutes): Amelia is caught on an unauthorized cell phone by the prison governor (actor and B&S producer ‘Michael Stamp’); another opportunity for a spanking on the spot, a privilege he will exercise for himself from time to time.

He takes her OTK and pulls down her black knickers; he seems to fondle a bit more than he should, but who can blame him, and he IS the governor. Guard Stephen Lewis joins to observe; Stamp explains, a bit self-consciously, “I’m just giving her a lesson in humiliation.”

‘Painful Steps’ (M/f; 2007; time: 16 minutes) Guard Lewis rousts Amelia out of her bunk again; she objects to the prison conditions and her treatment, not recommended when your bottom peeks out from under your tunic. Her insouciant mocking demeanor heightens the erotic tension.

She kneels up on the bunk ladder for a spanking and a paddling, panties down.

‘Solitary Day One’ (M/f; 2007; time: 6 minutes) All the girls seem to earn a tour in Solitary at B&S, a cinder block room with a mattress on the floor; apparently the guards stop in for daily punishments, and if this were a MISSMARCHMONT or LUPUS film, maybe a bit more if the coast is clear.

Amelia sleeps in her tunic and panties. Guard Lewis puts her into the ‘frisk’ position against the wall for handspanking on her panties and then on the bare. She protests.

Afterward, she sulks on her mattress, showing plenty of tush.

‘Solitary Day Two’ (M/f; 207; time: 7 minutes) Lewis carries in a strap this time; same posture; moderate strapping; we presume these sessions were filmed in succession, so a rosy bottom would challenge the time line.

‘Solitary Day Three’ (M/f; 2007; time: 6 minutes) On this date, governor ‘Michael Stamp’ shows up with the cane. He gets to do the good stuff. Amelia sees the cane and seems resigned to the fate Solitary brings.

Frisk position again, panties down first thing. Stamp lays on 12 moderate strokes; Amelia falls to the floor after seven strokes, but manages to regain composure to complete the dozen.

‘A Lawyer’s Flogging’ (M/f; 2007; time: 16 minutes) Presumably the storyline here is that a flogging can be arranged at the prison by either Amelia’s solicitor or the government solicitor, in case the prisoner has been detected in some flagrant legal irregularities.

The stage-lit scene opens on a horizontal X-frame rack, padding in place, straps waiting. The structure is a more modest, plausible and sturdy model of the huge frame RAVENHILL used in some of their ‘blistering’ films.

Dissolve. A completely naked Amelia Jane Rutherford is strapped down on the frame, her estimable buttocks elevated by a centerpiece and padded by a blanket. She tosses and wiggles under the chains and straps, loose enough to allow the alluring freedom of movement.

Guard Stephen Lewis enters the concrete block room with a martinet and strap. Amelia thrashes in despair. With no dialogue, he proceeds to flog her moderately hard for about 8 minutes. She squeals and struggles.

BARSANDSTRIPES has worked out the lighting, closeups, sound, and angles which NUWEST struggled with its entire existence in these flogging scenes. Excellent work, especially between the thighs.

After 10 minutes, Lewis shifts to a short tawse and elicits different sharp little cries from the very entertaining Ms. Rutherford. She watches in (mock) terror as he switches implements.

One of our favorite performances from the Grand Dame, down to the dirty soles of her bare feet from the studio floor.

‘Judicial Punishment’ (2M/f; 2009; time: 23 minutes) Ms. Rutherford returns to the BARSANDSTRIPES studios two years later for another series, ‘Rutherford 2,’ on the women-in-prison theme.

Actors ‘Paul Kennedy,’ ‘Stephen Lewis,’ and ‘Michael Stamp’ confer about the difficult prisoner Rutherford, which will allow us a series of punishment flashbacks. We fade to the darkened dungeon-like room. Amelia is marched in, handcuffed, her ankles already cuffed. A blanket rests on a horizontal X-bar, which has a slightly raised platform exactly where the hips will go.

The guards read a charge against Amelia–she has violated prison rules. She will get 25 strokes of the strap. “Rutherford…strip!” She gasps, cuffs rattle, her undressing is always notable, and she is fastened on the ‘X.’ Her 37″ hips soar on the centerpiece, another memorable and savable view of this actress. After 7 minutes of strapping, she is released, put against the wall, left to think, while they “rearrange” things.

Fade back to the conference of the three men. Another punishment is recalled. Back to the dungeon, the naked Amelia is fastened over a trestle. “25 strokes of the flogger.” The guards count them out.

More conference. The men agree Amelia should be caned next week. Back to the dungeon, the governor, who always reserves this task for himself, lays on 12 strokes of the cane. Amelia’s twitching at stroke feints is the best part.

‘Dream or Nightmare’ (2M/f; 2009; time: 17 minutes) A segment which permits the long-tall naked Ms. Rutherford to perform a sophisticated stripper’s routine. The scene opens with a naked Amelia curled in the fetal position in a dog’s cage.

In a dream-like gauzy segue, we move to a chair on a set, where Amelia strips naked in the undulating runway style. Mostly bottom of course, some Mohawk, and we notice her shaving tastes change from year to year. Guard ‘Paul Kennedy’ comes onto the set and spanks her as she moves around the stage-prop chair.

Segue back to the change, and then another spanking dream sequence, this time with ‘Stephen Lewis’ as guard.

‘Polished Cheeks’ (M/f; 2009; time:17 minutes) It appears Ms. Rutherford returned to BARSANDSTRIPES in 2009 for a “Rutherford 2” series, or some of her performances were held until then.

Guards ‘Stephen Lewis’ and ‘Paul Kennedy’ chat with Governor ‘Michael Stamp.’ The governor recalls with them how he caught prisoner ‘Rutherford’ asleep at his desk, some private files of his open. She had fallen asleep while cleaning, wearing her shorty orange ‘tunic,’ with black panties peeking.

In a flashback, the governor will exercise his prerogative and take her OTK in his office. “Lift your tunic.” It is a straightforward spanking, colorful, playful, and moderate, and most noteworthy for the extraordinary sight of Amelia Jane Rutherford’s bottom soaring on his lap. She squeals when he rolls her “pants” down; she denies reading the file and suggests she might report this spanking.

After a very entertaining smacking, the governor lets her up. When she pulls her panties up without permission, she has to hand them over and take more spanking over the desk, muttering “sexual harassment” to him.

She is set back to cleaning, uttering a “Fuck!” when she is alone. To complete the fun, she puts her panties in his desk drawer.

‘The Adjudication’ (M/f; 2009; time:16 minutes) The three men conference again. Prisoner Rutherford’s ‘attitude’ is the question. They decide she needs an adjudication, a procedure they have at this prison for yet another spanking ceremony.

Fade to the office; guard Kennedy has the task of spanking Amelia this time. A long scolding–she is defiant. He reminds her she has been convicted, as a practicing solicitor, of bribery and corruption. He pushes her over the desk, she wants to the see the paperwork which permits this punishment.

Pants down for a spanking–a steady squawk from her. He shifts to the strap. She grabs the phone and wants to call the governor. Kennedy permits her to dial through and the line remains open as she screams under the strap.

‘Target Practice’ (2F/f; 2009; time: 26 minutes) The three men conference again about the incorrigible prisoner Amelia Rutherford. This permits yet another fade to a scene in the faux vaudevillian-like dungeon room, made of gray stone walls which look made for a high school musical, down to arch window. The centerpiece is a hospital gurney. In attendance are matron ‘Lucy McLean’ and newbie female guard ‘Jessica Ward,’ and guard ‘Paul Kennedy.’

Prisoner Rutherford is called in–she doesn’t like the look of the poised guards and the gurney. Matron explains to Wood that she will demonstrate “disciplinary procedures” called “target practice.” Amelia questions why she must be the “subject” of such an instruction. Who better for it?

But first, onto the gurney for a “search.” Matron threatens another visit from the ‘violet wand,’ a little electro-experience we saw actress Niki Flynn endure. Tunic unzipped, Amelia is fondled on the gurney. This prisoner is a plaything for everyone on staff. Tunic off, panties down, long tall Amelia kneels on all fours. The matron and Wood share spanking.

She lies flat for the tawse, her bottom soaring in this posture. They fasten her wrists and ankles to the gurney and use her panties for a gag. More groping and strapping.

Amelia is released them bends over the end of the gurney for more spanking. When she stands this time, she pauses to allow us a leisurely frontal. She is marched back to her cell in just her bra.

‘Matron’s Turn’ (2F/f; 2009; time:14 minutes) Another turn with the ladies for Amelia in the dungeon room. Guard Wood brings her in. Matron McLean orders: “Strip! Everything…it’s medical!” Actress Lucy McLean combines a dour demeanor with a touch of humor. Amelia objects–she has already had her physical exam. But we know any chance to get Rutherford naked in this prison will be exploited.

Amelia gets naked, glorious as always. This posing is usually the highlight of each film, a stark naked fashion model. “On your back, please.” Snap with the rubber gloves. When the matron fondles with the gloves, “Cold?” “Yes.” Between the legs with the gloves, then Amelia rolls over. Ms. McLean has a decided skill in handling naked girls.

Cold stethoscope; on hands-and-knees, probe between the buttocks. the purpose of all this torment–there is a journalist secreted in the prison, and matron thinks Amelia knows who it is.

Spanking next, then the tawse. She is quickly marched out naked, being taken, she knows where. “No!”

‘Solitary’ (M/f; time: 25 minutes) In the prisoner file review conference, guard ‘Stephen Lewis’ explains to his associates that Ms. Rutherford is about “the least to learn a lesson.” The governor and guard Paul Kennedy agree Lewis should take whatever steps he needs.

Lewis visits the solitary cell. Amelia is hunched in a dog cage, in her orange tunic. Lewis pulls her out, bends her over the cage and straps her on her institutional black knickers, which is easy to do because the hem of the tunic covers nothing. Despite her steady protesting, “I want to lodge a complaint!” Lewis keeps it up, as it were. Panties down, Amelia’s resolve has melted. Not much dispute when she is ordered to take off the rest of her clothes. She manages to pose in all the right positions.

The scene ends with Amelia back in the cage, now naked. “You remind me of a wild boar, Lewis!”

‘At the Halfway House’ (M/2f; year: 2015; time: 14 minutes) A few years later, at least by date of release of the film, Ms. Rutherford has returned to BARSANDSTRIPES for stories which succeed her time in the women’s prison described above.

After an opening screen shot of a well-kempt prison cellblock, we begin in a sitting room, at a halfway house, where ‘Michael Stamp’ is spanking Amelia OTK bare bottom. Her white panties are where they should be, at her thighs. Apparently girls get spanked here as part of their adjustment.

Amelia complains–this spanking stuff is “boring and doesn’t have any effect.” She wants something else, like more community service. She should be careful what she wishes for. As the spanking continues, Stamp points out what many observers of this majestic bottom have said, that Amelia can keep up a steady prattle which the blows fall. A young matron, ‘Miss Page,’ is in the room and Stamp tells her to prepare for the next girl.

Page brings in ‘Aleesha Fox,’ who gets a look at Amelia’s bare bottom as she is released. It is now Aleesha’s turn. “Your first day here,  yes?” Stamp pushes her over the desk and begins smacking her black panties. Aleesha tries to be indignant. Panties down, this spanking is longer, more detailed. Stamp: “Now that’s an induction.”

‘Spanking New House’ (F/f; time: 27 minutes) Amelia arrives in the office of the halfway house, still wearing her prison smock, which has now become so small her panties peak out. She’s glad to be out and wants to put on her civilian clothes.

She is shocked to discover that the lesbian matron ‘Lucy McLean’ puts in some hours here also. Ms. McLean is heavier here and has not been hitting the gym like Amelia has. Lucy is going to hassle and intimidate her. Some smacks over the desk, and a threat to cut her blond curls.

Bend-over spanking, dark blue prison panties down, lefty McLean begins to have her fun with another naked girl. Fingernails rake Amelia’s buttocks. Amelia has to strip, McLean oogles. Long frontals. Rubber gloves for cavity search. Amelia objects–when did she have time on the prison bus? Fondling, probing, Lucy uses a magnifying glass. Some nude PT. Strapping, a lot of talk.

Lucy searches Amelia’s civvies before she can dress. Associate ‘Stephen Lewis’  arrives to take Amelia to her quarters and get his own share. Lucy puts Amelia’s panties in her desk drawer.

‘Room Service’ (M/f; year: 2013; time: 16 minutes)  Continuing from ‘Spanking New House.’ ‘Stephen Lewis’ takes Amelia from her meeting with Lucy McLean and more or less marches her into a nice bedroom, where she will reside for the moment. She is to settle in, he’ll be back. Amelia is not eager for that.

Amelia proceeds to take her clothes off–blouse, skirt, bra, and panties. She gets under the duvet naked;  she is restless because her bottom is sore from the  spanking McLean gave her in the office.

Lewis returns, Amelia doesn’t want him around. He eventually pulls  off the covers. Amelia is not all that disturbed at being naked in front of him. He is part of the staff. She is gloriously perfect as usual. “You are threatening my space with your proximity.” Typical Rutherford.

Lewis arranges her over some pillows. “You’re not going to do more spanking?” Lewis begins handspanking. When he grabs a paddle, “You’re a horrible man.” She accuses him of just having fun, that this is not punishment. After a not too severe spanking, Amelia promises not to be naughty any more. The film concludes with one of her nudie shows, where she rubs and examines her bottom.

‘Pillow Fight’ (F/2f; year: 2015; time:  10 minutes) A trifle, shot later in time from the institutional series above. Amelia with her friend ‘Aleesha Fox.’ The production values are a bit better here, suggesting time has passed.

Amelia and Aleesha have a silly pillow fight over a missing hairbrush. ‘Zoe Page’  breaks up the fight and will spank them both with a paddle. When the two girls bend over the foot of their bed for spanking, the comparison  of Amelia’s long legs and sensational bottom has never been more measurable. Mostly silly spanking. “Can we get to bed like good girls now?”

‘The Hearing part 1’ (M/f; year: 2013; time: 17 minutes) Another film made later, and all the models seem to be aging except for Amelia. She sits in a lawyer’s disciplinary hearing facing ‘Michael Stamp’ and ‘Lucy McLean.’ She has been doing some extracurricular lawyering at a prison. Is she an inmate herself?

Stamp has witnesses and sworn statements. He and Lucy recess for a decision, right there. Amelia actually bumps into the door as she goes to wait outside. The decision: she either goes back to prison or accepts corporal punishment. She accepts. “I’ll do that other thing.”

Amelia is asked to remove a strap from the desk drawer. She raises her skirt and bends over the desk, black panties and garter belt. Stamp does the strapping, Lucy holds her wrists. Amelia pulls her own panties down, several angles on the strapping.

Lucy is delighted to lead Amelia into another room for a cavity search, which we will not see.

‘The Hearing part 2-the Double Paddling’ (M/f; year: 2015; time: 11 minutes) ‘Stephen Lewis’ brings Amelia into a room where ‘Lucy McLean’ awaits. The table holds a collection of spanking implements. They are going to continue Amelia’s punishment on their own, and they assure her “the Governor would agree with this.”

Amelia is encouraged to bend over a table. She is wearing black tights. Her blond hair is in ringlets here. Lewis and McLean will paddle her together, one on each cheek. They pull down her tights and comment that she is not wearing panties. Sort of silly paddling, could have been more crisp.

‘The Hearing part 3 the Cane’ (M/f; time: 8 minutes) The conclusion of this creative oeuvre. Amelia returns to the hearing room to complete her sentence and is a little surprised to see Michael Stamp greet her, holding a cane. “Surprised to see me?” “Not really.” Amelia would have known Stamp would take this final opportunity for his shot at her bottom.

Amelia wears a semi-formal black dress and heels, ready to return to her law firm. Her hair is pinned back. He will give her 24 strokes of the cane, she will count, and if she misses, he will keep caning and the uncounted strokes are extras. Amelia doesn’t need convincing. She bends over the desk, pulls up her dress, and displays perfect pale pink panties. We don’t think there is another actress who can do this as consistently well.

Stamp warms her bottom with a handspanking first, which seems to surprise her. The first six cane strokes are on the panties, then she is allowed to rub, and pull them down. Then 18 more, her bottom full-screen for much of the way, a nice tight group of little white lines. She is allowed to rub and leave.

‘Bedroom Games at Halfway House’ (1) (F/f; year: 2015; time: 10 minutes) Amelia only has a moment on-screen here and is not spanked. ‘Zoe Page’ seems to be the matron here, and she greets new arrival ‘Aleesha Fox,’ gets her out of her BARSANDSTRIPES prison smock into rather tarty civvies, and gives her a good spanking to get things started for her stay at the halfway house.

Solitary-Emma Brown/Zena Stones – BARSANDSTRIPES

22 Oct

time: 38 minutes

Two female prisoners receiving staff visits while they are in ‘Solitary,’ in a Leia-Ann Woods production. Stone walls, metal cots, etc.

Blond Emma Brown is first; Day 1: administrator ‘Richard Harris’ visits first. She struggles to keep from laughing. A few good smacks usually clears that up. He makes her bend over, pulls down her black knickers for handspanking. Then she stands and takes up the ‘frisk’  position against the cell wall. Pants down, he smacks her pink. “Please, sir.”

Day 2: Guard ‘Lucy McLean’ enters. Trouble. She has rubber gloves. Cavity check under Emma’s prison smock, then a bend-over for the tawse.

Day 3: Richard Harris returns with the cane. A mild session, but nice if you like incarcerated blondes.

Zena Stones Day 1: Raven-haired Zena loses her panties to Harris pretty much like Emma did.

Day 2: Lucy McLean visits and Zena gets a short, hard strap,

Day 3: Harris visits with his cane.