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Correction Castle

12 Nov

3F/3m; time: 59 minutes

A genre not our thing, as we have said ad  nauseam.  This one attracted us because of the presence of ‘Miss Brown.’ She is mature here, and in that she is advertised as for hire, she has probably made a number of F/m films. This is the only one we have intercepted so far. No luck yet on finding the producer.

The scene is a faux castle, where male inmates are tortured and punished in ways surely not in the policy manual. Two pretty blond uniformed female guards march a male prisoner through the stucco portals, where Miss Brown greets them. The guards strip off the guy’s uniform. There will be no covering up in this film.

A sign is lettered and hung on his neck. “Lewdness. 10 crop.” The guy is taken to a faux dungeon, where two other naked men are caged. In a series of scenes, the girls will torture the men, fighting smiles on their faces. Bullwhipping, a braided whip, penis torture. . In one scene, a guy’s cock has been fastened to a board and wired to electrodes, but there is no realistic shocking. It could have been colorful.

Halfway through the film, the three naked men finally have their audience with Miss Brown. She will cane and strap each of them, just as hard or harder than we have reviewed her in numerous F/f films. She uses those sharp, wristy, lefthanded strokes. The prisoners rock and groan on trestles or benches. Hardly a hint of an erection throughout the film.



Jailed, Stripped, and Striped – MISSMARCHMONT

9 Mar

2F/2m; time: 53 minutes

Another institutional corporal punishment from ‘Miss Marchmont’; F/m films are a bit off our beaten path, except that here we pursue the complete works of ‘Miss Brown,’ aka ‘Miss Precious,’ here acting as a dominatrix for two male prisoners. We believe the actress has previously advertised herself as available for parties and such, along the lines of this story.

Miss Brown and another woman are dressed as matrons, in khaki blouse, skirt, heels, an military cap. The first male prisoner is marched into the chamber, unshackled slowly, and made to strip buck naked, full frontal, no evasive angles. Brown’s assistant does the rubber glove routine, the prisoner bends over naked, jewels hang, for the appropriate inspection and the little jerk on penetration. He then puts on his prison uniform, two piece pajama-like, is shackled again and marched off to his cell, down a corridor which looks like a real prison.

A second male goes through the same humiliating, exposed process.

The first male is brought back to the chamber, stripped naked again, bent over a high stool. Brown uses a strap and cane on him, very hard.

The second male gets the same naked punishment.

And in the final scene, the first prisoner is caned naked again, the two matrons alternating strokes and turning his butt into a striped mess worthy of Rigid East.

Another ‘Miss Marchmont’ film, ‘Prison Canings,’ which we have reviewed here, depicts the same welcoming punishment, with two male guards whaling two girls in the same setting. We have seen this film listed by some as containing one of the most severe canings on film, which it may well have been at the time, until Lupus/Rigid East ramped up.

Pain and Punishment – CALSTAR

9 May

F/f; time: 21 minutes

‘Tracy vs. ‘Miss Brown’; Tracy is a saucy redhead, and paid a call by Miss Brown, a sitter sent by Tracy’s mother to visit for a week (and apparently to straighten her out, starting at the bottom). No messing with Miss Brown (there is never any messing with her)–the spanking commences immediately, on the couch, first a handspanking then some strap. Tracy fights back. This is a form of Nanny Intervention you won’t see on television.

Miss Brown points out that Tracy has the devil in her and that it must be beaten out, and “I have week to do it.” Tracy is locked in her room for the night. Next morning Miss Brown wakes her up. “Take off your shoes and panties.” Brown has brought a cane and has a tough time landing it on Tracy’s bare wiggling target. But: “By the end of the week your parents will be very pleased in the change in you.”

Another night in her room, then more caning, about 10 strokes in various positions, including some with her bottom on pillows in the center of the bed, legs spread, fully on display. Very embarrassing too. “You’re nowhere near the cheeky little maiden you were before.”

After another overnight; she is made to strip and take a bath, then turned over in the tub and caned; aah, the wet British bottom. “Hurts more when you’re wet, doesn’t it?” She pulls on white panties and the caning continues. In a rather choppy ending, it appears she is tamed. This erotic storyline never was fully developed.

That’ll Teach ‘Em – MISSMARCHMONT

23 Apr

F/3f; time: 28 minutes

‘Miss Brown’ on the warpath; three of her schoolgirls have been caught shoplifting. If you share our admiration of this producer MISSMARCHMONT, you know to settle in and lean forward for an entertaining hour. Miss Brown studies her punishment book, her cane, hairbrush, and staps laid out on the desk.

Three sweet schoolgirls report. The tension is palpable–Miss Brown specializes in a number of things, not the least of which is visual intimidation. She tells the girls the shopkeeper has agreed to “punishment on your bare bottoms…do I make myself clear?” But first the girls must write letters of apology, squirming at their desks.

Miss Brown will spank each girl, the others will watch and await their turn, part of Miss Brown’s technique of sweet agony. ‘Elaine’ is first, the actress ‘Elizabeth Marnie Shaw,’ a very tall short-haired brunette with blond highlights, and bangs over one eye. Before the spanking starts, she must strip down–Miss Brown helps her off with her necktie, tunic, blouse, down to white undershirt/vest and blue panties. We are excited already, before the first blow. Brown pulls her knickers down and she stands bottomless facing us–nice clean shave, as Miss Brown studies the punishment book, a history of Elaine’s tush? Only a few CP producers take the care to generate this tension. Finally, she is spanked OTK and then cornered, bare, arms folded center-back.

‘Melanie,’ another tall brunette in pigtails, the actress ‘Nicky Montford,’ one of the bravest ladies in the business, steps forward and is similarly undressed. When her pants come down, she is a little more fuzzy. She whimpers when she is spanked and then is cornered, “nose to the wall.” Elaine comes back and sits at her desk, the rear view of her bare bottom on the wood seat we found extremely erotic.

Christine is the third girl, yet another tall brunette, with a flapper-style helmet of hair, equally sweet when she has handed over her pants. When she is OTK, Miss Brown admires her bottom as if it were a fine sculpture. Christine then to the wall, Melanie bare onto her desk seat.

The next phase in the girls’ march to destiny is the hairbrush. Elaine returns, and she doesn’t care for it at all. Fussing and gasping. Camera angles throughout are varied and dramatic, picking up every nuance of the buttocks. To conclude, Miss Brown smacks her thighs while we have a frontal moment.

Melanie and Christine endure the same routine. The camera exploits every angle.

Humiliations continue. Each girls’ palms receive 6 tawse-slaps. We watch front and rear. Sweet contorted faces.

The last phase deserves a drum roll. Miss Brown retrieves a cane from a wall hook. The girls face us, panties at the knees.

The first cane series is six strokes, girls’ hands-on-knees. Hard, crisp classic Miss Brown. The stripes can be counted.

But the excitement continues. At last the vests come off. Elaine wears no bra and has a figure you will remember for a while. Touch-toes for “your final six.” Sensational Brown just excels.

Melanie and Christine lose their vests and endure the same. All three girls are in such distress that their nudity at this juncture is the least of their concerns. To conclude, they stand naked, facing us, and Miss Brown enjoys her triumph and you will enjoy yours.


5 Dec

F/2f; year: 1997; time: 33 minutes

Sexy little boyish blond ‘Sarah,’ having forged a permission signature, must report to the redoubtable ‘Miss Brown,'(aka ‘Miss Precious’) bad news and ends the same way. This is at school.  Sarah starts to pull her own panties down, off-script. “Did I say…?” “No, Miss.” Brown takes her OTK, very slowly, skirt up very slowly, and white panties down, also with theatrical timing. Miss Brown dishes out one of her patented left-handed spankings on an impeccable round bottom.

Sarah goes home and tells her sister Joanne Miss Brown gave her a spanking. Joanne wants to challenge Brown. “No, don’t, please….she’s really wicked…I’ll get another spanking.” But they do confront Miss B, who folds her arms and reminds sister of HER spankings here at school. Dissolve to several spanking scenes of Miss Brown, in her academic robes, relishing the bare bottom of the old sister in the past.

In the present, older sister caves to the intimidating demeanor of Brown and will herself be taken OTK once again. Sarah has to watch and listen. After a bare bottom spanking, sister kneels on a chair for the leather paddle. Brown does the knickers each time, slowly and an undeniable fetish.

Touch toes for the cane, panties down. The actress is very flexible, can grab her ankles without bending knees, and long legs! 12 slow strokes, she counts them out amid sniffles.

Surely Sarah did not think she would avoid blowback herself. She is over Brown’s lap again, knickers down. Sarah is ordered to ask for the paddle, more subjugation which turns Miss Brown on. The paddle on the chair, and then Sarah too touches toes for 12 of the cane.

The girls are sent on their way, authority restored, traditions (and panties)  intact.

Winners and Losers – REDSTRIPE

5 Sep

F/2f; year: 1997; time: 34 minutes

Lean and mean ‘Miss Brown,’ THE Miss Brown; and an all-star cast of Sarah Harvey Lewis and Barbie Mel, in a standard classroom schoolgirl drama, except that nothing Miss B.  does is standard or routine. Brunette Ms. Lewis as ‘Grace’ and Barbie Mel as ‘Melinda’ have been caught in a wet T-shirt contest, wearing school gymkits! The boys must have loved that at the pub, as well as the ageplay group. Miss Brown is going to spank the daylights out of them.

Melinda is taken OTK first, blue knickers taken down immediately by Miss Brown, who prefers to do this honor. Goodness, yet another perfect British female bottom. Miss B.: “I can see you haven’t been punished for a while.” Over the back of a straight chair, more handspanking. Then Melinda is sent to stand bare-butt at the hearth.

Grace (Ms. Lewis) is spanked next, bare, and very hard. Miss Brown is in high gear. She is having her own sort of contest. “A little competition here today, the reddest bottom.” After some time over the chair, she lines up her results beside Melinda at the hearth.

The scene is a high-ceilinged beamed room, stone floors and walls, a huge walk-in hearth. Fleshy echoes in this setting.

The wicked Miss Brown continues. Melinda may choose the next implement from an array on display. A thin strap. She kneels on a chair–Grace holds her wrists. Brown whales. “Stick it up…bottom right up.” Melinda must choose again–why she selects a huge tawse we wonder–six wonderful cracks on her tush.

Grace watches in apprehension and is wonderfully reluctant when she kneels for her strappings.

“It is very difficult to see who is winning at the moment.” Not a problem for us. Collect more data. Another comparison, skirts tucked up, panties at thighs. Miss Brown torments the girls–the cane is next. Melinda is first over the desk–12 decisive cane shots she must count aloud. Grace gets her twelve, then each girl gets a set of six rapid-fire, which sets them churning and twisting.

Medical Misdemeanors – STRICTLYMISSBROWN

8 May

MF/2fm;  year: 2010; time: 54 minute

By now we have reviewed other films from ‘Miss Brown’s’ new film company. This was the first one we saw. As amateur observers, we became fascinated with Miss Brown’s style. These new films, for us, capture the charm of the British plot-driven CP fetish stories from a few decades ago, with vastly improved production techniques. Portable cameras now facilitate scene changes. And with Miss Brown on the scene, the exquisite little erotic cues for a good punishment spanking are not overlooked.

Excellent and professional reviews are found on her website. Actress Charlie Sinclair, as Miss Jayney, brings student ‘Ellen,’ played by Ellen May Davis, to the school surgery or infirmary, on the pretext of needing a physical exam. Jayney is in league with ‘Dr. Hampton,’ played by Marcus Allen, to have some fun with this girl. He wears the perfect lab coat.

“I’ve brought you a nice young thing.” They toast with a vodka. “Bottoms up,” says Jayney. “Bottoms up, indeed,” replies Hampton. While they cavort, Ellen sits fidgeting on a plastic chair in the reception area. Before they bring Ellen in, Jayney strips down to bra, thong, and garter belt for a little session of her own, a teasing spanking and caning. Tall svelte Ms. Sinclair reminds us of a lithe Miss Brown in her archival fiims.

Ellen has heard the spanking noises. She is called into the surgery, looking marvelously worried about what might happen to her. Jayney undresses her, down to her panties. Hampton will examine her and checks her heartbeat with his stethoscope, actually lifting each breast to listen underneath, admirably thorough, we thought. They help her off with her knickers and will spank her. Excellent closeups–Ms. Ellen wears pussy rings.

In walks headmistress Miss Brown, incredulous at mostly naked Ellen bent over the examining table. “What the hell is gong on here….Dr Hampton?” scowls Brown, in her patented, intimidating, commanding, humiliating style. Makes the skin crawl on a girl’s bottom, and in this case, Doctor Hampton’s! Jayney runs off. Brown paces and scolds. Hampton works for her and knows what’s coming.

She finds the vodka and the spanking implements in his cabinet. “You have interesting things in here, doctor…” and after a long pause and icy stares, “we’ll keep this in-house…we’re going to have to teach you a lesson, aren’t we, Dr. Hampton?” We begin a full-fledged F/m discipline session. With a tawse, the lefty precise Miss Brown tawses Hampton’s palm with full strokes.

“Take your coat off.” She slowly opens his pants in classic porn style, but for this genre she doesn’t reach inside. Hampton drops his pants and shorts and bends over the table. Ellen, who has  taken the opportunity to hurriedly get her clothes back on, is brought back and given quite a vantage point to watch the action, adding to  Hampton’s humiliation. “You know I am going to strap you, and cane you….really really hard.”

Miss Brown lays on a series with a strap, then 12 with a cane, and a concluding sonorous rapid-fire six. Hampton has to count aloud. He is stoic–his butt takes an undeniable beating–blood flecks, wheals, and white lines. Lefty Miss Brown bears down with full-force strokes, no quarter given. “Next time I won’t be so lenient.”

Miss Brown turns on Ellen, sure she is part of this prurient conspiracy. “I want your school uniform off.”  “Why?” We learn Miss Jayney is a procurer of students for Hampton’s surgery. She brings in unsuspecting schoolgirls.

Hampton returns and adjusts the surgery chair to serve as a spanking bench. “Bend right over, girl.” Ellen yelps as she counts out the paddle sequence, legs spread, boobs hang, oblique view–the full details from this experienced film crew. Brown even urges her to keep her back concave to force the buttocks out.

Ellen jumps as Brown wooshes the cane. Naked but for knee socks and maryjanes, she is going to be caned until she admits why she came to the surgery. “Stick that bottom out…I shall keep going, young lady.” After 25 hard zingers, Ellen chokes out, “Miss Jayney brought me.”

Mission accomplished. This film contains the entire collection of erotic direction–nervous anticipation, humiliation, shock, nudity. A fully equipped infirmary, correct clothing, excellent lighting, and sound. And of course Miss Brown, trim–determined, resourceful, and goal-directed.

Piercing Punishments – STRICTLYMISSBROWN

2 May

F/3f;   year: 2010;   time: 1 hr, 18 minutes

A long film from the rejuvented Miss Brown production company. Cute blonde Inga (actress Lava Valkyrie), dressed in detailed schoolgirl kit, will be one of the three morsels served up for us. She coaxes school staffer ‘Miss Fox’ (actress Xela Xaste) to take her to ‘Bodyworks’ for some intimate body piercing. Shop attendant Keeley (‘Keeley Macabre’) greets them and offers a display case of choices.

The three go in back of the store, where the action occurs; a sexy-looking treatment chair awaits, filled with promise for adult-film fans. Fox discusses her own piercings and is eager to help Inga off with her clothes to see what can be done. “Do you think Miss Brown will find out?” After displaying her own nipple piercing, she gets Inga’s blouse off then slowly removes her bra to examine her comparatively adolescent breasts. During this overtly lesbian play, Fox explains how much fun and “game playing” body piercing generates. Inga’s into it.

Down to panties only, little white boy-shorts. “Why don’t we have a look at your….lady garden?” Knickers teased down, a very naughty pubic shaving. Fox takes a peek. “You’ll be fine having a piercing there.” Back in the barber-like chair, buck naked, legs splayed. Fox plays with her.

Inga gets her undies back on, shopkeeper Inga joins them and readies her medical implements. Miss Brown arrives in the showroom–she is suspicious this is one of the places performing piercings for her students. Keeley tries to put her off but she enters the treatment room and confronts staffer Fox and student Inga, cowering in just panties on the chair.

Excuses aside, this violates school rules; Miss Brown must be a powerful lady; she is not only headmistress but can be town enforcer. She is going to spank EVERYBODY. Fox is sent to Brown’s car–we learned long ago that all good British disciplinarians travel with implements. Fox objects to dropping drawers in front of a student.

Brown wants to know WHERE Inga was going to be pierced, as she proceeds to service Inga in her own way. “Bend right over [the sexy chair]…stick that bottom out, Inga…I’m going to punish all three of you.” Brown slowly pulls Inga’s knickers down, in a style unique to her. Inga looks at the camera but somehow maintains her persona.

Inga’s bottom is totally rouge-red; Keeley is next. “Skirt off.” Onto the chair. Pink knickers. Brown keeps up the lovely CP banter. “Your bottom is a nice shade of pink…I can’t imagine what it is going to look like later this afternoon.”  Knickers down slowly, full view of HER lady garden. Inga has faced the wall, “knickers down,  touch your toes.” Keeley’s bottom has blotched and developed a sort of heat rash we see in vigorous spankings.

School staffer Miss Fox returns with Brown’s tools and is shocked to see the two red bottoms. Reluctantly she climbs into the chair, dress up, black panty-thong. Keeley and Inga are ordered to watch. She curses at Miss Brown, who yanks down the thong. With a stiff leather paddle, Brown smacks slowly and hard on the mature buttocks. She switches to a cane but lays only two strokes–sounded like the cane broke.

“Bottoms in a row…touch toes, all of you!” Brown can hardly disguise how much fun she is having.

Inga back on the chair for the paddle. The smacks are hard enough that the paddle shape is clearly discernible on her cheeks. At a pause she gets her knickers up but Brown takes them down and they continue.

Brown marches the girls out to the showroom, where they will be spanked over the glass showcase. She parades with a cane, a thicker one. Over the case, bottoms bare, 3 strokes on each pair of panties.

First now Miss Fox, Brown pulls off the panties again. “Nine more strokes, count them.” Zingers. Keeley next, her knickers down more gently–9 strokes. Closeup of countable marks. and last, undergrad Inga 9 strokes. The actress oblingingly arches her back and keeps her bottom out and available. Good thing no one stopped by to look at the tattoo and jewelry display.


30 Apr

F/2f; time: 49 minutes

After watching a new film from StrictlyMissBrown, we decided to move toward completion of all Miss Brown’s films. There are a few reviews around on this one if you care to research.

This is a standard schoolroom-schoolgirl disciplinary session except, as we have said, nothing Miss Brown does is standard. Here, she has blond hair, the only occasion we recall, and she is a little heavier, before reverting later to svelte thinness.

Two girls, actresses Nina Birch as ‘Nina,’ and Saffy as “Sara Jane,’ have been caught shoplifting. “One way or the other we are going to get to the bottom of this.”

Sara Jane won’t give up Nina’s identity, so Miss Brown spanks, tawses, uses a ruler (which breaks) and a hard thin wood paddle. She raises bruises and angry white marks. The paddle finally breaks Sara down: “Nina Birch….Nina Birch,” she gasps.

“And now we come to the punishment for your shoplifitng,” which is the cane over the desk, 15 of her patented left-handed snaps. Brown calls for Birch to be sent for and Sara Jane kneels on a hard wood chair, nose to the wall.

Nina arrives and sees Sara’s stripes and gets the message. Silly apologies. “Sorry is not enough,” intones Brown, one of her famous lines, although we didn’t find it in Barlett’s Quotations. Sara is allowed to get off the hard wood and stand; Nina, carefully attired in full schoolgirl costume, goes OTK for the slow Brown ritual, pants down. “You have some of the bruises from when you were here last.” More handspanking over the back of a chair.

The girls take their scolding in front of Brown’s desk while we compare bottoms. Both girls are palm-slapped with a leather strap. Once again,  this seems to hurt more than spanking.

We know Miss Brown will work through the complete punishment sequence. Nina over the desk–for the tawse, two bigger straps, that nasty hardwood narrow paddle. “Stick that bottom out!”

Brown spanks very hard, always, and particularly the paddle here. The girls start to crack and blame each other. To Sara: “Pass me the cane.”

Nina takes six strokes on the bare and is erotically excellent in fidgeting and fussing. A few more while touching toes–this actress excels in this posture.

Spankings completed; front-and-center again; more stripes to compare. One Miss Brown performance is better than the last one.



3 Apr

F/2f; YEAR: 2010; tIME: 46 minutes

Another current production from the renaissance of the actress ‘Miss Brown.’ one of the most entertaining dominatrix’ over the evolution of the British CP film industry. At first glance, it is just another simple exercise of schoolgirls facing spankings in the classroom. However, Miss Brown’s production staff (there are rare credits on this film) has perfected every nuance of erotic institutional spanking–exact little uniforms, including bobby socks and mary janes; a fully furnished classroom in a government setting, gun-shot spanking sounds, panties just-so, much more.

Two schoolgirls sitting in detention, writing lines, supervised by a junior instructor, ‘Miss Chater,’ played by actress Tammi Lee. Miss Brown visits, lectures and scolds, pacing in her intimidating, scornful manner. She is no longer the waif-like spanker seen in so many films in the 90’s, but a mature, full-figured bombshell; if we were not otherwise busy, we’d try a weekend with her anytime, so long as we could reverse the roles. Just enjoy the theater. We will gather and post other earlier Miss Brown performances.

The girls tittter and chatter; they tease the junior Chater about her stocking tops, visible below her tiny skirt. Upskirt shots of the insouciant girls. A Chopin soundtrack is woven among the dialogue, lending an air of sophisticated British tradition to these otherwise scandalous goings-on. Brown burst in to interrupt the frivolity. “Exactly how many lines have you written, girls?” Weak answers, together with our certain knowledge that Brown knows how to make her own lines, generates one of her classic exhortations: “You know what’s going to happen now, don’t you?”

“Lucinda,’ played by the maginificent Leia-Ann Woods, who has spent most of her career bent-over, for which we scatter rose petals, is taken OTK, uniform jumper hem up, full white panties. “You always say you’re ‘sorry,’ we’ll see how sorry you are.” Wth that begins the hard left-handed hand smacking, Miss Brown’s signature. Flesh-on-cloth reverberates off the painted brick walls, high ceilings, and wide-board wood floors.

“Keep your feet on the floor, girl!” Not so easy under this fusillade. Brown carefully pulls down Lucinda’s knickers and leaves them thigh-top, knowing this is high drama. The sound of flesh on flesh is clearly different.

“Emily,  change places.”  The actress Amy Hunter gets the same intimate attention, while Lucinda stands hands-on-head, bare bottom, in the scene. Ritual stuff.

Both girls are bent bare-bottom over a lectern for a few more smacks. Camera zooms between their thighs. The girls are moved to kneel side-by-side on a double desk, bottoms high, legs through the back support, a naughty position reminiscent of early Roue, where gowned Don’s patrolled around hapless students.

Undressing time. The girls feign shock when they’re told to remove their jumpers. Very nice. Ties off, blouses off, slowly, down to panties and gymslips. They face the wall and are left alone to anticipate the next phase. The camera finds their little shoes and socks.

Brown returns; the girls are caught embracing. Brown will now use a 2′ strap. the first full arm swing shot on Lucinda’s bare tush rings like a howitzer. Immediate bruises. Brown strokes and admires her target. Lucinda must count silently to 12. We counted aloud. Zing!

Emily’s turn. “Let’s have these down, shall we?” Brown knows how attention-to-knickers makes a film. Same strapping. Suffering facials. Both girls face us, knickers at half-mast, a long frontal while Brown goes for her cane. Chopin interlude.

Fade to caning; Lucinda bent over; 12 slow strokes, wonderful; is that a fleck of blood? Emily shivers and flinches as she watches in the shot. Lucinda: “Oh, God.”

“Now change places.” Emily comes forward with the same agony of dread and anticipation you’ll see in some of the Eastern European serial canings, where the girls must witness and await their turn. she gets her 12, slow, snappy, and spaced. The girls pull up thier pants and leave.

Because every ritual and detail is so finely turned here, this perfectly routine classroom spanking scenario becomes a symphony.