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Correction Castle

12 Nov

3F/3m; time: 59 minutes

A genre not our thing, as we have said ad  nauseam.  This one attracted us because of the presence of ‘Miss Brown.’ She is mature here, and in that she is advertised as for hire, she has probably made a number of F/m films. This is the only one we have intercepted so far. No luck yet on finding the producer.

The scene is a faux castle, where male inmates are tortured and punished in ways surely not in the policy manual. Two pretty blond uniformed female guards march a male prisoner through the stucco portals, where Miss Brown greets them. The guards strip off the guy’s uniform. There will be no covering up in this film.

A sign is lettered and hung on his neck. “Lewdness. 10 crop.” The guy is taken to a faux dungeon, where two other naked men are caged. In a series of scenes, the girls will torture the men, fighting smiles on their faces. Bullwhipping, a braided whip, penis torture. . In one scene, a guy’s cock has been fastened to a board and wired to electrodes, but there is no realistic shocking. It could have been colorful.

Halfway through the film, the three naked men finally have their audience with Miss Brown. She will cane and strap each of them, just as hard or harder than we have reviewed her in numerous F/f films. She uses those sharp, wristy, lefthanded strokes. The prisoners rock and groan on trestles or benches. Hardly a hint of an erection throughout the film.



Jailed, Stripped, and Striped – MISSMARCHMONT

9 Mar

2F/2m; time: 53 minutes

Another institutional corporal punishment from ‘Miss Marchmont’; F/m films are a bit off our beaten path, except that here we pursue the complete works of ‘Miss Brown,’ aka ‘Miss Precious,’ here acting as a dominatrix for two male prisoners. We believe the actress has previously advertised herself as available for parties and such, along the lines of this story.

Miss Brown and another woman are dressed as matrons, in khaki blouse, skirt, heels, an military cap. The first male prisoner is marched into the chamber, unshackled slowly, and made to strip buck naked, full frontal, no evasive angles. Brown’s assistant does the rubber glove routine, the prisoner bends over naked, jewels hang, for the appropriate inspection and the little jerk on penetration. He then puts on his prison uniform, two piece pajama-like, is shackled again and marched off to his cell, down a corridor which looks like a real prison.

A second male goes through the same humiliating, exposed process.

The first male is brought back to the chamber, stripped naked again, bent over a high stool. Brown uses a strap and cane on him, very hard.

The second male gets the same naked punishment.

And in the final scene, the first prisoner is caned naked again, the two matrons alternating strokes and turning his butt into a striped mess worthy of Rigid East.

Another ‘Miss Marchmont’ film, ‘Prison Canings,’ which we have reviewed here, depicts the same welcoming punishment, with two male guards whaling two girls in the same setting. We have seen this film listed by some as containing one of the most severe canings on film, which it may well have been at the time, until Lupus/Rigid East ramped up.


29 Sep

F/2f; year: 1998; time: 39 minutes

We keep finding these films where there is an affiliation between REDSTRIPE and OHHTEEKAY better than straight REDSTRIPE films. The reason here might be the presence of a young and svelte ‘Miss Brown.’

Miss Brown has two schoolgirls ready to be dealt with, redhead ‘Chanelle,’ and a boyish ingénue ‘Sarah.’ The girls have been caught in an advanced Lesbian embrace, and it appears Miss Brown will beat it out of them, while indulging in her own predilections. Camera angles in this film will occasionally be from below–upskirt for all three women.

Miss Brown bends the girls over their desks, in opposite directions. Skirts up, Chanelle wears white knickers and Sarah dark blue. Brown pulls both pair down and begins handspanking. On the wall in the background is a large collection of video tapes, a treasure trove of CP shoots, we’d guess.

Sarah seems to suffer most. The girls object, then take off their skirts on order. Both girls get a leather paddle, while they beg. Brown runs her hands slowly over the girls’ bottoms, almost letting her fingers into the gaps. Chanelle breaks down a little. “I hate this school!” She is made to sit half-naked on the floor.

Sarah is sent outside. Chanelle is first for the cane. Panties down again. 15 strokes of the cane; Sarah is called in to see the work-in-progress at 6 strokes. Very distressing for her. She cringes as she watches. Brown gets in a fondle at 12.

Sarah’s turn over a desk. 12 strokes, and it would seem a bit harder. Sarah marks up more aggressively than Chanelle. When the girls bend over the desks for a bottom comparison, the difference is stark. Chanelle gets two more strokes for some cheeky remarks; another fondle from Brown. The girls dress and leave.

Pain and Punishment – CALSTAR

9 May

F/f; time: 21 minutes

‘Tracy vs. ‘Miss Brown’; Tracy is a saucy redhead, and paid a call by Miss Brown, a sitter sent by Tracy’s mother to visit for a week (and apparently to straighten her out, starting at the bottom). No messing with Miss Brown (there is never any messing with her)–the spanking commences immediately, on the couch, first a handspanking then some strap. Tracy fights back. This is a form of Nanny Intervention you won’t see on television.

Miss Brown points out that Tracy has the devil in her and that it must be beaten out, and “I have week to do it.” Tracy is locked in her room for the night. Next morning Miss Brown wakes her up. “Take off your shoes and panties.” Brown has brought a cane and has a tough time landing it on Tracy’s bare wiggling target. But: “By the end of the week your parents will be very pleased in the change in you.”

Another night in her room, then more caning, about 10 strokes in various positions, including some with her bottom on pillows in the center of the bed, legs spread, fully on display. Very embarrassing too. “You’re nowhere near the cheeky little maiden you were before.”

After another overnight; she is made to strip and take a bath, then turned over in the tub and caned; aah, the wet British bottom. “Hurts more when you’re wet, doesn’t it?” She pulls on white panties and the caning continues. In a rather choppy ending, it appears she is tamed. This erotic storyline never was fully developed.

That’ll Teach ‘Em – MISSMARCHMONT

23 Apr

F/3f; time: 28 minutes

As we revisit this film, it may be our favorite of ‘Miss Brown,’ on the warpath here; three of her schoolgirls have been caught shoplifting. If you share our admiration of this producer MISSMARCHMONT, you know to settle in and lean forward for an entertaining hour. Miss Brown studies her punishment book, her cane, hairbrush, and staps laid out on the desk.

Three sweet schoolgirls report. The tension is palpable–Miss Brown specializes in a number of things, not the least of which is visual intimidation. She tells the girls the shopkeeper has agreed to “punishment on your bare bottoms…do I make myself clear?” But first the girls must write letters of apology, squirming at their desks.

Miss Brown will spank each girl, the others will watch and await their turn, part of Miss Brown’s technique of sweet agony. ‘Elaine’ is first, the actress ‘Elizabeth Marnie Shaw,’ a very tall short-haired brunette with blond highlights, and bangs over one eye. Before the spanking starts, she must strip down–Miss Brown helps her off with her necktie, tunic, blouse, down to white undershirt/vest and blue regulation knickers. We are excited already, before the first blow. Brown pulls her knickers down and she stands bottomless facing us–nice clean shave, as Miss Brown studies the punishment book, a history of Elaine’s tush? Only a few CP producers take the care to generate this tension. Finally, she is spanked OTK and then cornered, bare, arms folded center-back.

‘Melanie,’ another tall brunette in pigtails, the redoubtable actress ‘Nicky Montford,’ one of the bravest, perhaps #1,  lady in the business, steps forward and is similarly undressed. When her pants come down, she is a little more fuzzy. She whimpers when she is spanked and then is cornered, “nose to the wall.” Elaine comes back and sits at her desk, the obligatory rear view of her bare bottom on the wood seat we always find extremely erotic.

Christine is the third girl, yet another tall brunette, with a flapper-style helmet of hair, equally sweet when she has handed over her pants. When she is OTK, Miss Brown admires her bottom as if it were a fine sculpture. Christine then to the wall, Melanie bare onto her desk seat.

The next phase in the girls’ march to destiny is the hairbrush. Elaine returns, and she doesn’t care for it at all. Fussing and gasping. Camera angles throughout are varied and dramatic, picking up every nuance of the buttocks. To conclude, Miss Brown smacks her thighs while we have a frontal moment.

Melanie and Christine endure the same routine. The camera exploits every angle.

Humiliations continue. Each girls’ palms receive 6 tawse-slaps. We watch front and rear. Sweet contorted faces.

The last phase deserves a drum roll. Miss Brown retrieves a cane from the blackboard.  The girls face us, panties at the knees.

The first cane series is six strokes, girls’ hands-on-knees. Hard, crisp classic Miss Brown. The laddered stripes can be counted.

But the excitement continues. At last the vests come off. Elaine wears no bra and has a figure you will remember for a while. Touch-toes for “your final six.” Sensational Brown just excels.

Melanie and Christine lose their vests and endure the same. All three girls are in such distress that their nudity at this juncture is the least of their concerns. To conclude, they stand naked, facing us, and Miss Brown enjoys her triumph and you will enjoy yours.

Twenty Questions – REDSTRIPE

11 Apr

F/2f; year: 2009; time: 40 minutes

‘Miss Brown’ at work in the classroom; simple in format, finely tuned in exacting detail. Miss Brown makes the most mundane plot into a compelling performance. She has caught two students, in complete school dress, smoking, drinking, and gabbing on the phone. A telling piece of dialogue delineates the era of the year 1999: “Since when are MO-BILE phones allowed in school?”

The two blondes are sent to a classroom. RedStripe couldn’t master the external traffic noises any better than CALSTAR. There they get the first Miss Brown lecture and then must follow her into a sort of inner sanctum, a well appointed sitting room, the suggestion being that students don’t leave the room smiling very often. The girls aren’t given names.

The first blonde goes OTK, full-length on the couch; the positioning and Miss Brown’s lowering of her white panties are ritualized with careful attention to the erotic moment. She spanks with full-stroke lefty slaps. Miss B.  speaks in a low, mostly inaudible murmur, but it is easily assumed that what she is saying can’t be good. Some handspanks standing over the couch–very hard; marks show early.

The ponytail blonde gets the same couch time. Miss Brown shows unusual interest in these attractive bare bottoms. The two girls are lovely when compared side by side. Miss Brown moves from bottom to bottom, buttock to buttock, cracking hard with a leather sole paddle.

Miss B.  tortures the first blonde with a schoolgirl classic–holding textbooks at arms’ length, especially entertaining without pants. More paddle for the ponytail. Both girls are made to sit in front of the fireplace, hands on head. The ponytail rises to get the cane first.

She bends over a chair. Even this detail is done with sweet precision–full bend, grab the chair legs, locked knees. About 21 strokes, counted backwards aloud, with some extras because the stressed girl gets confused. Miss B. has positioned her panties at perfect mid-thigh. The strokes are hard and breath-catching.

The first blonde rises to take her turn and is clearly frightened after watching. Miss Brown always specializes in tormenting observers when their turn comes. This girl doesn’t muff up the count….”Eighteen, thank you, miss…seventeen, thank you, miss”  etc.

Marvelous closeup of a well-punished bottom. Each stroke is a musical event.

The girls receive a long lecture, pull up their pants, and leave. In spite of this simple format, with no frills at all, a blog called “katiespage”  referred to ‘Twenty Questions’  as one of the “horniest.’ One word more descriptive than this whole review.

Just Another Day at St. Stripes part 3 – REDSTRIPE

31 Mar

2F/6f; year: 2000; time: 35 minutes

Redoubtable ‘Miss Brown’  on the scene in this episode; after the sepia tone summary, the scene opens in RedStripe’s quintessential classroom. Three schoolgirls are splayed bare-bottom over desks, having already been spanked in the earlier videos. Natalie and Susan await adjudication; Miss Brown looms menacingly, as only she can do. First though, Miss Brown finishes up a fourth girl, whose bottom is already well-marked, with a brief handspanking. Now there are four red bottoms to view.

Pretty auburn-haired Natalie has been sitting with Susan, the other four red bottoms displayed in front of them. Miss Brown calls her forward. The girls have been trading and selling homework in some way. Miss Brown takes her OTK in her imperious style, making sure her bottom is correctly positioned for the camera; the plaited skirt up, hard handspanking on well-fit white knickers. then they come down to display a voluptuous bottom. Natalie stands to remove her panties completely, hands them to Miss Brown, who tosses them aside with contempt, then back OTK, “legs apart….more,” something Miss Brown is very exacting about. She is sent to her desk to be the fifth moon in the room.

Brunette Susan goes the same route, in her blue regulation knickers. This position is elegantly perfect to keep the buttocks in natural shape, provide full-screen close-ups, and ample angles from the sides and below. Miss Brown whales with full swings with a heavy tawse. In most of her performances, she can be relied on to be severe but not cruel;  she tends not to use any of the moderating stroke-making we occasionally see. She picks up the cane–almost 30 strokes, the last six rapid-fire. Susan has to count aloud and something goes awry, which never favors the spankee. The strokes are fast, full-swing, crackling, and convincing. Susan is brave.

Natalie is next and must have no illusions. Her muscular bare bottom is tawsed over a chair, followed by 24 impressions by the cane.  “One, Miss…two. Miss…” Miss Brown is borderline wicked in her ferocious attack on the young female hindquarters. To  conclude with her, another female teacher steps up and adds a dozen or so full-powered tawse strokes.

At the conclusion, in a Broadway curtain call, all six bare bottoms parade for a bend-over for the staff spankers in the room, who are rightfully proud of their artwork. A male voice is heard on the set.


5 Dec

F/2f; year: 1997; time: 33 minutes

Sexy little boyish blond ‘Sarah,’ having forged a permission signature, must report to the redoubtable ‘Miss Brown,'(aka ‘Miss Precious’) bad news and ends the same way. This is at school.  Sarah starts to pull her own panties down, off-script. “Did I say…?” “No, Miss.” Brown takes her OTK, very slowly, skirt up very slowly, and white panties down, also with theatrical timing. Miss Brown dishes out one of her patented left-handed spankings on an impeccable round bottom.

Sarah goes home and tells her sister Joanne Miss Brown gave her a spanking. Joanne wants to challenge Brown. “No, don’t, please….she’s really wicked…I’ll get another spanking.” But they do confront Miss B, who folds her arms and reminds sister of HER spankings here at school. Dissolve to several spanking scenes of Miss Brown, in her academic robes, relishing the bare bottom of the old sister in the past.

In the present, older sister caves to the intimidating demeanor of Brown and will herself be taken OTK once again. Sarah has to watch and listen. After a bare bottom spanking, sister kneels on a chair for the leather paddle. Brown does the knickers each time, slowly and an undeniable fetish.

Touch toes for the cane, panties down. The actress is very flexible, can grab her ankles without bending knees, and long legs! 12 slow strokes, she counts them out amid sniffles.

Surely Sarah did not think she would avoid blowback herself. She is over Brown’s lap again, knickers down. Sarah is ordered to ask for the paddle, more subjugation which turns Miss Brown on. The paddle on the chair, and then Sarah too touches toes for 12 of the cane.

The girls are sent on their way, authority restored, traditions (and panties)  intact.

Times Are Get Harder – REDSTRIPE

24 Sep


Twin Towers of Spanking–Miss Brown and Miss Chambers, neither of whom wants to be caught spanking less hard than the other, are in a shabby basement-like recreation room with two “prisoners,” both of whom have been awarded 50 strokes of the strap and 50 with the cane for various misdemeanors. The women are dressed in uniform-like sharp  blouses, neckties, short blue skirts, and high heels. As always when these two actresses perform, you are torn as to who should discipline whom.

The girls are in T-shirts with prisoner numbers and shorts. Miss Brown paces and menaces with her skin-crawling low threatening tones. Prisoner #682, a chunky blonde, is first over the trestle for a cavity check. Nobody snaps on rubber gloves quite like Brown. #679, a very tall dark-skinned girl is checked next–Brown finds some drugs in an intimate place.

#682 is tied to the trestle, wrists and ankles. The fastenings in this film are time-consuming, and such bondage is rare for British films in our recollection. Brown pulls her pants down and Chambers goes to work with a long tawse, only moderate, and the girl’s cries are silly. Lefty Brown takes over and slashes harder. Two tawses at once, good angles–we’d hoped they would do this. #682 is released–slowly.

#679 is fastened next. The women seem to tawse her harder. We go through the same process for blonde #682 all over again–Brown pulls down her pants and Chambers steps into the batting cage with the cane–20 hard, wristy shots counted aloud by the prisoner, white marks on her red bottom. Brown takes over the cane for 10 more, and harder. The two women alternate to whip the final 20 strokes, and each turned on by the other. Rousing. Good bruises and some minor flecks of blood.

Prisoner #682 has been watching. She is tied down–15 from Chambers, 15 from Brown, then 20 in tandem. For good measure, they add 4 very hard strokes as a coda. Brown bawls the girl out for a few minutes while their bottoms ring like bells.

Winners and Losers – REDSTRIPE

5 Sep

F/2f; year: 1997; time: 34 minutes

Lean and mean ‘Miss Brown,’ THE Miss Brown; and an all-star cast of Sarah Harvey Lewis and Barbie Mel, in a standard classroom schoolgirl drama, except that nothing Miss B.  does is standard or routine. Brunette Ms. Lewis as ‘Grace’ and Barbie Mel as ‘Melinda’ have been caught in a wet T-shirt contest, wearing school gymkits! The boys must have loved that at the pub, as well as the ageplay group. Miss Brown is going to spank the daylights out of them.

Melinda is taken OTK first, blue knickers taken down immediately by Miss Brown, who prefers to do this honor. Goodness, yet another perfect British female bottom. Miss B.: “I can see you haven’t been punished for a while.” Over the back of a straight chair, more handspanking. Then Melinda is sent to stand bare-butt at the hearth.

Grace (Ms. Lewis) is spanked next, bare, and very hard. Miss Brown is in high gear. She is having her own sort of contest. “A little competition here today, the reddest bottom.” After some time over the chair, she lines up her results beside Melinda at the hearth.

The scene is a high-ceilinged beamed room, stone floors and walls, a huge walk-in hearth. Fleshy echoes in this setting.

The wicked Miss Brown continues. Melinda may choose the next implement from an array on display. A thin strap. She kneels on a chair–Grace holds her wrists. Brown whales. “Stick it up…bottom right up.” Melinda must choose again–why she selects a huge tawse we wonder–six wonderful cracks on her tush.

Grace watches in apprehension and is wonderfully reluctant when she kneels for her strappings.

“It is very difficult to see who is winning at the moment.” Not a problem for us. Collect more data. Another comparison, skirts tucked up, panties at thighs. Miss Brown torments the girls–the cane is next. Melinda is first over the desk–12 decisive cane shots she must count aloud. Grace gets her twelve, then each girl gets a set of six rapid-fire, which sets them churning and twisting.