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Office Discipline – NUWEST

29 Jan

F/f; time: 10 minutes

A short film featuring Kiri (Kyrie) Kelly and a female domme, made in the late 1970’s or early 1980’s, when Ed Lee was still using his office set with the faux wood wall in the background and before his female cast was fully present.¬† Even though this scene is self-contained, it may be part of a longer collection, although we have identified the more famous ones she made and reviewed them.

Kiri delivers a cup of coffee to her boss, but she is waylaid, and the employment contract she signed is read to her. She is chronically tardy. She must accept disciplinary spankings or be fired. She quickly accepts a spanking and the OTK event begins.

Kiri goes OTK, the hem of her pink dress comes up, her pantyhose and panties come down, and the handspanking proceeds. We’ve commented that Kiri’s NW spankings were always the toughest, despite the number of films she made elsewhere. This one is hard and convincing.

Despite the age of the film, the camera angles Lee worked were the usual inventive–low from the floor, frontal, from the ceiling, facial, and bottom closeup, all in 10 minutes. Maybe Ms. Kelly overacts a bit here, but her popularity as a CP actress is understood.

Four Whipped Bottoms – NUWEST FCV-004

13 Dec

M/4f; time: 27 minutes

Another early film, poor production values, frustrating camera angles, and another example of Ed Lee’s annoying habit of playing background music over the studio loudspeaker, muffling the dialogue and spanking noises.

‘Louise and Michelle’ One girl, naked, is strapped down on the upright kneeling-position, tilted trestle. The second blond girl moves around the set in just panties, occasionally bending over her own trestle, a chaired-shaped contraption. Ceiling views and inadequate floor shots don’t provide closeups or facials. Lee concentrates mostly on the girl fastened down, with a strap or lashes. Occasionally the blonde positions herself for the same.

‘Chelsea and Tanya’ At the 18 minute mark. This is Tanya Fox! And because it is her, she gets the facials and bottom closeups we wanted earlier. Chelsea moves around, pulls her panties up and down a few times, and on one occasion lies across the back of the pinioned Tanya for a little of the strap, We are just not close enough to experience any intensity.


13 Dec

M/f; time: 31 minutes

Very early stuff, with some of the original¬† actors before Ed Lee got his cast assembled. And we’re on that good old plaid couch. ‘Lisa’ will be spanked by her husband ‘Don’ in four short segments, for domestic infractions. Her bottom craves the attention.

Lisa a tall, slim, big-haired brunette, with slim hips and a tight little bottom, not so much the wide feminine hips so much preferred later in this industry. The spankings all occur on the couch and were probably filmed when even this simple exercise was an illicit experience. No nudity except knickers down.

We missed the first infraction. Lisa is spanked OTK on white panties and then on the bare.

The second spanking–for wearing a¬† naughty little running outfit in public.

The third–spanked in a long red dress.

And fourth–caught smoking.

Vanna straps/strap on NUWEST

16 Oct

F/f; time: 21 minutes

We approximate this title. Standard stuff from NUWEST; ‘Vanna’ in her latter-day domina role. A brunette stands strung-up center-stage in the cavernous studio. Her wrists are fastened by leather cuffs to a rope to the ceiling. Her legs are spread by a spreader bar attached to her ankles. Vanna tucks up her short skirt to expose full white panties. She pulls the panties down with a flare.

Vanna begins whipping the girl with a martinet. “Stick that ass out.” In the background onstage is a collection of NW’s CP equipment.

FADE. The brunette is now attached to a table-like platform, kneeling. He knees are pulled wide and attached to posts. Her belly rests on a pad. Her vagina and anus and fully open. Her head and neck are pulled down and stabilized with a loop. Her hands are free-she will need them.

Vanna plugs an extension cord in to a far wall and brings over a wand massager/vibrator and positions it to massage the girl’s vagina. The brunette reaches between her legs to steady it in place.

Vanna lubes the girl’s pussy and anus and then takes some time to put on a strap-on dildo. She seems to have trouble with the complex straps. The remainder of the film is a long, slow fucking in the anus.

Spanked Females – NUWEST NWV-478

3 Aug

MF/f; time: 16 minutes

Another 8 mm silent film converted to tape. A short series of M/f and F/f spankings, hard enough to impress, with various implements. The girls flash their fronts as they struggle with no corny or coy posing, giving the film a sort of illicit and voyeur feel.

Of historical interest only. We will watch anything from NUWEST, because surprises always lurk.

The Brat – NUWEST

1 Aug

F/f; time: 12 minutes

Another of the early 8 mm silent films converted to video. Ed Lee has said these early brown wrapper under-the-counter smokers are coveted by the spankos.

A young lady skips rope indoors and breaks a lamp. She gets paddled for it. The second time she gets in trouble she is stripped naked for the spanking.

Stepdaughter – NUWEST NWV-012

2 Jun

MF/f; time: 31 minutes

Extremely early NUWEST, as the catalogue number indicates, and the worst production values, acting, and staging. But the film does have that illicit brown-wrapper, under-the-counter, smoker feel to it, which may have been relevant in the 1970’s or so when depicting a young girl having her pants taken down and spanked by ‘parents.’

Ed Lee is ‘Jeanine’s’ father, and there is a stepmother. The couple debates on who should discipline Jeanine, by which they mean, who is going to pull her pants down and spank her.

Jeanine stays out all night and ignores her stepmother’s scolding. She won’t take a spanking. “You’re not my real mother….you’re a mean old witch.” When she is threatened with boarding school, she surrenders.

There follows a series of ineffectual spankings, by Lee and the stepmother, in varying states of undress, all in the kitchen, one set, and so poorly staged we can’t tell what is going on.