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Lazy Maids – PAIN4FEM

3 Sep

MF/3f; year: 2004; time: 50 minutes

Another long form film from PAIN4FEM, and a bit of a disappointment, given this producer’s attention to detail and plot development in most of its films. Two very pretty girls, brunette Susanna and blonde Tanya, work for their mistress in the manor.

Madam goes off to work and wants a clean house when she returns. The girls work awhile and then fall into Lesbian play. Of course the mistress catches them naked. When the girls, pretty runway-style models very much in the P4F tradition, beg to keep their jobs, the mistress offers corporal punishment.

She will call in the gardener (Peter Schober as ‘Josef’) to do the hard work. First, the mistress gives each girl an OTK spanking. Peter arrives for his part, two bare bottoms on display. He is unfazed. He takes up an “African whip,” it is called, and straps both bare bottoms. The mistress wants it “harder,” because she should, and she enjoying all this. The intensity so far is a bit below P4F standard.

Madam has a cane nearby. The girls must strip naked, which they do slowly, side by side. Josef canes each girl, almost 30 strokes each are shown. There are repeats, maybe in triplicate. Facial, rear, closeups of face and bottom. Lots of chance for repeats. Mild stuff. Tanya jumps and screams, the best part of the film.

The girls are sent naked to their room. The madam signals she has something more for Peter to do; we hope we know what that is. The mistress brings the girls powder and they tend their stripes and have daydreams about spanking and caning their mistress in revenge, giving us the third bottom for the film.

At tbe conclusion, the girls’ mistress returns to their room to compliment them on their courage. She is feeling better about things and we see why. Her bottom is striped. The gardener has caned her and maybe done some plumbing.



Strict Prison 3 – PAIN4FEM

12 Feb

MF/3f; time: 42 minutes

The third in a series of longer films from SPANKINGSERVER on this subject. The stories in this ‘prison’  are unrelated, although we’d to say the justice system here continues to produce pretty girls. The set is just a few rooms, not much of a prison. Peter and two female guards are in  a break room. A  brunette prisoner is brought to a holding cell, where she falls asleep and dreams the punishment of another girl–the sense of which we couldn’t detect.

The dreaming consists of a blond prisoner, forcibly stripped, whipped over a trestle, and then whipped strung up. Typical stuff from P4F. This female prisoner is awakened by the two guards, taken to the punishment room, and herself stripped, tied over the trestle, and here, birched, Peter joining in. Marks look proper for a birch bundle. P4F would seem to occasionally do some cosmetic work.

A new prisoner is escorted in, a rather goofy, gum-chewing sullen  brunette who is going to need some attitude adjustment.  After her interview with Peter, she strips naked and is taken to a medical scene by the two guards, who intend a cavity search.

The girl must lie flat on a gyno table then bend over it, for the cavity searches with two speculums. The camera avoids intimacy.

Back to the hold cell, but first the blonde is chained (heavy chains) over a table for a caning from Peter. She is left in the cell naked.

Strict Prison 1 – PAIN4FEM

9 Feb

M/2f; year: 2004; time: 47 minutes

Another of the longer-form films, basically the same theme as the many SPANKINGSERVER shorts, except with a storyline. Blond ‘Kelly’ plays a prison guard here, on just a brief break from being the subject of a spanking herself. Brunette ‘Dominika’ plays a prisoner in a cell, wearing a skirt and blouse, not the orange jumpsuit.

Kelly pays a call on her and begins some lesbian play. Dominika kicks her away–enough to start the story. Kelly marches her to supervisor ‘Peter Schober,’ and reports the assault. He seems a bit ambivalent, but he must do his job. He fastens Dominika to a table, bares her bottom, and straps her, while Kelly watches. At one point he reties her ankles tighter and with thighs wider.

Peter keeps canes soaking in brine in a metal shaft. He canes her, marks begin, and he oils her, selects a thicker cane to continue, forcing her to sniff the canes. This is enough. Kelly returns Dominika to her cell.

Kelly reports back to Peter, who rips her for prisoner abuse. It seems he beat Dominika for nothing. so Kelly will get the same (actually worse). Peter himself removes her blouse, she allows it. She is not wearing a bra. This is always a big moment in her appearances.

First he strings her up to the ceiling and whips her bare back. Next she is fastened to the same table, skirt up, panties down, for a flogging. Next the cane, marks, tears in closeup. Peter used a squirt bottle to keep her bottom wet.

The Spy – PAIN4FEM plus some short films

3 Jan

MF/f; time:42 minutes
Actress ‘Niki Flynn’ paid visits to several of the major CP film producers to combine her distinct talents with the modality of the particular producer. Here, she made one long film with SPANKINGSERVER/PAIN4FEM and ‘Peter Schober,’ plus some shorts, most of which we have found and reviewed below. This longer film is just plain excellent.

Most of the production from this company comes in short, consumable, Internet form. This is the longer form, our preference. Niki resides in a house with Peter and his personal sidekick ‘Helen,’ Schober’s wife and co-founder. Both of them wear Fascist-style uniforms. Peter receives a phone call, apparently implicating Niki as a spy.

Peter gets his Luger pistol and they drag Niki out of bed in her nightgown. The film is in German. Niki is American but will not need any dialogue, just emotion. She is taken to a room with straw strewn about, a silly excuse for the ‘woodshed.’ As you would do with any nubile female spy, you spank them until they confess.

OTK first, shift up, no panties–this girl sleeps with no panties. Niki obligingly spreads her legs. Maybe she was asked, we don’t know the language. The next phase, Niki sits in a chair and her hands are tied behind her back. Peter threatens with his pistol. The action is marginally corny and melodramatic, but we do have plot and story, and the certainty that Ms. Flynn will do her thing. Niki is then strung up to the ceiling. Her shift is ripped off and Peter whips her. Ms. Flynn has always excelled on the end of a rope. P4F exploits it and plays a long, writhing scene.

After a FADE, Niki has been left naked in this ‘barn.’ Peter and Helen return and tie her down on her stomach on the bench, Russian style. Her bottom and back are still red. Peter straps her bottom. Zoom on her twitching, full screen.

She is released for the next punishment. Niki is naked longer in this film than most. Another FADE, she is awakened after sleeping on the bench, still naked, her shift shredded. This time, Peter and Helen tie her bent over a table, wrists and ankles. They keep tormenting her, much to our pleasure. She gets the cane here, 30 strokes, facials and various angles, a lot of gasping, and we do not detect any repeats. Welts and stripes from the previous spankings have accrued. This is a vigorous caning–her far buttock tells the tale. Peter tries to act menacing by grunting as he strokes.

And some shorts found at ‘SpankingServer.’

The Rugbeater (M/f; time: 3 minutes) ‘Peter Schober’ pulls Niki off a couch, has her pull her panties down, and spanks her with a rug beater. She turns red quickly, gives us plenty to imagine between her legs, and puts up a sweet fuss. Longer hair in these short films, grown back in from the LUPUS period.

‘Schoolgirl OTK’  (M/f; time: 3 minutes)  Niki sits at a formal school desk, suitable for a church sanctuary. Peter is instructing her, becomes incensed, positions a chair, and grabs her OTK for a bare-bottom spanking, moderate in power and conventional enough, except that Niki is one of the better squawking strugglers in the spanking business.

‘Whipped Back’ (M/f; time: 4 minutes) Niki and Peter are dressed in peasant garb. He drags her into a sort of tackroom, straw covered floor. He pulls off her blouse. She is not wearing a bra. He pulls wrist cuffs on her  and strings her up to a spreader bar.

Peter then lashes her bare back for a short interval. Schober has always featured unusual spankings and whippings to any and every part of the body, and Ms. Flynn obliges here. She does a wonderful job of looking absolutely terrified.

Spanking Club – PAIN4FEM

7 Sep

MF/2f; year: 2004;time: 1 hr 7 minutes
The long form from PAIN4FEM. Mild spanking, mostly a celebration of the naked bodies of four of the extraordinary cast found at P4F. And care taken for elegant settings and ritual.

Brunette ‘Jane’ is seen dragging her bag along a country road to a palatial castle. She screws up her courage and knocks. She is admitted by a young woman dressed BDSM-style and soon greeted by ‘Lady G’ (actress ‘Kelly’).

Jane had made an appointment to join here. “You are here to learn how to accept pain.” This castle is a BDSM club serving wealthy clients. Before Jane can join the staff, she must learn the procedures for being a submissive. ‘Learning the ropes’ could apply.

FADE. Jane is naked, being attended and prepared by three other girls. Hair, makeup; cuffs are attached. Jane has a creative pubic shave. She was ready when she got here.

Her first training session – she is put into the diaper position, the girls hold her legs open, and Lady G. flogs her pussy, a variation P4F covets.

The next session, an exterior shot. A blonde is strung up naked. Jane is being taught how to use the whip. Girls never whip hard without encouragement. Lady G. shows her how to lean in on it, then Jane feels some herself.

Two more sessions for Jane, whipping over a trestle and the cane. Both exteriors–P4F exploited its good fortune in getting this ‘castle’ for a shoot.

And now, a ‘client’ arrives, in the person of P4F/SpankingServer’s master, ‘Peter Schober.’ He inspects four girls presented to him and looks at Jane’s recent welts. He must know she is an apprentice. He selects a blonde, who is then brought to him in another room. The girl has been made to put on a schoolgirl kilt. She gets the longest and hardest strapping and caning of the film.

Pocket Money – PAIN4FEM

10 May

2F/2f; year: 2006; time: 40 minutes
Three girls amble down a wooded country lane. PAIN4FEM did a nice job of inserting exterior shots and generally took more trouble to create alternate scenes than most CP producers.

The girls enter a house; one of the girls is playing the ‘aunt’; she appears about the same age as the other two. In their room, the girls secretly open some mail. A lecherous male contact they have made has sent them some pocket money in return for pairs of wet soiled panties. They refer to him as ‘Mr. Huge’ and take off and pack up panties to send, along with a naughty note.

FADE. Aunty discovers a naughty letter from Mr. Huge, calls her sister, and receives authority to spank the girls now. The two will get a scorching when they come home in three weeks. She has a paddle nearby.

The girls are called in and confronted with the letter. The spankings are explained. Each girl is paddled, jeans down, then panties down. The paddle is large, but looks light-weight.

‘One Day Later’: Aunty overhears the girls plotting in their room, something more with Mr. Huge. She calls her sister again, who we see on screen this time–it is P4F’s ‘Helen,’ an accomplished spanker, and good news for us, given the time remaining on the film. Helen tells her sister the girls cane expect a “good blistering.”

‘Three Weeks Later’: the girls are home, in the presence of Helen and her sister. The girls deny any Mr. Huge connection. Helen gets her cane.

“I’m going to warm your behinds first.” Helen will handspank then cane each girl, getting to bare skin. She spanks harder than her little sister, who we had hoped would be swept up in the threshing machine. Both bare bottoms, side by side kneeling, puss on display. Moderate marks.

Painful Exorcism – PAIN4FEM

12 Apr

M/2f; time: 43 minutes
Long form of film from PAIN4FEM. Two girls, sisters, bustle around a farmhouse, dressed a little too nicely for the work they are doing. A crucifix is prominent on the wall.

One sister climbs up a ladder in the barn to fetch a basket. Not an easy climb when you wear a long flowing dress. In the hay loft she finds a book, some kind of demonic cursed erotica. She cuts her hand with a splinter on the ladder, and some the spell of the book enters her. Unaware, she bleeds all over her dress.

She faints, is found, and put to bed. When she awakes, she has no idea what happened, and now she is possessed by a spell. In the house she throws a fit, hurling food at the crucifix, out of control.

After a weird night, ‘Father Paul'(‘Peter Schober’) and a nun are called and they arrive at the house. The wild sister has been locked in a closet. When she is released, she rips open the top of her dress and flashes her breasts. To Father: “You want these?”

In a CP film, there is no debate about the technique of exorcism. Ropes and cuffs have been attached to the low beams of the farmhouse. The girl is dragged to the beam, her dress stripped off, and she is strung up naked. P4F probably has had the most glamorous models in the CP film industry.

The accompanying nun (model ‘Kelly’) begins flogging while Father reads the scriptures. Schrober is such a wicked lecher in so many films you have a difficult time imagining him as a penitent. What is going on under those robes and when will his turn come? The girl snarls–nothing is getting to her so far.

They release the girl but she is still wild, so they refasten her. This time the nun uses a huge bullwhip, and, of necessity, she has to be gentle with it. It is clearly a soft cloth whip. (NUWEST did the best job of masking the severity of a bullwhip, and Ed Lee was the only whipper we recall who could nail the buttocks with the tip of the whip.) The top of the nun’s habit has come open to display her breasts as she labors with the whip. A lot of distraction for the Father.

They will sew back the nun’s ripped habit, and when the sister is released, she bites her sister and draws blood. Despite her being bandaged, now she is possessed. They quickly get her over a table, skirts up, bloomers open, in a hurried effort they will try to beat the spell out of her before it sets in too deeply.

This is the best whipping of the film. The girl breathes smoke and fire. When heavier smoke arises from between her legs, the group rejoices and cross themselves. They cut the spell off at the pass, so to speak.

Father Paul burns the book. What was it? Satanic Verses? Harry Potter? Huckleberry Finn? They put the naked girl to bed, and we hope that the Father takes the nun out to the hay loft.