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Traveling Disciplinarian and Novelist – NORTHERNSPANKING

2 Jun

M/f; year: 2011; time: 15 minutes

A joint venture between NORTHERNSPANKING and RESTRAINEDELEGANCE. ‘Niki Flynn,’  very nattily dressed in a red suit, works at a laptop in a comfortable sitting room. She receives the character ‘Hywell Phillips,’ playing his recurring role as a ‘traveling disciplinarian’ for hire.

It seems Niki’s publisher has retained him to give her a new form of motivation to make her deadlines. She hangs her head in embarrassment and shame, as she often does in her films, as the reality of the moment sets in. She is going to be spanked and doesn’t seem to object. Must be in her contract.

She kneels up on her couch. Hywell has brought a bag of canes, a flogger, and paddle. He asks her to lift her skirt, then “Knickers down, please.” Warrior that Ms. Flynn is, there are some faint bruises. Hywell lays on about 20 mild strokes. Niki complains a bit much. She signs a waiver and will be spanked again if she misses the next deadline.

 

After the Party – RESTRAINEDELEGANCE

10 May

M/2f; year: 2012; time: 8 minutes

Amelia Jane Rutherford and Niki Flynn with a character named here ‘James Jekyll.’ He made a number of films with Amelia at STRICTLYENGLISH as an  ‘uncle’  character and we identified him differently.

The girls are in a silly argument over a man, which could lead to a catfight, but not with these two gentile chassis. They are dressed in silly outfits. Jekyll breaks up the argument and gets his strap, to the horror of the girls. Niki and Amelia will both be strapped lying on the couch, a position which does not lend itself to good camera angles, and apparently there was not much equipment for this shoot.

Exam Papers – RESTRAINEDELEGANCE

10 Oct

M/f; time: 12 minutes
A simple little standard spanking exercise from ‘Amelia Jane Rutherford’ and her husband ‘Hywel Phillips’ on their rapidly expanding website. Hywel plays ‘Stephen,’ a school official, and Amelia is a teacher. She claims that not only did she ‘lose’ some course exam solutions, but the students have them now and are selling them.

Stephen claims the course is ruined, and they will have to work round-the-clock to repair the damage. A closeup of Amelia’s anxious hands. “You don’t take matters seriously enough…if you were younger, I’d give you a sound spanking.” “I’m not too old.”

Stephen takes Amelia OTK. We see the trace of a smile on her face. Stephen pulls her skirt down her legs. No panties. “I notice you’re a bit underdressed today.” A routine spanking, if that is possible, Amelia’s bottom the usual wonderful sight rising and undulating on his lap.

“Are you going to remember this?” “It’s so hot!” She is into it. Her plan to wear no panties just accelerated things. Stephen has a small thin metal strip handy, we think he called it a “Re bar.” It produces a squeal.

The spanking concluded, Amelia dresses, content to let the professor see it all. They kiss. She leaves. A graphic reports that the missing papers are in fact in a briefcase she left behind, so np damage has been done. But she got what she came for.

Slave Girl Training RESTRAINEDELEGANCE

10 May

M/f; time: 59 minutes
Hywel Phillips and Amelia Jane Rutherford/Ariel Anderssen in a long exercise for them, from their website, and another vehicle to showcase the lady.

The camera pans a collection of bondage equipment and spanking implements. Hywel welcomes Ariel. “You’ll be pleased to know you’re to be reinstated as the resident slave girl.” Ms. Rutherford, trim in a gold lamee dress, looks a delightful subject for this faintly conditional remark from Hywel. “Over the next hour you will take 100 strokes of the cane.” Ariel’s little pout at the number does not disguise some excitement.

Hywel fastens a high Egyptian metal collar around her neck, stiffening her posture. She loves it. “10 strokes every 6 minutes…and we shall tie you up in between and keep an eye on the clock.” Ariel pulls up her dress and bends over. She has not worn panties to her reinstatement ceremony, in the hope they wouldn’t be necessary. As always, Ms. Anderssen is filled with ad lib dialogue. She would appreciate a bit of bottom warmup handspanking.

10 moderate cane strokes, then Hywel ties her arms behind her back, BDSM style. Ariel poses on the couch, seated like a starlet on a low couch on a talk show–all leg.

Second set of strokes–in the diaper position on the couch, more tie-up, and a bit of puss.

Third set–bend over the leather couch; she kneels erect and watches the clock as Hywel wipes the soles of her feet in preparation for an upcoming set.

Fourth set of 10–she stands erect for these; some marks are developing.

Fifth–the bastinado back in the diaper position; Hywel is kind; some models howl for these.

And so forth, sets of 10 and various bondage positions, all and all, a showroom for Amelia.

Just Desserts – RESTRAINED ELEGANCE

29 Apr

M/f; time: 16 minutes
An incomplete film, we will amend this when we can. ‘Amelia Jane Rutherford’ and ‘Hywel Phillips’ tussle in a bright well-furnished sunroom, a set we have seen before. He bends her over a high table in the center of the room and fastens her wrists behind her back. “Tell me what you are doing!”

Amelia is elegant again in pink top, a short flower print skirt, beads, and red heels. Hywel inserts a red ball gag and fastens it into place. This would have been fun to see in any number of other films where Ms. Rutherford protested too much. He ties her wrists and knees with fashionable red rope. He helps her up onto the table and maneuvers her to lie lengthwise, on her stomach of course. Now he ties her ankles. He can now hogtie her in the classic BDSM style. We should say, Hywel is quick and efficient with knots.

In this posture, he pulls down her panties as best as can be done, and now he will leave her, more standard BDSM. He returns with some of his implements and begins to spank her. She writhes and dodges as much as she can. Mild but cute. Occasional pubic glimpses.

She is getting her “just desserts,” says Hywel. Since her feet are available Hywell does some mild bastinado on her soles. Goodness, Ms. Rutherford, your feet are dirty. After all the films you have made!

He forces her to sign some agreement, which she does by holding the pen in her mouth. Would this be considered ‘duress?’ He puts the gag back in, says “bye, bye” and writes his telephone number on her bottom with a marker. She will need someone else to read that back for her.

Judicial Caning – RESTRAINEDELEGANCE

13 Apr

M/f; time: 20 minutes

A film made by Hywel Phillips and Amelia Jane Rutherford for legal circulation under a new British pornography law, controlling distribution of CP films. After a four-minute narration from the couple on the deleterious effects of the law and the fund-raising appeal, the little film begins.

Amelia, as an alter-persona ‘Ariel Anderssen,’ plays a traveler caught with cannabis in a foreign country and ‘Michael Stamp’ is a law enforcer. “Good morning, Miss Rutherford, you have been convicted of possession of cannabis.” Stamp explains a choice available–“24 strokes of the cane on your bare buttocks” or a prison term. When Amelia hears that canings are most probable in prison anyway, she elects the 24 strokes. She will follow him to the punishment room. “Now?”

There are many films where the camera studies the girl as she weighs a spanking versus other punishment. The maturing Ms. Rutherford does this acting as well as anyone. They move to an adjacent room, a colorfully decorated space with an artistic padded raised vaulting bench in the center. Not a storeroom or a cellar here. she must read aloud her sentence from the printed decree.

“Now strip. Take off all your clothing.” There is that moment of shock–this part was not explained to her. Mentally, she runs through her choices, but she proceeds, and slowly, until she is nude, handing him her panties in final surrender. As many times as we have watched her do something like this, we find another occasion which seems the best. The camera slowly pans in closeup, those freckles, and a trimmed beaver.

Amelia bends over the center of the bench, which is waist-high, accenting her long legs and of course presenting one of the most celebrated bottoms in the business. In condensed filming, Stamp fastens her ankles, knees, lower back, and wrists, with the same strap-rattling tension LUPUS did so well in the headmaster’s office.

Stamp lays on 24 strokes, he announces each one and counts aloud. Amelia squawks louder and longer than usual–they are alone here. Sophisticated camera angles, especially a shard closeup oblique of the welts and stripes, and blond body fuzz,which you can almost feel.

Amelia is slowly unfastened, again slowly, her wrists last to prolong the bend-over; she stands in front of Stamp, towering 6″ over him, and buck naked, shakes his hand to thank him. One more thing, “Kiss the cane.”

Restrained Elegance -Amelia Jane Rutherford

10 Dec

The spanking actress’ own website, featuring bondage and spanking, produced with her husband Hywel; she uses the stage name ‘Ariel Anderssen’ here. We would add films as we purchase them. Some are separately reviewed.

‘Ariel in a collar’ (time: 6 minutes) Hywel leads a naked Ariel around on a collar and chain. Bend over a table for a perfect, simple spanking. Ariel looks very young here, lots of bare feet shots. Ms. Rutherford is utimately sexy even at this.

’Ariel self-spanking’ (F; time: 14 minutes) Chimerabondage; Ms. Rutherford looks very young here, which suggests she was making these bdsm films regularly while she worked for other producers. She wears a blue satin outfit. She will fasten herself to a metal bondage cage , drop her black lace panties, and allow a caning machine to do its thing.

In another scene, she fastens her wrists to handcuffs at the ceiling for more of the machine.

‘Boss From Hell’ (F/f; year: 2018; time: 17 minutes) Somewhat silly; have their script writers reached an end? Ariel has the task to pre-interview candidates for a fashion magazine before the “boss from hell” gets her mitts on them. That boss is ‘Bianca Rose,’ turned somewhat matronly by this year but still in the Rolodex. The boss is a boorish monster. She assumes the Slovic-sounding girl comes from one of those “shithole countries,” an epithet extant in American politics in early 2018.

For reasons not clear to us, she is going to tie the girl to her chair. In the necessary fast forward, the work is done, complicated bondage knots. “Why are you tying me up, Miss Rose?” With the girl immobilized, the boss will spank Ariel, apparently not unusual in this office. OTK, skirt up, leopard panties. She has Ariel gag the girl with a scarf. Ms. Andersen deftly makes a knot in the middle of the scarf.

OTK again. “You have an ass like a whore.” We would hve put it more politely. Rather    insensitive but colorful. Ariel must display her underwear for the boss,  including those tacky panties. The interviewee is sent away and paid off to keep quiet about this behavior. Do we detect throughout this film some political satire?

’Caning From Your Babysitter’ (F; time: 11 minutes) Not sure what is going on here. Amelia addresses the camera POV style. There will be no spanking in this segment. She seems to be a babysitter who has been instructed by a boy’s mother to spank him. The kid has been watching porn.

Ariel will use a hairbrush and cane. We don’t see the boy. When Ariel orders him to take his pants off, she is shocked and amused to see he has an erection. And why not? All POV talk. There may be a part 2.

‘#Game of Slaves’ (M/f; time: 8 minutes) Ariel Anderssen in the cave/dungeon set we have seen before. She is strung up, her wrists fastened to a ring which is roped to the roof. She kneels erect on a chair, ankles fastened together. And she wears a long slinky red dress.

Her male tormentor begins a bastinado on her bare feet with a rod bundle. The usual squawk from Ariel, maybe a bit too much too early here. The disciplinarian rucks up her dress. There are no panties. He continues with the bundle on her bare bottom and particularly her buttocks crease. .

After a FADE, Ariel has been repositioned. She sits facing us, her legs spread at 90 degree angles. Here, she is blindfolded and gagged. Maybe someone agreed she protesteth too much. The guy canes her inner thighs and gets the dress out of the way, exposing as much of Ariel as it is possible to do.

#Game of Slaves (F/f; time: 11 minutes) Ariel Anderssen is tied down naked on her stomach on a bench. Her legs are bent up at the knees so that the soles  of her feet are as available as her bottom.  Her long blond hair is curled here, unusual but not unheard of for her. Her bottom is elevated. Very nice. A female Top we don’t recognize will use a soft flogger and tickle her feet. Mild but glamorous.

#Gameofslaves-Ariel Flogged (2F/f; time: 11 minutes) Ariel tied down naked to a bench and gagged. Curly blond hair. She is so eager to make noise she slobbers through the ball gag. Two women flog her, softly, with a cloth flogger.Loud but harmless. Nice view of her dimples of Venus.

#GameofSlaves-Rules Infringement. (time: 8 minutes) Hywel will give Ariel a workout in the ‘cave’ set we have seen. She sits kneeling on a metal chair. Her wrists are fastened to a ring at the ceiling. Hywel will whip her with a bundle of sticks, not very hard. She must be making dinner this night at their home. He starts on the soles of her bare feet as she kneels. Dress up, no panties, the bundle on her bottom.

SEGUE. Ariel is turned around on the chair. We see now she is blindfolded and gagged. Her legs are spread at 180 degrees. Dress pushed aside, this is the most pornographic pose we have seen for Ms. Anderssen. Hywel birches her thighs. Different angles of this action show free-standing camera apparatus.

’game of slaves’ (F; time: 10 minutes) A nude POV performance for Ariel. She narrates to us about her BDSM acting. She says her body “stands me in quite good stead.” More unusual dialogue for a porn film, and so true.

She talks and strips, puts on metal cuffs on her wrists and ankles,  metal collar.All talk. We were hoping a visitor would arrive and work her over.

’Hairbrush spanking for Ariel’ (F/f; time: 6  minutes) strictmiss.com;  A nice parlor setting, such attention always appreciated in CP films. Amelia/Ariel makes an entrance  down a staircase and is greeted by a housemistress. Ariel has been flirting with her husband.

She is taken OTK immediately. Black dress, red panties come down for a paddle. The mistress keeps glancing at the director. We hope he is signaling “harder!” A graphic at the conclusion reports this was a ‘Naughty Office Productiuon.’

 

‘Nights-Bastinado and Spanking’ (MF/f; time: 24 minutes) Ariel Anderssen/Amelia Jane Rutherford, with husband Hywel Phillips, and another woman/domme. Ariel is naked, strapped down in a kneeling position, by the ankles and wrists, to a spanking trestle, in their film ‘dungeon,’ “hellhole” Ariel calls it. Her blond hair is shorter here. The pretext here is that Ariel is late for this shoot, so Hywel will add some fun, the bastinado, over Ariel’s weak erotic protests.

Hywel and the domme tease her with a riding crop, snapped at her bare soles. They insert a ball gag. “I don’t want to be gagged.” Ariel keeps talking through the gag. What would a film of hers be without the stream of adlib? Hywel: “You will note her soles are exquisitely available.” “And her ass,” points out the domme.

The trestle pulls Ariel’s thighs wide, as revealing as you will see of her in her films. Careful  with that crop. With no strap to restrain her lower back, that world class bottom will buck and surge. And since bastinado is on the agenda, they made sure her feet were clean. When the woman smacks her soles, Hywel holds her feet still.

When the domme  asks Ariel which of the spanking implements hanging on a well-stocked wall rack she prefers, “None of them.” Gag out, blindfold on. Ms. Anderssen is a joy to watch. Straps and crop to conclude.

Nights – chien’ (M/f; time: 5 minutes) The simplest of exercises. Hywel leads a naked Ariel around in a dog collar and chain in an exterior shoot. Nothing much happens as she crawls about and poses. We were struck by how thin she is, and that no camera angle seems to fail for her. Hywel nips at her with a crop and makes her carry the leach handle in her mouth. She has weights hanging from her nipples. At least she crawls on the grass.

‘100 Strokes of the Cane’ (M/f; time: 55 minutes) Although this film is not a ‘Tina’s Ton Up’ or ‘Molly’s One Hundred,’ two MOONGlOW classics where one hundred strokes really resonated, it is the usual celebration of the acting and the glorious bottom of Ms. Rutherford.

A wall clock reads 11:30 AM; Ms. Rutherford is going to be given 100 strokes of the cane, in sections of 10, with six-minute intervals. “Your training is going to continue this morning.” She wears a tight tannish dress, which naturally shows off all her curves. First, Hywel fastens on a stylish metal mesh collar, which only accentuates Ms. Rutherford’s dramatic 6′ height.

Amelia pulls her dress up–she is not wearing knickers here. She wants to get on with the caning– no warmups, but Hywel smacks her anyway. Who could resist? She takes her first 10 with the cane on the bare, snappy zingers, maybe not startling, but there will be one hundred in the next hour.

During the six minute rest period, Hywel ties her hands and arms behind her back, complicated experienced B&D knots, and almost in real-time. Amelia practices the diaper position on a leather couch, without use of her arms, just another manifestation of what great physical shape she maintains.

10 more of the cane, squeals, and the first glimpse of her Mohawk.

The remainder of this long film follows the same format. In some of the 10-stroke packages, Hywel bastinados the soles of her feet. In one scene, he actually cleans the soles of her feet–we’ll speculate they ad libbed this addition. They addressed the studio problem we often see.

A long celebration of one of the most talented bottoms in the trade.

‘Roughie’ (M/f ; time: 10 minutes) We know by now that RESTRAINEDELEGANCE will most likely not push the envelope. Amelia Jane Rutherford/Ariel Anderssen–the film in black and white, dresses slowly in old-style undies and a kimono. A man breaks into her remote cottage, a simple theme often used in BDSM films. He bangs her around a bit, harmlessly, and after a fade,  we find her tied to her bed.

He fondles her, gets her stockings off, then her panties, and rotates her, having tied

her in preparation for this, to have access to her bottom. He uses a flogger–he must have brought it with him. Ariel is left hogtied, struggling as they do in BDSM.

“Spanked College Student” (M/f; time:  13 minutes) ‘Ariel Anderssen’ and husband ‘Hywel Phillips.’ Another story of a randy college girl (Ms. Rutherford can still pull it off, although we are moving into to the post-graduate era.) Student Ariel pulls up to the house of a professor. She has to tell him she has lost her copy of the midterm exam to be used–she must be a graduate assistant. Ms. Rutherford wears silk print blouse and a short brown skirt.

Hywel  is disappointed (or maybe not so much) with another event from her and he will have to spank her. OTK she goes  on a leather couch. Skirt up, there are no panties. “I notice you are a bit underdressed today.”  She has come prepared, so to speak. He uses rulers and handspanking. They kiss when it ends. She smiles as she leaves. She has left her satchel behind, where the professor will find the exam, and he willl be able to call her back to again spank that most amazing bottom.

‘Spreading the Love’ (time: 15 minutes) Ariel Anderssen slowly strips naked in a bedroom to a soundtrack. Hywel enters with a little case of metal bondage devices. Ariel is craving metal. He cuffs her wrists and ankles. He steps off-screen and returns with a canister, which is surely not fishing equipment. He gets put an assortment of spreader bars and spreads her ankles and wrists. Ariel is thrilled with this as she undulates naked on the bed, the principal message in this film.

Hywel slaps, fondles, and spanks. Ariel’s dimples of Venus are prominent. This posture on the bed is one of her best choices of presentation.

‘Video Diary of Ariel Anderssen’ (M/f; time: 19 minutes) Amelia/Ariel sits, jaybird naked, sipping tea between takes of filming, with some crew, where she plays some sort of senior slavegirl. Hywel enters the room and is angry with her about her acting and the way she is playing out the fantasy. He pursues her with a paddle in front of the crew on break. As she moves around naked, we play back to see if we missed anything.”Go upstairs!” “No!” But she does.

FADE to the bedroom. She waits. He arrives with his paddle and continues scolding. She is not going to be the important ‘slavegirl’ and is demoted to ‘pet.’ They will practice the fantasy of that particular behavior here and now in the Restrained Elegance studios.

She sits, legs up, as she does. We try to see between them but it’s too shadowy. We know what’s there but we want assurance. OTK for some spanking, the costume cuffs on her wrists and ankles rattle. Bottom soars. Hywel gets to take this home at night.

He is going to train her to take spankings. She will get a set of ten, not a sound to be made. But she squeals and he starts over three times before she can hold on. There is a gag around, but not for this. She kneels on the floor and rests on a chair for 10 silent with the paddle.

Now Hywel teaches her doggy postures she must assume on the floor in the presence of others. He attaches clamps with bells to her nipples, a dog collar, and a leash. During this action she makes some noise, which costs her 10 smacks.

She crawls around the house on the leash, to the amusement of some crew. We get looks at that petulant face she can do.

‘lady in red’ (M/f; time: 7 minutes) Amelia in front of a photo backdrop by herself, wearing only a G-string, knee stockings, elbow gloves, and a gag, everything in matching red. She crawls around the set, her ankles manacled and one wrist fastened behind her back to a waistband.

A male character, presumably Hywell, slashes at her with a crop and small flogger. Mild stuff, and a bit silly.

‘spanking machine’ (f; time: 17 Minutes) A playful exercise for Ms. Amelia Jane Rutherford, harmless enough; she will be fully naked on the screen for the whole seventeen minutes and not too shy about it. She knows the moves of figure modeling. She narrates the action. She is examining a spanking machine set up in a nicely decorated room. This complicated device is anchored to the wall in two places, because it is going to vibrate. It is very noisy, easily adjustable for stroke height, and mild in ferocity. We haven’t seen the perfect machine yet.

Amelia fingers the riding crop fitting, and holds a remote control. First she will try the crop on her boobs. About 40 strokes, in sets of 10, some of the sets repeated from different cameras. Someone else, probably Hywell Phillips, must be operating the remote. She seems to like the snappy little stings.

She will try the crop on her bare back; she undulates to get the crop strokes in just the right place.  More on her boobs, and she lowers the device to take some on her stomach. She likes it all. The crop makes faint red lines, quite tolerable.

We have been waiting. Now it is time for her bottom. “I KNOW my bottom can take it.” After a long and wonderful series, “I am so kinky.” She does some bend-overs; the machine clanks away. She checks her various marks in the target places. The bruises are “coming up.” Very sexy stuff for her.

More on her boobs. She narrates: “It’s nice on the nipples,” and she figures their swelling and a “daily dosage” of this might make her breasts more interesting.

She adjusts the machine for her thighs, which she is quick to see is more about “my crotch.” Here is a closeup hold of her pussy, adventurous for Ms. Rutherford. “This is worse than ‘bottom.'”

She checks out all her mild marks—boobs, back, stomach, thighs, puss. This is the maximum Rutherford. She is turned on and muses “What else can I try before  Sally comes home?” A reference to other films?