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Roue – Alan Bell

7 Aug

M/f; time: 13 minutes

An old film, in the classic ROUE style, heavy on the ageplay and humiliation. A thin brunette  stands before Alan Bell, who speaks to her in those menacing low tones which suggest trouble ahead. The sound and color are terrible and typical.

The girl is told to pull up her skirt. She is very frightened, excellent stuff. Loose white panties, garter belt, stockings. As the girl stands in front of him, Bell teases down her panties and twirls her. He smacks her as she stands, then takes her OTK for a very sexy spanking, filmed from the front, rear, and overhead, angles which will be perfected by others with better equipment.

The girl drops her skirt and is caned, panties down, just as hard as almost any film, but the intensity is muffled by the technology. She dresses and leaves. Strong feel of an illicit viewing by us.

Reform School Discipline – ROUE

27 Jul

2M/3f; time:  51 minutes

This may be the most simplistic and perfect British schoolgirl corporal discipline video we have seen. It has been difficult to find, possibly because its stark realism makes it uninteresting in comparison to high velocity CP films these days. The spanking ritual and ageplay are exquisite.

The setting is a barren classroom, institutionally painted, industrial check-pattern floor tile, a few pieces of furniture, more like the classrooms we remember than those of FIRMHAND or REDSTRIPE. We’re not in that situation where furniture was pushed aside to make a set. An average-looking brunette, ‘Susan,’ not a bubble-butt CP  model, wearing perfect school kit, reports to  a smarmy ageplay guy who should be past retirement age. She and a confederate are accused of something and will be punished for it. She is sent away, to return later.

The old man looks at the punishment book  and observes that Susan is really not a bad girl. He checks a cabinet for the spanking implements. He tries to appear weary and burdened by all this, but this must be a principal reason he waived retirement. ‘Betty,’ the confederate, knocks and enters, another perfect little schoolgirl. After a scolding, she hears “12 strokes of the strap,” and she has been here before.

She moves slowly and kneels up on a chair. She tucks her own dress up and the teacher pulls her panties down, and he doesn’t hurry. He lays on 6 strap strokes from each side. Not hard, but good ritualistic fuss. Nice facials, closeups, and surprising marks.

Susan returns for the evening session. She has been at this (reform) school for three months and knows what to do. It is made clear, it will be the cane. He makes her say the word. She objects just briefly when she is ordered to remove her jumper and knickers. To clear the table, the teacher sends her out of the room with a floral display. Surely the director noticed too late that if her blouse had been an inch of two shorter, we would have enjoyed her walk. But the diversion produces tension, because the cane awaits.

The teacher adjusts the table, a demonic device whose specifications must have  puzzled the carpenter. He drops a large center leaf, which produces a ramp for Susan to lie over, her bottom highest. She will receive 18 strokes of the cane. The strokes are harder than the cane was, and the teacher, a practiced caner, is careful to move from side to side. Desperate gripping hands, facials, tears. Noticable marks and some skin pops. Betty is brought back to witness the final few strokes. She had better not avert her eyes.

The second half of the film features ‘Alan Bell,’ with a ‘Miss Quail,’ in the same classroom. She is already over the leaf of the table, bare bottom, being caned, slowly and teasingly, her white panties perfect at her thighs. Bell was as lecherous an ageplay as ROUE had. He has her stand and raise her skirt for his frontal look and a twirl.

Betty is called back and is spanked and tormented while she positions herself in a square marked on the floor. She too must show him her jewels.

More OTK spanking. The antique chair squeaks. Bell wants her to take her clothes off, he does this often. She stops at her gymslip. He generally torments and teases her in various positions. strapping, spanking, and making her raise her slip up to expose herself. Old fashioned ageplay stuff in  the ROUE mold, delivered from a guy who can get away with it and taken by a girl with no options.

 

Special Detention 2 – Study in Punishment – ROUE

7 Oct

M/f; year: 2005; time: 27 minutes

More stories about ‘St Angela’s School.’ ‘Emma Louise,’ played by an actress who appeared in other films about St. Angela’s, sits biting her nails, awaiting an audience with the headmaster, a notorious spanker. These on-the-bench-outside-the-headmaster’s-office scenes are obligatory for school spankings. Our favorites are at REALSPANKINGSNETWORK, where the girls have to strip naked, put their clothes in a neat pile, and await the door to open for them.

Emma Louise knocks and is directed to wait a little longer. The Head calls her in and immediately criticizes her drab appearance and demeanor, as well as her schoolwork. “The Halcyon days are over for you,” but not for him, because now he can turn his attention to her pants.

OTK, handspanking on regulation knickers. He makes her quote facts from a history lesson as she is spanked. Enough justification for him. She stands for palm slaps and then is assigned an essay to write and return with.

FADE: Emma Louise returns with an essay, which the Head has learned she plagiarized. He has her grade transcript also; the grades are not bad, bur he overrides them and down-grades them all, to make her punishment and whatever else he intends all the more certain.

OTK again, skirt up, panties down. The spanking is harder now. More palm slaps. “Remove your clothes, quickly.” She looks at him in shock, but this is not a complete surprise. She is soon naked, and like many girls in CP films, she has trouble with her blouse buttons. A rather lengthy frontal view as she awaits instructions.

“Stretch over the portmanteau.” He canes her here, and still harder. When she is sent to the wall naked, she faces us instead of the tradition bottom-out.

We invite someone to search the CP video genre to locate the last time the words ‘halcyon’ and ‘portmanteau’ were scripted.

Afternoon Detention – ROUE

5 Oct

M/2f

A schoolgirl film with the feel of early and very naughty ROUE; this one made in the early 2000’s, homage to the wicked little ageplay films in the library, when the girls looked like they piled their school books in the dressing room and the men might have invested in the production just to play a part.

A headmaster-type paces in an empty classroom, which is dimly lit with a subtle theatrical stage feel. He swooshes his cane. We hear footsteps on the stairs and in the hall, then see shadows through the frosted glass. Nice start. There are sheepish knocks. ‘Cook’ and ‘Simpson’ enter. The two very authentic-looking schoolgirls are coming from PT, wearing red T-shirts, white skirts, knee socks, and sneakers. The reluctant girls know what this is about.

The Head begins to hassle Cook, and she can’t escape. “Take your skirt off.” She hesitates just a second, then displays full blue knickers. “Take your knickers off, right off.” This is a little more difficult for her. She pulls down her panties and displays a full bush–maybe this film is older than we thought.

The Head takes Cook OTK–she doesn’t struggle much. After a brief spanking, it is Simpson’s turn, and she presents the same fuzzy front. When the spanking portion concludes, both girls stand half-naked in the empty classroom, reflexively covering themselves.

“The stool, Cook, the cane stool.” She has been here before, which explains her knowledge and compliance. The only way out of this bear’s den is to play along. She drags a heavy antique one-seat chest/seat center stage. Cook assumes the position and lies over it, legs out straight, the only way to keep her bottom flat and fully available on this low bench. He circle her with his cane–25 strokes are shown. Not really hard, but she bawls tears. In her struggles, she slides off the seat several times.

Simpson will not be caned here. He takes her by the hand and they walk off to his private study. “Oh, no, please, sir.”

English Headmaster – ROUE

30 Sep

2M/2f; year: 2005; time: 30 minutes

Roue got access to an old school gymnasium and stage to make this film. A plausible headmaster appears on-stage and addresses an invisible assembly of girls on their last day of school. They have been with hin from the age of 13 to 18. Two students, ‘Sarah Collins’ and ‘Martina Stepanova,’ interrupt with noise and earn one more trip to see the headmaster before the term ends.

The girls must report to his office but somehow find their way into his quarters, where they discover a small video camera of his. They pose in silly positions and film themselves. They find a ‘dear diary’ segment filmed of himself by the headmaster, where he sits with his spanking implements and laments the end of the term and the girls’ bottoms he will miss.

The Head catches the girls and marches them back to the floor of the main room containing the stage. “You’re both going to be thrashed.” The girls have what they saw on the videotape in mind. He takes Sarah OTK first–she is a thin dark brunette with two ponytails. White panties down. The camera catches another man observing covertly from somewhere in the room.

The Head tugs her panties further down, where she stretches them tight at her ankles as the Head urges her legs open, just the way he likes it. After this spanking, she is sent to the wall, bottom on display in this large room.

Martina is next, a taller dark auburn-haired girl. OTK for her, he gets her blue knickers down. After her spanking, Sarah is sent to get the tawse, hobbled a bit by her knickers.

Both girls are tawsed, touching toes, presenting winking views of their charms. The headmaster gets in fondles on both girls in this position.

The Head beckons the secret watcher, ‘Mr. Janitor,’ to join him. The men agree that since this is their last day with these girls, they will exact some accrued revenge. We guess this duo is practiced at this. Naughty. Sarah is sent again to get the cane.

The two bare bottoms are lined up side by side, each man takes up a cane, and the girls are whipped simultaneously. They scream and struggle in this entertaining melee to end the film.

The Head says goodbye to the girls. Martina asks Sarah what her plans are. She says she is going to make application to a spanking and caning magazine, and would Martina like to join her. “Can’t hurt.”

Reform School Discipline – ROUE

3 Sep

2M/3f; time: 16 minutes

We found a partial copy of one of the oldest ROUE films we are aware of, a video we have sought for many years. This film is choppy, discontinuous, and incomplete, which may explain why it has been so scarce.

Some of the best ageplay grizzled disciplinarians of this CP era appear here, back-in-the-day when fetish magazines were sold from out of sight off the top shelf. The film jump-starts with a grandfatherly guy maneuvering a sweet brunette schoolgirl into the spanking position in a classroom or lunchroom. She is exquisitely fitted out in blouse, pinafore, sash and, we will see, regulation knickers. They are many attempts to depict schoolgirls–this model has the quintessential age, temperament, demeanor, and appearance to pull it off. Many of these early ROUE films were similar.

The ‘teacher’ gets her up on a chair, “right over,” flips up her skirt, and soon has her knickers down. The girl is submissive about all of this. He begins with a strap, and we see her innocent face looking back in fear. He scolds and torments; she struggles and fidgets.

In a sudden cut, another girl is being disciplined in the same room by the actor “Alan Bell,’ who we have described in other films as a relentless disciplinarian with excellent style with knickers. The girl stands in front of him, on taped stage blocking markers on a colorful check-pattern tile floor, positions for her to stand, then where to put her feet when it is time to spread her legs. Bell pulls her knickers down very slowly, helping himself to a long view of her bottom then a salacious moment with her downy pussy. He begins smacking then takes her OTK. She is short enough her legs kick in space. He pins her wrists. ROUE did great bottom closeups. Bell gradually begins to undress her, bad film cuts here. She is suddenly down to just gymslip. Naughty stuff.

Choppy cut to a third girl getting a nasty-looking caning on her bare skin in the same room.

We’ll be vigilant for a better copy and amend here if we are lucky. This is a film for the collector.

Private Lessons -ROUE

27 Jan

F/f; time:  21 minutes

An oldie, with an ‘Imprint Productions, Inc’  reference. Young thin brunette ‘Amanda’ lolls on the floor, doing her homework, before the era of texting or instant messaging. Her aunt ( or mother) is unhappy with her work, and when Amanda refuses to obey her, the spanking starts.

Roue did a lot of standing spankings and thigh slapping in these early years. Amanda is wrestled still while she stands, gets her thighs smacked and then goes OTK on the couch, conventional blue schoolgirl knickers.

Panties down on the couch–it certainly looks like Auntie is enjoying this. She has a hairbrush nearby, over the back of the couch for that.

Amanda is directed to take all her clothes off, but she stops when she is down to a shift and panties. Because she missed PT, Auntie makes her run in place. Top off, no bra. Touch-toes. Auitie puts her through a very British little humiliation—panties up, down, up, down,etc.

But Auntie observes: “This just isn’t good enough.” She goes to retrieve her cane, and during this Amanda redresses. She is going to have a poetry test, and we can see what the punuishment for failure will be. She reads the poem and must momorize it. “We have ways and means of making you remember…take your skirt off.” Auntie impatiently yanks the panties down for the first frontal of the film.

Amanda fails on several memorizations, and the snap of the cane is beginning to amass results. Amanda runs off but is brought back, and caned over the couch, about a dozen, the camera finding its way between her legs. Auntie is a wild and vicious caner, marks all over the place, and the smile on Auntie’s face tells all.