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Medical Misdemeanors – STRICTLYMISSBROWN

8 May

MF/2fm;  year: 2010; time: 54 minutes

By now we have reviewed other films from ‘Miss Brown’s’ new film company. This was the first one we saw. As amateur observers, we became fascinated with Miss Brown’s style. These new films, for us, capture the charm of the British plot-driven CP fetish stories from a few decades ago, with vastly improved production techniques. Portable cameras now facilitate scene changes. And with Miss Brown on the scene, the exquisite little erotic cues for a good punishment spanking are not overlooked.

Excellent and professional reviews are found on her website. Actress Charlie Sinclair, as Miss Jayney, brings student ‘Ellen,’ played by Ellen May Davis (we think ‘Rebecca’ elsewhere) to the school surgery or infirmary, on the pretext of needing a physical exam. Jayney is in league with ‘Dr. Hampton,’ played by Marcus Allen, to have some fun with this girl. He wears the perfect lab coat.


“I’ve brought you a nice young thing.” They toast with a vodka. “Bottoms up,” says Jayney. “Bottoms up, indeed,” replies Hampton. While they cavort, Ellen sits fidgeting on a plastic chair in the reception area. Before they bring Ellen in, Jayney strips down to bra, thong, and garter belt for a little session of her own, a teasing spanking and caning. Tall svelte Ms. Sinclair reminds us of a lithe Miss Brown in her archival films.


Ellen has heard the spanking noises. She is called into the surgery, looking marvelously worried about what might happen to her. Jayney undresses her, down to her panties. Hampton will examine her and checks her heartbeat with his stethoscope, actually lifting each breast to listen underneath, admirably thorough, we thought. They help her off with her knickers and will spank her. Excellent closeups–Ms. Ellen wears pussy rings.


In walks headmistress Miss Brown, incredulous at mostly naked Ellen bent over the examining table. “What the hell is going  on here….Dr Hampton?” scowls Brown, in her patented, intimidating, commanding, humiliating style. Makes the skin crawl on a girl’s bottom, and in this case, Doctor Hampton’s! Jayney runs off. Brown paces and scolds. Hampton works for her and knows what’s coming.


She finds the vodka and the spanking implements in his cabinet. “You have interesting things in here, doctor…” and after a long pause and icy stares, “we’ll keep this in-house…we’re going to have to teach you a lesson, aren’t we, Dr. Hampton?” We begin a full-fledged F/m discipline session. With a tawse, the lefty precise Miss Brown tawses Hampton’s palm with full strokes.

“Take your coat off.” She slowly opens his pants in classic porn style, but for this genre she doesn’t reach inside. Hampton drops his pants and shorts and bends over the table. Ellen, who has  taken the opportunity to hurriedly get her clothes back on, is brought back and given quite a vantage point to watch the action, adding to  Hampton’s humiliation. “You know I am going to strap you, and cane you….really really hard.”

Miss Brown lays on a series with a strap, then 12 with a cane, and a concluding sonorous rapid-fire six. Hampton has to count aloud. He is stoic–his butt takes an undeniable beating–blood flecks, wheals, and white lines. Lefty Miss Brown bears down with full-force strokes, no quarter given. “Next time I won’t be so lenient.”


Miss Brown turns on Ellen, sure she is part of this prurient conspiracy. “I want your school uniform off.”  “Why?” We learn Miss Jayney is a procurer of students for Hampton’s surgery. She brings in unsuspecting schoolgirls.


Hampton returns and adjusts the surgery chair to serve as a spanking bench. “Bend right over, girl.” Ellen yelps as she counts out the paddle sequence, legs spread, boobs hang, oblique view–the full details from this experienced film crew. Brown even urges her to keep her back concave to force the buttocks out.54186647-b759-496c-92a4-bbd2d25ab61e11e0c510-cfb5-498c-aa24-be5b111da8aa

Ellen jumps as Brown wooshes the cane. Naked but for knee socks and maryjanes, she is going to be caned until she admits why she came to the surgery. “Stick that bottom out…I shall keep going, young lady.” After 25 hard zingers, Ellen chokes out, “Miss Jayney brought me.”


Mission accomplished. This film contains the entire collection of erotic direction–nervous anticipation, humiliation, shock, nudity. A fully equipped infirmary, correct clothing, excellent lighting, and sound. And of course Miss Brown, trim–determined, resourceful, and goal-directed.

Piercing Punishments – STRICTLYMISSBROWN

2 May

F/3f;   year: 2010;   time: 1 hr, 18 minutes

A long film from the rejuvenated  Miss Brown production company. Cute blonde Inga (actress Lava Valkyrie), dressed in detailed schoolgirl kit, will be one of the three morsels served up for us. She coaxes school staffer ‘Miss Fox’ (actress Xela Xaste) to take her to ‘Bodyworks’ for some intimate body piercing. Shop attendant Keeley (‘Keeley Macabre’) greets them and offers a display case of choices.

The three go in back of the store, where the action occurs; a sexy-looking treatment chair awaits, filled with promise for adult-film fans. Fox discusses her own piercings and is eager to help Inga off with her clothes to see what can be done. “Do you think Miss Brown will find out?” After displaying her own nipple piercing, she gets Inga’s blouse off then slowly removes her bra to examine her comparatively adolescent breasts. During this overtly lesbian play, Fox explains how much fun and “game playing” body piercing generates. Inga’s into it.

Down to panties only, little white boy-shorts. “Why don’t we have a look at your….lady garden?” Knickers teased down, a very naughty pubic shaving. Fox takes a peek. “You’ll be fine having a piercing there.” Back in the barber-like chair, buck naked, legs splayed. Fox plays with her.

Inga gets her undies back on, shopkeeper Inga joins them and readies her medical implements. Miss Brown arrives in the showroom–she is suspicious this is one of the places performing piercings for her students. Keeley tries to put her off but she enters the treatment room and confronts staffer Fox and student Inga, cowering in just panties on the chair.

Excuses aside, this violates school rules; Miss Brown must be a powerful lady; she is not only headmistress but can be town enforcer. She is going to spank EVERYBODY. Fox is sent to Brown’s car–we learned long ago that all good British disciplinarians travel with implements. Fox objects to dropping drawers in front of a student.

Brown wants to know WHERE Inga was going to be pierced, as she proceeds to service Inga in her own way. “Bend right over [the sexy chair]…stick that bottom out, Inga…I’m going to punish all three of you.” Brown slowly pulls Inga’s knickers down, in a style unique to her. Inga looks at the camera but somehow maintains her persona.

Inga’s bottom is totally rouge-red; Keeley is next. “Skirt off.” Onto the chair. Pink knickers. Brown keeps up the lovely CP banter. “Your bottom is a nice shade of pink…I can’t imagine what it is going to look like later this afternoon.”  Knickers down slowly, full view of HER lady garden. Inga has faced the wall, “knickers down,  touch your toes.” Keeley’s bottom has blotched and developed a sort of heat rash we see in vigorous spankings.

School staffer Miss Fox returns with Brown’s tools and is shocked to see the two red bottoms. Reluctantly she climbs into the chair, dress up, black panty-thong. Keeley and Inga are ordered to watch. She curses at Miss Brown, who yanks down the thong. With a stiff leather paddle, Brown smacks slowly and hard on the mature buttocks. She switches to a cane but lays only two strokes–sounded like the cane broke.

“Bottoms in a row…touch toes, all of you!” Brown can hardly disguise how much fun she is having.

Inga back on the chair for the paddle. The smacks are hard enough that the paddle shape is clearly discernible on her cheeks. At a pause she gets her knickers up but Brown takes them down and they continue.

Brown marches the girls out to the showroom, where they will be spanked over the glass showcase. She parades with a cane, a thicker one. Over the case, bottoms bare, 3 strokes on each pair of panties.

First now Miss Fox, Brown pulls off the panties again. “Nine more strokes, count them.” Zingers. Keeley next, her knickers down more gently–9 strokes. Closeup of countable marks. and last, undergrad Inga 9 strokes. The actress oblingingly arches her back and keeps her bottom out and available. Good thing no one stopped by to look at the tattoo and jewelry display.


2 May

F/3f;   year: 2010;   time: 59 minutes

Another new production from actress ‘Miss Brown,’ again beautifully staged, with all the CP cues used to trigger the erotic fetish. No blocking errors, careful attention to knickers, and exquisitelyslow action at the climactic moments.

Two gorgeous  blondes, ‘Amelia Jane Rutherford’ and Inga, awake in bed, slowly strip off their nighties to give a little 1980’s nudie show, then put on carefully selected school uniform costumes. Inga pulls on tight white knickers. “They make my bottom look huge,” she complains,  “but Miss Brown will like them.” And she will not be alone in that.

Ms.Rutherford’s CP career is well underway here  by the year 2010. We’d like to think that her accepting a role with Miss Brown constitutes an homage to the lady’s contribution to the genre.

The girls report to Miss Brown’s house on a Saturday; she is acting as a tutor, it appears. They sit on the floor at a coffee table doing  homework, under the watchful eye of the soft-spoken, intimidating, smoldering volcano Miss Brown. A female assistant, Miss Jayney, steps into the room and eyes the girls with unnatural interest. This thin brunette assistant, played by actress Charlie Sinclair, reminds us somewhat of Miss Brown 20 years ago.

When Inga goes to the bathroom to wash ink off her hands, Jayney follows her in and makes an attempt to seduce her, pulling her panties down in front and nuzzling her. A surprised Inga gently rebuffs her and returns to work. Miss Brown spots lipstick on Inga’s collar, and suspecting a liaison in the bathroom, determines a good spanking is in order. We’re well into the film. Amelia is sent out of the room.

Inga, the actress ‘Lava Valkryie,’ must undress slowly. Despite gentle protests, she hands over her tie, vest, and blouse, and is down to innocent gymslip and panties. OTK she goes on the couch for a rousing patented left handed handspanking from Miss Brown. The actress arches her bottom high to accept the smacks. The actress is theatrically shocked when Brown teases down her panties. Next comes the 12 strokes, counted aloud, from a short wide strap. Full swings, sonorous cracks, early bruising.  Professional film makers work the set–wonderful closeups, and multiple camera angles.

Inga stands and presents a fuzzy frontal; Miss Brown collects her knickers like a souvenir hunter. She kneels up on the couch, another prized CP posture, for the short wide strap. Twelve hard strokes, counted. “Wow, what’s that?” Bruising begins. Inga returns to her schoolwork, Brown ensuring her bare bottom is on the carpet as she sits.

Lesbian Miss Jayney corners Amelia outside, where she has been awaiting a call-back by Brown. The actress is the estimable Amelia Jane Rutherford, whose credits we advise you to consult. There follows some brief lesbian play, as the girls fondle and undress each other. Jayney keeps Amelia’s panties. Brown calls for Amelia, who hurriedly dresses.

The ever-intimidating Brown sees what a mess Amelia is and directs a slow undressing—tie, vest, blouse, gymslip. There will be no knickers, we are keenly alert to this. Hands-behind-back, lovely nude presentation, Inga watches. “You are both going to receive 12 strokes of the cane on your bare bottom.”

Inga first, hands-on-table, naked; Brown uses a thick cane and has always been a relentless caner. The stripes are instantly angry and ripe. “Thank you, Miss Brown.” Amelia’s tawny pussy makes background in the shot–she winces at the strokes. The bend-over is exploited by roving cameras. Inga finished, she is sent home.

Miss Rutherford’s turn, hands-on-table, she implicates Jayney in the tryst. She shivers delightfully as Brown runs the cane over her bottom and thighs. Jayney is called in and made to watch the festivities and will be girl #3. Amelia chokes out her 12 strokes, much more fuss but only light markings. Sniffles, facials, sexy.

Jayney knew it was coming. She must undress and wears a tarty bra-and-panty ensemble. Tattoos. Not the schoolgirl the other two portray so well.  Brown lowers her thong with the same delicate elan we often see from her, a quintessential element of the ritual. 12 cane strokes counted aloud. Amelia observes. A third bottom, yet a third reaction to the same intensity caning. Huge welts. She is sent away. “Get out, now!” We wouldn’t fire her but keep her around so we could catch her once in a while.

Then, a last ritual CP touch. The camera follows Amelia Jane Rutherford’s cute bottom as she leaves the room.


3 Apr

F/2f; YEAR: 2010; tIME: 46 minutes

Another current production from the renaissance of the actress ‘Miss Brown.’ one of the most entertaining dominatrix’ over the evolution of the British CP film industry. At first glance, it is just another simple exercise of schoolgirls facing spankings in the classroom. However, Miss Brown’s production staff (there are rare credits on this film) has perfected every nuance of erotic institutional spanking–exact little uniforms, including bobby socks and mary janes; a fully furnished classroom in a government setting, gun-shot spanking sounds, panties just-so, much more.

Two schoolgirls sitting in detention, writing lines, supervised by a junior instructor, ‘Miss Chater,’ played by actress Tammi Lee. Miss Brown visits, lectures and scolds, pacing in her intimidating, scornful manner. She is no longer the waif-like spanker seen in so many films in the 90’s, but a mature, full-figured bombshell; if we were not otherwise busy, we’d try a weekend with her anytime, so long as we could reverse the roles. Just enjoy the theater. We will gather and post other earlier Miss Brown performances.

The girls tittter and chatter; they tease the junior Chater about her stocking tops, visible below her tiny skirt. Upskirt shots of the insouciant girls. A Chopin soundtrack is woven among the dialogue, lending an air of sophisticated British tradition to these otherwise scandalous goings-on. Brown bursts in to interrupt the frivolity. “Exactly how many lines have you written, girls?” Weak answers, together with our certain knowledge that Brown knows how to make her own lines, generates one of her classic exhortations: “You know what’s going to happen now, don’t you?”

“Lucinda,’ played by the maginificent Leia-Ann Woods, who has spent most of her career bent-over, for which we scatter rose petals, is taken OTK, uniform jumper hem up, full white panties. “You always say you’re ‘sorry,’ we’ll see how sorry you are.” Wth that begins the hard left-handed hand smacking, Miss Brown’s signature. Flesh-on-cloth reverberates off the painted brick walls, high ceilings, and wide-board wood floors.

“Keep your feet on the floor, girl!” Not so easy under this fusillade. Brown carefully pulls down Lucinda’s knickers and leaves them thigh-top, knowing this is high drama. The sound of flesh on flesh is clearly different.

“Emily,  change places.”  The actress Amy Hunter gets the same intimate attention, while Lucinda stands hands-on-head, bare bottom, in the scene. Ritual stuff.

Both girls are bent bare-bottom over a lectern for a few more smacks. Camera zooms between their thighs. The girls are moved to kneel side-by-side on a double desk, bottoms high, legs through the back support, a naughty position reminiscent of early Roue, where gowned Don’s patrolled around hapless students.

Undressing time. The girls feign shock when they’re told to remove their jumpers. Very nice. Ties off, blouses off, slowly, down to panties and gymslips. They face the wall and are left alone to anticipate the next phase. The camera finds their little shoes and socks.

Brown returns; the girls are caught embracing. Brown will now use a 2′ strap. the first full arm swing shot on Lucinda’s bare tush rings like a howitzer. Immediate bruises. Brown strokes and admires her target. Lucinda must count silently to 12. We counted aloud. Zing!

Emily’s turn. “Let’s have these down, shall we?” Brown knows how attention-to-knickers makes a film. Same strapping. Suffering facials. Both girls face us, knickers at half-mast, a long frontal while Brown goes for her cane. Chopin interlude.

Fade to caning; Lucinda bent over; 12 slow strokes, wonderful; is that a fleck of blood? Emily shivers and flinches as she watches in the shot. Lucinda: “Oh, God.”

“Now change places.” Emily comes forward with the same agony of dread and anticipation you’ll see in some of the Eastern European serial canings, where the girls must witness and await their turn. she gets her 12, slow, snappy, and spaced. The girls pull up thier pants and leave.

Because every ritual and detail are so finely turned here, this perfectly routine classroom spanking scenario becomes a symphony.