6 Nov

2M/f; time: 13 minutes; year: 2006

Michael Stamp, Kara Jayne Dempsey, and (a relative?) Colin Dempsey. All three wear full dress white naval uniforms, and we will read their ranks from U.S. epilette designation.

Lieutenant Stamp reports to Captain Colin. He is reporting a female officer for committing sexual harassment. A gorgeous Kara Jayne is summoned, a Lieutenant J.G. The scene would appear to be the office used in BARSANDSTRIPES. 

“Are you familiar with corporal punishment?” The officers will tear up all the complaints against her if she will take a spanking. We assume this then is unofficial. Dempsey takes a cane and belt out of a file. We missed how he was able to store the long cane in a drawer. Kara willingly raises her skirt, drops her panties, and bends over the desk, no reluctance.

16 mild and snappy cane strokes to start. The watching Stamp winces. Kara lies over the bench next for a strap. She keeps the front of her skirt down. When she is excused, she sneaks a grabbing grope of Stamp’s butt. Fun for all.


6 Nov

F/f; time: 14 minutes

We stretch for storylines. Sarah Stern has commissioned Amelia  Jane Rutherford to babysit her pet turtle. But for some reason, Amelia sells the turtle then reports it escaped to Sarah. Ms. Stern soon figures out the caper and of course will spank Amelia.

An older Ms. Rutherford wears pigtails, a pink skirt, and print blouse. It is almost impossible to find any duplication of her clothing anywhere in her catalogue. After a long scolding, Amelia goes OTK on the bed. The camera angle is not great. Her bottom is partially obscured. Skirt up, white panties bunched before Sarah takes them down. A standard spanking; the camera finally moves to improve the view.


6 Nov

2MF/2f; time 60 minutes plus

An ambitious production from the Hywel Phillips operation, with a large cast for the genre, scene changes, complex costumes, and some of the best technical values we have seen.  It is about BDSM. You will have to set aside any interest in watching Ariel Anderssen’s bottom being spanked, which is what we sought. You can compromise here.

The plot is not important to explicate. Its description can be read on the RESTRAINEDELEGANCE website. Ariel and blond Danielle Maye will be seduced and tortured BDSM-style, in lengthy scenes.  Zoe Page leads Ariel around in an English country garden. Ariel wears a complicated pony girl harness, head gear, and blinders, so intricate, in fact, that her charms are disguised. We defer to Mr. Phillips’ awareness of the video market as to whether this was a good idea. Ourselves,  maybe a few less straps. Hywel and  Michael Stamp will make brief appearances.

There are pony scenes in the garden, in the “dungeon,” and in the Asian floral-decorated room seen in other films. Danielle, a buxom Suzanne Sommers type,  is drugged, induced to strip, and she joins Ms. Phillips in long naked pony scenes.

Ariel is manacled to  and tortured on a bed, with an electrode inserted in one of two private places (we could have recommended where) , and with a violet wand. Lots of foot fetish action here, for those customers. We couldn’t do half as well, but we would have  liked (1) a more firm bed to make Ariel’s bottom higher, and (2) better closeups on the salient areas.



4 Nov

2F/2f; time: 72 minutes

A long and somewhat silly film, featuring Amelia Jane Rutherford in a ballerina role, an activity part of her personal experience, as she will illustrate. Instructress ‘Miss Matthews’ is unhappy with Amelia and ‘Charlotte.’ Both girls are in tutus and are not prepared to perform. Amelia looms almost one foot taller than Charlotte.

Matthews is going to give the girls a spanking as a reminder. “What?” Amelia is taken OTK first, her ballerina pants come down. “Always on the bare.” Amelia is a lapful.  Charlotte does ballet positions off to the side in the shot. The girls will switch, and Amelia has the chance to flash her frontal, as she likes to do.

Cbarlotte gets the same spanking with Amelia posing in the background, except now she has no pants on. The girls are directed to do some ballet without pants. Amelia can easily touch her palms to the floor, quite a sight bare bottom, the repeated feature of the film. She is a figurine here.

Next comes a slipper session for the girls, with a bare bottom bend-over for the other girl.  Miss Matthews has never spanked hard in any of her films. Hasn’t she seen some of the other dominatrix’s in action? Amelia is able to pose en pointe here. The girls will return in the evening for a caning session.

The bare bottomed girls are bent over for the cane. Again, Ms. Rutherford’s bottom steals the scene, rising above Charlotte’s. The caning is slow, a lot of talk. Each girl starts with six, Amelia’s a little harder. It takes a closeup to see the marks.

The  next day: another female disciplinarian  will take the caning up a notch. The girls are back in schoolgirl attire. Blazers then skirts must come off. “Why?” Both girls bend over a desk. The Domme does the panties. She is lefthanded. Each girl gets six and then another six for  not being contrite. 










Bathtime Beatings – SAMSDIARIES

2 Nov

F/f; time: 7 minutes

We promised to review the Amelia Jane Rutherford appearances at SAMSDIARIES separately from any comment on the other films on the site itself. We have counted about 19 AJR films.

Sam interrupts Amelia, quite naked in her bath, as a lady should be. Amelia is ordered to stand, presenting the perfect wet bottom, unlike any other.  Sam herself is wearing just yellow bra and boy shorts, and in this era she is popping out of the bra. Since Amelia is already in the slightly elevated tub, her bottom is at waist height for Sam.

She begins to spank Amelia, whose bottom height is another depiction on how tall  Ms. Rutherford is. Out of the tub, bend over for the tawse. Amelia kneels on the tub for the final strapping. This film mostly a bottom tribute. And there is still much to say about the eroticism of wet bottoms.





30 Oct

F/2f; (time: 25 minutes) The ‘intake,’ for prisons, reformatories, remedial boarding schools, has supplied themes for numerous producers. We think principally of BARSANDSTRIPES and GIRLSBOARDINGSCHOOL,  and of course the incomparable detention houses of LUPUS. Nothing like a girl shrinking in front of the desk of a uniformed supervisor.

’Cara’ and ‘Arielle’ will be given the what-for by ‘Miss Bernadette’ for their intake. The scene is a rather slapdash medical setup, not much in the way of fixtures. Miss Bernadette orders them to strip, which is done with the proper bit of reluctance, with the appropriate pause at panties.

First they are weighed—lots of good bottom exposure time here. The girls then kneel on a table for a rectal thermometer. Both bottoms have been spanked. Spanking implements await on a chair. The girls are paddled then strapped in turn, on the moderate side. An unusual detail—some sunlight has crept onto the set and highlights part of their pink bodies. The film concludes with the girls strapping each other, always soft stuff, we have found.


Painfull Memories – CALSTAR

17 Oct

F/f: time: 22 minutes

Spelling by the producer. Two credited actors in this American film: ‘Debbie’ and ‘Lesley Faye.’ Cute blonde Debbie, dressed credibly as a schoolgirl, is being scolded by her mother. She is being accused with having sex with her mother’s boyfriend. Debbie is asked to recall what happened to her the last time, setting up a flashback and the first spanking scene. Debbie was caught, lounging on a foldout bed, drinking beer. We go quickly to a brief and mild OTK bare bottom spanking.

Dissolve back to the present, where the scolding continues. Dissolve again to a bathroom, where Debbie was caught stealing a smoke. She wears only white bra and panties, loosely fitting. Her mother takes her to the living room, where she must drop her panties. She is strapped with a doubled belt on the couch, in various postures, including the diaper position. There was no shaving done when this film was made. Lots of pubic shots. Cute scene, and a bit more severe for the Americans.

Back to the present and the scolding. Debbie’s eyes bug out when she sees the cane her mother brandishes. She begs and denies, to no avail. She must drop her panties and bend over  desk. The caning is moderate, scattered snaps all over the place. Debbie confesses to the sex.

To the corner, more caning standing, panties up and down. Debbie great, American producer more adventurous.