Undercover Spy – FUTILESTRUGGLES

2 Jul

M/f; time: 60 minutes

A longer film from Ariel Anderssen, and because it contains a lot more spanking, we review it separately. And, we believe this is our favorite of Ms. Phillips’ appearances in the FUTILESTRUGGLES series.

Ariel is outside a warehouse, reporting on a cell phone that she has made some discovery. She insists that she will be OK in this dangerous situation. A man (‘Miguel’) escorts her into a warehouse, the same set used in many of this producer’s films. She observes the BDSM equipment on prominent display and should be wondering. Miguel grabs and chloroforms her.

After a cut, she has been stripped to a white leotard, tied up, and gagged. She wakes up, manages to cut her ropes, removes the gag, and tries to escape. Miguel grabs her again and carries her off like a sack over his shoulder. More chloroform. These scenes are slow and realistic. Ariel struggles for a bit, and Miguel gets in his fondles before she loses consciousness.

‘Later’ Ariel is strung up this time, with a harness gag in place. Miguel revives her by throwing cold water on her. She screams through the gsg and slobbers. Shots of her bare feet in the puddle of water on the concrete. Miguel blindfolds her, wrapping a sort of Ace bandage around her head numerous times. To increase her discomfort, he hauls her up even tighter.

Miguel uses a piece of metal to spread her ankles, and he snips off her leotard with a knife. Ariel is down to just pantyhose. He begins flogging and caning and uses a doubled belt. He turns her body to have her bottom face the camera. Bare feet in the water, lots of spanking here. Erotic.

Miguel strings rope around her waist and through her buttocks crack and labia. Cane torment, nipple clamps with weights added. More belting. He spritzes her with something from a bottle, tightens the hoist again, and widens her ankles even more. Closeups, low shots, industrial lighting.

‘In Ariel’s Words’ : Ms. Anderssen/Rutherford does a 7 minute statement of what it was like to make this film.

The Institute – FIRMHAND

1 Jul

Another series with Belinda Lawson, Helen Stephens, and Earl Grey, this one with a copyright date of 2019. It is probably earlier. The setting is the usual FIRMHAND office scene. The story here: the girls are being paid to participate in a study on corporal punishment. 15 episodes and maybe a little repetitive for a jaded spanko.

(A) (M/f; time: 12 minutes) The girls discuss the email they have answered. It “was vague, about a kind of training thing…but the money is good.” The girls arrive at the institute and are in discussion with Grey. The study will be about “the effectiveness of corporal punishment.” “Spanking?…that sounds interesting, sir.” The girls giggle.

“We’ll start with you, Miss Stephens.” She goes OTK and Grey goes right for the skirt hem. “Skirt up.” Gasp. “What?” A routine handspanking. Belinda observes. “Care to inspect the color, Miss Lawson?” “I’m OK from here, thanks.” Slow motion repeats. When Grey reminds Belinda the obvious, that she is next: “Are you sure you haven’t tired yourself out?”

(B) (M/f; time: 11 minutes) Belinda’s turn. “Just get on with it.” She bends over, and quickly suggests to Grey that he should pull her panties down. The girls laugh. After the spanking, bottoms to the wall. “Consider that a warmup.” Grey does some left handed work here. Slow motion repeats. We’re just getting started.

(C) (M/2f; time: 12 minutes) In general, the episodes in this series seem longer. The girls examine and are fascinated with a pile of spanking implements at the ready in the spanking room. Grey enters the shot and asks Helen to select an implement. She selects a huge tawse.

Grey has her bend over the table, and she suddenly realizes, “Oh, you want to see my bare bottom. It’s not that he wants to, but after all, it is part of the procedure. Helen positions and flashes some fuzz, unusual here. Belinda holds her wrists. “It stings, sir….but it’s worth the money.” Slow motion repeats. The girls swap positions.

(D)(M/2f; time: 14 minutes) Belinda’s turn for the tawse. “Panties down.” Helen stays bent over beside her, two bottoms on the screen. Same tawsing. The bottoms are left to “contemplate.” Slow motion repeats.

(E) (M/2f; time: 14 minutes) Helen’s turn again. This time she selects a paddle. Grey has her strip to bra, panties, garter belt and stockings. She lies flat on the green tabletop for a standard paddling. Panties down soon enough.

(F) (M/f; time: 13 minutes) Belinda’s turn for the paddle. Grey has been spanking “really hard, and he is doing it so firmly.”

“Your turn, Miss Lawson.” He has her strip to just bra and panties and lay across the desk, just like Helen. The paddling begins on her panties. Not good enough for Grey. “This is no good. Pants down.” Helen pulls them down. Paddling continues. Face, rear, and overhead shots.

When Belinda reaches back to rub, she is admonished to hold position. Belinda takes those little reflexive breaths we have seen associated with real pain. At the conclusion of this spanking, Grey wants a written evaluation of each implement from the girls. When it is over, Belinda slowly pulls her panties up, full screen. Slow motion repeats, and some laughter among the cast as to how stoic Belinda is.

(G) (M/2f; time: 9 minutes) The girls are waiting for Grey to arrive for a new session. He’s late, not in keeping with this professional “institution.” He arrives, they taunt him, encouraging a more rigorous spanking. Helen is more informal today in flannel top and jeans.

Belinda will be spanked first. Grey will use a meter stick. She bends over a chair. The stick is loud on her jeans. She drops her jeans and the. Her black panties. More stick on the bare. Slow motion.

(H) (M/f; time: 7 minutes) Helen’s turn for the meter stick. “It really stings,” reports Belinda. Helen: “I really need the money.” Grey wants Helen’s opinion of the stick and has her bend over the chair. Loud stick on her jeans. “Stand up. Jeans down.” Stick on the bare. Slow motion repeats.

(J) (M/f; time: 9 minutes) The girls discuss the meter stick, a thick and stiff one, not your garden variety hardware store giveaway. “It stings…it’s loud….bare bottom is by far the worst.” It is Helen’s turn to bend over. Hard smacks from Grey on her jeans. “You know what comes next.” Which is panties, he takes them down. Facial and rear views. Nice hard strokes. Slow motion repeats. He leaves them to think about the “process,” which is what is coming next as the institute proceedings approach a climax.

(K) (M/f; time: 6 minutes) The girls are discussing the impending end of their Institute stay. Belinda tells Helen: “It says in the contract that we have to take off our clothes for this session.” Helen claims she is not going to do it, but the girls know they won’t be paid until the session ends.

Grey enters with a cane. He instructs Belinda to horse Helen over her back. He canes her hard on her jeans. “Swap over.” Slow motion repeats of Helen’s caning.

(L) (M/f ; time: 7 minutes) “We don’t get paid until we finish.” Belinda is horsed here, much more difficult because she is a big girl and overwhelms Helen. Grey canes her on skin tight jeans, loud and colorful. Now: “Both of you, strip!” The girls feign shock, we’ve seen they knew this was coming. Slow motion repeats of Belinda and some outtakes.

(M)

(N) (M/f; time: 10 minutes) The horsed canings continue. The girls are naked, a lovely pile of stacked flesh. Grey canes her. She certainly can take it. Slow motion repeats and closeups.

(P) (M/f; time: 11 minutes) The episode is entitled “Helen’s Final Caning.” Helen is naked and horsed. The girls always remain on tiptoes to relieve the pressure. A very nice caning, two naked girls.

(Q) (M/f; time: 10 minutes) Belinda’s final caning, horsed naked. Another nice caning. To conclude, two beautiful mildly striped bottoms over the desk. Grey wants appraisal forms filled out on each implement. “I swear he enjoys this.” Helen: “I’m just thinking about the money.” A lengthy slow motion repeat.

What’s For Dinner – SPANKEDCHEEKS

25 Jun

M/f; time: 21 minutes

Amelia Jane Rutherford and a familiar male. The guy comes home after a day of work. Amelia lolls ( She lolls a lot in her films, taking Cleopatra style poses) on a couch, not motivated to make dinner. She is wearing a silk slip. After some playful arguing, the guy begins to get angry.

He takes Amelia OTK, and what starts out as a routine spanking takes a turn when we see Amelia is not wearing any panties. Her bottom soars on his lap. He uses a black leather paddle, on her thighs also. Hard enough to cut down her banter. She is cold, but he is hot. “You can make it up in the bedroom.”

In the Woods GIRLSPANKSGIRL

24 Jun

F/f; time: 15 minutes

A distinctly lesbian film with Audrey Knight and Abi Whittaker. The setting is an exterior, in a clearing on the edge of woods beside a huge lake. It reminds us of sets for some great nudie films made in the Crimea.

For no discernible reason, Audrey is going to spank Abi. It must be cool, the grass is brown, and the girls wear long sleeves. Abi leans against a pine tree and Audrey begins to spank. Audrey gets the jeans down, Abi is wearing her prototype print panties.

Audrey gets the panties down. We’ve praised this tight little bottom before, so atypical of the normal CP model and yet so perfect. It is so exotic to watch her dance to the stings. Nice side and rear shots.

Abi pulls up her jeans and panties and is sent off to find a switch. Bare bottom again, Audrey whips with the switch in decisive little swipes, causing Abi to jump on each cut. It really seems to sting. Audrey grabs and gropes. Abi’s bottom dances. Very red, and some puss, uncommon for her. The girls hug and kiss and walk off hand-in-hand.

I’m Not Going – SPANKEDCHEEKS

24 Jun

F/f; time: 14 minutes

Amelia Jane Rutherford and Zoe Page again. The girls seem to be roommates or more. Both are in bra and panties. Zoe wants to go to a party, Amelia does not.

The relationship is such that Zoe grabs Amelia and will spank her. She doesn’t fight back and even willingly readjust her OTK posture so that Zoe can spank left handed. The girls keep arguing, panties come down. Amelia kneels up on the couch for two different straps and a black paddle. Never tire of the sight.

A standard spanking. The girls leave the set and are heard bickering in the bedroom. They return and the formulaic spanking continues. Amelia agrees to dress for the party.

A functioning wall clock suggests that this film was done in one take.

Soap

21 Jun

We gather a few of our favorite films of girls getting soap in the mouth as part of a spanking. We will add a few more.

‘From the Headmaster:The Anarchy’ LUPUS. We start with perhaps our favorite, and we emphasize these are our choices, not an exhaustive list. This film is separately reviewed. The Headmaster coats the inside of a girl’s mouth with a soaped rag and pinches her nose to make her breathe it in.

‘Clare soaped’ (F/f; time: 6 minutes; AAASPANKING) Clare Fonda stands in front of a bathroom mirror. An older woman opens a new bar of Dove hand soap, wets it, proceeds to coat Clare’s tongue with it before jamming it into her mouth. “Suck it, suck it, like you suck a cock.” Goodness, ladies!

The soaping continues, quite aggressive here. “Getting the taste of penis out of your mouth?” More tongue coating, soap all over her face. All in front of a mirror. No spanking.

‘Doctor’s Orders (H) FIRMHAND. The series with Amelia Jane Rutherford, separately reviewed.

‘Katie Visits Meryl’ NUWEST. Separately reviewed. Stunning Katie gets a new bar of Ivory in her mouth, ineffectual but very cute. Nothing quite like Katie stomping in place with soap in our mouth or full intestines.

‘Kiki Diapered and Mouthsoaped’ MOMMASPANKINGS. Separately reviewed.

‘Professional Student’ GIRLSPANKSGIRL. Lana scrubs Amelia Jane Rutherford’s tongue. Separate review.

‘Spanking with Pixie’ LAPPRODUCTIONS. Amber Pixie Wells. Separate review.

‘Stevie-soaped’ (M/f; time: 4 minutes) PUNISHMENTONLY. Part of a longer film. Few faces.A guy unwraps a new bar of face soap. “Please, no,” mutters Stevie. The guy wets the soap, puts it in and out of Stevie’s mouth, then has her bite on it and hold. He spanks her hard standing while she bites. Two girls are watching, their pants down.

Nights. 24 hours of slavery – RESTRAINEDELEGANCE

17 Jun

M/f; time: 40 minutes

We review this Ariel Anderssen/Hywel Phillips film outside our normal RESTRAINEDELEGANCE collection because of its length. It is mostly BDSM and a nudie celebration of Ms. Anderssen.

A taxi delivers Ariel to an industrial building. She cautiously enters a building in shadow and is greeted out of the darkness by Phillips. She tries to convince us: “I am not actually afraid.” She must kneel in the doorway. He smacks her bottom a few times with a whip.

It develops he is a professional disciplinarian. This is his place of business. Ariel’s boyfriend has sent her for a weekend of treatment. A fruitful plot line. We love films where girls have to ring or knock at houses where they know they are going to be spanked. She will be a ‘slave girl.’ She quickly stacks up demerits, for wearing wrong clothing from instructions, her attitude,etc.

It seems demerits are worked off by “torture,” not just punishment. “What exactly is ‘torture’”? She is made to crawl into the main room, past a cage, where the presence of a spanking horse and a pillory make clear what torture can be.

Phillips has her strip to just top and panties. But it’s cold. He puts on a dog collar and cuffs her wrists and ankles. “It gets worse before it gets better.” When he approaches with a ball gag, she tries to back away before he jams it in, a better part of the film. On a stepladder, he strings her wrists to the ceiling. He ties her ankles wide to anchors, spreading her legs, taking a long time to do it. We are reminded of Ed Lee at NUWEST, where he let the camera roll while he struggled with chains or ropes.

Since she is cold already, Phillips will wet her panties with a sponge. A few cane snaps on her wet knickers. Ariel struggles, showing off her toned and muscled body. Phillips pulls down her knickers. There is a huge bruise on her right buttock, one we have not noted on her topographic chart. Phillips puts clothes pins on her nipples and leaves her for a while.

He returns and cuts off her top and panties. Ariel stands spread eagle, naked, struggling, magnificent. After a while (this is supposed to be a weekend), he lets her arms loose so she can rub. “Make yourself comfortable.” She tries to sit, which is torture in itself with her ankles tied wide. The gag comes out, she unties her ankles herself. Phillips is going to take her “upstairs.” What happens there? She must crawl.